Book contents
- Frontmatter
- Dedication
- Contents
- List of Figures and Tables
- Acknowledgements
- Introduction
- 1 Broadcasting, Spatiotemporalities, and Power
- 2 Doordarshan, Literary Drama, and Narrative Identity
- 3 Televisual Representations of Socio-Spatial Conflicts, and the Religious–Secular Imaginaries
- 4 Patriotism and Its Avatars: Tracking the National–Global Dialectic in Music Videos and Television Commercials
- 5 Remembering Doordarshan: Figurations of Memories and Nostalgia on Blogs, YouTube, and in Oral Interviews
- Epilogue
- Bibliography
- Index
Acknowledgements
Published online by Cambridge University Press: 08 May 2019
- Frontmatter
- Dedication
- Contents
- List of Figures and Tables
- Acknowledgements
- Introduction
- 1 Broadcasting, Spatiotemporalities, and Power
- 2 Doordarshan, Literary Drama, and Narrative Identity
- 3 Televisual Representations of Socio-Spatial Conflicts, and the Religious–Secular Imaginaries
- 4 Patriotism and Its Avatars: Tracking the National–Global Dialectic in Music Videos and Television Commercials
- 5 Remembering Doordarshan: Figurations of Memories and Nostalgia on Blogs, YouTube, and in Oral Interviews
- Epilogue
- Bibliography
- Index
Summary
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- Type
- Chapter
- Information
- India's State-run MediaBroadcasting, Power, and Narrative, pp. xi - xivPublisher: Cambridge University PressPrint publication year: 2019