Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-vfjqv Total loading time: 0 Render date: 2024-04-26T17:00:03.723Z Has data issue: false hasContentIssue false

5 - A Critical and Stylistic Analysis of the Depiction of the Transnational Human Trafficking Victim in Minette Walters’ The Cellar

Published online by Cambridge University Press:  05 January 2023

John Douthwaite
Affiliation:
Università degli Studi di Genova
Ulrike Tabbert
Affiliation:
University of Huddersfield
Get access

Summary

Gregoriou presents a study of characterisation in a crime fiction novel on child trafficking. Her choice of analytic tools (speech presentation, naming strategies, transitivity, modality and metaphor analysis) narrows the focus to an in-depth exploration of these selected five, bringing to light character Muna’s mind style.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Beyer, C. (2018). ‘In the suitcase was a boy’: Representing Transnational Child Trafficking in Contemporary Crime Fiction. In Gregoriou, C., ed., Representations of Transnational Human Trafficking: Present-Day News Media, True Crime, and Fiction. Houndmills: Palgrave, pp. 89115.Google Scholar
Christie, N. (1986). The Ideal Victim. In Fattah, E. A., ed., From Crime Policy to Victim Policy. London: Palgrave Macmillan, pp. 1730.CrossRefGoogle Scholar
Ekers, M., & Loftus, A. (2008). The Power of Water: Developing Dialogues between Foucault and Gramsci. Environment and Planning D: Society and Space, 26(4), 698.Google Scholar
Forster, E. M. [1927] (1987). Aspects of the Novel. Harmondsworth: Penguin.Google Scholar
Fowler, R. (1977). Linguistics and the Novel. London: Methuen.Google Scholar
Gramsci, A. (1971). Selections from the Prison Notebooks. Trans. Quintin Hoare and Geoffrey Nowell-Smith. New York: International Publishers.Google Scholar
Gregoriou, C. (2007). Deviance in Contemporary Crime Fiction. Basingstoke: Palgrave.Google Scholar
Gregoriou, C. (2011). Language, Ideology and Identity in Serial Killer Narratives. London: Routledge.Google Scholar
Gregoriou, C., & Ras, I. (2018a). Representations of Transnational Human Trafficking: A Critical Review. In Gregoriou, C., ed., Representations of Transnational Human Trafficking: Present-Day News Media, True Crime, and Fiction. Houndmills: Palgrave, pp. 124.Google Scholar
Gregoriou, C., & Ras, I. (2018b). ‘Call for purge on the people traffickers’: An Investigation into British Newspapers’ Representation of Transnational Human Trafficking, 2000–2016. In Gregoriou, C., ed., Representations of Transnational Human Trafficking: Present-Day News Media, True Crime, and Fiction. Houndmills: Palgrave, pp. 2559.Google Scholar
Hall, S. L. (2015). The Uncanny Sacrifice: Sex Trafficking in Chris Abani’s Becoming Abigail. Critique – Bolingbroke Society, 56(1), 4260.Google Scholar
Hartlaub, J. (2016). Review: The Cellar, by Minette Walters. Book Reporter. www.bookreporter.com/reviews/the-cellar-0 (accessed April 2022).Google Scholar
Jeffries, L. (2010). Critical Stylistics: The Power of English. Basingstoke: Palgrave.Google Scholar
Kelly, L. (2005). ‘You can find anything you want’: A Critical Reflection on Research on Trafficking in Persons within and into Europe. International Migration, 43 (1–2), 235–65.CrossRefGoogle Scholar
Kinney, E. (2015). Victims, Villains and Valiant Rescuers: Unpacking Sociolegal Constructions of Human Trafficking and Crimmigration in Popular Culture. In Guia, M. J., ed., The Illegal Business of Human Trafficking. Cham: Springer, pp. 87108.Google Scholar
Lakoff, G., & Johnson, M. (1980). Metaphors We Live By. Chicago: University of Chicago Press.Google Scholar
Leech, G., & Short, M. (2007). Style in Fiction, 2nd ed. London: Longman.Google Scholar
Mayr, A. (2008). Language and Power: An Introduction to Institutional Discourse. London: Continuum.Google Scholar
Short, M. (1988). Speech Presentation, the Novel and the Press. In van Peer, W., ed., The Taming of the Text. New York: Routledge, pp. 6181.Google Scholar
Simpson, P. (1993). Language, Ideology and Point of View. London: Routledge.Google Scholar
Szörényi, A. (2016). Expelling Slavery from the Nation: Representations of Labour Exploitation in Australia’s Supply Chain. Anti-Trafficking Review, 7, 7996. www.antitraffickingreview.org (accessed April 2022).Google Scholar
Szörényi, A., & Eate, P. (2014). Saving Virgins, Saving the USA: Heteronormative Masculinities and the Securitisation of Trafficking Discourse in Mainstream Narrative Film. Social Semiotics, 24(5), 608–22.Google Scholar
Walters, M. (2015). The Cellar. London: Penguin.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×