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Afterword

Published online by Cambridge University Press:  12 September 2012

Lara Feigel
Affiliation:
King's College London
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Summary

Victory Bonfire

On 7 May 1945, London was again in flames. William Sansom watched apprehensively as the citizens celebrated ‘joy, the fireworks of victory, the bonfires and songs of deliverance’. Those Londoners who had urged on the Nazi fires in their destruction could now legitimately kindle their own victory bonfires. As in the days of the Blitz, the small fires spread, until each ‘cast its coppery glow on the house-rows, on glassy windows and the black blind spaces where windows once had been’ (p. 201). Higher up, the sky blazed with fireworks – a curious luxury for a nation that had cowered from the explosions of the bombs and the rattle of the guns. And of course, as the fire reignited memories of wartime conflagration, it also awakened the ghosts of the dead. ‘The ghosts of wardens and fire-guards and firemen were felt scurrying again down in the redness.’

These fires were built on the wreckage of other fires, not just in Britain but throughout Europe. The British had valiantly survived the air war. But the German ruins would be harder to rebuild, their dead too many to commemorate. And as well as the ashes in Dresden or Hamburg, there were the even less thinkable vestiges of the bodies systematically burned in the Nazi gas ovens.

Type
Chapter
Information
Literature Cinema and Politics 1930–1945
Reading Between the Frames
, pp. 232 - 236
Publisher: Edinburgh University Press
Print publication year: 2010

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  • Afterword
  • Lara Feigel, King's College London
  • Book: Literature Cinema and Politics 1930–1945
  • Online publication: 12 September 2012
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  • Afterword
  • Lara Feigel, King's College London
  • Book: Literature Cinema and Politics 1930–1945
  • Online publication: 12 September 2012
Available formats
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Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Afterword
  • Lara Feigel, King's College London
  • Book: Literature Cinema and Politics 1930–1945
  • Online publication: 12 September 2012
Available formats
×