Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-8bljj Total loading time: 0 Render date: 2024-06-29T03:04:17.905Z Has data issue: false hasContentIssue false

‘A Record and Memorial of his Talents for Posterity’: Anthony van Dyck’s Sketch of the Garter Procession

Published online by Cambridge University Press:  25 January 2021

Get access

Summary

Van Dyck's largest and most important oil sketch is a grisaille showing the Knights of the Order of the Garter taking part in a procession held annually on St. George's Day, April 23rd (FIG. 1). The King, Charles I, can be clearly made out beneath a canopy on the left hand side of the composition. The oil sketch records an extremely important but sadly uncompleted royal commission for a series of large tapestries which were to have hung in Inigo Jones's Banqueting House at Whitehall, beneath the great painted ceiling by Rubens. A discussion of this remarkable work, which has recently been acquired by the Ashmolean Museum, seemed to me an appropriate way in which to honour my friend and colleague Ernst van de Wetering. It has been Ernst's achievement to greatly enhance our understanding of both the working methods and the artistic ambitions of Van Dyck's countryman and fellow painter, Rembrandt. On the one hand, the grisaille is a preparatory work in which we can see very clearly a key stage in Van Dyck's working methods in terms of subject matter, style, and technique. The sketch yields us a rare moment of insight into a seventeenth-century painter's creative process. On the other hand, the unaccomplished decoration project was a unique endeavour of a successful and ambitious painter to expand upon his reputation and enter into artistic emulation with his predecessors in a courtly context. Van Dyck's sketch raises more issues than can be resolved within the scope of this article; however, it clearly poses just those questions regarding the artist's creativity and status that have been asked and often answered by Ernst during his career.

The sketch has a distinguished history. It was in the collection of Charles I – the King's CR brand is on the back of each of the two oak panels which make up the support (FIG. 2) – and in Abraham van der Doort's inventory it is described as ‘painted in black and white in oyle Cullors a long narrow peece – which was made for a moddell for a bigger piece where yor Maty and the Lords of the Garters, goeing a Precessioning upon St Georgs day.’

Type
Chapter
Information
The Learned Eye
Regarding Art, Theory, and the Artist’s Reputation
, pp. 133 - 139
Publisher: Amsterdam University Press
Print publication year: 2005

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×