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Bibliography

Published online by Cambridge University Press:  18 January 2023

James O. Young
James O. Young
Affiliation:
University of Victoria, British Columbia
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A History of Western Philosophy of Music , pp. 357 - 379
Publisher: Cambridge University Press
Print publication year: 2023

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References

Primary Sources

Aristides Quintilianus, , On Music, trans. Mathiesen, Thomas J., New Haven: Yale University Press, 1983.Google Scholar
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Aristotle, , Poetics, trans. Halliwell, Stephen, Chapel Hill: University of North Carolina Press, 1987.Google Scholar
Aristotle, , The Politics, trans. Barker, Ernest, London: Oxford University Press, 1946.Google Scholar
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Barker, Andrew (ed.), Greek Musical Writings, Volume i: The Musician and His Art, Cambridge: Cambridge University Press, 1984.Google Scholar
Barker, Andrew (ed.), Greek Musical Writings, Volume ii: Harmonic and Acoustic Theory, Cambridge: Cambridge University Press, 1990.Google Scholar
Boethius, , Fundamentals of Music, trans. Bower, Calvin M., New Haven: Yale University Press, 1989.Google Scholar
Butcher, S. H., Aristotle’s Theory of Poetry and Fine Art with a Critical Text and Translation of the Poetics, London: MacMillan and Co., 1907.Google Scholar
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Hieronymus Cardanus, , Writings on Music, trans. Miller, Clement A., n.p.: American Institute of Musicology, 1973.Google Scholar
Iamblichus, , On the Pythagorean Life, trans. Clark, Gillian, Liverpool: Liverpool University Press, 1989.Google Scholar
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Quintilian, , Institutio Oratoria, trans. Butler, H. E., London: William Heinemann, 1922.Google Scholar
Quintilian, , The Orator’s Education: Vol. iv, Books 9–10, trans. Russell, Donald A.. Cambridge, ma: Harvard University Press, 2002.Google Scholar
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Kristeller, Paul Oskar, “The Modern System of the Arts: A Study in the History of Aesthetics (i),” Journal of the History of Ideas, 12 (1951), 496–527.Google Scholar
Kristeller, Paul Oskar, “The Modern System of the Arts: A Study in the History of Aesthetics (ii),” Journal of the History of Ideas, 13 (1952), 17–46.Google Scholar
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Levin, Flora R., The Harmonics of Nicomachus and the Pythagorean Tradition, University Park: The American Philological Association, 1975.Google Scholar
Lippman, Edward A., Musical Thought in Ancient Greece, New York: Columbia University Press, 1964.Google Scholar
Mathiesen, Thomas J., “Harmonia and Ethos in Ancient Greek Music,” The Journal of Musicology, 3 (1984), 264–79.Google Scholar
Perl, Carl Johann, “Augustine and Music,” The Musical Quarterly, 41 (1955), 496–510.Google Scholar
Porter, James I., “Is Art Modern? Kristeller’s ‘Modern System of the Arts’ Reconsidered,” British Journal of Aesthetics, 49 (2009), 1–24.Google Scholar
Sambursky, Samuel, The Physical World of the Greeks, trans. Dagut, Merton, Princeton: Princeton University Press, 1956.Google Scholar
Schrade, Leo, “Music in the Philosophy of Boethius,” The Musical Quarterly, 33 (1947), 188–200.Google Scholar
Twining, Thomas, Aristotle’s Treatise on Poetry, Translated with Notes on the Translation, and on the Original; and Two Dissertations, on Poetical, and Musical, Imitation, London: Luke Howards & Sons, 1812.Google Scholar
Wilkinson, L. P., “Philodemus on Ethos in Music,” The Classical Quarterly, 32 (1938), 174–81.Google Scholar
Young, James O., “The Ancient and Modern System of the Arts,” British Journal of Aesthetics, 55 (2015), 1–17.Google Scholar

