Skip to main content Accessibility help
×
Hostname: page-component-8448b6f56d-sxzjt Total loading time: 0 Render date: 2024-04-18T16:46:12.818Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  06 July 2019

Alejandro Enrique Planchart
Affiliation:
University of California, Santa Barbara
Get access
Type
Chapter
Information
Guillaume Du Fay
The Life and Works
, pp. 857 - 908
Publisher: Cambridge University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Aosta, Archives Regionales, Archives Challant, carton 247.Google Scholar
Aosta, Biblioteca Capitolare, MS 35. Responsoriale. Aosta, Cathedral, sixteenth century.Google Scholar
Aosta, Biblioteca del Seminario Maggiore, MS 58. Gradual-Proser. Parish church of Ayas, sixteenth century.Google Scholar
Assisi, Biblioteca Capitolare, MS 695. Troper (ordinary) and three prosers, thirteenth century (second half). Copied from models from Reims, Paris, and possibly Sens.Google Scholar
Besançon, Archives départementales du Doubs, G 178. Chapter acts. Besançon, Cathedral of Saint-Étienne, fifteenth century.Google Scholar
Besançon, Bibliothèque municipale, MS 64. Breviary, pars aestiva. Besançon, Saint-Jean, later Cathedral, late thirteenth century.Google Scholar
Besançon, Bibliothèque municipale, MS 712. Martyrologium of the cathedral of Saint-Étienne de Besançon. Martyrology, Obituary, Miscellanea. Besançon, Cathedral, thirteenth century with numerous later additions.Google Scholar
Bologna, Archivio di Stato, Tesoreria e Contrallatore di Tesoreria, Registers 80–83. Accounts of the treasury of the Commune of Bologna, 1425–1428.Google Scholar
Bruges, Archief van het Bisdom, Reeks 49–51. Collegiate church of Saint Donatian in Bruges, chapter acts 49 (1395–1414), 50 (1414–1438), 51 (1458–1454).Google Scholar
Brussels, Bibliothèque Royale de Belgique, MS BR II.3824. Gradual and Proser. Dijon, Saint-Bénigne, mid-thirteenth century.Google Scholar
Cambrai, Médiathèque municipale, MS 4. MS 12. Gradual, copied in 1540 by Martin L’Escuyer for Robert Croy, bishop of Cambrai.Google Scholar
Cambrai, Médiathèque municipale, MS 29. Psalter, canticles, antiphons, some polyphonic hymns, fourteenth, fifteenth, and sixteenth century. Cambrai Cathedral.Google Scholar
Cambrai, Médiathèque municipale, MS 38. Antiphoner. Cambrai Cathedral, thirteenth century.Google Scholar
Cambrai, Médiathèque municipale, MS 39. Necrology-Calendar. Cambrai Cathedral, fourteenth–fifteenth century.Google Scholar
Cambrai, Médiathèque municipale, MS 60. Gradual and Proser. Cambrai Cathedral, eleventh–twelfth century.Google Scholar
Cambrai, Médiathèque municipale, MS 61. Gradual and Proser. Lille, St-Pierre, later Cambrai Cathedral, twelfth century.Google Scholar
Cambrai, Médiathèque municipale, MS 146. Missal, pars hiemalis. Cambrai, St-Géry, fifteenth century.Google Scholar
Cambrai, Médiathèque municipale, MS 147. Missal, pars aestiva (continuation of 146). Cambrai, St-Géry, fifteenth century.Google Scholar
Cambrai, Médiathèque municipale, MS 151. Missal, pars hiemalis. Cambrai Cathedral, fifteenth century, legacy of canon Paul Beye (d. 13 Feb. 1445).Google Scholar
Cambrai, Médiathèque municipale, MS 152. Missal, pars hiemalis. Cambrai Cathedral, fifteenth century.Google Scholar
Cambrai, Médiathèque municipale, MS 158. Votive Missal. Cambrai Cathedral, ca. 1440–1450.Google Scholar
Cambrai, Médiathèque municipale, MS 181. Missal. Cambrai Cathedral (Chapel of the 11,000 Virgins), thirteenth century with additions of the fifteenth century.Google Scholar
Cambrai, Médiathèque municipale, MS 184. Missal, pars hiemalis, use of Cambrai, fourteenth century with additions of the fifteenth century.Google Scholar
Cambrai, Médiathèque municipale, MS 197. Obituary. Cambrai, collegiate church of Ste-Croix, fourteenth–fifteenth century.Google Scholar
Cambrai, Médiathèque municipale, MS 232, Missal. Cambrai Cathedral, fifteenth century.Google Scholar
Cambrai, Médiathèque municipale, MS 699. Julien de Ligne (d. 1605), collected notes on the history of the cathedral of Cambrai.Google Scholar
Cambrai, Médiathèque municipale, MS 701. Denis-Henri Mutte (d. 1774), collection of notes for the history of the cathedral of Cambrai.Google Scholar
Cambrai, Médiathèque municipale, MS 954. Compilation of treatises by Pierre d’Ailly, fifteenth century.Google Scholar
Cambrai, Médiathèque municipale, MS 1046. François-Dominique Tranchant, list of archbishops, bishops, dignitaries, and canons of Cambrai, by order of dignities or prebends and then by chronology, ca. 1764.Google Scholar
Cambrai, Médiathèque municipale, MS 1049. Collection of inscriptions and epitaphs in the cathedral compiled by chaplain François-Dominique Tranchant in 1764.Google Scholar
Cambrai, Médiathèque municipale, MSS 1052–65, and Lille, Archives Départementales du Nord, 4 G 1090. Cathedral of Cambrai, chapter acts, 1364–1508. Old signatures A (CBM 1052) to P (CBM 1065). CBM 1053 had no signature, CBM 1055 is C–D, LAN 4 G is I. Old registers F (1428–1435), H (1439–1442), and N (1468–1476) are lost.Google Scholar
Cambridge, St John’s College, MS D27. Consuetudinary. St. Mary’s York, fourteenth–fifteenth century.Google Scholar
Cambridge, University Library, MS 710. Proser, Troper. Dublin, Trinity College, ca. 1360. Facsimile: Le Tropaire-Prosaire de Dublin, ed. Hesbert, René-Jean, Monumenta Musicae Sacrae 4 (Rouen: Imprimerie Rouennaise, 1966).Google Scholar
Chambéry, Archives départementales de Savoie, Inv. 24, SA 3604–08. Accounts of the chapel of Savoy, 1449–1459. (SA 3605, besides the booklet with the accounts, includes 26 separate pieces, most of them autograph quittances by members of the chapel.)Google Scholar
Cividale dal Friuli, Museo Archeologico Nazionale, MS LVI. Gradual with tropes and proses. Cividale, Santa Maria Assunta, fourteenth century.Google Scholar
Cividale dal Friuli, Museo Archeologico Nazionale, MS LVIII. Gradual with tropes and proses. Cividale, Santa Maria Assunta, fourteenth century.Google Scholar
Cividale dal Friuli, Museo Archeologico Nazionale, MS LXXIX. Gradual with tropes and proses. Cividale, Santa Maria Assunta, fourteenth century.Google Scholar
Cornell University Library, MS Rare BX C 36 0635 (olim MS B 31).Google Scholar
Doubs, Archives départementales de la Côte d’Or, G 1128. Act of dedication of the Sainte-Chapelle of Dijon to the Order of the Golden Fleece, 1432.Google Scholar
Ferrara, Museo della Cattedrale, Antifonario X. Antiphoner, de sanctis, pars hiemalis. Ferrara, ca. 1490.Google Scholar
Florence, Archivio Arcivescovile, MS s.c. Antiphoner. Florence Cathedral, late fourteenth century.Google Scholar
Florence, Archivio dell’Opera del Duomo, MS F. Antiphoner. Florence Cathedral, 1523.Google Scholar
Florence, Archivio di Stato, Mediceo avanti il principato, filza 22, no. 118. Letter of Antonio Squarcialupi to Guillaume Du Fay (1 May 1467).Google Scholar
Florence, Archivio di Stato, Mediceo avanti il principato, MS VI 765. Letter of Du Fay to Giovanni de’ Medici (22 Feb. [1456]).Google Scholar
Florence, Biblioteca Medicea Laurenziana, MS Aedilium 151. Gradual. Florence Cathedral, fifteenth century.Google Scholar
Florence, Biblioteca nazionale centrale, MS Magl. XIX. 79–81. Ledgers of the Camera Apostolica, 1410–1413.Google Scholar
Fribourg (Switzerland), Bibliothèque des Cordeliers, MS 2.Google Scholar
Gorizia, Biblioteca del Seminario Centrale, MS I. Proser-Troper. Gorizia, fourteenth century.Google Scholar
Ithaca, NY, Cornell University Library, MS Rare BX C 36 0635 (olim MS B 31). Ordo. North Italian, later Ferrara, twelfth century.Google Scholar
Klosterneuburg, Stiftsbibliothek, MS 588. Gradual, tropes, proses. Klosterneuburg, thirteenth–fourteenth century.Google Scholar
Kremsmünster, Stiftsbibliothek, MS 190. Gradual, Proser. Kremsmünster, fifteenth century.Google Scholar
Laon, Archives départementales de l’Aisne, G 1850 ter. Laon Cathedral, chapter acts, 1407–1412.Google Scholar
Lausanne, Archives cantonales vaduoises, MS DG 7/1. Lausanne Cathedral, chapter acts, fifteenth century.Google Scholar
Lausanne, Bibliothèque cantonale et universitaire, MS V 1184. Psalter and Hymnal. Lausanne, thirteenth century.Google Scholar
Lausanne, Bibliothèque cantonale et universitaire, Section de Manuscrits, MS 57: Samuel Gaudard, Catalogus venerabilium dominorum canonicorum insignis ecclesiae cathedralis Lausannensis, summo cum ex omnis generis veteribus manuscriptis, actis, instrumentis, documentis, et authenticis originalibus fideliter collectus. Seventeenth century.Google Scholar
Lille, Archives départementales du Nord, 1 G 125, pièce 388. Douai, Chapter of Saint-Amé, Bull of Martin V ceding rights of collation of St-Amé de Douai of several chaplaincies or two semiprebends; among titulars is Jehan Du Fay, 15 July 1425.Google Scholar
Lille, Archives départementales du Nord, 1 G 155. Douai, Chapter of Saint-Amé, transcriptions and registers of testaments of canons and chaplains of Saint-Amé, 1452–1496.Google Scholar
Lille, Archives départementales du Nord, 4 G 87, pièce 1264. Bull of Eugenius IV ordering the chapter of Cambrai to attach the parish of Castrele to the Office of the Twelve Small Vicars, 10 Oct. 1439.Google Scholar
Lille, Archives départementales du Nord, 4 G 94, pièce 1732. Cambrai Cathedral, Réglement of the choristers, 1745.Google Scholar
Lille, Archives départementales du Nord, 4 G 148, pièce 2269A. Treatise between the bishop of Cambrai, the chapter, and the city, copied by Barthélemy Poignare, 1446.Google Scholar
Lille, Archives départementales du Nord, 4 G 439. Acts of the échevinage of Troisvilles, 1435–1777.Google Scholar
Lille, Archives départementales du Nord, 4 G 1039. Testament of Grégoire Nicole (d. 25 Dec. 1469) and accounts of the executors.Google Scholar
Lille, Archives départementales du Nord, 4 G 1085. The “Livre poilu,” collection of capitular decisions and copies from the acts, thirteenth–fourteenth century.Google Scholar
Lille, Archives départementales du Nord, 4 G 1086. Cambrai Cathedral, a collection of notarial acts compiled to serve as models for the redaction of documents, fifteenth century.Google Scholar
Lille, Archives départementales du Nord, 4 G 1090. See Cambrai, Mediathèque municipale, MSS 1052–65.Google Scholar
Lille, Archives départementales du Nord, 4 G 1203. Testament of Michiel van Beringhen (d. 12 Aug. 1457) and accounts of the executors.Google Scholar
Lille, Archives départementales du Nord, 4 G 1212. Testament of Henry Beye (d. 12 Oct. 1458) and accounts of the executors.Google Scholar
Lille, Archives départementales du Nord, 4 G 1217. Testament of Nicole Boidin (d. 23 Aug. 1460) and accounts of the executors.Google Scholar
Lille, Archives départementales du Nord, 4 G 1313. Testament of Guillaume Du Fay (d. 17 Nov. 1474) and accounts of the executors.Google Scholar
Lille, Archives départementales du Nord, 4 G 1371. Testament of Denis de Hollain (d. 8 Nov. 1503) and accounts of the executors.Google Scholar
Lille, Archives départementales du Nord, 4 G 1372. Testament of Jehan Hubert Sr. (d. 25 Dec. 1415) and accounts of the executors.Google Scholar
Lille, Archives départementales du Nord, 4 G 1705. Testament of Pierre du Wez (d. 8 May 1483) and account of the executors.Google Scholar
Lille, Archives départementales du Nord, 4 G 1995. Cambrai Cathedral, statutes of the chapter, 18th century (with hundreds of citations from the chapter acts and earlier compilations).Google Scholar
Lille, Archives départementales du Nord, 4 G 2009. Fragments of two obituaries in calendar form from the grand vicars of Cambrai Cathedral, fifteenth century. One of the obituaries refers to the services in choro and the other to the services in the Chapel of St. Stephen, which was the chapel of the vicars.Google Scholar
Lille, Archives départementales du Nord, 4 G 4607–4700. Cambrai Cathedral, accounts of the fabric, 1399–1505 (occasional lacunae).Google Scholar
Lille, Archives départementales du Nord, 4 G 5040–5121. Cambrai Cathedral, accounts of the grand métier, 1401–1501 (occasional lacunae).Google Scholar
Lille, Archives départementales du Nord, 4 G 5389–5453. Cambrai Cathedral, accounts of the assize, 1404–1510 (occasional lacunae).Google Scholar
Lille, Archives départementales du Nord, 4 G 6740–50. Cambrai Cathedral, accounts of the grand vicars, 1440 and 1500–1606 (accounts of 1500–1606 bound in two large volumes but foliated by year, occasional lacunae).Google Scholar
Lille, Archives départementales du Nord, 4 G 6787–91. Cambrai Cathedral, accounts of the small vicars, 1361–1498 (booklets occasionally bound together but foliated by year, numerous large lacunae).Google Scholar
Lille, Archives départementales du Nord, 4 G 6882–6985. Cambrai Cathedral, accounts of the grand community of chaplains, 1394–1505 (intermittent lacunae).Google Scholar
Lille, Archives départementales du Nord, 4 G 7299–7309. Cambrai Cathedral, accounts of the cellar, 1432–1476 (lacuna 1461–1475).Google Scholar
Lille, Archives départementales du Nord, 4 G 7369–90. Cambrai Cathedral, accounts of bread distribution, 1396–1419 (end of the series).Google Scholar
Lille, Archives départementales du Nord, 4 G 7401–74. Cambrai Cathedral, accounts of wine distribution and later of wine and bread, 1399–1514 (lacunae 1450–1451 and 1501–1512; accounts of 1474–1483 and 1484–1500 bound in a single volume but foliated by year).Google Scholar
Lille, Archives départementales du Nord, 4 G 7757–73. Cambrai Cathedral, accounts of the aumosne, 1378–1516 (some lacunae, a number of years sometimes bound together but foliated by year).Google Scholar
Lille, Archives départementales du Nord, 6 G 177–78. Cambrai, Ste-Croix, chapter acts, 1406–1505.Google Scholar
Lille, Archives départementales du Nord, 6 G 702–707. Cambrai, Ste-Croix, accounts of the fabric, 1418–1487 (fascicles roughly in chronological order, numerous lacunae).Google Scholar
Lille, Archives départementales du Nord, 7 G 26, pièce 375. Process of the election of Jehan Hubert, Jr. as Provost of St-Géry, 4 Jan. 1426, with a copy of Hubert’s oath.Google Scholar
Lille, Archives départementales du Nord, 7 G 124. Collection of acts of the échevinage of St-Géry, 1284–1444.Google Scholar
Lille, Archives départementales du Nord, 7 G 710. Collection of statutes of the chapter of St-Géry, fifteenth to seventeenth century (with a table at the beginning).Google Scholar
Lille, Archives départementales du Nord, 7 G 752–59. Cambrai, St-Géry, chapter acts, 1381–1503. Most volumes are a collection of chapter acts and accounts interspersed in no particular order. Registers 754 and 758 appear to be notes for the compilation of a register of chapter acts (register 754: 1434–1470, register 758: 1485–1600) entered in no particular order.Google Scholar
Lille, Archives départementales du Nord, 7 G 2098–2971. Cambrai, St-Géry, accounts of the chaplains, 1404–1540 (some lacunae).Google Scholar
Lille, Archives départementales du Nord, 7 G 2223–26. Cambrai, St-Géry, Fabric, 1354–1521 (numerous large lacunae).Google Scholar
Lille, Archives départementales du Nord, 16 G 1330–32. Collegiate church of St-Pierre de Lille, accounts of the fabric, 1321–1464 (numerous years bound together but foliated by year, some duplications and lacunae).Google Scholar
Lille, Bibliothèque municipale, MS 599 (olim 26). Cantatorium for the mass and office, Lille, Saint-Pierre, late fourteenth century.Google Scholar
London, British Library, Additional MS 28025. Ordo. Ferrara, ca. 1400.Google Scholar
London, British Library, Additional MS Harley 4951. Gradual, writing of Jehan d’Abbeville, Tonary, Toulouse, eleventh century.Google Scholar
Lucca, Biblioteca Capitolare, MS 601. Antiphoner, probably for San Pietro di Pozzeveri, early twelfth century. In the cathedral at Lucca after 1408. Facsimile: Antiphonaire monastique (XIIe siècle). Codex 601 de la Bibliothèque Capitulaire de Lucques, Paléographie musicale 9 (Tournai: Desclée, 1906. Reprint, Bern: Herbert Lang, 1974).Google Scholar
Lyon, Bibliothèque municipale, MS 525. Gradual and Antiphoner of the use of Vienne, fifteenth century.Google Scholar
Modena, Archivio di Stato, Archivio della Camera marchionale poi ducale, Archivio della computisteria, Mandati, 4986/99 (1436–1438). Accounts of the treasurer of the court of Ferrara.Google Scholar
Modena, Biblioteca Capitolare, MS O.I.7. Gradual of Forlimpopoli, later Ravenna, eleventh–twelfth century.Google Scholar
Mons, Archives de l’État, Chapitre St-Vincent de Soignies, Paroisses, no. 44. Testament of Guillaume [le Metayer] called Malbecque (d. 29 Aug. 1465) and accounts of the executors.Google Scholar
Montpellier, Bibliothèque Inter-Universitaire, Section Médecine, MS H159. Gradual-Tonary, Dijon, Saint-Bénigne, eleventh century. Facsimile: Antiphonarium Tonale Missarum (IXe siècle). Codex H. 159 de l’École de Médecine de Montpellier, 2 vols., Paléographie musicale 7–8. Solesmes: Abbaye de Saint-Pierre, 1901; Tournai: Desclée, 1905. Reprint, Bern: Herbert Lang, 1972.Google Scholar
Munich, Universitätsbibliothek, MS 156. Gradual, Proser, Cantional, Moosburg, St. Castulus, fourteenth century. Facsimile: Moosburger Graduale, München, Universitätsbibliothek, 2°Cod. ms. 156, ed. David Hiley (Tutzing: Schneider, 1996).Google Scholar
Münster, Bistumarchivs, MS 269. Gradual. Münster Cathedral. fifteenth century.Google Scholar
Namur, Musée diocésain, MS 395. Gradual. Collegiate church of Andenne, ca. 1500.Google Scholar
Oxford, Corpus Christi College MS 394. Missal, Sarum, late fourteenth century.Google Scholar
Padua, Biblioteca Capitolare, MS A 47. Gradual of Ravenna, twelfth century.Google Scholar
Paris, Bibliothèque de l’Arsenal, MS 135. Notated Missal with proses, use of Sarum, fourteenth century.Google Scholar
Paris, Bibliothèque de l’Arsenal, MS 197. Gradual, Kyriale, Proser. Paris, St-Victor, thirteenth century.Google Scholar
Paris, Bibliothèque nationale de France, f. fr. 12476. Martin le Franc, Le Champion des dames (illuminated copy finished in 1451).Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 811. Notated Breviary, Châlons-sur-Marne, fifteenth century.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 876. Missal, Montmajour, then Grenoble, fifteenth century.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 879. Missal, Dijon, St-Étienne, fifteenth century.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 909. Troper, Sequentiary, Proser, Processional. Limoges, St-Martial, 1027–1029.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 1051. Partially notated Breviary (Sanctoral only, incomplete). Paris, fifteenth century.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 1084. Prosulary, Troper, Tonary, Sequentiary, Proser. Aurillac, St-Géraud, late tenth century, Limoges, early eleventh century.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 1118. Troper, Tonary, Prosulary, Sequentiary, Proser. Auch or Toulouse, 996–1000, later Limoges.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 1119. Troper, Sequentiary, Proser. Limoges, St-Martial, ca. 1050.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 1121. Troper, Proser, Processional, Versiculary, Tonary, Limoges. St-Martial, 1028–1029.Google Scholar
Paris, Bibliothèque nationale de France, f. lat 1132. Gradual, Kyriale, Proser. Limoges, St-Martial (after the Cluniac takeover), late eleventh–early twelfth century.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 1318. Breviary, incomplete at the beginning and the end, Geneva, St. Peter, fifteenth century.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 9445. Missal. Franciscan, thirteenth century.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 11592. Missal. Toul, Cathedral of St-Étienne, fourteenth century.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 12044. Antiphoner. Saint-Maur-des-Fossés. twelfth century.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 15181. Notated breviary, winter part. Paris, cathedral of Notre-Dame, ca. 1300.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 17315. Missal. Paris, perhaps Ste-Chapelle but more likely St-Jacques de la Boucherie, fifteenth century (1450–1500).Google Scholar
Paris, Bibliothèque nationale de France, nouv. acq. lat. 1177. Miscellanea, Offertoriale, Kyriale, Cantatory, Proser. Aquitanian, late eleventh century.Google Scholar
Paris, Bibliothèque nationale de France, nouv. acq. lat. 1871. Troper, Sequentiary, Proser, Prosulary, Moissac, St-Pierre, ca. 1050. Facsimile: Tropaire séquentiaire prosaire prosulaire de Moissac, ed. Colette, Marie-Noël (Paris: Société Française de Musicologie, 2006).Google Scholar
Piacenza, Biblioteca Capitolare, MS 65. Tonary, Calendar, Hymnal, Gradual, Troper, Proser, Antiphoner. Piacenza, Duomo, thirteenth century. Facsimile: Il libro del maestro, Codice 65, ed. Jensen, Brian Møller et al., 3 vols. (Piacenza: Tip.Le.Co., 19971999).Google Scholar
Rome, Archivio di Stato, Fondo Camerale I, Registers 824–30. Accounts of the Camera Apostolica, cameral mandates of payment, 1418–1447.Google Scholar
Rome, Archivio di Stato, Fondo Camerale I, Registers 1711–12. Papal chancery, libri officialium, 1417–1430 and 1431–1439.Google Scholar
Rome, Biblioteca Vallicelliana, MS C.52. Gradual, Norcia, San Eustizio, eleventh–twelfth century.Google Scholar
Rouen, Bibliothèque municipale, MS 248 (olim A339). Antiphoner, Abbey of Jumièges, thirteenth century.Google Scholar
Turin, Archivio di Corte, Bollario di Felice V, 1–8. Papal letters of Felix V (equivalent to the Vatican Lateran Registers), 1440–1449.Google Scholar
Turin, Archivio di Corte, Materie ecclesiastiche per categorie, Scismi, concilii generali e providenze concernenti la disciplina della Chiesa, Cat. XLV, Mazzo 1, no. 15 (2 July 1431) and no. 16 (7 July 1431), letters of King Sigismund from Nuremberg to his delegates and to the Council fathers, copied in Basel on 17 Sept. 1436.Google Scholar
Turin, Camerale Savoia, Inv. 16, Registers 78–114 (including 100 bis and 103 bis). Accounts of the Tesoreria generale of the court of Savoy, 1433–1469.Google Scholar
Turin, Biblioteca Nazionale Universitaria, MS F.IV.18. Gradual with proser and litanies. Bobbio, twelfth century.Google Scholar
Turin, Biblioteca Nazionale Universitaria, MS G.V.20. Gradual with tropes and proses, processional. Bobbio, eleventh century.Google Scholar
Valenciennes, Bibliothèque municipale, MS 114. Antiphoner, Monastery of St-Amand, France, twelfth century.Google Scholar
Vatican City, Archivio Segreto Vaticano, Diversa Cameralia, 1–13, 16–21, 26. Apostolic chamber, letters and accounts, 1389–1452 (some lacunae). (Volumes 14–15 and 23–25 deal with military matters and were not consulted.)Google Scholar
Vatican City, Archivio Segreto Vaticano, Introitus et Exitus, 377–402. Ledgers of the Apostolic Chamber, 1413–1438.Google Scholar
Vatican City, Archivio Segreto Vaticano, Registra Lateranensia, 186–453. Papal chancery, Lateran registers (papal letters), 1416–1453 (some lacunae).Google Scholar
Vatican City, Archivio Segreto Vaticano, Registra Supplicationum, 105–414. Papal chancery, registers of supplications, 1417–1447 (some lacunae, a few earlier, and later RS are mentioned and dated in the notes themselves).Google Scholar
Vatican City, Biblioteca Apostolica Vaticana, Cappella Sistina 703, no. 1. Rotulus of 24 Apr. 1431, with supplications by the personnel of the papal chapel to Eugenius IV for two benefices for each person.Google Scholar
Vatican City, Biblioteca Apostolica Vaticana, Reg. lat. 222, fols. 95–102. Fragment of a Troper, Bourges, St-Marin de Massay, late 10th century, inserted in a volume of works of St. Augustine.Google Scholar
