This chapter has a simple argument: Pliny’s Epistles is a work of many intertextual parts. Neither beholden to Cicero’s Epistles, its professed generic forebear, nor privileging ‘poetic memory’ over prose, it integrates a broad range of predecessors, old and new, verse and prose. In a larger study of Plinian intertextuality Whitton has argued that Quintilian’s Institutio Oratoria is its unsuspected protagonist, with Tacitus’ Dialogus tightly caught up in the same weave. Rather than rehearsing those claims, he uses this short contribution to pick out some other ingredients to his mix. Three short passages (from Ep. 4.3, 5.16 and 7.1) include a long-forgotten reworking of Cicero’s Orator and hitherto unremarked imitations of Lucretius’ De Rerum Natura, Valerius Maximus’ Facta et Dicta Memorabilia and Tacitus’ Agricola. In examining these liaisons, the chapter exemplifies some modes and norms of Plinian imitatio and demonstrates that these works and authors all have a role in his pages (so, incidentally, adding to their reception histories). More broadly – if very selectively – it argues that Pliny’s generic self-positioning is a literary act of high ambition: for all its professed simplicity, the Epistles integrates a wide range of exemplary texts into its blend. We just need to start plumbing its depths.