Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-7drxs Total loading time: 0 Render date: 2024-07-20T22:53:39.948Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

The Hotel at the End of the Universe

from Publishing, Politics, Publics

Steven D. Putzel
Affiliation:
Pennsylvania State University
Get access

Summary

The late thirties was an extraordinarily painful but also an extraordinarily productive time for Leonard Woolf, as it was for Virginia. Many friends and family members had died in the thirties, the Spanish Civil War that would take the life of Julian Bell raged from 1936 until 1939, and capitalist, communist, and Fascist barbarians were about to destroy Europe. Virginia Woolf had just completed The Years (1937), and was writing Three Guineas (1938), the biography of Roger Fry (1940), and Between the Acts (1941). In 1939 alone Leonard published Barbarians at the Gate (in the U.S. Barbarians Within and Without), the second volume of After the Deluge, and his only play, The Hotel. I will focus here on Leonard's quest to see his play The Hotel produced. Many factors contributed to Leonard's difficulty in realizing his play in performance: the outbreak of war, the play's sharp satirical treatment of religion and of UK and European politicians, and Leonard's own inexperience with play-writing. But behind this “non-production” history, is the suggestion that Leonard, like Virginia, was ahead of his time, introducing absurdist theatrical techniques almost worthy of Genet and Albee in an age still dominated by realism and melodrama.

At the end of March 1938 Virginia Woolf wrote in her diary “L. writing his play— the one he's brewed these 10 years & more” (D5 133). In August she noted progress with “P.H.” (Pointz Hall that would become Between the Acts), adding “Its to end with a play. L. is writing his in the garage room. I note he doesnt like to be asked when will it be done? He has, amusingly, all an artists sensibilities” (D5 159). A diary entry dated 13 October noted “went to Tilton & read L's play to the K.s,” adding “They gravely approved. M. as intent as a terrier. Very interesting. We like it very much. Suggest the Group Theatre” (D5 180). In a letter to Vanessa, curiously dated Oct. 8 (five days earlier than the diary entry), she wrote: “had tea with the Keynes…L. read them his play; They seemed rather impressed; they think the Group may do it. I thought it rather good too…

Type
Chapter
Information
Publisher: Liverpool University Press
Print publication year: 2013

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×