Vatican City, Biblioteca Apostolica Vaticana, Vat. lat. 4736. Ceremoniale of François de Conzié, ca. 1406.Google Scholar
Vatican City, Biblioteca Apostolica Vaticana, Vat. lat. 8502. Papal chancery, liber officialium, 1417–1419 (essentially a clean but incomplete copy of RAS, Camerale I, Reg. 1711).Google Scholar
Vatican City, Biblioteca Apostolica Vaticana, Vat. lat. 12123. Consistorial diary, early fifteenth century.Google Scholar
Wolfenbüttel, Herzog-August Bibliothek, Cod. Guelf. 628 Helmst. (W1). Collection of Parisian organa, clausulae, and conductus, with a fascicle of English polyphonic tropes and proses. Edinburgh, Cathedral of St. Andrew, ca. 1230. Facsimile: Die mittelalterliche Musik-Handschrift W1, ed. Stahelin, Martin (Wiesbaden: Harrassowitz, 1995).Google Scholar
Worcester, Cathedral Chapter Library, MS F 160. Antiphoner, Processional, Calendar, Psalter, Hymnal, Collectar, Antiphoner, Tonary, Gradual, Kyriale, Proser. Worcester Cathedral, thirteenth and early fourteenth century. Facsimile (Antiphoner only): Antiphonaire Monastique (XIIIe siècle). Codex F 160 de la Bibliothèque de la Cathédrale de Worcester, Paléographie musicale 12 (Tournai: Desclée, 1922. Reprint, Bern: Herbert Lang, 1971).Google Scholar
Adler, Guido, et al., eds. Sechs (Sieben) Trienter Codices, erste–siebenste Auswahl, 7 vols. Denkmäler der Tonkunst in Österreich 14–15 (1900), 22 (1904), 28 (1912), 53 (1920), 76 (1933), 120 (1970). Vienna: Artaria (vols. 1–6), Graz: Akademische Druck und Verlaganstalt, 1959–1970.Google Scholar
Ailly, Pierre. De reformatione ecclesia Petri de Alliaco… Basel: N. Bryling, 1551.Google Scholar
Allsen, J. Michael, ed. Four Late Isorhythmic Motets. Newton Abbot: Antico Editions, 1997.Google Scholar
Altieri, Marco Antonio. Li nuptiali, ed. Narducci, Enrico et al. Rome: Roma nel Rinascimento, 1995.Google Scholar
Amerval, Eloy d’. Le Livre de la deablerie (Paris: Michel le Noir, 1508), also ed. Robert Deschauz and Bernard Charrier. Geneva: Droz, 1991.Google Scholar
Amerval, Eloy d’. Missa Dixerunt discipuli, ed. Magro, Agostino and Vendrix, Philippe. Paris: Champion, 1997.Google Scholar
Amiet, Robert, ed. Repertorium liturgicum Augustanum. 2 vols. Monumenta liturgica ecclesiae Augustanae 1–2. Aosta: Typo-Offset, 1974.Google Scholar
Antiphonale secundum usum Cameracensis ecclesiae completissimum… Paris: Simon Vostre, [15081518].Google Scholar
Antiphonarium sacri Ordinis Praedicatorum pro diurnis horis, ed. Gillet, Martin Stanilas. Rome: Vatican Press, 1933.Google Scholar
Apel, Willi, ed. French Secular Compositions of the Fourteenth Century. 3 vols. Corpus Mensurabilis Musicae 53. Rome: American Institute of Musicology, 19701972.Google Scholar
Apel, Willi. French Secular Music of the Late Fourteenth Century. Publications of the Mediaeval Academy of America 55. Cambridge: Mediaeval Academy of America, 1950.Google Scholar
Atlas, Allan, ed. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G. XIII. 27). 2 vols. Musicological Studies 27. Brooklyn: Institute of Mediaeval Music, 1975.Google Scholar
Baix, François and Uytterbrouck, André, eds. La Chambre apostolique et les “Libri annatarum” de Martin V (1417–1431). 2 vols. Analecta Vaticano-Belgica 14. Brussels: Institut Historique Belge de Rome, 19421960.Google Scholar
Baluze, Etienne, Vitae paparum Avenionensium…, ed. Mollat, Guillaume. 4 vols. Paris: Letouzey et Ané, 19141927.Google Scholar
Barnes, Carl F., ed. The Portfolio of Villard de Honnecourt: A New Critical Edition and Color Facsimile, Foreword by Hiscock, Nigel, Glossary by Hahn, Stacey L.. Farnham: Ashgate, 2009.Google Scholar
Bede, , Opera historica, ed. King, John Edward. 2 vols. Cambridge: Harvard University Press, 1930.Google Scholar
Bent, Ian, ed. French Secular Music. Manuscript Chantilly, Musée Condé 564. 4 vols. Polyphonic Music of the Fourteenth Century 18–21. Monaco: Éditions de L’Oiseau-Lyre, 19811989.Google Scholar
Bent, Margaret, ed. Fifteenth-Century Liturgical Music II: Four Anonymous Masses. Early English Church Music 22. London: Stainer and Bell, 1979.Google Scholar
Bent, Margaret. Two 14th-Century Motets in Praise of Music. Newton Abbott: Antico, 1977.Google Scholar
Bent, Margaret, and Hughes, Andrew, eds. The Old Hall Manuscript. 3 vols. in 4. Corpus Mensurabilis Musicae 46. Rome: American Institute of Musicology, 19691972.Google Scholar
Bent, Margaret, and Klugseder, Robert, eds. Ein Liber cantus aus den Veneto (um 1440): Fragmente in der Bayerische Staatsbibliothek München und der Österreichischen Nationalbibliothek Wien. Wiesbaden: Reichert, 2012.Google Scholar
Binchois, Gilles. Die Chansons von Gilles Binchois (1400–1460), ed. Rehm, Wolfgang. Musikalischer Denmkmäler 2. Mainz: B Schott Söhne, 1957.Google Scholar
Binchois, Gilles. The Sacred Music of Gilles Binchois, ed. Kaye, Philip. Oxford University Press, 1992.Google Scholar
Blackburn, Bonnie J., Lowinsky, Edward E., and Miller, Clement A., eds. A Correspondence of Renaissance Musicians. Oxford: Clarendon Press; New York: Oxford University Press, 1991.Google Scholar
Boe, John, ed. Beneventanum Troporum Corpus II. Ordinary Chants and Tropes for the Mass from Southern Italy, A.D. 1000–1250. Part 2: Gloria in Excelsis, 3 vols in 2. Recent Researches in the Music of the Middle Ages and Early Renaissance 22–24. Madison: A-R Editions, 1990.Google Scholar
Bracciolini, Poggio. Lettere, ed. Harth, Helene. 3 vols. Florence: Olschki, 19841987.Google Scholar
Brassart, Johannes. Opera Omnia, ed. Mixter, Keith. 2 vols. Corpus Mensurabilis Musicae 35. Rome: American Institute of Musicology, 19651971.Google Scholar
Briegleb, Pervenche and Laret-Kayser, Arlette, eds. Suppliques de Benoît XIII (1392–1422). 2 vols. Documents relatifs au grand schisme 6. Analecta Vaticano-Belgica 26–27. Brussels: Institut Historique Belge de Rome, 19601983.Google Scholar
Carpentier, Jean. Histoire généalogique des Païs-Bas, ou histoire de Cambray et du Cambrésis. 4 vols. Leiden: Carpentier, 1664.Google Scholar
Cattin, Giulio, et al., eds., French Sacred Music, 2 vols. Polyphonic Music of the Fourteenth Century 23A–B. Monaco: Éditions de L’Oiseau-Lyre, 19891991.Google Scholar
Ciconia, Johannes, The Works of Johannes Ciconia, ed. Bent, Margaret and Hallmark, Anne. Polyphonic Music of the Fourteenth Century 24. Monaco: Éditions de L’Oiseau-Lyre, 1985.Google Scholar
Clementini, Cesare. Raccolto istorico della fondazione di Rimino e dell’origine e vite de’ Malatesti… 2 vols. Rimini: Simbeni, 1617. Reprint in Historiae urbium et regionum Italiae rariores 37. Bologna: Forni, 1969.Google Scholar
Cullington, J. Donald and Strohm, Reinhard, eds. “That Liberal and Virtuous Art”: Three Humanist Treatises on Music, Egidius Carlerius, Johannes Tinctoris, Carlo Valgulio. Newtonabbey: University of Ulster, 2004.Google Scholar
De la Fons Melicoq, Alexandre. “Documents inédits pour servir a l’histoire de des usages et des moeurs (suite).” Annuaire-bulletin de la Société de l’Histoire de France, 3 (1865): 40–2.Google Scholar
Deschamps, Eustace. Oeuvres completes, ed. Raynaud, Gaston. Société des anciens textes français 10. Paris: Firmin Didot, 1903.Google Scholar
Desportes, Pierre. Diocèse of Reims. Fasti ecclesiae Gallicanae, vol. 3. Turnhout: Brepols, 1998.Google Scholar
Devillers, Léopold. Cartulaire des comtes de Hainaut, de l’avènement de Guillaume II à la mort de Jacqueline de Bavière. 6 vols. Brussels: Hayez, 18811896.Google Scholar
Devillers, Léopold. Chartes du chapitre de Sainte-Waudru de Mons. 4 vols. Brussels: Kiessling & Cie, 1899, 1903, 1908 [vols. 1–3]; P. Imbrechts, 1913 [vol. 4].Google Scholar
Du Fay, Guillaume. Missa Ave regina caelorum…, ed. Feininger, Laurence. Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae, Ordinarium Missae, Tomus II-3. Trent: Societas Universalis Sanctae Caeciliae, 1963.Google Scholar
Du Fay, Guillaume. Guglielmi Dufay Opera Omnia, ed. De Van, Guillaume. 4 fasc. Rome: American Institute of Musicology, 19471949.Google Scholar
Du Fay, Guillaume. Guillelmi [2–3: Guglielmi] Dufay: Opera Omnia, ed. Besseler, Heinrich. 6 vols. [1: Motetti (1966), 2: Missarum Pars Prior (1960), 3: Missarum Pars Altera (1951), 3a: Missarum Pars Altera: Apparatus Criticus (1962), 4: Fragmenta Missarum (1962), 5: Compositiones Liturgicae Minores (1966), 6: Cantiones (1964)]. Corpus Mensurabilis Musicae 1. Rome: American Institute of Musicology, 19511966. Vol. 6, Cantiones, rev. edn., ed. David Fallows. Stuttgart: Hänssler, 1995.Google Scholar
Du Fay, Guillaume. Nuper rosarum flores, ed. Blackburn, Bonnie J.. Fazer Editions of Early Music. Espoo, Finland: Fzer Music Inc., 1994.Google Scholar
Du Fay, Guillaume. The Office Hymns of Guillaume Dufay, a Selection, ed. Curtis, Gareth. London: Plainsong and Mediaeval Music Society, 1992.Google Scholar
Du Fay, Guillaume. Opera Omnia, ed. Planchart, Alejandro Enrique. 12 fascicles. Santa Barbara: Marisol Press, 20082014. Also available on <www.diamm.ac.uk>.Google Scholar
Du Fay, Guillaume. Sämtliche Hymnen, zu 3 und 4 Stimmen, ed. Gerber, Rudolf. Das Chorwerk 49. Wolfenbüttel: Möseler, 1937.Google Scholar
Du Fay, Guillaume. Vierstimmige Messe “Se la face ay pale,” ed. Besseler, Heinrich. Cappella 2. Kassel: Bärenreiter, 1951.Google Scholar
Du Fay, Guillaume. Two Songs, ed. Fallows, David. Early Music Series (supplement to Early Music 23). London: Oxford University Press, 1973.Google Scholar
Du Fay, Guillaume. Zwölf geistliche und weltliche Werke zu 3 Stimmen, für Singstimmen und Instrumente, ed. Besseler, Heinrich. Das Chorwerk 19. Wolfenbüttel: Kallmeyer, 1932.Google Scholar
Dubrulle, Henry, ed. Les Bénéficiers des diocèses d’Arras, Cambrai, Thérouanne, Tournai pendant le pontificat de Martin V. Louvain: Bureau des Analectes, 1905. Also in Analectes pour servir à l’histoire ecclésiastique de la Belgique. 3rd ser. 1 [= 31] (1905): 1040, 257320, 433481.Google Scholar
Dubrulle, Henry. Les Béneficiers des diocèses d’Arras, Cambrai, Thérouanne, Tournai sous le pontificat d’Eugène IV. Louvain: Bureau des Analectes, 1908. Also in Analectes pour servir à l’histoire ecclésiastique de la Belgique. 3rd ser. 4 [= 34] (1908): 294307.Google Scholar
Dubrulle, Henry. Suppliques du pontificat de Martin V. (1417–1431). Recueils de la Société d’études de la province de Cambrai 6. Dunkirk: Paul Michel, 1922.Google Scholar
Dunstaple, John. John Dunstable, Complete Works, ed. Bukofzer, Manfred. 2nd edn. rev. Margaret Bent et al. Musica Britannica 8. London: Stainer and Bell, 1970.Google Scholar
Dupont, Jacques J. Histoire ecclesiastique et civile de la ville de Cambrai et du Cambresis: Comprenant la succession des évêques & les choses les plus remarquables arrivées dans ce pays. [Seven parts in] 3 vols. Cambrai: Samuel Berthoud, 17591767.Google Scholar
Eifrig, William F. and Pfisterer, Andreas, eds. Melodien zum Ite Missa est und ihre Tropen. Monumenta Monodica Medii Aevi 19. Kassel: Bärenreiter, 2006.Google Scholar
Éloy d’Amerval. Le Livre de la deablerie. Paris: Michel le Noir 1508. Modern edition by Robert Deschauz and Bernard Charrier. Geneva: Droz, 1991.Google Scholar
,. Missa Dixerunt discipuli, ed. Magro, Agostino and Vendrix, Philippe. Paris: Champion, 1997.Google Scholar
Escouchy, Mathieu. Chronique de Mathieu d’Escouchy, ed. Gaston du Fresne de Beaucourt. 3 vols. Paris: Renouard, 18631864.Google Scholar
Eubel, Conrad. Hierarchia Catholica Medii Aevi, I–II. Münster: Regensburg Buchhandlung, 19131914. Reprint Padua: Il messaggero di S. Antonio, 1950.Google Scholar
Fabri, Pierre. Le Grand et Vrai Art de pleine rhétorique, ed. Héron, Alexandre. 3 vols. Rouen: Caignard, 18891890. Reprint Geneva: Slatkine, 1969.Google Scholar
Fallows, David, ed. Oxford, Bodleian Library, MS. Canon. Misc. 213. Late Medieval and Early Renaissance Music in Facsimile 1. University of Chicago Press, 1995.Google Scholar
Fasti Ecclesiae Gallicanae: Répertoire prosopographique des évêques, dignitaires et chanoines de France de 1200 à 1500. Millet, Hélène, general editor. Turnhout: Brepols, 1991–.Google Scholar
Feininger, Laurence, ed. Auctorum Anonymorum Missarum Propria XVI Quorum XI Gulielmo Dufay Ascribenda Sunt. Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae. Ser. 2/1. Rome: Societas Universalis Sanctae Ceciliae, 1947.Google Scholar
Ferreira, Manuel Pedro, ed. Porto 714, um manuscrito precioso. Porto: Campo das Letras, 2001.Google Scholar
Ficker, Rudolf, ed. Sieben Trienter Codices, sechste Auswahl. See Adler, Guido.Google Scholar
Fierens, Alphonse, ed. Suppliques d’Urbain V (1362–1370): Textes et analyses. Analecta Vaticano-Belgica 7. Paris: Champion, 1914.Google Scholar
Fischer, Kurt, and Gallo, F. Alberto, eds. Italian Sacred and Ceremonial Music. Polyphonic Music of the Fourteenth Century 13. Monaco: Éditions de L’Oiseau-Lyre, 1987.Google Scholar
Foppens, Jean François. Biblioteca Belgica, 2 vols. Brussels: Petrus Foppens, 1739.Google Scholar
Foppens, Jean François. Compendium chronologicum episcoporum Brugensium, nec non praepositorum, decanorum et canonicorum ecclesiae cathedralis S. Donatiani. Bruges: Jacob Bernaerts, 1731.Google Scholar
Gallo, F. Alberto, ed. Il Codice musicale 2216 della Biblioteca Universitaria di Bologna. 2 vols. Bologna: Forni, 1970.Google Scholar
Gallo, F. Alberto. Il Codice musicale Panciatichi 26 della Biblioteca Nazionale di Firenze. Studi e testi per la storia della musica 3. Florence: Leo S. Olschki, 1981.Google Scholar
Gerber, Rebecca L., ed. Sacred Music from the Cathedral at Trent: Trent, Museo Provinciale D’arte, Codex 1375 (olim 88). Monuments of Renaissance Music 12. University of Chicago Press, 2007.Google Scholar
Gerbert, Martin, ed. Scriptores ecclesiastici de musica sacra. 3 vols. Saint-Blaise: Typis San-Blasianis, 1784.Google Scholar
Gerstinger, Hans. Le Livre des ordonnances de l’Ordre de la toison d’or [also published as Das Statutenbuch des Ordnens vom Goldenen Vlies]. 2 vols. Vienna: Druck und Verlag der Österreichischen Staatsdruckerei, 1934.Google Scholar
Govers, Marie-José, et al., eds. Het Geraardsbergse handschrift Hs. Brussel, Koninklijke Bibliotheek Albert I, 837–845. Hilversum: Verloren, 1994.Google Scholar
Graduale Triplex. Solesmes: Saint-Pierre, 1979.Google Scholar
Guerrero, Francisco, Canciones y villanescas espirituales… Venice: Giacomo Vincenti, 1589, ed. Gavaldá, Miguel Querol. 2 vols. Monumentos de la Música Española, 16, 19. Barcelona: Consejo Superior de Investigaciones Científicas, 1955.Google Scholar
Guichenon, Samuel. Histoire genealogique de la royale maison de Savoye. Iustifiée par titres, foundations de Monasteres, Manuscripts, anciens Monuments, Histoires & autres preuues authentiques. Enrichie de plusieurs portraits, seaux, Monnoyes, Sepultures & Armoiries. 3 vols. Lyon: Guillaume Barbier, 1660. [Only one title page, vols. 1–2 paginated continuously, vol. 3 (Livre IV contenant les preuves) paginated separately.]Google Scholar
Guido d’Arezzo. Regule rithmice, Prologus in antiphonarium, and Epistola ad Michaelem, ed. and trans. Pesce, Dolores. Musicological Studies 73. Ottawa: Institute of Mediaeval Music, 1999.Google Scholar
Günther, Ursula, ed. The Motets of the MSS Chantilly, Musée Condé 564 (olim 1047) and Modena, Biblioteca Estense α. M. 5. 24 (olim lat. 568). Corpus Mensurabilis Musicae 39. Rome: American Institute of Musicology, 1965.Google Scholar
Haar, James, ed. Città del Vaticano Ms Urbinas latinus 1411. Lucca: LIM, 2006.Google Scholar
Haggh, Barbara, ed. Two Offices for St Elizabeth of Hungary: Gaudeat Hungaria and Laetare Germania. Musicological Studies 65/1. Ottawa: Institute of Mediaeval Music, 1995.Google Scholar
Haggh, Barbara. et al., eds. Two Cambrai Antiphoners: Cambrai, Mediathèque Municipale, 38 and Impr. XVI C 4. Musicological Studies 55/4. Ottawa: Institute of Mediaeval Music, 1995.Google Scholar
Hansen, Finn Egeland, ed. H 159 Montpellier. Tonary of St. Bénigne of Dijon. Copenhagen: Dan Fog, 1974.Google Scholar
Hardt, Hermann. Magnum oecumenicum Constantiense concilium de universali ecclesia reformatione, unione, et fide. 6 vols. Frankfurt and Leipzig: Christian Gensch; Helmstadt: Salomon Schnorr, 16971700.Google Scholar
Harrison, Frank Ll., ed. Motets of English Provenance. Polyphonic Music of the Fourteenth Century 15. Monaco: Éditions de L’Oiseau-Lyre, 1980.Google Scholar
Hautcoeur, Edouard, ed. Documents liturgiques et nécrologiques de l’église collegiale de Saint-Pierre de Lille. Mémoires de la Société d’Études de la Province de Cambrai 3. Lille: L. Quarre, Paris: A Picard, 1895.Google Scholar
Herre, Hermann, ed. Deusche Reichstagakten unter Kaiser Sigismund, vierte Abteilung, 1431–1433. Gotha: Friedrich Andreas Perthes, 1906.Google Scholar
Hesbert, René-Jean, ed. Antiphonale missarum sextuplex. Brussels: Vroomant, 1935. Reprint Rome: Herder, 1967.Google Scholar
Higgins, Paula, ed. Chansonnier Nivelle de la Chausée (Bibliothèque Nationale, Paris, Rés. Vmc. ms. 57, ca. 1460). Geneva: Minkoff, 1984.Google Scholar
Hoppin, Richard H., ed. The Cypriot-French Repertory of the Manuscript Torino, Biblioteca Nazionale J. II. 9. 4 vols. Corpus Mensurabilis Musicae 21. Rome: American Institute of Musicology, 19601963.Google Scholar
Hours, Henri. Diocèse de Besançon. Fasti ecclesiae Gallicanae, vol. 4. Turnhout: Brepols, 1999.Google Scholar
Huglo, Michel. La Messe de Tournai. Une messe polyphonique en l’honneur de Notre-Dame à la Cathédrale de Tournai au XVIe siècle. Tornacum 4. Tournai: Archive du Chapitre Cathédral, 1988.Google Scholar
Kendall, Paul M. and Ilardi, Vincent, eds. Dispatches with Related Documents of Milanese Ambassadors in France and Burgundy, 1450–1483. 2 vols. Athens: Ohio University Press, 1971.Google Scholar
La Marche, Olivier. Mémoires d’Olivier de La Marche, ed. Beaune, Henri and D’Arbaumont, J.. 4 vols. Paris: Renouard, H. Loones, successeur, 18831888.Google Scholar
Morley, Thomas. A Plain and Easy Introduction to Practical Music, ed. Harman, R. Alec, intro. Dart, Thurston. New York: Norton, 1952.Google Scholar
Lagnier, Emanuela, ed. Corpus musicae hymnorum Augustanum. Monumenta Liturgica Ecclesiae Augustanae 11. Aosta: Imprimerie Valdôtaine, 1991.Google Scholar
Lasso, Orlando. Messen 18–23, ed. Hermelink, Siegfried. Sämtliche Werke, neue Reihe 5. Kassel: Bärenreiter, 1965.Google Scholar
Le Févre, Jehan. Chronique de Jean le Févre, ed. Morand, François. 2 vols. Paris: Renouard, 18761881.Google Scholar
Lefèvre, Placide Fernande, ed. Les Ordinaires des collégiales Saint-Pierre à Louvain et Saints-Pierre-et-Paul à Anderlecht d’après des manuscrits du XIVe siècle. Louvain: Bibliothèque de l’Universitè, Bureaux de la Revue, 1960.Google Scholar
Lupi, Johannes. Opera omnia, ed. Blackburn, Bonnie J.. 3 vols. Corpus Mensurabilis Musicae 84. Stuttgart: American Institute of Musicology, 19801989.Google Scholar
Malatesti, Malatesta. Rime, ed. Trolli, Domizia. Parma: Università di Parma, 1981.Google Scholar
Mansi, Giovanni Domenico, et al., eds. Sacrorum conciliorum nova et amplissima collectio. 53 vols. Florence and Venice: Antonio Zatta, 17591798. Reprint Graz, Akademische Druck und Verlaganstalt, 1960.Google Scholar
Marix, Jeanne. Histoire de la musique et des musiciens de la cour de Bourgogne sous le règne de Philippe le Bon. Strasbourg: Heitz, 1939. Repr. Geneva: Minkoff, 1972; Baden-Baden: Koerner, 1974.Google Scholar
Martin le, Franc. Le Champion des dames, ed. Deschau, Robert. 5 vols. Les classiques français du moyen âge 127–31. Paris: Champion, 1999.Google Scholar
Martin le, Franc. Le Champion des dames, I. partie, ed. Piaget, Arthur. Laudanne: Payot, 1968.Google Scholar
Martin le, Franc. The Trial of Womankind: A Rhyming Translation of Book IV of the Fifteenth-Century Le Champion des dames, ed. and trans. Taylor, Steven Millen. Jefferson, NC and London: McFarland, 2005.Google Scholar
Martini, Giovanni Battista. Storia della musica. 3 vols. Bologna: Lelio Dalla Volpe, 17571781. Reprint (facsimile), ed. Wessely, Othmar. Graz: Akademische Druck und Verlaganstalt, 1967.Google Scholar
Missale paruum secundum usum uenerabilis ecclesie Cameracensis impressione Henrici stephani, efficaciter elaboratu[m] est suisq[ue] expe[n]sis [et] Simonis Vostre. Paris: Estienne I. Henri, 1507.Google Scholar
Nelis, Hubert, ed. Suppliques et lettres de Clément VII (1379–1394). Documents rélatifs au Grand Schisme 3. Analecta Vaticano Belgica 13. Rome: Institut Historique Belge, 1934.Google Scholar
Ockeghem, Johannes. Collected Works, ed. Plamenac, Dragan and Wexler, Richard. 3 vols. New York: American Musicological Society, 19471992.Google Scholar
Ockeghem, Johannes. Missa L’homme armé, ed. van Benthem, Jaap. Masses and Mass Sections, II, fasc. 2. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 1999.Google Scholar
Ordo divini officii beati Jacobi Apostoli maioris, patroni ecclesiae parochialis eiusdem Sancti Jacobi de carneficeria, cuius dies festus celebratus vigesima quinta mensis Julii, translatione autem prima Dominica post festum Epiphania. Impressus expensis fabricae eiusdem ecclesia. Paris: Jean Le Blanc, 1581.Google Scholar
Diaconus, Paulus. Vita Sancti Gregorii Magni, ed. Tuzzo, Sabina. Pisa: Scuola Normale Superiore, 2000.Google Scholar
Paviot, Jacques, ed. Portugal et Bourgogne au XVe siècle, 1384–1428: Recueil de documents extraits des archives bourguignones. Lisbon and Paris: Fundacão Calouste Gulbenkian, 1995.Google Scholar
Perkins, Leeman, and Garey, Howard, eds. The Mellon Chansonnier. 2 vols. New Haven: Yale University Press, 1979.Google Scholar
Plamenac, Dragan, ed. Dijon, Bibliothèque Publique, Manuscrit 517. Publications of Mediaeval Musical Manuscripts 12. Brooklyn: Institute of Mediaeval Music, ca. 1972.Google Scholar
Platina [Scacchi, Bartolomeo]. The Lives of the Popes, trans. Benham, W.. London: Griffith, Farran, Okeden & Welsh, n.d. [1888?].Google Scholar
Pope, Isabel, and Kanazawa, Masakata, eds. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Music of the Late Fifteenth Century. Oxford: Clarendon Press, 1978.Google Scholar
Reaney, Gilbert, ed. Early Fifteenth-Century Music. 7 vols. Corpus Mensurabilis Musicae 11. Rome: American Institute of Musicology, 19551983.Google Scholar
Rehm, Wolfgang, ed. Codex Escorial, Chansonnier, Biblioteca del Monasterio El Escorial / Signatur MS. V. III. 24. Documenta Musicologica, 2nd ser. 2. Kassel: Bärenreiter, 1958.Google Scholar
Reson, Jehan [Johannes]. Missa sine nomine, ed. Cvejić, Zarko. Newton Abbot, 2006.Google Scholar
Richental, Ulrich. Chronik des Constanzer Concils, 1414 bis 1418, ed. Buck, Michael Richard. Tübingen: Literarischer Verein in Stuttgart, 1882. Reprint Hildesheim: Olms, 1962.Google Scholar
Richter, Emil Ludwig, and Friedberg, Emil, eds. Corpus iuris canonici: Editio Lipsiensis secunda. 2 vols. Leipzig: Tauchnitz, 18791881. Reprint Graz: Akademische Druck und Verlaganstalt, 1955.Google Scholar
Rumbold, Ian and Wright, Peter, eds. Der Mensuralcodex St. Emmeram: Faksimile der Handschrift Clm 14274 der Bayerische Staatsbibliothek München. 2 vols. Wiesbaden: Reichert, 2006.Google Scholar
Schlager, Karlheinz, ed. Alleluia-Melodien I, bis 1100. Monumenta Monodica Medii Aevi 7. Kassel: Bärenreiter, 1968.Google Scholar
Schlager, Karlheinz. Alleluia-Melodien II, ab 1100. Monumenta Monodica Medii Aevi 8. Kassel: Bärenreiter, 1987.Google Scholar
Schrade, Leo, ed. Le Roman de Fauvel, The Works of Philippe de Vitry, French Cycles of the Ordinarium Missae. Polyphonic Music of the Fourteenth Century 1. Monaco: Éditions de L’Oiseau-Lyre, 1974.Google Scholar
