Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-qxdb6 Total loading time: 0 Render date: 2024-04-25T10:44:09.102Z Has data issue: false hasContentIssue false

15 - Saints and Status in Late Medieval and Early Renaissance Florence

Published online by Cambridge University Press:  20 December 2022

Donal Cooper
Affiliation:
University of Cambridge
Beth Williamson
Affiliation:
University of Bristol
Get access

Summary

As the heads of the Greek and Latin Churches sought to unite their respective institutions during the Council of Florence in 1439, they and their entourages were treated to elaborate, public displays of the Florentines’ devotion to two of their most important patron saints: John the Baptist, and the early Christian bishop, Zenobius (d. c. 424). On 26 April the council participants attended the translation of Saint Zenobius’s relics from the crypt of the medieval cathedral of Santa Reparata to a chapel dedicated to him in the east tribune of the new cathedral of Santa Maria del Fiore (Fig. 15.1). Slightly less than two months later, the same prestigious cohort witnessed the annual celebration of the Baptist’s feast on 23 and 24 June. The April and June events were celebrated with a great deal of pomp, and the visiting ecclesiastical dignitaries must have departed their host city with the impression that the Florentines accorded a similar amount and kind of attention to both of their saintly protectors.

One would never arrive at the same conclusion today. Since 1975, Saint Zenobius’s traditional feast of 25 May has been observed on 10 May, when its celebration is efficiently, if ahistorically, bundled with that of Florence’s other sainted (arch)bishop, Antoninus Pierozzi (1389–1459). The very modest recognition of Zenobius on that day, which consists of special masses and the display of the saint’s head reliquary (Plate XXII) near the Saint Zenobius Chapel, largely passes unnoticed. The feast of Saint John, in contrast, is celebrated from morning to night each 24 June with a procession, complete with a corps of drummers and the choreographed movements of costumed flag-bearers, Mass in the cathedral, a rousing game of calcio storico, and an impressive display of fireworks over the river Arno. The discrepancies in the degree to which each saint’s feast is presently celebrated in Florence have long found a parallel in the historical and art historical literature, which unequivocally privileges the place the civic patron, John the Baptist, occupied in Florentine devotions over that of the episcopal patron, Zenobius.

Type
Chapter
Information
Late Medieval Italian Art and its Contexts
Essays in Honour of Professor Joanna Cannon
, pp. 289 - 306
Publisher: Boydell & Brewer
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×