Secondary Sources

Aristides Quintilianus, , On Music, trans. Mathiesen, Thomas J., New Haven: Yale University Press, 1983.Google Scholar
Aristotle, , Metaphysics, Books 1–9, trans. Tredennick, Hugh, Cambridge, ma: Harvard University Press, 1933.Google Scholar
Aristotle, , On the Heavens, trans. Guthrie, W. K. C., Cambridge, ma: Harvard University Press, 1939.Google Scholar
Aristotle, , Poetics, trans. Halliwell, Stephen, Chapel Hill: University of North Carolina Press, 1987.Google Scholar
Aristotle, , The Politics, trans. Barker, Ernest, London: Oxford University Press, 1946.Google Scholar
Aristotle, , Problems, trans. Mayhew, Robert, Cambridge, ma: Harvard University Press, 2011.Google Scholar
Aristoxenus, , The Harmonics of Aristoxenus, trans. Macran, Henry S., Oxford: Clarendon Press, 1902.Google Scholar
Athenaeus, , The Deipnosophists, trans. Yonge, Charles Duke, London: Henry G. Bohn, 1854.Google Scholar
Augustine, , The City of God, trans. Walsh, Gerald G., Zema, Demetrius B., Monahan, Grace and Honan, Daniel J., Garden City: Image Books, 1958.Google Scholar
Augustine, , The Trinity, trans. Rotelle, John E., Hyde Park: New City Press, 1991.Google Scholar
Augustine, , Writings of Saint Augustine, New York: Fathers of the Church, Inc., 1947.Google Scholar
Barker, Andrew (ed.), Greek Musical Writings, Volume i: The Musician and His Art, Cambridge: Cambridge University Press, 1984.Google Scholar
Barker, Andrew (ed.), Greek Musical Writings, Volume ii: Harmonic and Acoustic Theory, Cambridge: Cambridge University Press, 1990.Google Scholar
Boethius, , Fundamentals of Music, trans. Bower, Calvin M., New Haven: Yale University Press, 1989.Google Scholar
Butcher, S. H., Aristotle’s Theory of Poetry and Fine Art with a Critical Text and Translation of the Poetics, London: MacMillan and Co., 1907.Google Scholar
Cicero, , Tusculan Disputations, trans. King, J. E., Cambridge, ma: Harvard University Press, 1945.Google Scholar
Laertius, Diogenes, Lives of Eminent Philosophers, vol. ii, trans. Hicks, R. D., Cambridge, ma: Harvard University Press, 1925.Google Scholar
Grenfell, Bernard P. and Hunt, Arthur S. (eds), The Hibeh Papyri, London: Egypt Exploration Fund, 1906.Google Scholar
Hieronymus Cardanus, , Writings on Music, trans. Miller, Clement A., n.p.: American Institute of Musicology, 1973.Google Scholar
Iamblichus, , On the Pythagorean Life, trans. Clark, Gillian, Liverpool: Liverpool University Press, 1989.Google Scholar
Longinus, , On the Sublime, trans. Havell, H. L., revised Russell, Donald, in Aristotle xxiii, Cambridge, ma: Harvard University Press, 1995.Google Scholar
Lucretius, , Of the Nature of Things, trans. Leonard, William Ellery, London: J. M. Dent, 1916.Google Scholar
Plato, , The Collected Dialogues of Plato, Hamilton, Edith and Cairns, Huntington (eds), Princeton: Princeton University Press, 1963.Google Scholar
Plotinus, , The Enneads, trans. MacKenna, Stephen, London: Faber and Faber, 1969.Google Scholar
Plutarch, , Moralia, vol. 14, trans. De Lacy, Phillip H., Cambridge, ma: Harvard University Press, 1967.Google Scholar
Quintilian, , Institutio Oratoria, trans. Butler, H. E., London: William Heinemann, 1922.Google Scholar
Quintilian, , The Orator’s Education: Vol. iv, Books 9–10, trans. Russell, Donald A.. Cambridge, ma: Harvard University Press, 2002.Google Scholar
Sextus Empiricus, , Against the Musicians, trans. Greaves, Denise Davidson, Lincoln: University of Nebraska Press, 1986.Google Scholar
Brancacci, Aldo, “Music and Philosophy in the First Book of Aristides Quintilianus’ De Musica,” in Philosophy and Art in Late Antiquity, Iozzia, Daniele (ed.), Catania: Bonanno Editore, 2013, pp. 13–30.Google Scholar
Burkert, Walter, Lore and Science in Ancient Pythagoreanism, trans. Minar, Edwin L. Jr, Cambridge, ma: Harvard University Press, 1972.Google Scholar
Feichtinger, Hans, “‘Nothing Rash Must Be Said’: Augustine on Pythagoras,” American Catholic Philosophical Quarterly, 89 (2015), 253–76.CrossRefGoogle Scholar
Ferguson, Kitty, Pythagoras: His Lives and the Legacy of a Rational Universe, London: Icon, 2011.Google Scholar