Sherr, Richard, ed. Masses for the Sistine Chapel: Vatican City, Biblioteca Apostolica Vaticana, Cappella Sistina, Ms 14. Monuments of Renaissance Music 13. University of Chicago Press, 2009.Google Scholar
Spataro, Giovanni. Tractato di musica… Venice: Bernardino de Vitale, 1531. Reprint Bibliotheca Musica Bononiensis 14, ed. Giuseppe Vecchi. Bologna: Forni, 1970.Google Scholar
Stäblein, Bruno, ed. Hymnen (I): Die mittelalterlichen Hymnenmelodien des Abendlandes. Monumenta Monodica Medii Aevi 1. Kassel: Bärenreiter, 1956.Google Scholar
Stäblein Harder, Hanna, ed. Fourteenth-Century Mass Music in France. 2 vols. Corpus Mensurabilis Musicae 29 and Musicological Studies and Documents 7. Rome: American Institute of Musicology, 1962.Google Scholar
Stainer, John, et al., eds. Early Bodleian Music: Dufay and his Contemporaries. Fifty Compositions Ranging from about A.D. 1400 to 1440. London: Novello for the Plainsong and Medieval Music Society, 1898. Reprint Amsterdam: Knupf, 1963.Google Scholar
Stravinsky, Igor. Agon: Ballet for Twelve Dancers (New York: Boosey & Hawkes, 1957).Google Scholar
Strohm, Reinhard, ed. Fifteenth-Century Liturgical Music, VI: Mass Settings from the Lucca Choirbook. Early English Church Music 49. London: Stainer and Bell, 2007.Google Scholar
Strohm, Reinhard. The Lucca Choirbook: Lucca, Archivio di Stato, MS 238; Lucca, Archivio Arcivescovile, MS 97; Pisa, Archivo Arcivescovile, Biblioteca Maffi, Cartella 11/III. Late Medieval and Early Renaissance Music in Facsimile 2. University of Chicago Press, 2008.Google Scholar
Tinctoris, Johannes. Opera theoretica, ed. Seay, Albert. 2 vols. Corpus scriptorum de musica 22. Rome: American Institute of Musicology, 19751978.Google Scholar
Uginet, François-Charles, ed. Le Liber officialium de Martin V. Pubblicazioni degli Archivi di Stato, Fonti e Sussidi 7. Rome: Archivio di Stato, 1975.Google Scholar
van den Borren, Charles, ed. Pièces polyphoniques profanes de provenance liègeoise (XVe siècle). Brussels: Éditions de la librairie enciclopédique, 1950.Google Scholar
van den Borren, Charles. Polyphonia Sacra: A Continental Miscellany of the Fifteenth Century. Burnham: Plainsong and Medieval Music Society, 1932. Reprint: College Park: Pennsylvania State University Press, 1963.Google Scholar
Villedieu, Alexandre. Das Doctrinale des Alexander de Villa-Dei. Kritisch-exegetische Ausgabe mit Enleitung, Verzeichniss der Handschriften und Drucke nebst Registern, ed. Reichling, Dietrich. Monumenta Germaniae Paedagogica 12. Berlin: A. Hofmann, 1983. Reprint New York: B. Franklin 1974.Google Scholar
von Fischer, Kurt and Gallo, F. Alberto, eds. Italian Sacred and Ceremonial Music. Polyphonic Music of the Fourteenth Century 13. Monaco: Éditions de L’Oiseau-Lyre, 1987.Google Scholar
Wagner, Peter, ed. Die Graduale des St. Thomaskirche zu Leipzig. 2 vols. Publikationen älterer Musik 7. Leipzig: Breitkopf & Härtel, 19321935. Reprint Hildesheim: Georg Olms, 1967.Google Scholar
Wallner, Bertha Amalie, ed. Das Buxheimer Orgelbuch. Documenta Musicologica, 2nd ser, 1. Kassel: Bärenreiter, 1955.Google Scholar
Wegman, Rob C., ed. Choirbook of the Burgundian Court Chapel. Brussel, Koninklijke Bibliotheek MS. 5557. Peer: Alamire, 1980.Google Scholar
Weiss, Johannes Evangelista, ed. Die Choräle Julian’s von Speyer zu den Reimsoffizien des Franziskus und Antoniusfestes. Veröffentlichungen aus dem Kirchenhistorischen Seminar München, 1st ser. 4. Munich: J. J. Lentner, 1901.Google Scholar

Secondary Sources

Aosta, Archives Regionales, Archives Challant, carton 247.Google Scholar
Aosta, Biblioteca Capitolare, MS 35. Responsoriale. Aosta, Cathedral, sixteenth century.Google Scholar
Aosta, Biblioteca del Seminario Maggiore, MS 58. Gradual-Proser. Parish church of Ayas, sixteenth century.Google Scholar
Assisi, Biblioteca Capitolare, MS 695. Troper (ordinary) and three prosers, thirteenth century (second half). Copied from models from Reims, Paris, and possibly Sens.Google Scholar
Besançon, Archives départementales du Doubs, G 178. Chapter acts. Besançon, Cathedral of Saint-Étienne, fifteenth century.Google Scholar
Besançon, Bibliothèque municipale, MS 64. Breviary, pars aestiva. Besançon, Saint-Jean, later Cathedral, late thirteenth century.Google Scholar
Besançon, Bibliothèque municipale, MS 712. Martyrologium of the cathedral of Saint-Étienne de Besançon. Martyrology, Obituary, Miscellanea. Besançon, Cathedral, thirteenth century with numerous later additions.Google Scholar
Bologna, Archivio di Stato, Tesoreria e Contrallatore di Tesoreria, Registers 80–83. Accounts of the treasury of the Commune of Bologna, 1425–1428.Google Scholar
Bruges, Archief van het Bisdom, Reeks 49–51. Collegiate church of Saint Donatian in Bruges, chapter acts 49 (1395–1414), 50 (1414–1438), 51 (1458–1454).Google Scholar
Brussels, Bibliothèque Royale de Belgique, MS BR II.3824. Gradual and Proser. Dijon, Saint-Bénigne, mid-thirteenth century.Google Scholar
Cambrai, Médiathèque municipale, MS 4. MS 12. Gradual, copied in 1540 by Martin L’Escuyer for Robert Croy, bishop of Cambrai.Google Scholar
Cambrai, Médiathèque municipale, MS 29. Psalter, canticles, antiphons, some polyphonic hymns, fourteenth, fifteenth, and sixteenth century. Cambrai Cathedral.Google Scholar
Cambrai, Médiathèque municipale, MS 38. Antiphoner. Cambrai Cathedral, thirteenth century.Google Scholar
Cambrai, Médiathèque municipale, MS 39. Necrology-Calendar. Cambrai Cathedral, fourteenth–fifteenth century.Google Scholar
Cambrai, Médiathèque municipale, MS 60. Gradual and Proser. Cambrai Cathedral, eleventh–twelfth century.Google Scholar
Cambrai, Médiathèque municipale, MS 61. Gradual and Proser. Lille, St-Pierre, later Cambrai Cathedral, twelfth century.Google Scholar
Cambrai, Médiathèque municipale, MS 146. Missal, pars hiemalis. Cambrai, St-Géry, fifteenth century.Google Scholar
Cambrai, Médiathèque municipale, MS 147. Missal, pars aestiva (continuation of 146). Cambrai, St-Géry, fifteenth century.Google Scholar
Cambrai, Médiathèque municipale, MS 151. Missal, pars hiemalis. Cambrai Cathedral, fifteenth century, legacy of canon Paul Beye (d. 13 Feb. 1445).Google Scholar
Cambrai, Médiathèque municipale, MS 152. Missal, pars hiemalis. Cambrai Cathedral, fifteenth century.Google Scholar
Cambrai, Médiathèque municipale, MS 158. Votive Missal. Cambrai Cathedral, ca. 1440–1450.Google Scholar
Cambrai, Médiathèque municipale, MS 181. Missal. Cambrai Cathedral (Chapel of the 11,000 Virgins), thirteenth century with additions of the fifteenth century.Google Scholar
Cambrai, Médiathèque municipale, MS 184. Missal, pars hiemalis, use of Cambrai, fourteenth century with additions of the fifteenth century.Google Scholar
Cambrai, Médiathèque municipale, MS 197. Obituary. Cambrai, collegiate church of Ste-Croix, fourteenth–fifteenth century.Google Scholar
Cambrai, Médiathèque municipale, MS 232, Missal. Cambrai Cathedral, fifteenth century.Google Scholar
Cambrai, Médiathèque municipale, MS 699. Julien de Ligne (d. 1605), collected notes on the history of the cathedral of Cambrai.Google Scholar
Cambrai, Médiathèque municipale, MS 701. Denis-Henri Mutte (d. 1774), collection of notes for the history of the cathedral of Cambrai.Google Scholar
Cambrai, Médiathèque municipale, MS 954. Compilation of treatises by Pierre d’Ailly, fifteenth century.Google Scholar
Cambrai, Médiathèque municipale, MS 1046. François-Dominique Tranchant, list of archbishops, bishops, dignitaries, and canons of Cambrai, by order of dignities or prebends and then by chronology, ca. 1764.Google Scholar
Cambrai, Médiathèque municipale, MS 1049. Collection of inscriptions and epitaphs in the cathedral compiled by chaplain François-Dominique Tranchant in 1764.Google Scholar
Cambrai, Médiathèque municipale, MSS 1052–65, and Lille, Archives Départementales du Nord, 4 G 1090. Cathedral of Cambrai, chapter acts, 1364–1508. Old signatures A (CBM 1052) to P (CBM 1065). CBM 1053 had no signature, CBM 1055 is C–D, LAN 4 G is I. Old registers F (1428–1435), H (1439–1442), and N (1468–1476) are lost.Google Scholar
Cambridge, St John’s College, MS D27. Consuetudinary. St. Mary’s York, fourteenth–fifteenth century.Google Scholar
Cambridge, University Library, MS 710. Proser, Troper. Dublin, Trinity College, ca. 1360. Facsimile: Le Tropaire-Prosaire de Dublin, ed. Hesbert, René-Jean, Monumenta Musicae Sacrae 4 (Rouen: Imprimerie Rouennaise, 1966).Google Scholar
Chambéry, Archives départementales de Savoie, Inv. 24, SA 3604–08. Accounts of the chapel of Savoy, 1449–1459. (SA 3605, besides the booklet with the accounts, includes 26 separate pieces, most of them autograph quittances by members of the chapel.)Google Scholar
Cividale dal Friuli, Museo Archeologico Nazionale, MS LVI. Gradual with tropes and proses. Cividale, Santa Maria Assunta, fourteenth century.Google Scholar
Cividale dal Friuli, Museo Archeologico Nazionale, MS LVIII. Gradual with tropes and proses. Cividale, Santa Maria Assunta, fourteenth century.Google Scholar
Cividale dal Friuli, Museo Archeologico Nazionale, MS LXXIX. Gradual with tropes and proses. Cividale, Santa Maria Assunta, fourteenth century.Google Scholar
Cornell University Library, MS Rare BX C 36 0635 (olim MS B 31).Google Scholar
Doubs, Archives départementales de la Côte d’Or, G 1128. Act of dedication of the Sainte-Chapelle of Dijon to the Order of the Golden Fleece, 1432.Google Scholar
Ferrara, Museo della Cattedrale, Antifonario X. Antiphoner, de sanctis, pars hiemalis. Ferrara, ca. 1490.Google Scholar
Florence, Archivio Arcivescovile, MS s.c. Antiphoner. Florence Cathedral, late fourteenth century.Google Scholar
Florence, Archivio dell’Opera del Duomo, MS F. Antiphoner. Florence Cathedral, 1523.Google Scholar
Florence, Archivio di Stato, Mediceo avanti il principato, filza 22, no. 118. Letter of Antonio Squarcialupi to Guillaume Du Fay (1 May 1467).Google Scholar
Florence, Archivio di Stato, Mediceo avanti il principato, MS VI 765. Letter of Du Fay to Giovanni de’ Medici (22 Feb. [1456]).Google Scholar
Florence, Biblioteca Medicea Laurenziana, MS Aedilium 151. Gradual. Florence Cathedral, fifteenth century.Google Scholar
Florence, Biblioteca nazionale centrale, MS Magl. XIX. 79–81. Ledgers of the Camera Apostolica, 1410–1413.Google Scholar
Fribourg (Switzerland), Bibliothèque des Cordeliers, MS 2.Google Scholar
Gorizia, Biblioteca del Seminario Centrale, MS I. Proser-Troper. Gorizia, fourteenth century.Google Scholar
Ithaca, NY, Cornell University Library, MS Rare BX C 36 0635 (olim MS B 31). Ordo. North Italian, later Ferrara, twelfth century.Google Scholar
Klosterneuburg, Stiftsbibliothek, MS 588. Gradual, tropes, proses. Klosterneuburg, thirteenth–fourteenth century.Google Scholar
Kremsmünster, Stiftsbibliothek, MS 190. Gradual, Proser. Kremsmünster, fifteenth century.Google Scholar
Laon, Archives départementales de l’Aisne, G 1850 ter. Laon Cathedral, chapter acts, 1407–1412.Google Scholar
Lausanne, Archives cantonales vaduoises, MS DG 7/1. Lausanne Cathedral, chapter acts, fifteenth century.Google Scholar
Lausanne, Bibliothèque cantonale et universitaire, MS V 1184. Psalter and Hymnal. Lausanne, thirteenth century.Google Scholar
Lausanne, Bibliothèque cantonale et universitaire, Section de Manuscrits, MS 57: Samuel Gaudard, Catalogus venerabilium dominorum canonicorum insignis ecclesiae cathedralis Lausannensis, summo cum ex omnis generis veteribus manuscriptis, actis, instrumentis, documentis, et authenticis originalibus fideliter collectus. Seventeenth century.Google Scholar
Lille, Archives départementales du Nord, 1 G 125, pièce 388. Douai, Chapter of Saint-Amé, Bull of Martin V ceding rights of collation of St-Amé de Douai of several chaplaincies or two semiprebends; among titulars is Jehan Du Fay, 15 July 1425.Google Scholar
Lille, Archives départementales du Nord, 1 G 155. Douai, Chapter of Saint-Amé, transcriptions and registers of testaments of canons and chaplains of Saint-Amé, 1452–1496.Google Scholar
Lille, Archives départementales du Nord, 4 G 87, pièce 1264. Bull of Eugenius IV ordering the chapter of Cambrai to attach the parish of Castrele to the Office of the Twelve Small Vicars, 10 Oct. 1439.Google Scholar
Lille, Archives départementales du Nord, 4 G 94, pièce 1732. Cambrai Cathedral, Réglement of the choristers, 1745.Google Scholar
Lille, Archives départementales du Nord, 4 G 148, pièce 2269A. Treatise between the bishop of Cambrai, the chapter, and the city, copied by Barthélemy Poignare, 1446.Google Scholar
Lille, Archives départementales du Nord, 4 G 439. Acts of the échevinage of Troisvilles, 1435–1777.Google Scholar
Lille, Archives départementales du Nord, 4 G 1039. Testament of Grégoire Nicole (d. 25 Dec. 1469) and accounts of the executors.Google Scholar
Lille, Archives départementales du Nord, 4 G 1085. The “Livre poilu,” collection of capitular decisions and copies from the acts, thirteenth–fourteenth century.Google Scholar
Lille, Archives départementales du Nord, 4 G 1086. Cambrai Cathedral, a collection of notarial acts compiled to serve as models for the redaction of documents, fifteenth century.Google Scholar
Lille, Archives départementales du Nord, 4 G 1090. See Cambrai, Mediathèque municipale, MSS 1052–65.Google Scholar
Lille, Archives départementales du Nord, 4 G 1203. Testament of Michiel van Beringhen (d. 12 Aug. 1457) and accounts of the executors.Google Scholar
Lille, Archives départementales du Nord, 4 G 1212. Testament of Henry Beye (d. 12 Oct. 1458) and accounts of the executors.Google Scholar
Lille, Archives départementales du Nord, 4 G 1217. Testament of Nicole Boidin (d. 23 Aug. 1460) and accounts of the executors.Google Scholar
Lille, Archives départementales du Nord, 4 G 1313. Testament of Guillaume Du Fay (d. 17 Nov. 1474) and accounts of the executors.Google Scholar
Lille, Archives départementales du Nord, 4 G 1371. Testament of Denis de Hollain (d. 8 Nov. 1503) and accounts of the executors.Google Scholar
Lille, Archives départementales du Nord, 4 G 1372. Testament of Jehan Hubert Sr. (d. 25 Dec. 1415) and accounts of the executors.Google Scholar
Lille, Archives départementales du Nord, 4 G 1705. Testament of Pierre du Wez (d. 8 May 1483) and account of the executors.Google Scholar
Lille, Archives départementales du Nord, 4 G 1995. Cambrai Cathedral, statutes of the chapter, 18th century (with hundreds of citations from the chapter acts and earlier compilations).Google Scholar
Lille, Archives départementales du Nord, 4 G 2009. Fragments of two obituaries in calendar form from the grand vicars of Cambrai Cathedral, fifteenth century. One of the obituaries refers to the services in choro and the other to the services in the Chapel of St. Stephen, which was the chapel of the vicars.Google Scholar
Lille, Archives départementales du Nord, 4 G 4607–4700. Cambrai Cathedral, accounts of the fabric, 1399–1505 (occasional lacunae).Google Scholar
Lille, Archives départementales du Nord, 4 G 5040–5121. Cambrai Cathedral, accounts of the grand métier, 1401–1501 (occasional lacunae).Google Scholar
Lille, Archives départementales du Nord, 4 G 5389–5453. Cambrai Cathedral, accounts of the assize, 1404–1510 (occasional lacunae).Google Scholar
Lille, Archives départementales du Nord, 4 G 6740–50. Cambrai Cathedral, accounts of the grand vicars, 1440 and 1500–1606 (accounts of 1500–1606 bound in two large volumes but foliated by year, occasional lacunae).Google Scholar
Lille, Archives départementales du Nord, 4 G 6787–91. Cambrai Cathedral, accounts of the small vicars, 1361–1498 (booklets occasionally bound together but foliated by year, numerous large lacunae).Google Scholar
Lille, Archives départementales du Nord, 4 G 6882–6985. Cambrai Cathedral, accounts of the grand community of chaplains, 1394–1505 (intermittent lacunae).Google Scholar
Lille, Archives départementales du Nord, 4 G 7299–7309. Cambrai Cathedral, accounts of the cellar, 1432–1476 (lacuna 1461–1475).Google Scholar
Lille, Archives départementales du Nord, 4 G 7369–90. Cambrai Cathedral, accounts of bread distribution, 1396–1419 (end of the series).Google Scholar
Lille, Archives départementales du Nord, 4 G 7401–74. Cambrai Cathedral, accounts of wine distribution and later of wine and bread, 1399–1514 (lacunae 1450–1451 and 1501–1512; accounts of 1474–1483 and 1484–1500 bound in a single volume but foliated by year).Google Scholar
Lille, Archives départementales du Nord, 4 G 7757–73. Cambrai Cathedral, accounts of the aumosne, 1378–1516 (some lacunae, a number of years sometimes bound together but foliated by year).Google Scholar
Lille, Archives départementales du Nord, 6 G 177–78. Cambrai, Ste-Croix, chapter acts, 1406–1505.Google Scholar
Lille, Archives départementales du Nord, 6 G 702–707. Cambrai, Ste-Croix, accounts of the fabric, 1418–1487 (fascicles roughly in chronological order, numerous lacunae).Google Scholar
Lille, Archives départementales du Nord, 7 G 26, pièce 375. Process of the election of Jehan Hubert, Jr. as Provost of St-Géry, 4 Jan. 1426, with a copy of Hubert’s oath.Google Scholar
Lille, Archives départementales du Nord, 7 G 124. Collection of acts of the échevinage of St-Géry, 1284–1444.Google Scholar
Lille, Archives départementales du Nord, 7 G 710. Collection of statutes of the chapter of St-Géry, fifteenth to seventeenth century (with a table at the beginning).Google Scholar
Lille, Archives départementales du Nord, 7 G 752–59. Cambrai, St-Géry, chapter acts, 1381–1503. Most volumes are a collection of chapter acts and accounts interspersed in no particular order. Registers 754 and 758 appear to be notes for the compilation of a register of chapter acts (register 754: 1434–1470, register 758: 1485–1600) entered in no particular order.Google Scholar
Lille, Archives départementales du Nord, 7 G 2098–2971. Cambrai, St-Géry, accounts of the chaplains, 1404–1540 (some lacunae).Google Scholar
Lille, Archives départementales du Nord, 7 G 2223–26. Cambrai, St-Géry, Fabric, 1354–1521 (numerous large lacunae).Google Scholar
Lille, Archives départementales du Nord, 16 G 1330–32. Collegiate church of St-Pierre de Lille, accounts of the fabric, 1321–1464 (numerous years bound together but foliated by year, some duplications and lacunae).Google Scholar
Lille, Bibliothèque municipale, MS 599 (olim 26). Cantatorium for the mass and office, Lille, Saint-Pierre, late fourteenth century.Google Scholar
London, British Library, Additional MS 28025. Ordo. Ferrara, ca. 1400.Google Scholar
London, British Library, Additional MS Harley 4951. Gradual, writing of Jehan d’Abbeville, Tonary, Toulouse, eleventh century.Google Scholar
Lucca, Biblioteca Capitolare, MS 601. Antiphoner, probably for San Pietro di Pozzeveri, early twelfth century. In the cathedral at Lucca after 1408. Facsimile: Antiphonaire monastique (XIIe siècle). Codex 601 de la Bibliothèque Capitulaire de Lucques, Paléographie musicale 9 (Tournai: Desclée, 1906. Reprint, Bern: Herbert Lang, 1974).Google Scholar
Lyon, Bibliothèque municipale, MS 525. Gradual and Antiphoner of the use of Vienne, fifteenth century.Google Scholar
Modena, Archivio di Stato, Archivio della Camera marchionale poi ducale, Archivio della computisteria, Mandati, 4986/99 (1436–1438). Accounts of the treasurer of the court of Ferrara.Google Scholar
Modena, Biblioteca Capitolare, MS O.I.7. Gradual of Forlimpopoli, later Ravenna, eleventh–twelfth century.Google Scholar
Mons, Archives de l’État, Chapitre St-Vincent de Soignies, Paroisses, no. 44. Testament of Guillaume [le Metayer] called Malbecque (d. 29 Aug. 1465) and accounts of the executors.Google Scholar
Montpellier, Bibliothèque Inter-Universitaire, Section Médecine, MS H159. Gradual-Tonary, Dijon, Saint-Bénigne, eleventh century. Facsimile: Antiphonarium Tonale Missarum (IXe siècle). Codex H. 159 de l’École de Médecine de Montpellier, 2 vols., Paléographie musicale 7–8. Solesmes: Abbaye de Saint-Pierre, 1901; Tournai: Desclée, 1905. Reprint, Bern: Herbert Lang, 1972.Google Scholar
Munich, Universitätsbibliothek, MS 156. Gradual, Proser, Cantional, Moosburg, St. Castulus, fourteenth century. Facsimile: Moosburger Graduale, München, Universitätsbibliothek, 2°Cod. ms. 156, ed. David Hiley (Tutzing: Schneider, 1996).Google Scholar
Münster, Bistumarchivs, MS 269. Gradual. Münster Cathedral. fifteenth century.Google Scholar
Namur, Musée diocésain, MS 395. Gradual. Collegiate church of Andenne, ca. 1500.Google Scholar
Oxford, Corpus Christi College MS 394. Missal, Sarum, late fourteenth century.Google Scholar
Padua, Biblioteca Capitolare, MS A 47. Gradual of Ravenna, twelfth century.Google Scholar
Paris, Bibliothèque de l’Arsenal, MS 135. Notated Missal with proses, use of Sarum, fourteenth century.Google Scholar
Paris, Bibliothèque de l’Arsenal, MS 197. Gradual, Kyriale, Proser. Paris, St-Victor, thirteenth century.Google Scholar
Paris, Bibliothèque nationale de France, f. fr. 12476. Martin le Franc, Le Champion des dames (illuminated copy finished in 1451).Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 811. Notated Breviary, Châlons-sur-Marne, fifteenth century.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 876. Missal, Montmajour, then Grenoble, fifteenth century.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 879. Missal, Dijon, St-Étienne, fifteenth century.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 909. Troper, Sequentiary, Proser, Processional. Limoges, St-Martial, 1027–1029.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 1051. Partially notated Breviary (Sanctoral only, incomplete). Paris, fifteenth century.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 1084. Prosulary, Troper, Tonary, Sequentiary, Proser. Aurillac, St-Géraud, late tenth century, Limoges, early eleventh century.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 1118. Troper, Tonary, Prosulary, Sequentiary, Proser. Auch or Toulouse, 996–1000, later Limoges.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 1119. Troper, Sequentiary, Proser. Limoges, St-Martial, ca. 1050.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 1121. Troper, Proser, Processional, Versiculary, Tonary, Limoges. St-Martial, 1028–1029.Google Scholar
Paris, Bibliothèque nationale de France, f. lat 1132. Gradual, Kyriale, Proser. Limoges, St-Martial (after the Cluniac takeover), late eleventh–early twelfth century.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 1318. Breviary, incomplete at the beginning and the end, Geneva, St. Peter, fifteenth century.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 9445. Missal. Franciscan, thirteenth century.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 11592. Missal. Toul, Cathedral of St-Étienne, fourteenth century.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 12044. Antiphoner. Saint-Maur-des-Fossés. twelfth century.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 15181. Notated breviary, winter part. Paris, cathedral of Notre-Dame, ca. 1300.Google Scholar
Paris, Bibliothèque nationale de France, f. lat. 17315. Missal. Paris, perhaps Ste-Chapelle but more likely St-Jacques de la Boucherie, fifteenth century (1450–1500).Google Scholar
Paris, Bibliothèque nationale de France, nouv. acq. lat. 1177. Miscellanea, Offertoriale, Kyriale, Cantatory, Proser. Aquitanian, late eleventh century.Google Scholar
Paris, Bibliothèque nationale de France, nouv. acq. lat. 1871. Troper, Sequentiary, Proser, Prosulary, Moissac, St-Pierre, ca. 1050. Facsimile: Tropaire séquentiaire prosaire prosulaire de Moissac, ed. Colette, Marie-Noël (Paris: Société Française de Musicologie, 2006).Google Scholar
Piacenza, Biblioteca Capitolare, MS 65. Tonary, Calendar, Hymnal, Gradual, Troper, Proser, Antiphoner. Piacenza, Duomo, thirteenth century. Facsimile: Il libro del maestro, Codice 65, ed. Jensen, Brian Møller et al., 3 vols. (Piacenza: Tip.Le.Co., 19971999).Google Scholar
Rome, Archivio di Stato, Fondo Camerale I, Registers 824–30. Accounts of the Camera Apostolica, cameral mandates of payment, 1418–1447.Google Scholar
Rome, Archivio di Stato, Fondo Camerale I, Registers 1711–12. Papal chancery, libri officialium, 1417–1430 and 1431–1439.Google Scholar
Rome, Biblioteca Vallicelliana, MS C.52. Gradual, Norcia, San Eustizio, eleventh–twelfth century.Google Scholar
Rouen, Bibliothèque municipale, MS 248 (olim A339). Antiphoner, Abbey of Jumièges, thirteenth century.Google Scholar
Turin, Archivio di Corte, Bollario di Felice V, 1–8. Papal letters of Felix V (equivalent to the Vatican Lateran Registers), 1440–1449.Google Scholar
Turin, Archivio di Corte, Materie ecclesiastiche per categorie, Scismi, concilii generali e providenze concernenti la disciplina della Chiesa, Cat. XLV, Mazzo 1, no. 15 (2 July 1431) and no. 16 (7 July 1431), letters of King Sigismund from Nuremberg to his delegates and to the Council fathers, copied in Basel on 17 Sept. 1436.Google Scholar
Turin, Camerale Savoia, Inv. 16, Registers 78–114 (including 100 bis and 103 bis). Accounts of the Tesoreria generale of the court of Savoy, 1433–1469.Google Scholar
Turin, Biblioteca Nazionale Universitaria, MS F.IV.18. Gradual with proser and litanies. Bobbio, twelfth century.Google Scholar
Turin, Biblioteca Nazionale Universitaria, MS G.V.20. Gradual with tropes and proses, processional. Bobbio, eleventh century.Google Scholar
Valenciennes, Bibliothèque municipale, MS 114. Antiphoner, Monastery of St-Amand, France, twelfth century.Google Scholar
Vatican City, Archivio Segreto Vaticano, Diversa Cameralia, 1–13, 16–21, 26. Apostolic chamber, letters and accounts, 1389–1452 (some lacunae). (Volumes 14–15 and 23–25 deal with military matters and were not consulted.)Google Scholar
Vatican City, Archivio Segreto Vaticano, Introitus et Exitus, 377–402. Ledgers of the Apostolic Chamber, 1413–1438.Google Scholar
Vatican City, Archivio Segreto Vaticano, Registra Lateranensia, 186–453. Papal chancery, Lateran registers (papal letters), 1416–1453 (some lacunae).Google Scholar
Vatican City, Archivio Segreto Vaticano, Registra Supplicationum, 105–414. Papal chancery, registers of supplications, 1417–1447 (some lacunae, a few earlier, and later RS are mentioned and dated in the notes themselves).Google Scholar
Vatican City, Biblioteca Apostolica Vaticana, Cappella Sistina 703, no. 1. Rotulus of 24 Apr. 1431, with supplications by the personnel of the papal chapel to Eugenius IV for two benefices for each person.Google Scholar
Vatican City, Biblioteca Apostolica Vaticana, Reg. lat. 222, fols. 95–102. Fragment of a Troper, Bourges, St-Marin de Massay, late 10th century, inserted in a volume of works of St. Augustine.Google Scholar
Vatican City, Biblioteca Apostolica Vaticana, Vat. lat. 4736. Ceremoniale of François de Conzié, ca. 1406.Google Scholar
Vatican City, Biblioteca Apostolica Vaticana, Vat. lat. 8502. Papal chancery, liber officialium, 1417–1419 (essentially a clean but incomplete copy of RAS, Camerale I, Reg. 1711).Google Scholar
Vatican City, Biblioteca Apostolica Vaticana, Vat. lat. 12123. Consistorial diary, early fifteenth century.Google Scholar
Wolfenbüttel, Herzog-August Bibliothek, Cod. Guelf. 628 Helmst. (W1). Collection of Parisian organa, clausulae, and conductus, with a fascicle of English polyphonic tropes and proses. Edinburgh, Cathedral of St. Andrew, ca. 1230. Facsimile: Die mittelalterliche Musik-Handschrift W1, ed. Stahelin, Martin (Wiesbaden: Harrassowitz, 1995).Google Scholar
Worcester, Cathedral Chapter Library, MS F 160. Antiphoner, Processional, Calendar, Psalter, Hymnal, Collectar, Antiphoner, Tonary, Gradual, Kyriale, Proser. Worcester Cathedral, thirteenth and early fourteenth century. Facsimile (Antiphoner only): Antiphonaire Monastique (XIIIe siècle). Codex F 160 de la Bibliothèque de la Cathédrale de Worcester, Paléographie musicale 12 (Tournai: Desclée, 1922. Reprint, Bern: Herbert Lang, 1971).Google Scholar
Adler, Guido, et al., eds. Sechs (Sieben) Trienter Codices, erste–siebenste Auswahl, 7 vols. Denkmäler der Tonkunst in Österreich 14–15 (1900), 22 (1904), 28 (1912), 53 (1920), 76 (1933), 120 (1970). Vienna: Artaria (vols. 1–6), Graz: Akademische Druck und Verlaganstalt, 1959–1970.Google Scholar
Ailly, Pierre. De reformatione ecclesia Petri de Alliaco… Basel: N. Bryling, 1551.Google Scholar
Allsen, J. Michael, ed. Four Late Isorhythmic Motets. Newton Abbot: Antico Editions, 1997.Google Scholar
Altieri, Marco Antonio. Li nuptiali, ed. Narducci, Enrico et al. Rome: Roma nel Rinascimento, 1995.Google Scholar
Amerval, Eloy d’. Le Livre de la deablerie (Paris: Michel le Noir, 1508), also ed. Robert Deschauz and Bernard Charrier. Geneva: Droz, 1991.Google Scholar
Amerval, Eloy d’. Missa Dixerunt discipuli, ed. Magro, Agostino and Vendrix, Philippe. Paris: Champion, 1997.Google Scholar
Amiet, Robert, ed. Repertorium liturgicum Augustanum. 2 vols. Monumenta liturgica ecclesiae Augustanae 1–2. Aosta: Typo-Offset, 1974.Google Scholar
Antiphonale secundum usum Cameracensis ecclesiae completissimum… Paris: Simon Vostre, [15081518].Google Scholar
Antiphonarium sacri Ordinis Praedicatorum pro diurnis horis, ed. Gillet, Martin Stanilas. Rome: Vatican Press, 1933.Google Scholar
Apel, Willi, ed. French Secular Compositions of the Fourteenth Century. 3 vols. Corpus Mensurabilis Musicae 53. Rome: American Institute of Musicology, 19701972.Google Scholar
Apel, Willi. French Secular Music of the Late Fourteenth Century. Publications of the Mediaeval Academy of America 55. Cambridge: Mediaeval Academy of America, 1950.Google Scholar
Atlas, Allan, ed. The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C. G. XIII. 27). 2 vols. Musicological Studies 27. Brooklyn: Institute of Mediaeval Music, 1975.Google Scholar
Baix, François and Uytterbrouck, André, eds. La Chambre apostolique et les “Libri annatarum” de Martin V (1417–1431). 2 vols. Analecta Vaticano-Belgica 14. Brussels: Institut Historique Belge de Rome, 19421960.Google Scholar
Baluze, Etienne, Vitae paparum Avenionensium…, ed. Mollat, Guillaume. 4 vols. Paris: Letouzey et Ané, 19141927.Google Scholar
Barnes, Carl F., ed. The Portfolio of Villard de Honnecourt: A New Critical Edition and Color Facsimile, Foreword by Hiscock, Nigel, Glossary by Hahn, Stacey L.. Farnham: Ashgate, 2009.Google Scholar
Bede, , Opera historica, ed. King, John Edward. 2 vols. Cambridge: Harvard University Press, 1930.Google Scholar
Bent, Ian, ed. French Secular Music. Manuscript Chantilly, Musée Condé 564. 4 vols. Polyphonic Music of the Fourteenth Century 18–21. Monaco: Éditions de L’Oiseau-Lyre, 19811989.Google Scholar
Bent, Margaret, ed. Fifteenth-Century Liturgical Music II: Four Anonymous Masses. Early English Church Music 22. London: Stainer and Bell, 1979.Google Scholar
Bent, Margaret. Two 14th-Century Motets in Praise of Music. Newton Abbott: Antico, 1977.Google Scholar
Bent, Margaret, and Hughes, Andrew, eds. The Old Hall Manuscript. 3 vols. in 4. Corpus Mensurabilis Musicae 46. Rome: American Institute of Musicology, 19691972.Google Scholar
Bent, Margaret, and Klugseder, Robert, eds. Ein Liber cantus aus den Veneto (um 1440): Fragmente in der Bayerische Staatsbibliothek München und der Österreichischen Nationalbibliothek Wien. Wiesbaden: Reichert, 2012.Google Scholar
Binchois, Gilles. Die Chansons von Gilles Binchois (1400–1460), ed. Rehm, Wolfgang. Musikalischer Denmkmäler 2. Mainz: B Schott Söhne, 1957.Google Scholar
Binchois, Gilles. The Sacred Music of Gilles Binchois, ed. Kaye, Philip. Oxford University Press, 1992.Google Scholar
Blackburn, Bonnie J., Lowinsky, Edward E., and Miller, Clement A., eds. A Correspondence of Renaissance Musicians. Oxford: Clarendon Press; New York: Oxford University Press, 1991.Google Scholar
Boe, John, ed. Beneventanum Troporum Corpus II. Ordinary Chants and Tropes for the Mass from Southern Italy, A.D. 1000–1250. Part 2: Gloria in Excelsis, 3 vols in 2. Recent Researches in the Music of the Middle Ages and Early Renaissance 22–24. Madison: A-R Editions, 1990.Google Scholar
Bracciolini, Poggio. Lettere, ed. Harth, Helene. 3 vols. Florence: Olschki, 19841987.Google Scholar
Brassart, Johannes. Opera Omnia, ed. Mixter, Keith. 2 vols. Corpus Mensurabilis Musicae 35. Rome: American Institute of Musicology, 19651971.Google Scholar
Briegleb, Pervenche and Laret-Kayser, Arlette, eds. Suppliques de Benoît XIII (1392–1422). 2 vols. Documents relatifs au grand schisme 6. Analecta Vaticano-Belgica 26–27. Brussels: Institut Historique Belge de Rome, 19601983.Google Scholar
Carpentier, Jean. Histoire généalogique des Païs-Bas, ou histoire de Cambray et du Cambrésis. 4 vols. Leiden: Carpentier, 1664.Google Scholar
Cattin, Giulio, et al., eds., French Sacred Music, 2 vols. Polyphonic Music of the Fourteenth Century 23A–B. Monaco: Éditions de L’Oiseau-Lyre, 19891991.Google Scholar
Ciconia, Johannes, The Works of Johannes Ciconia, ed. Bent, Margaret and Hallmark, Anne. Polyphonic Music of the Fourteenth Century 24. Monaco: Éditions de L’Oiseau-Lyre, 1985.Google Scholar
Clementini, Cesare. Raccolto istorico della fondazione di Rimino e dell’origine e vite de’ Malatesti… 2 vols. Rimini: Simbeni, 1617. Reprint in Historiae urbium et regionum Italiae rariores 37. Bologna: Forni, 1969.Google Scholar
Cullington, J. Donald and Strohm, Reinhard, eds. “That Liberal and Virtuous Art”: Three Humanist Treatises on Music, Egidius Carlerius, Johannes Tinctoris, Carlo Valgulio. Newtonabbey: University of Ulster, 2004.Google Scholar
De la Fons Melicoq, Alexandre. “Documents inédits pour servir a l’histoire de des usages et des moeurs (suite).” Annuaire-bulletin de la Société de l’Histoire de France, 3 (1865): 40–2.Google Scholar
Deschamps, Eustace. Oeuvres completes, ed. Raynaud, Gaston. Société des anciens textes français 10. Paris: Firmin Didot, 1903.Google Scholar
Desportes, Pierre. Diocèse of Reims. Fasti ecclesiae Gallicanae, vol. 3. Turnhout: Brepols, 1998.Google Scholar
Devillers, Léopold. Cartulaire des comtes de Hainaut, de l’avènement de Guillaume II à la mort de Jacqueline de Bavière. 6 vols. Brussels: Hayez, 18811896.Google Scholar
Devillers, Léopold. Chartes du chapitre de Sainte-Waudru de Mons. 4 vols. Brussels: Kiessling & Cie, 1899, 1903, 1908 [vols. 1–3]; P. Imbrechts, 1913 [vol. 4].Google Scholar
Du Fay, Guillaume. Missa Ave regina caelorum…, ed. Feininger, Laurence. Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae, Ordinarium Missae, Tomus II-3. Trent: Societas Universalis Sanctae Caeciliae, 1963.Google Scholar
Du Fay, Guillaume. Guglielmi Dufay Opera Omnia, ed. De Van, Guillaume. 4 fasc. Rome: American Institute of Musicology, 19471949.Google Scholar
Du Fay, Guillaume. Guillelmi [2–3: Guglielmi] Dufay: Opera Omnia, ed. Besseler, Heinrich. 6 vols. [1: Motetti (1966), 2: Missarum Pars Prior (1960), 3: Missarum Pars Altera (1951), 3a: Missarum Pars Altera: Apparatus Criticus (1962), 4: Fragmenta Missarum (1962), 5: Compositiones Liturgicae Minores (1966), 6: Cantiones (1964)]. Corpus Mensurabilis Musicae 1. Rome: American Institute of Musicology, 19511966. Vol. 6, Cantiones, rev. edn., ed. David Fallows. Stuttgart: Hänssler, 1995.Google Scholar
Du Fay, Guillaume. Nuper rosarum flores, ed. Blackburn, Bonnie J.. Fazer Editions of Early Music. Espoo, Finland: Fzer Music Inc., 1994.Google Scholar
Du Fay, Guillaume. The Office Hymns of Guillaume Dufay, a Selection, ed. Curtis, Gareth. London: Plainsong and Mediaeval Music Society, 1992.Google Scholar
Du Fay, Guillaume. Opera Omnia, ed. Planchart, Alejandro Enrique. 12 fascicles. Santa Barbara: Marisol Press, 20082014. Also available on <www.diamm.ac.uk>.Google Scholar
Du Fay, Guillaume. Sämtliche Hymnen, zu 3 und 4 Stimmen, ed. Gerber, Rudolf. Das Chorwerk 49. Wolfenbüttel: Möseler, 1937.Google Scholar
Du Fay, Guillaume. Vierstimmige Messe “Se la face ay pale,” ed. Besseler, Heinrich. Cappella 2. Kassel: Bärenreiter, 1951.Google Scholar
Du Fay, Guillaume. Two Songs, ed. Fallows, David. Early Music Series (supplement to Early Music 23). London: Oxford University Press, 1973.Google Scholar
Du Fay, Guillaume. Zwölf geistliche und weltliche Werke zu 3 Stimmen, für Singstimmen und Instrumente, ed. Besseler, Heinrich. Das Chorwerk 19. Wolfenbüttel: Kallmeyer, 1932.Google Scholar
Dubrulle, Henry, ed. Les Bénéficiers des diocèses d’Arras, Cambrai, Thérouanne, Tournai pendant le pontificat de Martin V. Louvain: Bureau des Analectes, 1905. Also in Analectes pour servir à l’histoire ecclésiastique de la Belgique. 3rd ser. 1 [= 31] (1905): 1040, 257320, 433481.Google Scholar
Dubrulle, Henry. Les Béneficiers des diocèses d’Arras, Cambrai, Thérouanne, Tournai sous le pontificat d’Eugène IV. Louvain: Bureau des Analectes, 1908. Also in Analectes pour servir à l’histoire ecclésiastique de la Belgique. 3rd ser. 4 [= 34] (1908): 294307.Google Scholar
Dubrulle, Henry. Suppliques du pontificat de Martin V. (1417–1431). Recueils de la Société d’études de la province de Cambrai 6. Dunkirk: Paul Michel, 1922.Google Scholar
Dunstaple, John. John Dunstable, Complete Works, ed. Bukofzer, Manfred. 2nd edn. rev. Margaret Bent et al. Musica Britannica 8. London: Stainer and Bell, 1970.Google Scholar
Dupont, Jacques J. Histoire ecclesiastique et civile de la ville de Cambrai et du Cambresis: Comprenant la succession des évêques & les choses les plus remarquables arrivées dans ce pays. [Seven parts in] 3 vols. Cambrai: Samuel Berthoud, 17591767.Google Scholar
Eifrig, William F. and Pfisterer, Andreas, eds. Melodien zum Ite Missa est und ihre Tropen. Monumenta Monodica Medii Aevi 19. Kassel: Bärenreiter, 2006.Google Scholar
Éloy d’Amerval. Le Livre de la deablerie. Paris: Michel le Noir 1508. Modern edition by Robert Deschauz and Bernard Charrier. Geneva: Droz, 1991.Google Scholar
,. Missa Dixerunt discipuli, ed. Magro, Agostino and Vendrix, Philippe. Paris: Champion, 1997.Google Scholar
Escouchy, Mathieu. Chronique de Mathieu d’Escouchy, ed. Gaston du Fresne de Beaucourt. 3 vols. Paris: Renouard, 18631864.Google Scholar
Eubel, Conrad. Hierarchia Catholica Medii Aevi, I–II. Münster: Regensburg Buchhandlung, 19131914. Reprint Padua: Il messaggero di S. Antonio, 1950.Google Scholar
Fabri, Pierre. Le Grand et Vrai Art de pleine rhétorique, ed. Héron, Alexandre. 3 vols. Rouen: Caignard, 18891890. Reprint Geneva: Slatkine, 1969.Google Scholar
Fallows, David, ed. Oxford, Bodleian Library, MS. Canon. Misc. 213. Late Medieval and Early Renaissance Music in Facsimile 1. University of Chicago Press, 1995.Google Scholar
Fasti Ecclesiae Gallicanae: Répertoire prosopographique des évêques, dignitaires et chanoines de France de 1200 à 1500. Millet, Hélène, general editor. Turnhout: Brepols, 1991–.Google Scholar
Feininger, Laurence, ed. Auctorum Anonymorum Missarum Propria XVI Quorum XI Gulielmo Dufay Ascribenda Sunt. Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae. Ser. 2/1. Rome: Societas Universalis Sanctae Ceciliae, 1947.Google Scholar
Ferreira, Manuel Pedro, ed. Porto 714, um manuscrito precioso. Porto: Campo das Letras, 2001.Google Scholar
Ficker, Rudolf, ed. Sieben Trienter Codices, sechste Auswahl. See Adler, Guido.Google Scholar
Fierens, Alphonse, ed. Suppliques d’Urbain V (1362–1370): Textes et analyses. Analecta Vaticano-Belgica 7. Paris: Champion, 1914.Google Scholar
Fischer, Kurt, and Gallo, F. Alberto, eds. Italian Sacred and Ceremonial Music. Polyphonic Music of the Fourteenth Century 13. Monaco: Éditions de L’Oiseau-Lyre, 1987.Google Scholar
Foppens, Jean François. Biblioteca Belgica, 2 vols. Brussels: Petrus Foppens, 1739.Google Scholar
Foppens, Jean François. Compendium chronologicum episcoporum Brugensium, nec non praepositorum, decanorum et canonicorum ecclesiae cathedralis S. Donatiani. Bruges: Jacob Bernaerts, 1731.Google Scholar
Gallo, F. Alberto, ed. Il Codice musicale 2216 della Biblioteca Universitaria di Bologna. 2 vols. Bologna: Forni, 1970.Google Scholar
Gallo, F. Alberto. Il Codice musicale Panciatichi 26 della Biblioteca Nazionale di Firenze. Studi e testi per la storia della musica 3. Florence: Leo S. Olschki, 1981.Google Scholar
Gerber, Rebecca L., ed. Sacred Music from the Cathedral at Trent: Trent, Museo Provinciale D’arte, Codex 1375 (olim 88). Monuments of Renaissance Music 12. University of Chicago Press, 2007.Google Scholar
Gerbert, Martin, ed. Scriptores ecclesiastici de musica sacra. 3 vols. Saint-Blaise: Typis San-Blasianis, 1784.Google Scholar
Gerstinger, Hans. Le Livre des ordonnances de l’Ordre de la toison d’or [also published as Das Statutenbuch des Ordnens vom Goldenen Vlies]. 2 vols. Vienna: Druck und Verlag der Österreichischen Staatsdruckerei, 1934.Google Scholar
Govers, Marie-José, et al., eds. Het Geraardsbergse handschrift Hs. Brussel, Koninklijke Bibliotheek Albert I, 837–845. Hilversum: Verloren, 1994.Google Scholar
Graduale Triplex. Solesmes: Saint-Pierre, 1979.Google Scholar
Guerrero, Francisco, Canciones y villanescas espirituales… Venice: Giacomo Vincenti, 1589, ed. Gavaldá, Miguel Querol. 2 vols. Monumentos de la Música Española, 16, 19. Barcelona: Consejo Superior de Investigaciones Científicas, 1955.Google Scholar
Guichenon, Samuel. Histoire genealogique de la royale maison de Savoye. Iustifiée par titres, foundations de Monasteres, Manuscripts, anciens Monuments, Histoires & autres preuues authentiques. Enrichie de plusieurs portraits, seaux, Monnoyes, Sepultures & Armoiries. 3 vols. Lyon: Guillaume Barbier, 1660. [Only one title page, vols. 1–2 paginated continuously, vol. 3 (Livre IV contenant les preuves) paginated separately.]Google Scholar
Guido d’Arezzo. Regule rithmice, Prologus in antiphonarium, and Epistola ad Michaelem, ed. and trans. Pesce, Dolores. Musicological Studies 73. Ottawa: Institute of Mediaeval Music, 1999.Google Scholar
Günther, Ursula, ed. The Motets of the MSS Chantilly, Musée Condé 564 (olim 1047) and Modena, Biblioteca Estense α. M. 5. 24 (olim lat. 568). Corpus Mensurabilis Musicae 39. Rome: American Institute of Musicology, 1965.Google Scholar
Haar, James, ed. Città del Vaticano Ms Urbinas latinus 1411. Lucca: LIM, 2006.Google Scholar
Haggh, Barbara, ed. Two Offices for St Elizabeth of Hungary: Gaudeat Hungaria and Laetare Germania. Musicological Studies 65/1. Ottawa: Institute of Mediaeval Music, 1995.Google Scholar
Haggh, Barbara. et al., eds. Two Cambrai Antiphoners: Cambrai, Mediathèque Municipale, 38 and Impr. XVI C 4. Musicological Studies 55/4. Ottawa: Institute of Mediaeval Music, 1995.Google Scholar
Hansen, Finn Egeland, ed. H 159 Montpellier. Tonary of St. Bénigne of Dijon. Copenhagen: Dan Fog, 1974.Google Scholar
Hardt, Hermann. Magnum oecumenicum Constantiense concilium de universali ecclesia reformatione, unione, et fide. 6 vols. Frankfurt and Leipzig: Christian Gensch; Helmstadt: Salomon Schnorr, 16971700.Google Scholar
Harrison, Frank Ll., ed. Motets of English Provenance. Polyphonic Music of the Fourteenth Century 15. Monaco: Éditions de L’Oiseau-Lyre, 1980.Google Scholar
Hautcoeur, Edouard, ed. Documents liturgiques et nécrologiques de l’église collegiale de Saint-Pierre de Lille. Mémoires de la Société d’Études de la Province de Cambrai 3. Lille: L. Quarre, Paris: A Picard, 1895.Google Scholar
Herre, Hermann, ed. Deusche Reichstagakten unter Kaiser Sigismund, vierte Abteilung, 1431–1433. Gotha: Friedrich Andreas Perthes, 1906.Google Scholar
Hesbert, René-Jean, ed. Antiphonale missarum sextuplex. Brussels: Vroomant, 1935. Reprint Rome: Herder, 1967.Google Scholar
Higgins, Paula, ed. Chansonnier Nivelle de la Chausée (Bibliothèque Nationale, Paris, Rés. Vmc. ms. 57, ca. 1460). Geneva: Minkoff, 1984.Google Scholar
Hoppin, Richard H., ed. The Cypriot-French Repertory of the Manuscript Torino, Biblioteca Nazionale J. II. 9. 4 vols. Corpus Mensurabilis Musicae 21. Rome: American Institute of Musicology, 19601963.Google Scholar
Hours, Henri. Diocèse de Besançon. Fasti ecclesiae Gallicanae, vol. 4. Turnhout: Brepols, 1999.Google Scholar
Huglo, Michel. La Messe de Tournai. Une messe polyphonique en l’honneur de Notre-Dame à la Cathédrale de Tournai au XVIe siècle. Tornacum 4. Tournai: Archive du Chapitre Cathédral, 1988.Google Scholar
Kendall, Paul M. and Ilardi, Vincent, eds. Dispatches with Related Documents of Milanese Ambassadors in France and Burgundy, 1450–1483. 2 vols. Athens: Ohio University Press, 1971.Google Scholar
La Marche, Olivier. Mémoires d’Olivier de La Marche, ed. Beaune, Henri and D’Arbaumont, J.. 4 vols. Paris: Renouard, H. Loones, successeur, 18831888.Google Scholar
Morley, Thomas. A Plain and Easy Introduction to Practical Music, ed. Harman, R. Alec, intro. Dart, Thurston. New York: Norton, 1952.Google Scholar
Lagnier, Emanuela, ed. Corpus musicae hymnorum Augustanum. Monumenta Liturgica Ecclesiae Augustanae 11. Aosta: Imprimerie Valdôtaine, 1991.Google Scholar
Lasso, Orlando. Messen 18–23, ed. Hermelink, Siegfried. Sämtliche Werke, neue Reihe 5. Kassel: Bärenreiter, 1965.Google Scholar
Le Févre, Jehan. Chronique de Jean le Févre, ed. Morand, François. 2 vols. Paris: Renouard, 18761881.Google Scholar
Lefèvre, Placide Fernande, ed. Les Ordinaires des collégiales Saint-Pierre à Louvain et Saints-Pierre-et-Paul à Anderlecht d’après des manuscrits du XIVe siècle. Louvain: Bibliothèque de l’Universitè, Bureaux de la Revue, 1960.Google Scholar
Lupi, Johannes. Opera omnia, ed. Blackburn, Bonnie J.. 3 vols. Corpus Mensurabilis Musicae 84. Stuttgart: American Institute of Musicology, 19801989.Google Scholar
Malatesti, Malatesta. Rime, ed. Trolli, Domizia. Parma: Università di Parma, 1981.Google Scholar
Mansi, Giovanni Domenico, et al., eds. Sacrorum conciliorum nova et amplissima collectio. 53 vols. Florence and Venice: Antonio Zatta, 17591798. Reprint Graz, Akademische Druck und Verlaganstalt, 1960.Google Scholar
Marix, Jeanne. Histoire de la musique et des musiciens de la cour de Bourgogne sous le règne de Philippe le Bon. Strasbourg: Heitz, 1939. Repr. Geneva: Minkoff, 1972; Baden-Baden: Koerner, 1974.Google Scholar
Martin le, Franc. Le Champion des dames, ed. Deschau, Robert. 5 vols. Les classiques français du moyen âge 127–31. Paris: Champion, 1999.Google Scholar
Martin le, Franc. Le Champion des dames, I. partie, ed. Piaget, Arthur. Laudanne: Payot, 1968.Google Scholar
Martin le, Franc. The Trial of Womankind: A Rhyming Translation of Book IV of the Fifteenth-Century Le Champion des dames, ed. and trans. Taylor, Steven Millen. Jefferson, NC and London: McFarland, 2005.Google Scholar
Martini, Giovanni Battista. Storia della musica. 3 vols. Bologna: Lelio Dalla Volpe, 17571781. Reprint (facsimile), ed. Wessely, Othmar. Graz: Akademische Druck und Verlaganstalt, 1967.Google Scholar
Missale paruum secundum usum uenerabilis ecclesie Cameracensis impressione Henrici stephani, efficaciter elaboratu[m] est suisq[ue] expe[n]sis [et] Simonis Vostre. Paris: Estienne I. Henri, 1507.Google Scholar
Nelis, Hubert, ed. Suppliques et lettres de Clément VII (1379–1394). Documents rélatifs au Grand Schisme 3. Analecta Vaticano Belgica 13. Rome: Institut Historique Belge, 1934.Google Scholar
Ockeghem, Johannes. Collected Works, ed. Plamenac, Dragan and Wexler, Richard. 3 vols. New York: American Musicological Society, 19471992.Google Scholar