Harap, Louis, “Some Hellenic Ideas on Music and Character,” The Musical Quarterly, 24 (1938), 153–68.Google Scholar
Knight, W. F. Jackson, St Augustine’s De Musica: A Synopsis, London: The Orthological Institute, 1947.Google Scholar
Kristeller, Paul Oskar, “The Modern System of the Arts: A Study in the History of Aesthetics (i),” Journal of the History of Ideas, 12 (1951), 496–527.Google Scholar
Kristeller, Paul Oskar, “The Modern System of the Arts: A Study in the History of Aesthetics (ii),” Journal of the History of Ideas, 13 (1952), 17–46.Google Scholar
La Croix, Richard R. (ed.), Augustine on Music: An Interdisciplinary Collection of Essays, Lewiston: Edwin Mellon, 1988.Google Scholar
Levin, Flora R., The Harmonics of Nicomachus and the Pythagorean Tradition, University Park: The American Philological Association, 1975.Google Scholar
Lippman, Edward A., Musical Thought in Ancient Greece, New York: Columbia University Press, 1964.Google Scholar
Mathiesen, Thomas J., “Harmonia and Ethos in Ancient Greek Music,” The Journal of Musicology, 3 (1984), 264–79.Google Scholar
Perl, Carl Johann, “Augustine and Music,” The Musical Quarterly, 41 (1955), 496–510.Google Scholar
Porter, James I., “Is Art Modern? Kristeller’s ‘Modern System of the Arts’ Reconsidered,” British Journal of Aesthetics, 49 (2009), 1–24.Google Scholar
Sambursky, Samuel, The Physical World of the Greeks, trans. Dagut, Merton, Princeton: Princeton University Press, 1956.Google Scholar
Schrade, Leo, “Music in the Philosophy of Boethius,” The Musical Quarterly, 33 (1947), 188–200.Google Scholar
Twining, Thomas, Aristotle’s Treatise on Poetry, Translated with Notes on the Translation, and on the Original; and Two Dissertations, on Poetical, and Musical, Imitation, London: Luke Howards & Sons, 1812.Google Scholar
Wilkinson, L. P., “Philodemus on Ethos in Music,” The Classical Quarterly, 32 (1938), 174–81.Google Scholar
Young, James O., “The Ancient and Modern System of the Arts,” British Journal of Aesthetics, 55 (2015), 1–17.Google Scholar
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Dyer, Joseph, “Music, Passion and Virtue in Two Quodlibetal Questions of the Philosopher Pierre d’Auvergne,” Philomusica On-line, 15 (2016), 1–54.Google Scholar
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Ilnitchi, Gabriela, “Musica Mundana, Aristotelian Natural Philosophy and Ptolemaic Astronomy,” Early Music History, 21 (2002), 37–74.Google Scholar
Jeffreys, Catherine, “Some Early References to Aristotle’s Politics in Parisian Writings about Music,” in Identity and Locality in Early European Music, 1028–1740, Stoessel, Jason (ed.), Farnham: Ashgate, 2009, pp. 83–105.Google Scholar
Kristeller, Paul Oskar, “Music and Learning in the Early Italian Renaissance,” Journal of Renaissance and Baroque Music, 1 (1947), 255–74.Google Scholar
McCarthy, T. J. H., “Music, Medieval,” in Encyclopedia of Medieval Philosophy, Lagerlund, Henrik (ed.), Dordrecht: Springer, 2011, pp. 818–23.Google Scholar
Mews, Constant J., “Questioning the Music of the Spheres in Thirteenth-Century Paris: Johannes de Grocheio and Jerome de Moravia OP,” in Knowledge, Discipline and Power in the Middle Ages, Canning, Joseph, King, Edmund and Staub, Martial (eds), Leiden: Brill, 2011, pp. 95–117.Google Scholar
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  • Bibliography
  • James O. Young, University of Victoria, British Columbia
  • Book: A History of Western Philosophy of Music
  • Online publication: 18 January 2023
  • Chapter DOI: https://doi.org/10.1017/9781108654777.008
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  • Bibliography
  • James O. Young, University of Victoria, British Columbia
  • Book: A History of Western Philosophy of Music
  • Online publication: 18 January 2023
  • Chapter DOI: https://doi.org/10.1017/9781108654777.008
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  • Bibliography
  • James O. Young, University of Victoria, British Columbia
  • Book: A History of Western Philosophy of Music
  • Online publication: 18 January 2023
  • Chapter DOI: https://doi.org/10.1017/9781108654777.008
Available formats
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