Ockeghem, Johannes. Missa L’homme armé, ed. van Benthem, Jaap. Masses and Mass Sections, II, fasc. 2. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 1999.Google Scholar
Ordo divini officii beati Jacobi Apostoli maioris, patroni ecclesiae parochialis eiusdem Sancti Jacobi de carneficeria, cuius dies festus celebratus vigesima quinta mensis Julii, translatione autem prima Dominica post festum Epiphania. Impressus expensis fabricae eiusdem ecclesia. Paris: Jean Le Blanc, 1581.Google Scholar
Diaconus, Paulus. Vita Sancti Gregorii Magni, ed. Tuzzo, Sabina. Pisa: Scuola Normale Superiore, 2000.Google Scholar
Paviot, Jacques, ed. Portugal et Bourgogne au XVe siècle, 1384–1428: Recueil de documents extraits des archives bourguignones. Lisbon and Paris: Fundacão Calouste Gulbenkian, 1995.Google Scholar
Perkins, Leeman, and Garey, Howard, eds. The Mellon Chansonnier. 2 vols. New Haven: Yale University Press, 1979.Google Scholar
Plamenac, Dragan, ed. Dijon, Bibliothèque Publique, Manuscrit 517. Publications of Mediaeval Musical Manuscripts 12. Brooklyn: Institute of Mediaeval Music, ca. 1972.Google Scholar
Platina [Scacchi, Bartolomeo]. The Lives of the Popes, trans. Benham, W.. London: Griffith, Farran, Okeden & Welsh, n.d. [1888?].Google Scholar
Pope, Isabel, and Kanazawa, Masakata, eds. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Music of the Late Fifteenth Century. Oxford: Clarendon Press, 1978.Google Scholar
Reaney, Gilbert, ed. Early Fifteenth-Century Music. 7 vols. Corpus Mensurabilis Musicae 11. Rome: American Institute of Musicology, 19551983.Google Scholar
Rehm, Wolfgang, ed. Codex Escorial, Chansonnier, Biblioteca del Monasterio El Escorial / Signatur MS. V. III. 24. Documenta Musicologica, 2nd ser. 2. Kassel: Bärenreiter, 1958.Google Scholar
Reson, Jehan [Johannes]. Missa sine nomine, ed. Cvejić, Zarko. Newton Abbot, 2006.Google Scholar
Richental, Ulrich. Chronik des Constanzer Concils, 1414 bis 1418, ed. Buck, Michael Richard. Tübingen: Literarischer Verein in Stuttgart, 1882. Reprint Hildesheim: Olms, 1962.Google Scholar
Richter, Emil Ludwig, and Friedberg, Emil, eds. Corpus iuris canonici: Editio Lipsiensis secunda. 2 vols. Leipzig: Tauchnitz, 18791881. Reprint Graz: Akademische Druck und Verlaganstalt, 1955.Google Scholar
Rumbold, Ian and Wright, Peter, eds. Der Mensuralcodex St. Emmeram: Faksimile der Handschrift Clm 14274 der Bayerische Staatsbibliothek München. 2 vols. Wiesbaden: Reichert, 2006.Google Scholar
Schlager, Karlheinz, ed. Alleluia-Melodien I, bis 1100. Monumenta Monodica Medii Aevi 7. Kassel: Bärenreiter, 1968.Google Scholar
Schlager, Karlheinz. Alleluia-Melodien II, ab 1100. Monumenta Monodica Medii Aevi 8. Kassel: Bärenreiter, 1987.Google Scholar
Schrade, Leo, ed. Le Roman de Fauvel, The Works of Philippe de Vitry, French Cycles of the Ordinarium Missae. Polyphonic Music of the Fourteenth Century 1. Monaco: Éditions de L’Oiseau-Lyre, 1974.Google Scholar
Sherr, Richard, ed. Masses for the Sistine Chapel: Vatican City, Biblioteca Apostolica Vaticana, Cappella Sistina, Ms 14. Monuments of Renaissance Music 13. University of Chicago Press, 2009.Google Scholar
Spataro, Giovanni. Tractato di musica… Venice: Bernardino de Vitale, 1531. Reprint Bibliotheca Musica Bononiensis 14, ed. Giuseppe Vecchi. Bologna: Forni, 1970.Google Scholar
Stäblein, Bruno, ed. Hymnen (I): Die mittelalterlichen Hymnenmelodien des Abendlandes. Monumenta Monodica Medii Aevi 1. Kassel: Bärenreiter, 1956.Google Scholar
Stäblein Harder, Hanna, ed. Fourteenth-Century Mass Music in France. 2 vols. Corpus Mensurabilis Musicae 29 and Musicological Studies and Documents 7. Rome: American Institute of Musicology, 1962.Google Scholar
Stainer, John, et al., eds. Early Bodleian Music: Dufay and his Contemporaries. Fifty Compositions Ranging from about A.D. 1400 to 1440. London: Novello for the Plainsong and Medieval Music Society, 1898. Reprint Amsterdam: Knupf, 1963.Google Scholar
Stravinsky, Igor. Agon: Ballet for Twelve Dancers (New York: Boosey & Hawkes, 1957).Google Scholar
Strohm, Reinhard, ed. Fifteenth-Century Liturgical Music, VI: Mass Settings from the Lucca Choirbook. Early English Church Music 49. London: Stainer and Bell, 2007.Google Scholar
Strohm, Reinhard. The Lucca Choirbook: Lucca, Archivio di Stato, MS 238; Lucca, Archivio Arcivescovile, MS 97; Pisa, Archivo Arcivescovile, Biblioteca Maffi, Cartella 11/III. Late Medieval and Early Renaissance Music in Facsimile 2. University of Chicago Press, 2008.Google Scholar
Tinctoris, Johannes. Opera theoretica, ed. Seay, Albert. 2 vols. Corpus scriptorum de musica 22. Rome: American Institute of Musicology, 19751978.Google Scholar
Uginet, François-Charles, ed. Le Liber officialium de Martin V. Pubblicazioni degli Archivi di Stato, Fonti e Sussidi 7. Rome: Archivio di Stato, 1975.Google Scholar
van den Borren, Charles, ed. Pièces polyphoniques profanes de provenance liègeoise (XVe siècle). Brussels: Éditions de la librairie enciclopédique, 1950.Google Scholar
van den Borren, Charles. Polyphonia Sacra: A Continental Miscellany of the Fifteenth Century. Burnham: Plainsong and Medieval Music Society, 1932. Reprint: College Park: Pennsylvania State University Press, 1963.Google Scholar
Villedieu, Alexandre. Das Doctrinale des Alexander de Villa-Dei. Kritisch-exegetische Ausgabe mit Enleitung, Verzeichniss der Handschriften und Drucke nebst Registern, ed. Reichling, Dietrich. Monumenta Germaniae Paedagogica 12. Berlin: A. Hofmann, 1983. Reprint New York: B. Franklin 1974.Google Scholar
von Fischer, Kurt and Gallo, F. Alberto, eds. Italian Sacred and Ceremonial Music. Polyphonic Music of the Fourteenth Century 13. Monaco: Éditions de L’Oiseau-Lyre, 1987.Google Scholar
Wagner, Peter, ed. Die Graduale des St. Thomaskirche zu Leipzig. 2 vols. Publikationen älterer Musik 7. Leipzig: Breitkopf & Härtel, 19321935. Reprint Hildesheim: Georg Olms, 1967.Google Scholar
Wallner, Bertha Amalie, ed. Das Buxheimer Orgelbuch. Documenta Musicologica, 2nd ser, 1. Kassel: Bärenreiter, 1955.Google Scholar
Wegman, Rob C., ed. Choirbook of the Burgundian Court Chapel. Brussel, Koninklijke Bibliotheek MS. 5557. Peer: Alamire, 1980.Google Scholar
Weiss, Johannes Evangelista, ed. Die Choräle Julian’s von Speyer zu den Reimsoffizien des Franziskus und Antoniusfestes. Veröffentlichungen aus dem Kirchenhistorischen Seminar München, 1st ser. 4. Munich: J. J. Lentner, 1901.Google Scholar
Alden, Jane. Songs, Scribes, and Society: The History and Reception of the Loire Valley Chansonniers. Oxford University Press, 2010.Google Scholar
Alden, Jane, and Fiala, David. “Dialogus de Johanne Sohier alias Fede.” In Qui musicam in se habet: Studies in Honor of Alejandro Planchart, ed. Zayaruznaya, Anna, Blackburn, Bonnie J., and Boorman, Stanley, 259–86. Neuhausen-Stuttgart: American Institute of Musicology, 2015.Google Scholar
Alessandri, Vania. “I corali dalla soppressione del 1866 all’acquisizione comunale: Il processo di padre Mazzoni.” In I corali di San Giacomo Maggiore, ed. Benevolo and Medica, 145–59.Google Scholar
Alessandri, Vania. “Il restauro.” Ibid., 161–77.Google Scholar
Allsen, Jon Michael. “Style and Intertextuality in the Isorhythmic Motet, 1400–1440.” Ph.D. diss., University of Wisconsin, Madison, 1992.Google Scholar
Allsen, Jon Michael. “Two ‘New’ Motets by Du Fay.” Paper read at the Eighteenth Annual Meeting of the American Musicological Society, New York, 2–5 November, 1995, Abstracts, 13–14. Madison: A-R Editions, 1995.Google Scholar
Ambros, August Wilhelm. Geschichte der Musik, 5 vols. [4 and 5 completed by Kade, Otto et al.]. Leipzig: Leuckart, 18621882.Google Scholar
Amiet, Robert. “La Messe ‘pro unitate ecclesiae’.” Ephemerides liturgicae 76 (1962): 296334.Google Scholar
Anderson, Michael Alan. “The Organization and Complexes of the Q 15 Hymn Cycle.” Studi musicali 35 (2006): 327–61.Google Scholar
Angiolini, Enrico and Falcioni, Anna. La signoria di Malatesta dei Sonetti Malatesti (1391–1429). Rimini: B. Chigi, 2002.Google Scholar
Apfel, Ernst. “Über den vierstimmigen Satz im 14. und 15. Jahrhunderts.” Archiv für Musikwissenschaft 18 (1961): 3551.Google Scholar
Aschbach, Joseph. Geschichte Kaiser Sigismund’s. 4 vols. Hamburg: Friderich Perthes, 18381845.Google Scholar
Atlas, Allan. “Gematria, Marriage Numbers, and Golden Sections in Dufay’s ‘Resveillies vous’.” Acta musicologica 69 (1987): 111–26.Google Scholar
Atlas, Allan. Music at the Aragonese Court of Naples. Cambridge University Press, 1985.Google Scholar
Atlas, Allan. “On the Identity of Some Musicians at the Brescian Court of Pandolfo III Malatesta.” Current Musicology 36 (1983): 1120.Google Scholar
Atlas, Allan. “Pandolfo III Malatesta mecenate musicale: Musica e musicisti presso una signoria del primo Quattrocento.” Rivista italiana di musicologia 23 (1988): 2892.Google Scholar
Atlas, Allan. “Vincenet.” Grove Music Online.Google Scholar
Atlas, Allan, ed. Papers Read at the Dufay Quincentenary Conference, Brooklyn College, December 6–7, 1974. New York: Brooklyn College Music Department, 1976.Google Scholar
Atlas, Allan, and Alden, Jane. “Jehan Fresneau.” In Grove Music Online.Google Scholar
Avril, François. “Un Auteur, son copiste et son artiste: Martin le Franc, Barthélemy Poignare et l’illustrateur du Champion des dames.” Art et enluminure 40 (2012): 259.Google Scholar
Avril, François, and Reynaud, Nicole. Les Manuscrits à peinture en France: 1440–1520. Paris: Flammarion, 1993.Google Scholar
Baillie, Hugh. “Squares.” Acta musicologica 32 (1960): 178–93.Google Scholar
Baini, Giuseppe. Memorie storico-critiche della vita e delle opere di Giovanni Pierluigi da Palestrina. Rome: Società Tipografica, 1828. Reprint Hildesheim: Olms, 1966.Google Scholar
Baix, François. “La Carrière ‘bénéficiale’ de Guillaume Dufay (vers 1398–1474): Notes et documents.” Bulletin de l’Institut Historique Belge de Rome 8 (1928): 265–72.Google Scholar
Balcar, Nathalie, et al. “La Restauration de deux sculptures médiévales en Pierre du Musée des Beaux-Arts de Lille.” Technè 17 (2003): 3949.Google Scholar
Barclay, Barbara. “The Medieval Repertory of Untroped Benedicamus Domino Settings.” 2 vols. Ph.D. diss., University of California at Los Angeles, 1977.Google Scholar
Barker, John W. Manuel II Palaleologus (1391–1425): A Study in Late Byzantine Statesmanship. New Brunswick, NJ: Rutgers University Press, 1969.Google Scholar
Barnes, Carl F. Villard de Honnecourt—The Artist and his Drawings: A Critical Bibliography. Boston: G. K. Hall, 1982.Google Scholar
Baroffio, Giacomo, and Kim, Eun Ju. “La tradizione liturgico-musicale in San Giacomo a Bologna.” In I corali di San Giacomo Maggiore, ed. Benevolo and Medica, 123–43.Google Scholar
Bashour, Frederick Joseph. “A Model for the Analysis of Structural Levels and Tonal Movement in Compositions of the Fifteenth Century.” 2 vols. Ph.D. diss., Yale University, 1975.Google Scholar
Battisti, Eugenio. Filippo Brunelleschi: The Complete Work, trans. Wolf, Robert Erich. New York: Rizzoli, 1981. Reprint Milan: Eletta Architecture, 2002.Google Scholar
Becherini, Bianca. “Relazioni di musicisti fiamminghi con la corte dei Medici: Nuovi documenti.” La Rinascita 4 (1941): 84112.Google Scholar
Bègne, Jean-Philippe. Histoire de Notre-Dame de Grâce, patrone du diocèse de Cambrai. Cambrai: Oscar Masson, 1910.Google Scholar
Benevolo, Giancarlo, and Medica, Massimo, eds. I corali di San Giacomo Maggiore: Miniatori e commitenti a Bologna nel Trecento, ed. Benevolo, Giancarlo and Medica, Massimo. Bologna: Edizioni Edisai, 2003.Google Scholar
Benevolo, Giancarlo, and Medica, Massimo. “Gli Agostiniani a Bologna nel Trecento.” In I corali di San Giacomo Maggiore: Miniatori e commitenti a Bologna nel Trecento, ed. Benevolo, Giancarlo and Medica, Massimo, 1135. Bologna: Edizioni Edisai, 2003.Google Scholar
Bent, Margaret. Bologna Q15: The Making and Remaking of a Musical Manuscript. 2 vols. Lucca: LIM, 2008.Google Scholar
Bent, Margaret. “Ciconia’s Dedicatee, Q 15, Brassart, and the Council of Basel.” In Manoscritti di polifonia nel Quattrocento europeo. Atti del convegni internazionale di studi, Trento – Castello del Buonconsiglio, 18–19 ottobre 2002, ed. Gozzi, Marco, 3556. Trento: Soprintendenza per i Beni Librari e Archivistici, 2004.Google Scholar
Bent, Margaret. “A Contemporary Perception of Early Fifteenth-Century Style: Bologna Q 15 as a Document of Scribal Editorial Initiative.” Musica Disciplina 41 (1987): 183201.Google Scholar
Bent, Margaret. Counterpoint, Composition, and Musica Ficta. New York: Routledge, 2002.Google Scholar
Bent, Margaret. “Divisi and a versi in Early Fifteenth-Century Mass Movements.” In Antonio Zachara da Teramo e il suo tempo, ed. Zimei, Francesco, 95137. Lucca: Libreria Musicale Italiana, 2004.Google Scholar
Bent, Margaret. “The Earliest Fifteenth-Century Transmission of English Music to the Continent.” In Essays on the History of English Music in Honour of John Caldwell: Sources, Style, Performance, Historiography, ed. Hornby, Emma and Maw, David, 8396. Woodbridge: Boydell and Brewer, 2010.Google Scholar
Bent, Margaret. “Early Papal Motets.” In Papal Music and Musicians in Late Medieval and Renaissance Rome, ed. Sherr, 543.Google Scholar
Bent, Margaret. “The Early Use of the Sign.” Early Music 24 (1996): 199225.Google Scholar
Bent, Margaret. “The Fourteenth-Century Italian Motet.” In L’Ars Nova italiana del Trecento, 6: Atti del Congreso internazionale “L’Europa e la musica del Trecento” Certaldo, 1984, 85125. Certaldo: Polis, 1992.Google Scholar
Bent, Margaret. “Music and the Early Veneto Humanists.” In Proceedings of the British Academy 101, ed. Longstreth, Francis Michael, 101–30. Oxford University Press, 1999.Google Scholar
Bent, Margaret. “The Musical Stanzas in Martin Le Franc’s Le Champion des Dames.” In Music and Medieval Manuscripts, Paleography and Performance: Essays dedicated to Andrew Hughes, ed. Haines, John and Rosenfeld, Randall, 91127. Aldershot: Ashgate, 2004.Google Scholar
Bent, Margaret. “Musicisti vicentini intorno al vescovo Pietro Emiliani.” In Musica, cronaca e storia a Vicenza nell’età della dedizione alla Serenissima, 91113. Vicenza: Conservatorio di Musica, 2003.Google Scholar
Bent, Margaret. “The Myth of Tempus perfectum diminutum in the Manuscript Chantilly.” In A Late Medieval Songbook and its Context: New Perspectives on Codex Chantilly (Bibliothèque du Château de Chantilly, Ms. 564), ed. Plumley, Yolanda and Stone, Anne, 203–27. Turnhout: Brepols, 2009.Google Scholar
Bent, Margaret. “Ockeghem’s Requiem?” Paper read at the Ockeghem Conference, Stanford University, April 2009.Google Scholar
Bent, Margaret. “The Old Hall Manuscript: A Paleographic Study.” Ph.D. diss. Cambridge, 1969.Google Scholar
Bent, Margaret. “On the Interpretation of in the Fifteenth Century: A Response to Rob Wegman.” Journal of the American Musicological Society 53 (2000): 597612.Google Scholar
Bent, Margaret. “Petrarch, Padua, Malatesta, Du Fay and Vergene bella.” In Bon jour, bon mois et bonne estraine, ed. Fitch, Fabrice and Kiel, Jacobijn, 8696. Woodbridge: Boydell & Brewer, 2011.Google Scholar
Bent, Margaret. “Resfacta and Cantare Super Librum.” Journal of the American Musicological Society 36 (1983): 371–91.Google Scholar
Bent, Margaret. “Some Factors in the Control of Consonance and Sonority: Successive Composition and the Solus Tenor.” In International Musicological Society, Report of the Twelfth Congress, Berkeley 1977, ed. Heartz, Daniel and Wade, Bonnie, 625–34. Kassel: Bärenreiter, 1981.Google Scholar
Bent, Margaret. “The Songs of Dufay: Some Questions of Form and Authenticity.” Early Music 8 (1980): 454–59.Google Scholar
Bent, Margaret. “The Trent 92 and Aosta Indexes in Context.” In I Codici musicali trentini del Quattrocento: Nuove scoperte, nuove edizioni e nuovi strumenti informatici. Atti del convegno internazionale di studi, Trento, Castello del Buonconsiglio, 28–29 Novembre 2009, ed. Curti-Feininger, Danilo and Gozzi, Marco, 6381. Trento: Provincia autonoma di Trento, Soprintendenza per i beni storico-artistici, librari e archivistici, 2013.Google Scholar
Bent, Margaret. “Trent 93 and Trent 90: Johannes Wiser at Work.” In I Codici musicali trentini a cento anni dalla loro riscoperta, ed. Pirrotta and Curti, 84111.Google Scholar
Bent, Margaret. “Trompetta and Concordans Parts in Early Fifteenth-Century Music.” In Music as Social and Cultural Practice: Essays in Honor of Reinhard Strohm, ed. Bucciarelli, Melania and Joncus, Berta, 3873. Woodbridge: Boydell Press, 2007.Google Scholar
Bent, Margaret. “The Use of Cut Signatures in Sacred Music by Binchois.” In Binchois Studies, ed. Slavin, Denis and Kirkman, Andrew, 277312. Oxford University Press, 2000.Google Scholar
Bent, Margaret. “The Use of Cut Signatures in Sacred Music by Ockeghem and his Contemporaries.” In Johannes Ockeghem: Actes du XLe Colloque international d’études humanistes, Tours, 3–8 février 1997, ed. Vendrix, Philippe, 641–80. Paris: Klincksieck, 1998.Google Scholar
Berger, Karol. “The Martyrdom of St Sebastian: The Function of Accidental Inflections in Dufay’s O beate Sebastiane.” Early Music 17 (1989): 343–58.Google Scholar
Berger, Karol. Musica Ficta: Theories of Accidental Inflections in Vocal Polyphony from Marcheto da Padova to Gioseffo Zarlino. Cambridge University Press, 1987.Google Scholar
Berlière, Ursmer. Inventaire analytique des Diversa Cameralia des archives vaticanes (1389–1500) au point de vue des anciens diocèses de Cambrai, Liège, Thérouanne et Tournai. Rome: Institute Historique Belge de Rome, 1906.Google Scholar
Berlière, Ursmer. Inventaire analytique des Libri obligationum et solutionum des Archives Vaticanes au point de vue des anciens diocèses de Cambrai, Liège, Thérouanne et Tournai. Rome: Institute Historique Belge de Rome, 1904.Google Scholar
Besseler, Heinrich. Bourdon und Fauxbourdon: Studien zum Ursprung der altniederländischen Musik. Leipzig: Breitkopf & Härtel, 1950. Rev. edn., ed. Peter Gülke. Leipzig: Breitkopf & Härtel, 1974.Google Scholar
Besseler, Heinrich. “Dufay in Rom.” Archiv für Musikwissenschaft 15 (1958): 119. Reprinted with additions in Miscelánea en homenaje a monseñor Higinio Anglés. 2 vols., 1:111–34. Barcelona: Consejo Superior de Investigaciones Científicas, 1958–1961.Google Scholar
Besseler, Heinrich. “Falsche Autornamen in den Hss Strassburg (Vitry) und Montecassino (Dufay).” Acta musicologica 40 (1968): 201–3.Google Scholar
Besseler, Heinrich. “Guillaume Dufay,” MGG1, 3, cols. 889912.Google Scholar
Besseler, Heinrich. “Neue Dokumente zum Leben und Schaffen Dufays.” Archiv für Musikwissenschaft 9 (1952): 159–76.Google Scholar
Besseler, Heinrich. “Das Neue in der Musik des 15. Jahrhunderts.” Acta Musicologica 26 (1954): 7585.Google Scholar
Besseler, Heinrich. “Von Dufay bis Josquin: Ein Literaturbericht.” Zeitschrift für Musikwissenschaft 11 (1928–29): 122.Google Scholar
Blackburn, Bonnie J.Anna Inglese and Other Women Singers in the Fifteenth Century: Gleanings from the Sforza Archives.” In Sleuthing the Muse: Essays in Honor of William F. Prizer, ed. Forney, Kritine K. and Smith, Jeremy L., 237–52. Hillsdale: Pendragon, 2012.Google Scholar
Blackburn, Bonnie J.Did Ockeghem Listen to Tinctoris?,” in Johannes Ockeghem: Actes du XLe Colloque international d’études humanistes. Tours, 3–8 février 1997, ed. Vendrix, Philippe (Paris: Klincksieck, 1998), 597640.Google Scholar
Blackburn, Bonnie J.The Dispute about Harmony c. 1500 and the Creation of a New Style.” In Théorie et analyse musicales: 1450–1650: Actes du Colloque international Louvain-la-Neuve, 23–25 septembre 1999, ed. Ceulemans, Anne-Emmanuelle and Blackburn, Bonnie J., 137. Louvain-la-Neuve: Départment d’histoire de l’art et d’archéologie, Collège Érasme, 2001.Google Scholar
Blackburn, Bonnie J.Johannes Lupi and Lupus Hellinck: A Double Portrait.” Musical Quarterly 59 (1973): 547–83.Google Scholar
Blackburn, Bonnie J. “The Lupus Problem.” Ph.D. diss., University of Chicago, 1970.Google Scholar
Blackburn, Bonnie J.Obrecht, Busnoys, and the Sign of ‘3’ before 1500.” Journal of the Alamire Foundation 2 (2010): 193207.Google Scholar
Blackburn, Bonnie J.On Compositional Process in the Fifteenth Century.” Journal of the American Musicological Society 40 (1987): 210–84.Google Scholar
Bloxam, M. Jennifer. “Annunciation Narrative and Incarnation Theology in a Mass by Johannes Regis.” Paper read at the 18th Congress of the International Musicological Society, Zürich, 10–15 July 2007. Abstract in Transitions: 18th Congress of the International Musicological Society, ed. Hinrichsen, Hans-Joachim and Lütteken, Laurenz, 40–1. Kassel: Bärenreiter, 2007.Google Scholar
Bloxam, M. Jennifer. “Du Fay as Musical Theologian: The Case of the Missa Ecce Ancilla Domini.” Program and Abstracts of Papers Read at the American Musicological Society Seventy-first Annual Meeting, October 27–30, 2005, 124–25. Philadelphia: American Musicological Society, 2005.Google Scholar
Bloxam, M. Jennifer. “In Praise of Spurious Saints: The Missae Floruit egregiis by Pipelare and La Rue.” Journal of the American Musicological Society 44 (1991): 163220.Google Scholar
Bloxam, M. Jennifer. “Obrecht as Exegete: Reading Factor orbis as a Christmas Sermon.” In Hearing the Motet, ed. Pesce, 169–92.Google Scholar
Bockholdt, Rudolf. “Englische und franko-flämische Kirchenmusik in der ersten Hälfte des 15. Jahrhunderts.” In Geschichte der katholischen Kirchenmusik, ed. Fellerer, Karl Gustav. 2 vols., 1:418–37. Kassel: Bärenreiter, 1972.Google Scholar
Bockholdt, Rudolf. Die frühen Messenkompositionen von Guillaume Dufay. 2 vols. Münchner Veröffentlichungen zur Musikgeschichte 5. Tutzing: Hans Schneider, 1960.Google Scholar
Bockholdt, Rudolf. “Die Hymnen in der Handschrift Cambrai 6: Zwei unbekannte Vertonungen von Dufay?Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 29 (1979): 7591.Google Scholar
Bonfiglio-Dossio, Giorgietta and Falcioni, Anna. La Signoria di Pandolfo III Malatesti a Brescia, Bergamo e Lecco. Storia delle signorie dei Malatesti 8. Rimini: B. Ghigi, 2000.Google Scholar
Boone, Graeme. “Dufay’s Early Chansons: Chronology and Style in the Manuscript Oxford, Bodleian Library, Canonici misc. 213.” Ph.D. diss., Harvard University, 1987.Google Scholar
Boone, Graeme. Patterns in Play: A Model for Text Setting in the Early Songs of Guillaume Dufay. Lincoln: University of Nebraska Press, 1999.Google Scholar
Boone, Graeme. “Tonal Color in Dufay.” In Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood, ed. Owens, Jessie Ann and Cummings, Anthony M., 5799. Warren, MI: Harmonie Park Press, 1996.Google Scholar
Borghetti, Vincenzo. “Music and the Representation of Princely Power in the Fifteenth Century.” Acta musicologica 80 (2008): 179214.Google Scholar
Borghezio, Gino. “La fondazione del collegio nuovo ‘Puerorum Innocentium’ del Duomo di Torino.” Note d’archivio per la storia musicale 1 (1924): 200266.Google Scholar
Bouly, Eugène. Dictionaire historique de la ville de Cambrai: Des abbayes, des chateaux-forts et des antiquités de Cambresis. Cambrai: Dumolin, 1854. Reprint Brussels: Editions de Culture et Civilization, 1979.Google Scholar
Bouly, Eugène, and Bruyelle, Adolphe. Les Souterrains de Cambrai et du Cambrésis. Cambrai: Carpentier, 1847. Reprint Cambrai: Centre Culturel, 1978.Google Scholar
Bouquet, Marie-Thérèse. “La cappella musicale dei Duchi di Savoia dal 1450 al 1500.” Rivista italiana di musicologia 3 (1968): 233–85.Google Scholar
Bower, Calvin. “The Transmission of Ancient Music Theory into the Middle Ages.” In The Cambridge History of Western Music Theory, ed. Christensen, Thomas, 136–57. Cambridge University Press, 2002.Google Scholar
Bowers, Roger. “Fixed Points in the Chronology of English Fourteenth-Century Music.” Music & Letters 71 (1990): 313–35.Google Scholar
Bowers, Roger. “Obligation, Agency, and Laissez faire: The Promotion of Polyphonic Composition for the Church in Fifteenth-Century England.” In Music in Early Medieval Europe, ed. Fenlon, Iain, 120. Cambridge University Press, 1981.Google Scholar
Boyle, Leonard. A Survey of the Vatican Archives and of its Medieval Holdings. Toronto: Pontifical Institute of Mediaeval Studies, 1972.Google Scholar
Bradley, Robert John. “Musical Life and Culture at Savoy, 1420–1450.” 2 vols. Ph.D. diss., City University of New York, 1992.Google Scholar
Branner, Robert. “The Transept of Cambrai Cathedral.” In Gedenkschrift Ernst Gall, ed. Kühn, Margarete and Grodecki, Louis, 6986. Munich and Berlin: Deutscher Kunstverlag, 1965.Google Scholar
Brejon de Lavergnée, Arnauld, et al. 2002, Une année de restaurations au Palais des Beaux-Arts de Lille. Lille: Palais de Beaux Arts, 2003.Google Scholar
Brenet, Michel [= Marie Bobillier], “Guillaume Dufay d’aprés de nouveaux documents.” Le ménestrel 52 (18851886), no. 37 [15 Aug. 1886], 296–97; no. 38 [22 Aug.], 304–305; no. 39 [29 Aug.], 312–13; no. 40 [5 Sept.], 319–20; no. 41 [12 Sept.], 327–28; no. 43 [23 Sept.], 344–45.Google Scholar
Brenet, Michel [= Marie Bobillier], Les Musiciens de la Sainte Chapelle du Palais. Paris: Picard, 1910. Reprint Geneva: Minkoff, 1973.Google Scholar
Brewer, Charles. “Defrosted Architecture: The Incommensurability of Dufay’s ‘Nuper Rosarum Flores’ and Brunelleschi’s Work for Santa Maria de Fiore.” Paper read at the Fifty-fifth Annual Meeting of the American Musicological Society, Austin, Texas, 1989.Google Scholar
Brinkman, Herman. “Weerzien met Geraardsbergen: Op het spoor van Percheval van den Noquerstocque.” Literatuur 21 (2004): 1113.Google Scholar
Brothers, Thomas. Chromatic Beauty in the Late Medieval Chanson. Cambridge University Press, 1997.Google Scholar
Brothers, Thomas. “Vestiges of the Isorhythmic Tradition in Mass and Motet, ca. 1450–1475.” Journal of the American Musicological Society 44 (1991): 156.Google Scholar
Brown, Howard Mayer. “Jean Mouton (de Holluigue).” In Grove Music Online.Google Scholar
Brown, Samuel Emmons Jr.New Evidence of Isomelic design in Dufay’s Isorhythmic Motets.” Journal of the American Musicological Society 10 (1957) 713.Google Scholar
Bruchet, Max, Anne-Marie and Pierre Piétresson de Saint Aubin, Archives Départementales du Nord, Répertoire numérique, Série H (clergé regulier). 2 vols. Lille: L. Danel, 1928, Avesne-sur-Helpe: L’Obsevateur, 1943.Google Scholar
Bruyelle, Adolphe. L’Indicateur des rues de Cambrai ancient et moderne. Cambrai: F. Deligne and E. Lesne, 1850.Google Scholar
Buet, Charles. Les Ducs de Savoie au XVe et XVIe siècles. Tours: A. Mame, 1878.Google Scholar
Bukofzer, Manfred. Review of Feininger, ed., Auctorum anonymorum. In Musical Quarterly 35 (1949): 333–40.Google Scholar
Bukofzer, Manfred. Studies in Medieval and Renaissance Music. New York: Norton, 1950.Google Scholar
Burke, Peter. The Italian Renaissance: Culture and Society in Italy. Princeton University Press, 1986.Google Scholar
Burkholder, J. Peter. “Johannes Martini and the Imitation Mass in the Late Fifteenth Century.” Journal of the American Musicological Society 38 (1985): 470523.Google Scholar
Burns, Charles. Golden Rose and Blessed Sword: Papal Gifts to Scottish Monarchs. Glasgow: John Burns, 1970.Google Scholar
Busse Berger, Anna Maria. Medieval Music and the Art of Memory. Berkeley: University of California Press, 2005.Google Scholar
Busse Berger, Anna Maria. Mensuration and Proportion Signs: Origins and Evolution. Oxford: Clarendon Press, 1993.Google Scholar
Busse Berger, Anna Maria. “Mensuration Signs and Proportions in Italian Theory from ca. 1400 to ca. 1600.” Ph.D. diss., Boston University, 1986.Google Scholar
Busse Berger, Anna Maria. “Musical Proportions and Arithmetic in the Late Middle Ages and the Renaissance.” Musica disciplina 44 (1990): 89118.Google Scholar
Busse Berger, Anna Maria. “The Myth of Diminutio per tertiam partem.” Journal of Musicology 8 (1990): 398426.Google Scholar
Busse Berger, Anna Maria. “The Origin and Early History of Proportion Signs.” Journal of the American Musicological Society 41 (1988): 403–32.Google Scholar
Busse Berger, Anna Maria. “The Relationship of Perfect and Imperfect Time in Italian Theory of the Renaissance.” Early Music History 5 (1985): 128.Google Scholar
Cartari, Carlo. La Rosa d’oro pontificia. Rome: Reverenda Camera Apostolica, 1681.Google Scholar
Castan, Auguste. Le Compositeur Guillaume du Fay à l’eglise de Saint-Étienne de Besançon en 1458, intr. Bertrand, Gustave. Besançon: Société d’Emulation du Doubs, 1881. Also in Mémoires de la Société d’émulation du Doubs, 5th ser., 3 1878 (1879): 322–29. Also as “Une consultation musicale donnée à Besançon, en 1458, par le compositeur Guillaume du Fay.” Revue des sociétés savants des départements, 6th ser. 7 (1878): 463–68.Google Scholar
Chailley, Jacques. “La Messe de Besançon et un compositeur inconnu du XIVe siècle: Jean Lambelet.” Annales musicologiques 2 (1954): 93103.Google Scholar
Chevalier, Ulysse. Repertorium hymnologicum. Catalogue de chants, hymnes, proses, séquences, tropes en usage dans l’eglise latine depuis les origines jusqu’à nos jours, 6 vols. Louvain: Ceuterick, 18971921; Brussels: Société des Bollandistes, 1920.Google Scholar
Christensen, Thomas. “Introduction.” In The Cambridge History of Western Music Theory, ed. Christensen, Thomas, 123. Cambridge University Press, 2002.Google Scholar
Christyn, Jean-Baptiste, Les délices des Pays-Bas, ou, Description géographique et historique des XVII provinces Belgiques, 6th edn. 5 vols. Liège: B. F. Bassompierre, 1769.Google Scholar
Clarke, Henry Leland. “Musicians of the Northern Renaissance.” In Aspects of Medieval and Renaissance Music: A Birthday Offering to Gustave Reese, ed. LaRue, Jan, 6781. New York: W. W. Norton, 1966. Reprinted New York: Pendragon Press, 1978.Google Scholar
Clercx, Suzanne. “Aux origines du faux-bourdon.” Revue de musicologie 40 (1957): 151–61.Google Scholar
Cordero di Pamparato, Stanislao. “Guglielmo Dufay alla corte di Savoia.” Santa Cecilia – Torino 27/2, no. 272 (1925): 1921; 27/3, no. 273 (1925): 34–36.Google Scholar
Cornides, Elizabeth. Rose und Schwert im päpstlichen Zeremoniell von den Anfangen bis zum Pontifikat Gregors XIII. Vienna: Verlag des Wissenschaftlichen Antiquariats H. Geyer, 1967.Google Scholar
Corradi, Alfonso. Annali delle epidemie occorse in Italia dalle prime memorie fino al 1850. 5 vols. Bologna: Gamberini & Parmeggiani, 18691895. Reprint Bologna: Forni, 1972–1973.Google Scholar
Cox, Bobby Wayne. “The Motets of MS Bologna, Civico Museo Bibliografico Musicale, Q 15.” 3 vols. Ph.D. diss., North Texas State University, 1977.Google Scholar
Cox, Bobby Wayne. “‘Pseudo-Augmentation’ in the Manuscript Bologna, Civico Museo Bibliografico Musicale, Q.15 (BL).” Journal of Musicology 1 (1982): 419–38.Google Scholar
Crawford, David. “Guillaume Dufay, Hellenism, and Humanism.” In Music from the Middle Ages through the Twentieth Century: Essays in Honor of Gwynn McPeek, ed. Comberiati, Carmelo Peter and Steel, Matthew Clark, 8193. New York: Gordon and Breach, 1988.Google Scholar
Crocker, Richard. “Discant, Counterpoint, and Harmony.” Journal of the American Musicological Society 15 (1962): 121.Google Scholar
Crocker, Richard. A History of Musical Style. New York: McGraw Hill, 1966.Google Scholar
Cumming, Julie. “Composing Imitative Counterpoint around a Cantus Firmus: Two Motets of Heinrich Isaac.” Journal of Musicology 28 (2011): 231–88.Google Scholar
Cumming, Julie. “Concord out of Discord: Occasional Motets of the Early Quattrocento.” Ph.D. diss., University of California at Berkeley, 1987.Google Scholar
Cumming, Julie. The Motet in the Age of Du Fay. Cambridge University Press, 1999.Google Scholar
Curtis, Liane. “Music Manuscripts and their Production in Fifteenth Century Cambrai.” Ph.D. diss., University of North Carolina at Chapel Hill, 1991.Google Scholar
Cuthbert, Michael Scott. “Trecento Fragments and Polyphony beyond the Codex.” Ph.D. diss., Harvard University, 2006.Google Scholar
D’Accone, Frank A.The Singers of San Giovanni in Florence during the 15th Century.” Journal of the American Musicological Society 14 (1961): 307–58.Google Scholar
Dammann, Rolf. “Die Florentiner Domweihmotette Dufays (1436).” In Wolfgang Braunfels, Der Dom von Florenz. Mit einem Beitrag von Rolf Dammann über die Florentiner Domweihmotette Dufays. Architektur und Musik 1, 7185. Olten: Graf Verlag, 1964.Google Scholar
Danckert, Werner. Das europäische Volkslied. Berlin: B. Hahnefeld, 1939; 2nd edn. Bonn: Bouvier, 1970.Google Scholar
Danneman, Erna. Die spätgotische Musiktradition in Frankreich und Burgund vor dem Auftreten Guillaume Dufays. Collection d’études musicologiques 22. Strasbourg: Heitz, 1936, 2nd edn. Baden-Baden: Koerner, 1973.Google Scholar
Dart, R. Thurston, “A Footnote for Morley’s ‘Plain and Easy Introduction’.” Music & Letters 35 (1954): 183.Google Scholar
Dartus, Edmond. “A propos de Guillaume Du Fay.” Mémoires de la Société d’Émulation de Cambrai 96 (1982): 259–94. Also published separately: Cambrai: Société d’Émulation de Cambrai, 1982.Google Scholar
Dartus, Edmond. “Les Du Fay à Cambrai au xive siècle.” Mémoires de la Société d’Émulation de Cambrai 96 (1982): 260–77.Google Scholar
Dartus, Edmond. “Un Grand Musicien cambrésien, Guillaume Du Fay.” Mémoires de la Société d’Émulation de Cambrai 94 (1974): 423–71.Google Scholar
Dartus, Edmond. “Guillaume Du Fay de Cambrai? ‘Un nouveau pas en avant’.” Mémoires de la Société d’Émulation de Cambrai 96 (1982): 278–94.Google Scholar
Davis, Shelley. “The Solus Tenor in the 14th and 15th Centuries.” Acta Musicologica 39 (1967): 4464, and 40 (1968): 176–78.Google Scholar
DeFord, Ruth. “On Diminution and Proportion in Fifteenth-Century Music Theory.” Journal of the American Musicological Society 58 (2005): 167.Google Scholar
De Ford, Ruth. “The Mensura of in the Works of Du Fay.” Early Music 34 (2006): 111–36.Google Scholar
De La Fons, Alexandre, de Mélicocq, Baron. “Documents inédits pour servir à l’histoire des usages et des moeurs (suite).” Annuaire Bulletin de la Société de l’Histoire de France (1865) (Paris, Renouard, 1865): 4042.Google Scholar
De Van, Guillaume. “Inventory of the Manuscript Bologna, Liceo Musicale, Q 15 (olim 37).” Musica disciplina 2 (1948): 231–57.Google Scholar
De Van, Guillaume. “A Recently Discovered Source of Early Fifteenth-Century Music: The Aosta Manuscript.” Musica Disciplina 2 (1948): 574.Google Scholar
Dean, Jeffrey. “Verona 755 and the Incomprehensibilia Composer.” In Manoscritti di polifonia nel Quattrocento europeo: Atti del Convegno internazionale di Studi, ed. Gozzi, Marco, 93108. Trento: Soprintendenza per i Beni Librari e Archivistici, 2004.Google Scholar
Delattre, Victor. “Recueil d’épigraphie cambrésienne: Guillaume Du Fay.” Bulletin de la Commission historique du département du Nord 9 (1866): 349–53.Google Scholar
Delmaille, J.Age.” In Dictionaire de droit canonique, ed. Naz, Raoul. 7 vols., 1:340–41. Paris: Librairie Letouzey, 19351965.Google Scholar
Demars-Sion, Véronique. Femmes séduites et abandonées au 18e siècle: L’exemple du Cambrésis. Hellemmes: Ester, 1991.Google Scholar
Demeuldre, Amé. Le Chapitre de Saint-Vincent a Soignies, ses dignitaires et ses chanoines. Soignies: Felix Noesfnet, 1902.Google Scholar
Deonna, Waldemar. Les Arts à Genève des origines à la fin du XVIIIe siècle. Geneva: Musée d’Art et d’Histoire, 1942.Google Scholar
DeVries, Kelly. “The Failure of Philip the Good to Fulfill his Crusade Promise of 1454.” In The Medieval Crusade, ed. Ridyard, Susan J., 157–70. Woodbridge: Boydell Press, 2004.Google Scholar
Dèzes, Karl. “Das Dufay zugeschriebene Salve regina eine deutsche Komposition: Eine stilkritische Studie.” Zeitschrift für Musikwissenschaft 10 (19271928): 327–62.Google Scholar
Droz, Eugénie. “Notes sur Me Jean Cornuel, dit Verjus, petit vicaire de Cambrai.” Revue de musicologie 7 (1926): 173–89.Google Scholar
Dubrulle, Henry. “Les Membres de la curie romane dans la province de Reims sous le pontificat de Martin V.” Annales de Saint-Louis-des-Français 10 (19051906): 379407.Google Scholar
Du Fresne de Beaucourt, Gaston. Histoire de Charles VII. 6 vols. Paris: Librairie de la Société Bibliographique, A. Picard: 18811891.Google Scholar
Earp, Lawrence. Guillaume de Machaut, A Guide to Research. New York: Garland, 1995.Google Scholar
Earp, Lawrence. Review of Daniel Leech Wilkinson, Machaut’s Mass. In Journal of the American Musicological Society 46 (1993): 296.Google Scholar
Eisenhofer, Ludwig, and Lechner, Joseph, The Liturgy of the Roman Rite, trans. A. J. and Peeler, E. F., ed. Winstone, H. E.. Freiburg: Herder, 1961.Google Scholar
Elders, Willem. “Guillaume Dufay as Musical Orator.” Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 31 (1981): 115.Google Scholar
Elders, Willem. “Guillaume Dufay’s Concept of Faux-bourdon.” Revue belge de musicologie 13 (1989): 173–95.Google Scholar
Elders, Willem. “Zur Aufführungpraxis der altniederländischen Musik.” In Renaissance-Muziek: Donum natalicium René Bernard Lenaerts, ed. Robijns, Jozef, 89104. Musicologica Lovaniensia 1. Leuven: Katholieke Universiteit, 1969.Google Scholar
Ellard, Gerald. Master Alcuin, Liturgist. Chicago: Loyola University Press, 1956.Google Scholar
Eschbach, Achim. Le Saint Suaire de Notre-Seigneur vénéré dans la Cathédrale de Turin: Étude historique, critique et scientifique. Turin: Pierre Marietti, 1913.Google Scholar
Etheridge, Jerry Haller. “The Works of Johannes de Limburgia.” Ph.D. diss., Indiana University, 1972.Google Scholar
Falcioni, Anna. “Cleofe Malatesti nelle fonte epistolari mantovane.” In Le donne di casa Malatesti, ed. Falcioni, Anna, 2 vols., 2:955–68. Storia delle signorie dei Malatesti 19. Rimini: Centro di Studi Malatestiani, 2005.Google Scholar
Falcioni, Anna. “Pandolfo Malatesti arcivescovo di Patrasso (1390–1441).” Bizantinistica: Rivista di studi bizantini e slavi, ser. 2, 1 (1999): 7389.Google Scholar
Fallows, David. “Alanus, Johannes.” Grove Music Online.Google Scholar
Fallows, David. “Ballades by Dufay, Grenon, and Binchois: The Boorman Fragment.” In Musikalische Quellen – Quellen zur Musikgeschichte. Festschrift für Martin Staehelin zum 65. Geburtstag, ed. Konrad, Ulrich et al., 2535. Göttingen: Vandenhoeck & Ruprecht, 2002.Google Scholar
Fallows, David. “Binchois and the Poets.” In Binchois Studies, ed. Kirkman, Andrew and Slavin, Dennis, 199219. New York and Oxford: Oxford University Press, 2000.Google Scholar
Fallows, David. “Cameraco.” Grove Music Online.Google Scholar
Fallows, David. A Catalogue of Polyphonic Songs, 1415–1480. Oxford University Press, 1999.Google Scholar
Fallows, David. “The Contenance angloise: English Influence on Continental Composers of the Fifteenth Century.” Renaissance Studies 1 (1987): 189208. Reprinted in Fallows, Songs and Musicians in the Fifteenth Century. Aldershot: Ashgate, 1996.Google Scholar
Fallows, David. Dufay, rev. edn. London: Dent, 1987.Google Scholar
Fallows, David. “Dufay and Nouvion-le-Vineux: Some Details and a Thought.” Acta musicologica 48 (1976): 4450.Google Scholar
Fallows, David. “Dufay and the Mass Proper Cycles of Trent 88,” I Codici musicali trentini a cento anni dalla loro riscoperta. Atti del convegno Laurence Feininger: La musicologia come missione, Trento, Castello del Buonconsiglio, 6–7 Settembre 1985, ed. Pirrotta, Nino and Curti, Danilo, 4659. Trent: Museo Provinciale d’Arte, 1986.Google Scholar
Fallows, David. “Dufay, la sua messa per Sant’Antonio da Padova e Donatello.” Rassegna veneta di studi musicali 2–3 (19861987): 319.Google Scholar
Fallows, David. “Dufay’s Most Important Work: Reflections on the Career of his Mass for St Anthony of Padua.” Musical Times 123 (1982): 467–70.Google Scholar
Fallows, David. “Introit Antiphon Paraphrase in the Trent Codices: Laurence Feininger’s confronto.” Journal of the Plainsong & Mediaeval Music Society 7 (1984): 4777.Google Scholar
Fallows, David. “Johannes Fedé.” In Grove Music Online.Google Scholar
Fallows, David. “Johannes Franchois de Gemblaco.” In Grove Music Online.Google Scholar
Fallows, David. “Josquin and Trent 91: Thoughts on Omnium bonorum plena and his Activities in the 1470s.” In Manoscritti di polifonia nel Quattrocento europeo: Atti del Convegno internazionale di studi, Trento, Castello del Buonconsiglio, 18–19 ottobre 2002, ed. Gozzi, Marco, 205–11. Trento: Soprintendenza per i Beni Librari e Archivistici, 2004.Google Scholar
Fallows, David. “The Life of Johannes Regis, ca. 1425–1496,” Revue belge de musicologie 43 (1989): 143–72.Google Scholar
Fallows, David. “A Postscript to ‘Two More Dufay Songs Reconstructed’.” Early Music 4 (1976): 99.Google Scholar
Fallows, David. “Robertus de Anglia and the Oporto Song Collection.” In Source Materials and the Interpretation of Music: A Memorial Volume to Thurston Dart, ed. Bent, Ian, 99128. London: Stainer and Bell, 1981.Google Scholar
Fallows, David. “Simon.” Grove Music Online.Google Scholar
Fallows, David. The Songs of Guillaume Dufay. Critical Commentary to the Revisions of Corpus Mensurabilis Musicae, Ser I, vol. VI. Musicological Studies and Documents 47. Neuhausen-Stuttgart: American Institute of Musicology, Hänssler, 1995.Google Scholar
Fallows, David. “Specific Information on Ensembles for Composed Polyphony, 1400–1474.” In Studies in the Performance of Late Medieval Music, ed. Boorman, Stanley, 109–59. Cambridge University Press, 1983.Google Scholar
Fallows, David. “Two More Dufay Songs Reconstructed.” Early Music 3 (1975): 358–60.Google Scholar
Fallows, David. “Zacara da Teramo, Antonio.” Grove Music Online.Google Scholar
Fallows, David, and Haagh, Barbara. “Jean Du Sart.” Grove Music Online.Google Scholar
Fassler, Margot. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris. Cambridge University Press, 1993.Google Scholar
Fedalto, Giorgio. La chiesa latina in oriente. 3 vols. Verona: Mazziana, 19731981.Google Scholar
Fétis, François-Josephe. Biographie universelle des musiciens et bibliographie générale de la musique. 8 vols. Brussels: Leroux, 1835–44; 2nd edn., ed. Arthur Pougin. Paris: Firmin Didot, 1866–1870. Reprint Brussels: Culture et Civilisation, 1972.Google Scholar
Fétis, François-Josephe. Mémoire sur cette question: Quels ont été les mérites des Néerlandais dans la musique? In Verhandelingen over de vraag: Welke verdiensten hebben zich de nederlanders … [published in the same volume as Rafael Georg Kiesewetter, Die Verdienste der niederlaender um die Tonkunst … each with separate pagination]. Amsterdam: J. Muller, 1829.Google Scholar
Fiala, David. “Condé-sur-l’Escaut et les musiciens au xve siècle (tous sauf Josquin).” Paper read at the Medieval and Renaissance Music Conference, Tours, 13–16 July, 2005. Tours: Centre d’Études Superieures de la Renaissance, 2005.Google Scholar
Fiala, David. “Le Mécénat musical des ducs de Bourgogne et des princes de la Maison de Habsbourg (1467–1506).” 2 vols. Ph.D. diss., Université François Rabelais, 2002.Google Scholar
Fiala, David. “Les Musiciens étrangers de la cour de Bourgogne à la fin du xve siècle.” Revue du Nord 84 (2002): 367–87.Google Scholar
Fink, Karl August. “Die politische Korrespondenz Martins V. nach den Brevenregistern.” Quellen und Forschungen aus italienischen Archiven und Bibliotheken 26 (19351936): 172244.Google Scholar
Finscher, Ludwig. “Loyset Compère.” MGG2, Personenteil 4: 1446–54.Google Scholar
Finscher, Ludwig. Loyset Compère, c. 1450–1518; Life and Works. Musicological Studies and Documents 12. Rome: American Institute of Musicology, 1964.Google Scholar
Finscher, Ludwig. “Motetten-Chanson.” MGG2, Sachteil 6: 546–47.Google Scholar
Finscher, Ludwig, and Laubenthal, Annegrit. “‘Cantiones quae vulgo motectae vocantur’.” In Arten der Motette im 15. und 16. Jahrhundert. Neues Handbuch der Musikwissenschaft, ed. Dahlhaus, Carl and Danuser, Hermann, 3/2: 277370. Laaber: Laaber Verlag, 1990.Google Scholar
Fischer, Kurt. “Neue Quellen zur Musik des 13., 14., und 15. Jahrhunderts.” Acta musicologica 36 (1964): 7997.Google Scholar
Fitch, Fabrice. Johannes Ockeghem, Masses and Models. Paris: Champion, 1997.Google Scholar
Forney, Christine K.Music, Ritual and Patronage at the Church of Our Lady, Antwerp.” Early Music History 7 (1987): 158.Google Scholar
Fortuna, Alberto Maria and Lunghetti, Cristina, eds. Autografi dell’archivio mediceo avanti il principato. Scriptorium Florentinum 1. Florence: Corradino Mori, 1977.Google Scholar
Freedman, Richard. “Pierrequin de Thérache.” Grove Music Online.Google Scholar
Frutaz, Aimé-Pierre. “La Recollectio festorum Beatae Mariae Virginis: Testi liturgici in uso nella diocesi di Aosta dal saec. XV al XIX.” Ephemerides Liturgicae 70 (1956): 2040.Google Scholar
Gallagher, Sean. “After Burgundy: Rethinking Binchois’s Years in Soignies.” In Binchois Studies, ed. Kirkman, Andrew and Slavin, Dennis, 2748. Oxford University Press, 2000.Google Scholar
Gallagher, Sean. Johannes Regis. Turnhout: Brepols, 2010.Google Scholar
Gallagher, Sean. “Musical Quotation or Compositional Habit? The Case of Guillaume Du Fay’s En triumphant de Cruel Dueil.” In Renaissance Studies in Honor of Joseph Connors, ed. Israëls, Machtelt and Waldman, Louis A.. 2 vols. 2:635–42. Florence: Villa I Tatti and the Harvard University Center for Italian Renaissance Studies, 2013.Google Scholar
Gallagher, Sean. “Seigneur Leon’s Papal Sword: Ferrara, Du Fay, and his Songs of the 1440s.” Tijdschrift van de koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 57 (2007): 328.Google Scholar
Gallo, F. Alberto. “Citazioni da un trattato di Dufay.” Collectanea historiae musicae 4 (1966): 149–52.Google Scholar
Gelder, H. Enno, and Hoc, Marcel. Les Monnaies des Pays-Bas bourgignons et espagnols, 1434–1713. Amsterdam: J. Schulman, 1960.Google Scholar
Gerber, Rebecca L.Dufay’s Style and the Question of Cyclic Unity in the Trent 88 Mass Proper Cycles.” In I codici musicali trentini: Nuove scoperte e nuovi orientamenti della ricerca, ed. Wright, Peter and Andreotti, Carlo, 107–19. Trento: Servizio Beni Librari e Archivistici, 1996.Google Scholar
Gerber, Rebecca L.. “The Manuscript Trent, Castello del Buonconsiglio, 88: A Study of Fifteenth-Century Manuscript Transmission and Repertory.” 2 vols. Ph.D. diss., University of California, Santa Barbara, 1985.Google Scholar
Gerken, Robert E. “Polyphonic Cycles of the Proper of the Mass.” Ph.D. diss., Indiana University, 1969.Google Scholar
Gill, Joseph. Eugenius IV. Pope of Christian Union. Westminster, MD: Newman Press, 1961.Google Scholar
Godefroy, Frédéric. Dictionnaire de l’ancienne langue française et de touts se dialects du IXe au XVe siècle. 10 vols. Paris: Maisson, 18801902. Reprinted Vaduz: Kraus, 1965.Google Scholar
Gomez Muntané, Maricarmen. La Música medieval en España. Kassel: Reichenberger, 2001.Google Scholar
Gossen, Nicoletta. Musik in Texten, Texte in Musik: Der poetische Text als Herausforderung an die Interpreten der Musik des Mittelalters. Winterthur: Amadeus, 2006.Google Scholar
Gossett, Philip. “Techniques of Unification in Early Cyclic Masses and Mass Pairs.” Journal of the American Musicological Society 19 (1966): 205–31.Google Scholar
Gozzi, Marco. Il manoscritto Trento Museo Provinciale d’Arte, cod. 1377 (Tr 90) con un’analisi del repertorio non derivato da Tr 93. 2 vols. Studi e testi musicali 1. Cremona: Turris 1992.Google Scholar
Gregorovius, Ferdinand. Geschichte der Stadt Rom im Mittelalter vom V. bis XVI. Jahrhundert. 8 vols. Stuttgart: J. G. Cotta, 18591872. Ed. Waldemar Kampf. 3 vols. Tübingen: Wissenschaftliche Buchgemeinschaft, 1953–1957. Reprinted Basel: Schwabe, 1963.Google Scholar
Grierson, Philip. “Coinage in the Cely Papers.” In Miscellanea medievalia in memoriam Jan Frederik Niermeyer, 379405. Gronigen: J. B. Wolters, 1967. Ed. Kampf, Waldemar, 3 vols. Tübingen: Wissenschaftliche Buchgemeinschaft, 1953–1957. Reprinted Basel: Schwabe, 1963.Google Scholar
Grierson, Philip. Monnaies du moyen âge, trans. Hauvelin, Hélène. Freiburg, Switzerland: Office du Livre, 1976.Google Scholar
Gruben, Françoise. Les Chapitres de la Toisson d’Or à l’époque Bourguignone (1430–1477). Medievalia Lovanensia, Series I, 23. Leuven University Press, 1997.Google Scholar
Grunzweig, Armand. “Notes sur la musique des Pays-Bas au xve siècle.” Bulletin de l’Institut Historique Belge de Rome 18 (1937): 7388.Google Scholar
Guasti, Cesare. “Gli avanzi dell’archivio di un pratese vescovo di Volterra che fu al Concilio di Constanza.” Archivio storico italiano, 4th ser. 13 (1884): 2041, 171209, 313–72.Google Scholar
Guenée, Bernard. Entre l’Église et l’État: Quatre vies de prélats français à la fin du Moyen Age (XIIIe–XVe siècle). Paris: Gallimard, 1987. Between Church and State, trans. Arthur Goldhammer. University of Chicago Press, 1991.Google Scholar
Gülke, Peter. Guillaume Du Fay: Musik des 15. Jahrhunderts. Kassel: Bärenreiter, 2003.Google Scholar
Gülke, Peter. “Johannes Touront.” MGG1, 13:592–93.Google Scholar
Gülke, Peter. “Das Volkslied in der burgundischen Polyphonie des 15. Jahrhunderts.” In Festschrift Heinrich Besseler zum sechzigsten Geburtstag, 179202. Leipzig: VEB Deutscher Verlag für Musik, 1961.Google Scholar
Günther, Ursula. “Die Anwendung der Diminution in der Handschrift Chantilly 1047.” Archiv für Musikwissenschaft 17 (1960): 121.Google Scholar
Günther, Ursula. “Der Gebrauch des tempus perfectum diminutum in der Handschrift Chantilly 1047.” Archiv für Musikwissenschaft 17 (1960): 277–97.Google Scholar
Günther, Ursula. “Zur Biographie einiger Komponisten der Ars Subtilior.” Archiv für Musikwissenschaft 21 (1965): 172–99.Google Scholar
Günther, Ursula, and Gómez, Maricarmen. “Senleches.” Grove Music Online.Google Scholar
Günther, Ursula, and Stone, Anne. “Matteo da Perugia.” Grove Music Online.Google Scholar
Gushee, Lawrence. “Questions of Genre in Medieval Treatises on Music.” In Gedenkschrift Leo Schrade, ed. Wulf Arlt et al., 365433. Bern: Franke, 1973.Google Scholar
Haar, James, and Nádas, John. “Johannes de Anglia (John Hothby): Notes on his Career in Italy.” Acta Musicologica 79 (2007): 291358.Google Scholar
Haar, James, and Nádas, John. “The Medici, the Signoria, the Pope: Sacred Polyphony in Florence, 1432–1448.” Recercare 20 (2008): 2593.Google Scholar
Haberl, Dieter. “Franz Xaver Haberl.” Grove Music Online.Google Scholar
Haberl, Franz Xaver. Bausteine für Musikgeschichte. 3 vols. Leipzig: Breitkopf & Härtel, 18851888. Reprint Hildesheim: Olms, 1971. Also issued as: “I. Wilhelm du Fay: Monographische Studie über dessen Leben und Werke.” Vierteljahrsschrift für Musikwissenschaft 1 (1885): 397–530; “II. Bibliographischer und thematischer Musikkatalog des päpstlichen Kapellarchives im Vatikan zu Rom.” Monateshefte für Musik-Geschichte 19–20 (1887–1888), Beilage 3; and “III. Die römische ‘Schola Cantorum’ und die päpstlichen Kapellsänger bis zur Mitte des 16. Jahrhunderts.” Vierteljahrsschrift für Musikwissenschaft 3 (1887): 189–216. References are to the Bausteine version.Google Scholar
Haberl, Franz Xaver, and Lisio, Giuseppe. “Una stanza del Petrarca musicata da Guillaume du Fay.” Rivista musicale italiana 1 (1894): 257–66.Google Scholar
Haggh, Barbara. “The Aostan Sources for the Recollectio festorum Beatae Mariae Virginis by Guillaume Du Fay.” In Cantus Planus: Papers Read at the Third Meeting, Tihany, 1988, ed. Halász, Péter et al., 355–75. Budapest: Magyar Tudományos Akadémia, 1990.Google Scholar
Haggh, Barbara. “The Archives of the Golden Fleece and Music.” Journal of the Royal Musical Association 120 (1995): 143.Google Scholar
Haggh, Barbara. “Busnoys and ‘Caron’ in Documents from Brussels.” In Antoine Busnoys: Method, Meaning and Context in Late Medieval Music, ed. Higgins, Paula, 295315. Oxford: Clarendon Press, 1999.Google Scholar
Haggh, Barbara. “Carlerius, Egidius.” New Grove Online.Google Scholar
Haggh, Barbara. “The Celebration of the ‘Recollectio Festorum Beatae Mariae Virginis,’ 1457–1987.” Studia Musicologica Academiae Scientiarum Hungaricae 20 (1988): 361–73. Also in Trasmissione e recezione delle forme di cultura musicale: Bologna, 27 Agosto–1 settembre 1987, Ferrara-Parma, 30 agosto 1987. Atti del XIV Congresso della Società internazionale di musicologia, ed. Angelo Pompilio. 3 vols., iii: 559–71. Turin: EDT, 1990.Google Scholar
Haggh, Barbara. “Guillaume Du Fay and the Evolution of the Liturgy at Cambrai Cathedral in the Fifteenth Century.” In Cantus Planus, Papers Read at the Fourth Meeting, Pécs, Hungary, 3–8 September 1990, 549–69. Budapest: Hungarian Academy of Sciences, 1992.Google Scholar
Haggh, Barbara. “Guillaume du Fay’s Birthplace: Some Notes on a Hypothesis.” Revue belge de musicologie 51 (1997): 1721.Google Scholar
Haggh, Barbara. “Guillaume Du Fay’s Missa Sancti Jacobi: A Mass for his Friend Robert Auclou?” In Gedenkschrift für Walter Pass, ed. Czernin, Martin, 307–19. Tutzing: Schneider, 2002.Google Scholar
Haggh, Barbara. “Itinerancy to Residency: Professional Careers and Performance Practices in 15th-Century Sacred Music.” Early Music 17 (1989): 359–67.Google Scholar
Haggh, Barbara. “Medieval Plainchant from Cambrai: A Preliminary list of Hymns, Alleluia Verses and Sequences.” Revista de musicología 16 (1993): 232–34.Google Scholar
Haggh, Barbara. “The Medium Transforms the Message? Conflicting Evidence from the Printed Sources of the Officium recollectionis festorum Beatae Mariae Virginis.” Il canto piano nell’era della stampa: Atti del convegno internazionale di studi sul canto liturgico nei secoli XV–XVIII, ed. Curti, Danilo et al., 7380. Trento: Provicia Autonoma di Trento, 1999.Google Scholar
Haggh, Barbara. “Music, Liturgy, and Ceremony in Brussels, 1350–1500.” 2 vols. Ph.D. diss., University of Illinois at Urbana-Champaign, 1988.Google Scholar
Haggh, Barbara. “Nonconformity in the Use of Cambrai Cathedral: Guillaume Du Fay’s Foundations.” In The Divine Office in the Late Middle Ages, ed. Fassler, Margot and Baltzer, Rebecca, 372–97. New York and Oxford: Oxford University Press, 2000.Google Scholar
Haggh, Barbara. “Singing for the Most Noble Souls: Funerals and Memorials for the Burgundian and Habsburg Dynasties in Dijon and Brussels as Models for the Funeral of Philip the Fair in 1507.” In Tod in Musik und Kultur: zum 500. Todestag Philipps des Schönen, ed. Gasch, Stefan and Lodes, Birgit, 5786. Tutzing: Schneider, 2007.Google Scholar
Haggh, Barbara. “De viering van de Recollectio Festorum Beatae Mariae Virginis.” Musica antiqua 17 (2000): 101–9.Google Scholar
Haller, Johannes, et al. Concilium Basiliense, Studien und Quellen zur Geschichte des Concils von Basel. 8 vols. Basel: Reich, 18961936. Reprint Nedeln: Kraus, 1971.Google Scholar
Hamm, Charles. A Chronology of the Works of Guillaume Dufay Based on a Study of Mensural Practice. Princeton Studies in Music 1. Princeton University Press, 1964.Google Scholar
Hamm, Charles. “Dating a Group of Dufay Works.” Journal of the American Musicological Society 15 (1962): 6571.Google Scholar
Hamm, Charles. “A Group of Anonymous English Pieces in Trent 87.” Music & Letters 41 (1960): 211–15.Google Scholar
Hamm, Charles. “Manuscript Structure in the Dufay Era.” Acta musicologica 34 (1962): 166–84.Google Scholar
Hamm, Charles. “The Reson Mass.” Journal of the American Musicological Society 18 (1965): 521.Google Scholar
Hamm, Charles. Review of Guillelmi Dufay. Opera Omnia. Tomus VI (Cantiones), ed. Besseler, Heinrich. In Musical Quarterly 52 (1966): 244–54.Google Scholar
Hamm, Charles, and Scott, Ann B.. “A Study and Inventory of the Manuscript Modena, Biblioteca Estense, Alpha X.1.11.” Musica disciplina 26 (1972): 101–43.Google Scholar
Haydon, Glen. “Ave maris stella from Apt to Avignon.” In Festschrift Bruno Stäblein zum 70. Geburtstag, ed. Ruhnke, Martin, 7991. Kassel: Bärenreiter, 1967.Google Scholar
Hayez, Anne Marie. Ut per litteras apostolicas [CD Rom]. Turnhout: Brepols, 2002.Google Scholar
Heliot, Pierre. “La Nef et le clocher de l’ancienne cathédrale de Cambrai.” Wallraf-Richrartz Jahrbuch 18 (1956), 91110.Google Scholar
Hell, Helmut. “Zwei weitere Blätter zum Fragment Mus. ms. 3224 in der Bayerische Staatsbibliothek aus der Dufay-Zeit.” Musik in Bayern 27 (1983): 4349.Google Scholar
Higgins, Paula. “Antoine Busnois and Musical Culture in Late Fifteenth-Century France and Burgundy.” Ph.D. diss., Princeton University, 1978.Google Scholar
Higgins, Paula, and Dean, Jeffrey. “Eloy d’Amerval.” Grove Music Online.Google Scholar
Hiley, David. Western Plainchant: A Handbook. Oxford: Clarendon Press, 1993.Google Scholar
Höfler, Janez. “Der ‘Trompette des menestrels’ und sein Instrument.” Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 29 (1979): 92132.Google Scholar
Holford-Strevens, Leofranc. “Du Fay the Poet? Problems in the Texts of his Motets.” Early Music History 16 (1997): 97165.Google Scholar
Houdoy, Jules. Histoire artistique de la cathédrale de Cambrai, ancienne église métropolitaine Notre-Dame. Paris: Damascène Morgand and Charles Fatout, 1880. Reprint Geneva: Minkoff, 1972.Google Scholar
Hucke, Helmut. “Das Dekret ‘Docta Sanctorum Patrum’ Papst Johannes XXII.” Musica disciplina 38 (1984): 119–34.Google Scholar
Hughes, David. “A View of the Passing of Gothic Music: Line and Counter-point, 1380–1430.” Ph.D. diss., Harvard University, 1956.Google Scholar
Huglo, Michel. “Les Débuts de la polyphonie à Paris: Les premiers organa parisiens.” In Aktuelle Fragen der musikbezogenen Mittelalterforschung, ed. Arlt, Wulf and Oesch, Hans, 93164. Forum Musicologicum 3. Basel: Amadeus, 1982.Google Scholar
Jackman, James L.Liturgical Aspects of Byrd’s Gradualia.” Musical Quarterly 49 (1963): 1737.Google Scholar
Jackson, Roland. “Musical Interrelations between 14th-Century Mass Movements.” Acta musicologica 28 (1956): 5464.Google Scholar
Jeffery, Peter. “Notre Dame Polyphony in the Library of Pope Boniface VIII.” Journal of the American Musicological Society 32 (1979): 118–24.Google Scholar
Jones, Philip James. The Malatesta of Rimini and the Papal State. Cambridge University Press, 1974.Google Scholar
Jungmann, Joseph A. The Mass of the Roman Rite: Its Origins and Development (Missarum Sollemnia), trans. Brunner, Francis A.. 2 vols. New York: Benzinger, 19511955.Google Scholar
Jussieu, Alexis. La Sainte-Chapelle du Chateau de Chambéry. Chambéry: Perrin, 1868.Google Scholar
Kade, Otto. “Biographisches zu Antonio Squacialupi, dem Florentiner Organist im XV. Jahrhunderte.” Monatshefte für Musikgeschichte 17 (1885): 17 and 1319.Google Scholar
Kendall, Murray. Louis XI, the Universal Spider. New York: Norton, 1971.Google Scholar
Kiesewetter, Raphael Georg. Geschichte der europaeisch-abendlaendischen oder unsrer heutigen Musik. Leipzig: Breitkopf & Härtel, 1834. English trans. Robert Müller. London: T. C. Newby, 1848. Reprint New York: Da Capo, 1973.Google Scholar
Kiesewetter, Raphael Georg. “Die Verdienste der Niederländer um die Tonkust.” In Verhandelingen over de Vraag, welke Verdiensten hebben zich de Nederlanders vooral in de 14, 15 en 16 eeuw in het Vak der Toonkunst verworven… Koninklijk-Nederlandsche institut van Wetenschappen, Letterkunde en Schoone Kunsten. Vierde Klasse. Amsterdam: J. Muller, 1829.Google Scholar
Kirkman, Andrew. “From Humanism to Enlightenment: Reinventing Josquin.” Journal of Musicology 17 (1999): 441–58.Google Scholar
Kirkman, Andrew. “The Invention of the Cyclic Mass.” Journal of the American Musicological Society 54 (2001): 148.Google Scholar
Kirnbauer, Martin. “Johannes Touront.” Grove Music Online.Google Scholar
Klugseder, Robert. “Venezianische Chorbuchfragmente der Du Fay-Zeit in der Österreichischen Nationalbibliothek.” Musicologica Austriaca 28 (2009): 201–24.Google Scholar
Koller, Fortuné. Au service de la Toison d’or (Les officiers). Dison: G. Lelotte, 1971.Google Scholar
Kovarik, Edward. “Mid Fifteenth-Century Polyphonic Elaborations of the Ordinarium Missae.” 2 vols. Ph.D. diss., Harvard University, 1973.Google Scholar
Kovarik, Edward. “The Performance of Dufay’s Paraphrase Kyries.” Journal of the American Musicological Society 28 (1975): 230–44.Google Scholar
Kügle, Karl. “Glorious Sounds for a Holy Warrior: New Light on Codex Turin J.II.9.” Journal of the American Musicological Society 65 (2012): 637–90.Google Scholar
Kügle, Karl. “Jean Hanelle.” In Grove Music Online.Google Scholar
Kügle, Karl. The Manuscript Ivrea, Biblioteca Capitolare, 115: Studies in the Transmission and Composition of Ars Nova Polyphony. Musicological Studies 69. Ottawa: Institute of Mediaeval Music, 1997.Google Scholar
Kügle, Karl. “The Repertory of the Manuscript Turin, Biblioteca Nazionale J.II.9, and the French Tradition of the Fourteenth and Early Fifteenth Centuries.” In The Cypriot-French Repertory of the Manuscript Torino J.II.9: Report of the International Musicological Congress, Paphos 20–25 March, 1992, ed. Günther, Ursula and Finscher, Ludwig, 151–81. Musicological Studies and Documents 45. Stuttgart: Hänssler, 1995.Google Scholar
Kühner, Hans. “Eine unbekannte Brief von Guillaume Dufay.” Acta musicologica 11 (1939): 114–15.Google Scholar
La Curne de Saint Palaye, Jean-Baptiste. Dictionnaire historique de l’ancien langage françois ou Glossaire de la langue françoise: Depuis son origine jusqu’au siècle de Louis XIV, 10 vols. Paris: Champion, 18751882.Google Scholar
La Fons Mélicoq, Alexandre. “Documents inédits pour servir a l’histoire des usages et des moeurs (suite).” Annuaire-Bulletin de la Société de l’Histoire de France 3 (1865): 4044.Google Scholar
Lancelin, Henri. Histoire du diocèse de Cambrai. Valenciennes: Girard, 1946.Google Scholar
Lange, Augusta. “Une lettre du duc Louis de Savoie au duc de Bourgogne à propos de Guillaume Du Fay.” Publications du Centre Européen d’Études Burgondo-Médianes 9 (1967): 103–5.Google Scholar
Lassus, Jean-Baptiste. Album de Villard de Honnecourt, architecte du XIII siècle, ed. Darcel, Alfred. Paris: Imprimerie Impériale, 1858.Google Scholar
Laubenthal, Annegrit. “Eine zum Teil neue Sequenzbearbeitung Dufays: Thesen zu Herstellung und Zuschreibung eines bislang anonymen Werkes.” In Musik als Text: Bericht über den Internationalen Kongress der Gesellschaft für Musikforschung, Freiburg im Breisgau 1993, ed. Danuser, Hermann and Plebuch, Tobias. 2 vols., 2:254–62. Kassel: Bärenreiter, 1998.Google Scholar
Lausberg, Heinrich. Handbook of Literary Rhetoric: A Foundation for Literary Study, trans. Bliss, Matthew T. et al., ed. Orton, David E. and Anderson, R. Dean. Leiden: Brill, 1988.Google Scholar
Le Glay, André. “Notice sur le village d’Esne en Cambrésis.” Revue du Nord 4 (1835): 275–83.Google Scholar
Le Glay, André. Recherches sur l’église métropolitaine de Cambrai. Paris: Firmin Didot, 1825.Google Scholar
Leech-Wilkinson, Daniel. “The Cyprus Songs.” In The Cypriot-French Repertory of the Manuscript Torino J.II.9: Report of the International Musicological Congress, Paphos 20–25 March, 1992, ed. Günther, Ursula and Finscher, Ludwig, 395431. Musicological Studies and Documents 45. Stuttgart: Hänssler, 1995.Google Scholar
Leech-Wilkinson, Daniel. Machaut’s Mass: An Introduction. Oxford University Press, 1990. Repr. New York: Oxford University Press, 1992.Google Scholar
Leech-Wilkinson, Daniel. “Petrus Frater dictus Palma Ociosa.” In Grove Music Online.Google Scholar
Lemaire, Claudine. “Histoire de la Bibliothèque de Bourgogne.” In La Librairie des ducs de Bourgogne 1: Textes liturgiques, ascétiques, théologiques, philosophiques et moraux, ed. Bousmanne, Bernard et al., 1316. Turnhout: Brepols, 2000.Google Scholar
Lerch, Irmgard. Fragmente aus Cambrai: Ein Beitrag zur Rekonstruktion einer Handschrift mit spätmittelalterlicher Polyphonie. Kassel: Bärenreiter, 1987.Google Scholar
Lincoln, Harry B. The Latin Motet: Indexes to Printed Collections, 1500–1600. Wissenschaftliche Abhandlungen 59. Ottawa: Institute of Mediaeval Music, 1993.Google Scholar
Litta, Pompeo, et al. Famiglie celebri di Italia. 16 vols. Milan: L. Basadonna, 18201885.Google Scholar
Llorens, José M., Capellae Sixtinae Codices musicis notis instructi sive manu scripti sive praelo excussi. Vatican City: Biblioteca Apostolica Vaticana, 1960.Google Scholar
Lockwood, Lewis. “Dufay and Ferrara.” In Papers Read at the Dufay Quincentenary Conference, ed. Atlas, 126.Google Scholar
Lockwood, Lewis. “Jean Mouton and Jean Michel: New Evidence of French Music and Musicians in Italy, 1505–1520.” Journal of the American Musicological Society 32 (1979): 191246.Google Scholar
Lockwood, Lewis. Music in Renaissance Ferrara, 1400–1505: The Creation of a Musical Center in the Fifteenth Century. Cambridge, MA: Harvard University Press, 1984. Revised edn., Oxford University Press, 2009.Google Scholar
Long, Michael. “Arma virumque cano: Echoes of a Golden Age.” In Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music, ed. Higgins, Paula, 133–54. Oxford University Press, 1999.Google Scholar
Long, Sarah Ann. “The Sanctorale of Andenne: A Description and Analysis of Litugical Manuscripts for the Secular Chapter of Noble Canonesses.” Revue belge de musicologie 67 (2013): 6179.Google Scholar
Loomis, Louise Ropes. The Council of Constance: The Unification of the Church, ed. Mundy, John Hine. New York: Columbia University Press, 1961.Google Scholar
Lourme, Damien. “Chanoines, officiers et dignitaires du Chapitre Cathédral de Cambrai (1357–1426): Étude prosopographique et Institutionelle.” 3 vols. Thesis of Archivist and Paleographer, École Nationale des Chartes, 1990.Google Scholar
Lovegnée, Albert. Le Lieu de naissance de Guillaume du Fay compositeur wallon du XVe siècle: Soignies vers 1398—Cambrai 1474. Liège: Fondation Charles Plinier, 1974.Google Scholar
Lowinsky, Edward E.Canon Technique and Simultaneous Conception in Fifteenth-Century Music: A Comparison of North and South.” In Essays in the Music of J. S. Bach and Other Divers Subjects: A Tribute to Gerhard Herz, ed. Weaver, Robert L., 181222. University of Louisville; New York: Pendragon, 1981.Google Scholar
Lowinsky, Edward E.Laurence Feininger (1909–1976): Life, Work, Legacy.” Musical Quarterly 63 (1977): 327–66.Google Scholar
Luko, Alexis. “Tinctoris on Varietas.” Early Music History 27 (2008): 99136.Google Scholar
Lütteken, Laurenz. Guillaume Dufay und die isorhythmische Motette: Gattungstradition und Werkcharacter an der Schwelle der Neuzeit. Schriften zur Musikwissenschaft aus Muenster 4. Karl Dieter Wagner: Hamburg and Eisenach, 1993.Google Scholar
MacCarthy, Evan Angus. “Music and Learning in Early Renaissance Ferrara.” Ph.D. diss., Harvard University, 2010.Google Scholar
Mahrt, William. “Guillaume Dufay’s Chansons in the Phrygian Mode.” Studies in Music from the University of Western Ontario 5 (1980): 8198.Google Scholar
Maillard-Luypaert, Monique. “Pour le salut de mon âme et l’honneur de mon église: Le Testament de Grégoire Nicole, chanoine et official de Cambrai (1466, 1469).” Revue du Nord 384 (2010): 751.Google Scholar
Malone, Carolyn Marino. “The Rotunda of Sancta Maria in Dijon as ‘Osterwerk’.” Speculum 75 (2000): 285317.Google Scholar
Maloy, Rebecca. “Scolica enchiriadis and the ‘Non-Diatonic’ Plainsong Tradition.” Early Music History 28 (2009): 6196.Google Scholar
Maniates, Maria Rika. “Combinative Chansons in the Dijon Chansonnier.” Journal of the American Musicological Society 23 (1970): 228–81.Google Scholar
Maniates, Maria Rika. “Combinative Chansons in the Escorial Chansonnier.” Musica disciplina 29 (1975): 61125.Google Scholar
José, Maria [of Savoy], Amedée VIII, le duc qui devint pape. 2 vols. [= La maison de Savoie II–III]. Paris: Albin Michel, 1962.Google Scholar
McGowan, John P. Pierre d’Ailly and the Council of Constance. Washington, DC: Catholic University of America, 1936. Reprinted Cleveland: John Zubal, 1984.Google Scholar
Memelsdorff, Pedro. “John Hothby, Lorenzo il Magnifico e Robert Morton in una nuova fonte manoscritta a Padova.” Acta musicologica 78 (2006): 132.Google Scholar
Merkley, Paul A. and Merkley, Lora L. M.. Music and Patronage in the Sforza Court. Turnhout: Brepols, 1999.Google Scholar
Miller, Clement A.Early Gaffuriana: New Answers to Old Questions.” Musical Quarterly 56 (1970): 367–88.Google Scholar
Millet, Hélène. Les Chanoines du Chapitre Cathédral de Laon: 1272–1412. Collection de l’École Française de Rome 56. Rome: École Française de Rome, 1982.Google Scholar
Millet, Hélène, ed. Suppliques et requêtes: Le gouvernement par la grâce en Occident, XII–XV siècle. Rome: École Française de Rome, 2003.Google Scholar
Molinier, Auguste. Catalogue général des manuscrits des bibliothèques publiques de France. Départements, vol. 17: Cambrai. Paris: Plon, 1891.Google Scholar
Moll, Kevin. “Folio Format and Musical Organisation in the Liturgical Repertories of the Ivrea and Apt Codices.” Early Music History 23 (2004): 85152.Google Scholar
Monson, Craig. “Stylistic Inconsistencies in a Kyrie Attributed to Dufay.” Journal of the American Musicological Society 28 (1975): 245–67.Google Scholar
Montagna, Gerald. “Caron, Hayne, Compère: a Transmission Reassessment,” Early Music History 7 (1987), 107–57.Google Scholar
Motta, Emilio. “Musicisti alla corte degli Sforza, ricerche e documenti milanesi.” Archivio storico lombardo 14 (1887): 2964, 278340, 504–61. Reprint Geneva: Minkoff, 1977.Google Scholar
Müntz, Eugène. “Les Roses d’or pontificales.” Revue de l’art chrétien 44 (1901): 111.Google Scholar
Nádas, John. “Further Notes on Magister Antonius Dictus Zacharias da Teramo.” Studi musicali 15 (1986): 167–82.Google Scholar
Nádas, John. “The Structure of MS Panciatichi 26 and the Transmission of Trecento Polyphony.” Journal of the American Musicological Society 34 (1981): 393427.Google Scholar
Nádas, John, and Di Bacco, Giuliano. “Papal Chapels and Italian Sources of Polyphony during the Great Schism.” In Papal Music and Musicians in Late Medieval and Renaissance Rome, ed. Sherr, 4492.Google Scholar
Nádas, John. “Verso uno ‘stile internazionale’ della musica nelle cappelle papali e cardinalizie durante il Grande Scisma (1378–1417): Il caso di Johannes Ciconia da Liège.” In Collectanea I, ed. Roth, Adalbert, 774. Capellae Apostolicae Sixtinaeque Collectanea Acta Monumenta 3. Vatican: Biblioteca Apostolica Vaticana, 1994.Google Scholar
Naz, Raoul, ed. Dictionaire de droit canonique. 7 vols. Paris: Librairie Letouzey, 19351965.Google Scholar
Nicol, Donald. The Last Centuries of Byzantium. London: Rupert Hart-Davis, 1972.Google Scholar
Nicole, Grégoire. “Scriptum domini Gregorii Nicolai… super amortizationibus tangentibus certam ecclesiam.” In Carlier, Gilles, Sportula fragmentorum. 2 vols., 2:155v–159v. Brussels: Fratres Vitae Communis, 14781479.Google Scholar
Nitschke, Wolfgang. Studien zu den Cantus-Firmus-Messen Guillaume Dufays, 2 vols. Berliner Studien zur Musikwissenschaft 13. Berlin: Merseburger, 1968.Google Scholar
Nosow, Robert. “Du Fay and the Cultures of Renaissance Florence.” In Hearing the Motet, ed. Pesce, , 104–21.Google Scholar
Nosow, Robert. “The Equal Discantus Motet Style after Ciconia.” Musica disciplina 45 (1991): 221–75.Google Scholar
Nosow, Robert. “The Florid and Equal-Discantus Motet Styles of Fifteenth Century Italy.” Ph.D. diss., University of North Carolina at Chapel Hill, 1992.Google Scholar
Nosow, Robert. “Le proporzioni temporali in due messe di Dufay: ‘Se la face ay pale’ e ‘Ecce ancilla domini’.” Rivista italiana di musicologia 28 (1993): 5377.Google Scholar
Nosow, Robert. Ritual Meanings in the Fifteenth-Century Motet. Cambridge University Press: 2012.Google Scholar
Nys, Ludovic. La Pierre de Tournai: Son exploitation et son usage aux XIIIème, XIVème et XVème siècles. Louvain-la-Neuve: Université Catholique de Louvain, 1993.Google Scholar
Nys, Ludovic. “Un relief tournaisien conservé au musée des Beaux-Arts de Lille: La stèle funéraire de Guillaume Dufay († 1474), chanoine de Notre-Dame de Cambrai.” Mémoires de la Société Royale d’Histoire et d’Archéologie de Tournai 6 (1989): 524.Google Scholar
Nys, Ludovic. “La Tombe de Pierre d’Ailly, cardinal et évêque de Cambrai († 9 août 1420), une oeuvre à verser au catalogue du tailleur d’images et tombier tournaisien Jean Tuscap.” Revue des archéologues et historiens d’art de Louvain 26 (1993): 3558.Google Scholar
Nys, Ludovic. Valenciennes aux XIVe et XVe siècles: Art et histoire. Recueil d’études. Valenciennes: P.U.V., 1996.Google Scholar
Ottenthal, Emil. Regulae cancellariae apostolicae. Die päpstlichen Kanzleiregeln von Johannes XXII. bis Nikolaus V. Innsbruck: Wagner, 1888. Reprint Aalen, Scientia-Verlag, 1968.Google Scholar
Owens, Jessie Ann. Composers at Work: The Craft of Musical Composition, 1450–1600. New York and Oxford: Oxford University Press, 1997.Google Scholar
Page, Christopher. The Owl and the Nightingale: Musical Life and Ideas in France, 1100–1500. Berkeley: University of California Press, 1989.Google Scholar
Page, Christopher. “Reading and Reminiscence: Tinctoris on the Beauty of Music.” Journal of the American Musicological Society 49 (1996): 131.Google Scholar
Panofsky, Erwin. “Two Roger Problems: The Donor of the Hague Lamentation and the Date of the Altarpiece of the Seven Sacraments.” Art Bulletin, 33 (1951): 3340.Google Scholar
Paris, Hilaire. Saint Antoine de Padoue: Sa légende primitive, et autres pièces historiques, avec des sermons inédits et nouveaux et un manuel de dévotion. Montreuil-sur-Mer: Imprimerie Notre-Dame des Prés, 1890.Google Scholar
Partner, Peter. The Papal State under Martin V. London: British School at Rome, 1958.Google Scholar
Partner, Peter. The Pope’s Men. Oxford University Press, 1990.Google Scholar
Pastoor, Andreas. “Monographie de l’ancienne cathédrale de Cambrai: Son histoire; ses richesses artistiques; sa description.” Revue de l’art chrétien 47 (1904): 103–25.Google Scholar
Pastor, Ludwig. The History of the Popes, ed. Antrobus, Frederick I. et al. 40 vols. St. Louis: B. Herder Book Co., 19361961.Google Scholar
Paviot, Jacques. Portugal et Bourgogne au XVe siècle, 1384–1482: Recueil de documents extraits des archives bourguignonnes. Lisbon: Gulbenkian, 1995.Google Scholar
Perkins, Leeman L.The L’homme armé Masses of Busnoys and Okeghem: A Comparison.” Journal of Musicology 3 (1984): 363–98.Google Scholar
Perkins, Leeman L.Musical Patronage at the Royal Court of France under Charles VII and Louis XI (1422–83).” Journal of the American Musicological Society 37 (1984): 507–66.Google Scholar
Perkins, Leeman L. Review of David Fallows, Dufay. In Notes 40 (1983): 283–87.Google Scholar
Pérousse, Gabriel. Le Cardinal Louis Aleman, Président du Concile de Bâle, et la fin du Grand Schisme. Paris: Picard, 1904.Google Scholar
Perret, André. “Essai sur l’histoire du Saint Suaire du xive au xvie siècle.” Mémoires de l’Académie des Sciences Belles-Lettres et Arts de Savoie, 6e sér., 4 (1960): 49121.Google Scholar
Pesce, Dolores, ed. Hearing the Motet: Essays on the Motet of the Middle Ages and Renaissance. New York and Oxford: Oxford University Press, 1997.Google Scholar
Phelps, Michael. “The Pagan Virgin? Du Fay’s Salve flos, a Second Consecration Motet for Santa Maria del Fiore.” Qui musicam in se habet. Studies in Honor of Alejandro Planchart, ed. Zayaruznaya, Anna, Blackburn, Bonnie J., and Boorman, Stanley, 503–18. Middleton: American Institute of Musicology, 2015.Google Scholar
Phelps, Michael. “A Repertory in Exile: Pope Eugene IV and the MS Modena, Biblioteca Estense Universitaria, α. X.1.11.” Ph.D. diss., New York University, 2008.Google Scholar
Piaget, Arthur. Martin le Franc, prévôt de Lausanne. Lausanne: Payot, 1888. Reprint Caen: Paradigme, 1993.Google Scholar
Pibiri, Eva. “L’Aquisition du Saint Suaire par la maison de Savoie en 1453: De nouveaus textes.” Rivista di Storia della Chiesa in Italia 57 (2003): 155–64.Google Scholar
Pierrard, Pierre. Les Diocèses de Cambrai et de Lille. Paris: Beauchesne, 1978.Google Scholar
Piétresson de Saint Aubin, Anne-Marie and Pierre. Archives Départementales du Nord, Répertoire numérique, Série G (clergé séculier). 2 vols. in 4 fascicles. Lille: Douriez-Bataille, 19601971.Google Scholar
Pirro, André. “Dokumente über Antoine Brumel, Louis van Pullaer, und Crispen van Stappen.” Zeitschrift für Musikwissenschaft 11 (19281929): 349–53.Google Scholar
Pirro, André. “Jehan Cornuel, vicaire à Cambrai.” Revue de musicologie 7 (1926): 190203.Google Scholar
Pirro, André. Histoire de la musique de la fin du XIVe siècle à la fin du XVIe. Paris: Renouard, 1940.Google Scholar
Pirrotta, Nino. “On Text Forms from Ciconia to Dufay.” In Aspects of Medieval and Renaissance Music: A Birthday Offering to Gustave Reese, ed. La Rue, Jan, 673–82. New York: Norton, 1966. Reprinted New York: Pendragon, 1978.Google Scholar
Pirrotta, Nino, and Curti, Danilo, eds. I Codici musicali trentini a cento anni dalla loro riscoperta. Atti del convegno Laurence Feininger: La musicologia come missione, Trento, Castello del Buonconsiglio, 6–7 Settembre 1985. Trento: Museo Provinciale d’Arte, 1986.Google Scholar
Plamenac, Dragan. “An Unknown Composition by Dufay?Musical Quarterly 40 (1954): 190200. Also Revue belge de musicologie 8 (1954): 75–83.Google Scholar
Planchart, Alejandro Enrique. “The Books that Guillaume Du Fay Left to the Chapel of Saint Stephen.” In Sine musica nulla disciplina…, ed. Bernabei, Franco and Lovato, Antonio, 175212. Padua: Il Poligrafo, 2006.Google Scholar
Planchart, Alejandro Enrique. “Choirboys in Cambrai in the Fifteenth Century.” In Young Choristers, 650–1700, ed. Boynton, Susan and Rice, Eric, 123–45. Woodbridge: Boydell Press, 2008.Google Scholar
Planchart, Alejandro Enrique. “Concerning Du Fay’s Birthplace.” Revue belge de musicologie 54 (2000): 225–29.Google Scholar
Planchart, Alejandro Enrique. “Connecting the Dots: Guillaume Du Fay and Savoy during the Schism.” Plainsong and Medieval Music 18 (2009): 1132.Google Scholar
Planchart, Alejandro Enrique. “Du Fay and the Style of Molinet.” Early Music 37 (2009): 6172.Google Scholar
Planchart, Alejandro Enrique. “Du Fay’s Plainsong Paraphrase Settings.” In Essays on Renaissance Music in Honour of David Fallows: Bon jour, bon mois et bonne estrenne, ed. Fitch, Fabrice and Kiel, Jacobijn, 103–13. Woodbridge: Boydell Press, 2011.Google Scholar
Planchart, Alejandro Enrique. “The Early Career of Guillaume Du Fay.” Journal of the American Musicological Society 46 (1993): 341–68.Google Scholar
Planchart, Alejandro Enrique. “The Flower’s Children.” Journal of Musicological Research 22 (2003): 303–48.Google Scholar
Planchart, Alejandro Enrique. “Four Motets of Guillaume Du Fay in Context.” In Sleuthing the Muse: Studies in Honor of William F. Prizer, ed. Forney, Kristine and Smith, Jeremy, 1330. New York: Pendragon, 2012.Google Scholar
Planchart, Alejandro Enrique. “Guillaume Du Fay’s Benefices and his Relationship to the Court of Burgundy.” Early Music History 8 (1988): 117–71.Google Scholar
Planchart, Alejandro Enrique. “Guillaume Du Fay’s Benefices and his Relationship to the Burgundian Chapel.” Paper read at at the Fiftieth Annual Meeting of the American Musicological Society, Philadelphia, 25–28 October, 1984, Abstracts, 10–11. N.p., n.p.Google Scholar
Planchart, Alejandro Enrique. “Guillaume Du Fay’s Second Style.” In Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood, ed. Owens, Jessie Ann and Cummings, Anthony M., 307–40. Warren, MI: Harmonie Park Press, 1996.Google Scholar
Planchart, Alejandro Enrique. “Guillaume Dufay’s Masses: A View of the Manuscript Traditions.” In Papers Read at the Dufay Quincentenary Conference, ed. Atlas (1976), 2660.Google Scholar
Planchart, Alejandro Enrique. “Guillaume Dufay’s Masses: Notes and Revision.” Musical Quarterly 58 (1972), 123.Google Scholar
Planchart, Alejandro Enrique. “Institutional Politics and Social Climbing through Music in Early Modern France.” In Insitutionalisierung als Prozess – Organisationsformen Musikalischer Eliten im Europa des 15. und 16. Jahrhunderts, ed. Lodes, Birgit and Lütteken, Laurenz, 115–52. Analecta Musicologica 43 (2006).Google Scholar
Planchart, Alejandro Enrique. “Johannes Touront.” MGG2, Personenteil, 16:974–75.Google Scholar
Planchart, Alejandro Enrique. “The Liégeoise Diaspora in Italy in the Early Fifteenth Century.” Revue belge de musicologie 67 (2013), 83103.Google Scholar
Planchart, Alejandro Enrique. “Un manuscrit liturgique lillois.” In La Bibliothèque municipale de Lille fête les 40 ans de la Mediathèque Jean Lévy, ed. Aubry, Martine et al., 64. Lille: Bibliothèque Municipale, 2005.Google Scholar
Planchart, Alejandro Enrique. “Masses on Plainsong Cantus Firmi.” In The Josquin Companion, ed. Sherr, Richard, 89150. Oxford and New York: Oxford University Press, 2000.Google Scholar
Planchart, Alejandro Enrique. “Music for the Papal Chapel in the Early Fifteenth Century.” In Papal Music and Musicians, ed. Sherr, 93124.Google Scholar
Planchart, Alejandro Enrique. “Notes on Guillaume Du Fay’s Last Works.” Journal of Musicology 13 (1995): 5572.Google Scholar
Planchart, Alejandro Enrique. “The Opening Chant at Easter in the Latin West.” In“Et facciam dolçi canti”: Studi in onore di Agostino Ziino in occasione del suo 65°Compleanno, ed. Gialdroni, Teresa, 6196. Lucca: Libreria Musicale Italiana, 2004.Google Scholar
Planchart, Alejandro Enrique. “The Origins and Early History of L’homme armé.” Journal of Musicology 20 (2003): 305–57.Google Scholar
Planchart, Alejandro Enrique. “Out of the Shadows: Binchois Ascendant.” Early Music 30 (2002): 104–16.Google Scholar
Planchart, Alejandro Enrique. “Parts with Words and without Words: The Evidence for Multiple Texts in Fifteenth-Century Masses.” In Studies in the Performance of Late Medieval Music, ed. Boorman, Stanley, 227–52. Cambridge University Press, 1983.Google Scholar
Planchart, Alejandro Enrique. “The Polyphonic Proses of Guillaume Du Fay.” In “Uno gentile et subtile ingenio”: Studies in Renaissance Music in Honour of Bonnie Blackburn, ed. Filocamo, Gioia, Bloxam, M. Jennifer, and Holford-Strevens, Leofranc, 8799. Brepols: Turnhout, 2009.Google Scholar
Planchart, Alejandro Enrique. “Problems of Authenticity, Transmission, and Performance in Morales.” In The Echo of Music: Essays in Honor of Marie Louise Göllner, ed. Sullivan, Blair, 125–45. Warren, MI: Harmonie Park Press, 2004.Google Scholar
Planchart, Alejandro Enrique. “The Relative Speed of Tempora in the Period of Dufay.” Research Chronicle of the Royal Musical Association 17 (1981): 3351.Google Scholar
Planchart, Alejandro Enrique. “Robert Morton.” In MGG2, Personenteil 12:511–12.Google Scholar
Planchart, Alejandro Enrique. “Sixtus IV.” In MGG2, Personenteil 15:868–69.Google Scholar
Planchart, Alejandro Enrique. “Tempo and Proportions.” In Performance Practice: Music before 1600, ed. Brown, Howard Mayer and Sadie, Stanley, 126–46. London: Macmillan, 1989.Google Scholar
Planchart, Alejandro Enrique. “Two Fifteenth-Century Songs and their Texts in a Close Reading.” Basler Jahrbuch für historische Musikpraxis 14 (1990): 1336.Google Scholar
Planchart, Alejandro Enrique. “What’s in a Name? Reflections on Some Works of Guillaume Du Fay.” Early Music 16 (1988): 165–75.Google Scholar
Plumley, Yolanda. “Haucourt, Johannes.” Grove Music Online.Google Scholar
Polk, Keith, “The Trombone, the Slide Trumpet and the Ensemble Tradition of the Early Renaissance.” Early Music 17 (1989): 389–97.Google Scholar
Pothier, Joseph. “Le Kyrie pascal.” Revue du chant grégorien 2 (1893–94): 123–25.Google Scholar
Powell, Newman W.Fibonacci and the Gold Mean: Rabbits, Rumbas and Rondeaux.” Journal of Music Theory 23 (1979): 227–73.Google Scholar
Powers, Harold S.Tonal Types and Modal Categories in Renaissance Polyphony.” Journal of the American Musicological Society 34 (1981): 428–70.Google Scholar
Prizer, William F.Brussels and the Ceremonies of the Order of the Golden Fleece.” Revue belge de musicologie 55 (2001): 6990.Google Scholar
Prizer, William F.Music and Ceremonial on the Low Countries: Philip the Fair and the Order of the Golden Fleece.” Early Music History 5 (1985): 113–53.Google Scholar
Quarré, Pierre. La Sainte-Chapelle de Dijon: Siège de l’Ordre de la Toison d’Or. Dijon: Musée des Beaux Arts, 1962.Google Scholar
Quitin, Jose. “A propos de Jean-François de Gembloux et de Johannes de Limburgia.” Revue belge de musicologie 21 (1967): 118–24.Google Scholar
Randell Upton, Elizabeth. Music and Performance in the Late Middle Ages. New York: Palgrave Macmillan, 2013.Google Scholar
Reaney, Gilbert. “Richard de Loqueville.” Grove Music Online.Google Scholar
Reckow, Fritz. Der Musiktraktat des Anonymus 4. 2 vols. Beihefte zum Archiv für Musikwissenschaft, 45. Wiesbaden: Breitkopf & Härtel, 1967.Google Scholar
Reese, Gustave. Music in the Renaissance. New York: Norton, 1954.Google Scholar
Rehm, Wolfgang. “Mellon Chansonnier.” MGG1 9 (1961), col. 19.Google Scholar
Reid, John W.Testing for Authenticity in the Works of Dufay”: Music Review 45 (1984): 163–78.Google Scholar
Reiffenberg, Frédéric-Auguste-Ferdinand-Thomas. Histoire de l’Ordre de la Toison d’or, depuis son institution jusqu’à la cessation des chapitres généraux. Brussels: Fonderie & imprimerie normales, 1830.Google Scholar
Reimer, Erich. “Musicus – Cantor.” In Handworterbuch der musikalischen Terminologie, ed. Eggebrecht, Hans Heinrich (Wiesbaden: Steiner, 1972–), 6. Auslieferung, 1978.Google Scholar
Reimer, Erich. “Musicus und Cantor: Zur Sozialgeschichte eines musikalischen Lehrstücks.” Archiv für Musikwissenschaft 35 (1978): 132.Google Scholar
Reynolds, Christopher A., “The Origins of San Pietro B 80 and the Development of a Roman Sacred Repertory.” Early Music History 1 (1981): 257304.Google Scholar
Reynolds, Christopher A. Papal Patronage and the Music of St. Peter’s, 1380–1513. Berkeley: University of California Press, 1995.Google Scholar
Richental, Ulrich. Das Konzil zu Konstanz, MCDXIV–MCDXVIII, ed. Feger, Otto. 2 vols. Starnberg: J. Keller, 1964.Google Scholar
Rifkin, Joshua. “Compere, ‘Des Pres’, and the Choirmasters of Cambrai: Omnium bonorum plena Reconsidered.” Acta musicologica 81 (2009): 5574.Google Scholar
Rifkin, Joshua. et al. “Loyset Compère,” Grove Music Online.Google Scholar
Robertson, Anne Walters. “The Man with the Pale Face, the Shroud, and Du Fay’s Missa Se la face ay pale.” Journal of Musicology 27 (2010): 377434.Google Scholar
Robertson, Anne Walters. “The Mass of Guillaume de Machaut in the Cathedral of Reims.” In Plainsong in the Age of Polyphony, ed. Kelly, Thomas F., 104–12. Cambridge Studies in Performance Practice 2. Cambridge University Press, 1992.Google Scholar
Robertson, Anne Walters. “The Savior, the Woman, and the Head of the Dragon in the Caput Masses and Motet.” Journal of the American Musicological Society 59 (2006): 537630.Google Scholar
Rodin, Jesse. Josquin’s Rome: Hearing and Composing in the Sistine Chapel. New York and Oxford: Oxford University Press, 2012.Google Scholar
Roth, Adalbert. Studien zum frühen Repertoire der papstlichen Kapelle unter dem Pontifikat Sixtus’ IV (1471–1484), die Chorbücher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana. Capellae apostolicae sixtinaeque collectanea acta monumenta 1. Vatican City: Biblioteca Apostolica Vaticana, 1991.Google Scholar
Roth, Adalbert. “Zur Datierung der frühen Chorbücher der Päpstlichen Kapelle.” In Datierung und Filiation von Musikhandschriften der Josquin-Zeit, ed. Finscher, Ludwig, 239–68. Quellenstudien zur Musik der Renaissance 2. Wolfenbütteler Forschungen 26. Wiesbaden: Harrazowitz, 1983.Google Scholar
Rousseau, Constance M. and Rosenthal, Joel T., eds. Women, Marriage, and Family in Medieval Christendom: Essays in Memory of Michael M. Sheehan, C.S.B. Studies in Medieval Culture 37. Kalamazoo: Medieval Institute Publications, 1998.Google Scholar
Rumbold, Ian. “The Compilation and Ownership of the ‘St. Emmeram’ Codex (Munich, Bayerische Staatsbibliothek, Clm 14724).” Early Music History 2 (1982): 161235.Google Scholar
Runciman, Steven. The Fall of Constantinople, 1453. Cambridge University Press, 1965.Google Scholar
Ryschawy, Hans and Stoll, Rolf W.. “Die Bedeutung der Zahl in Dufays Kompositionsart: Nuper rosarum flores.” In Musik-Konzepte 60: Guillaume Dufay, ed. Etzger, Heinz Klaus and Riehm, Rainer, 174. Munich: Edition Text + Kritik, 1988.Google Scholar
Saalman, Howard. Filippo Brunelleschi: The Cupola of Santa Maria del Fiore. London: A. Zwemmer, 1980.Google Scholar
Sachs, Klaus-Jürgen. Der Contrapunctus im 14. und 15. Jahrhunderts: Untersuchungen zum Terminus, zur Lehre und zu den Quellen. Beihefte zum Archiv für Musikwissenschaft 13. Wiesbaden: Franz Steiner, 1974.Google Scholar
Salàville, Sévérien. “L’Origine avignonaise de la messe ‘ad tollendum schisma’.” L’Année théologique 3 (1942): 117–22.Google Scholar
Salembier, Louis. Le Cardinal Pierre d’Ailly. Tourcoing: Georges Frère, 1932.Google Scholar
Salembier, Louis. Le Grand Schisme d’occident. 4th edn. Paris: Victor Lecoffre, 1902.Google Scholar
Sandresky, Margaret Vardrell. “The Continuing Concept of Platonic-Pythagorean System and its Application to the Analysis of Fifteenth-Century Music.” Music Theory Spectrum 1 (1979): 107–20.Google Scholar
Sandresky, Margaret Vardrell. “The Golden Section in Three Byzantine Motets of Dufay.” Journal of Music Theory 25 (1981): 291306.Google Scholar
Saunders, Suparmi Elizabeth. “The Dating of Trent 93 and Trent 90.” In I Codici musicali trentini a cento anni dalla loro riscoperta, ed. Pirrotta and Curti, 6083.Google Scholar
Saunders, Suparmi Elizabeth. The Dating of the Trent Codices from their Watermarks: With a Study of the Local Liturgy of Trent in the Fifteenth Century. New York: Garland, 1989.Google Scholar
Schimmelpfennig, Bernhard. “Die Organisation der päpstlichen Kapelle in Avignon.” In Quellen und Forschungen aus italienischen Archiven und Bibliotheken 50:80111. Tübingen: Max Niemeyer, 1971.Google Scholar
Schipperges, Thomas. Die Akte Heinrich Besseler: Musikwissenschaft und Wissenschaftspolitik in Deutschland 1924 bis 1949. Munich: Strubbe, 2005.Google Scholar
Schlager, Karlheinz. Thematischer Katalog der ältesten Alleluia-Melodien aus Handschriften des 10. und 11. Jahrhunderts, ausgenomen das ambrosianische, alt-römische und alt-spanische Repertoire. Erlanger Arbeiten zur Musikwissenschaft 2. Munich: Walter Ricke, 1965.Google Scholar
Schmugge, Ludwig. Kirche, Kinder, Karrieren: Päpstlichen Dispense von der unehelichen Geburt im Spätmittelalter. Zürich: Artemis & Winkler, 1995.Google Scholar
Schmugge, Ludwig, and Wiggenhauser, Béatrice, eds. Illegitimität im Spätmittelalter. Munich: R. Oldenbourg, 1994.Google Scholar
Schoop, Hans. Entstehung und Verwendung der Handschrift Oxford Bodleian Library, Canonici misc. 213. Publikationen der Schweizerischen Musikforschenden Gesellschaft, 2nd ser. 24. Bern: Paul Haupt, 1971.Google Scholar
Schoop, Hans, and Allsen, J. Michael. “Lantins, de.” Grove Music Online.Google Scholar
Schoop, Hans, and Nosow, Robert. “Antonius de Civitate Austrie.” Grove Music Online.Google Scholar
Schroeder, Eunice. “The Stroke Comes Full Circle: and in Writings on Music, ca. 1450–1540.” Musica disciplina 36 (1982): 119–66.Google Scholar
Schuler, Manfred. “Die Musik in Konstanz währed des Konzils 1414–1418.” Acta Musicologica 38 (1966): 150–68.Google Scholar
Schwarz, Brigide. “Anselmus Fabri (Smit) aus Breda in Brabant (1379–1449): Abbreviator, Referendar, Protonotar und -beinahe—Kardinal. Skizze einer Biographie.” Quellen und Forschungen aus italienischen Archiven und Bibliotheken 88 (2008): 161219.Google Scholar
Schwarz, Brigide. “Klerikerkarrieren und Pfründmarkt: Perspektiven einer sozialgeschichtlichen Auswertung der Repertorium Germanicum.” Quellen und Forschungen aus italienischen Archiven und Bibliotheken 71 (1991): 243–65.Google Scholar
Schwarz, Brigide. “Patronage und Klientel in der spätmittelalterlichen Kirche.” Quellen und Forschungen aus italienischen Archiven und Bibliotheken 68 (1988): 284310.Google Scholar
Seay, Albert. “The 15th-Century Cappella at Santa Maria del Fiore in Florence.” Journal of the American Musicological Society 11 (1958): 4555.Google Scholar
Seay, Albert. “The Proportionale musices of Johannes Tinctoris.” Journal of Music Theory 1 (1957): 2275.Google Scholar
Serbat, Louis. “Quelques églises anciennement détruites du nord de la France.” Bulletin Monumental 88 (1929), 365435.Google Scholar
Serra Estellés, Javier. “Acerca de las súplicas dirigidas a Clemente VII de Aviñón.” In Suppliques et requêtes, ed. Millet, Hélène, 193205. Rome: École Française de Rome, 2003.Google Scholar
Sheehan, Michael. Marriage, Family and Law in Medieval Europe: Collected Studies, ed. Farge, James K.. University of Toronto Press, 1996.Google Scholar
Sherr, Richard. “Mass Sections.” In The Josquin Companion, ed. Sherr, Richard, 211–38. Oxford University Press, 2000.Google Scholar
Sherr, Richard. “Notes on Some Papal Documents in Paris.” Studi musicali 12 (1983): 516.Google Scholar
Sherr, Richard. Papal Music Manuscripts in the Late Fifteenth and Early Sixteenth Centuries. Renaissance Manuscript Studies 6. (Neuhausen-Stuttgart: American Institute of Musicology, 1996.Google Scholar
Sherr, Richard. “Thoughts on Some of the Masses in Vatican City, Biblioteca Apostolica Vaticana, MS Cappella Sistina 14 and its Concordant Sources (or, Things Bonnie Won’t Let Me Publish).” In “Uno gentile et subtile ingenio”: Studies in Renaissance Music in Honor of Bonnie J. Blackburn, ed. Bloxam, M. Jennifer et al., 309–33. Turnhout: Brepols, 2009.Google Scholar
Sherr, Richard, ed. Papal Music and Musicians in Late Medieval and Renaissance Rome. Oxford: Clarendon Press, 1998.Google Scholar
Smith, Christine. Architecture in the Culture of Early Humanism: Ethics, Aesthetics, and Eloquence, 1400–1470. Oxford University Press, 1992.Google Scholar
Smith, Christine, and O’Connor, J.. “The Consecration of Florence Cathedral Recounted by Gianozzo Manetti.” In Atti del VII Centenario del Duomo di Firenze, 2: La Catedrale como spazio sacro, ed. Verdon, Timothy and Innocenti, Annalisa, 561–74. Florence: Edifir, 2001.Google Scholar
Smith, John Holland. The Great Schism, 1378–1417. London, Hamilton, 1970.Google Scholar
Snow, Robert. “The Mass-Motet Cycle: A Mid-Fifteenth-Century Experiment.” In Essays in Musicology in Honor of Dragan Plamenac on his 70th Birthday, ed. Reese, Gustave and Snow, Robert J., 301–20. University of Pittsburgh Press, 1969.Google Scholar
Sparks, Edgar. Cantus Firmus in Mass and Motet, 1420–1520. Berkeley: University of California Press, 1963. Reprint New York: Da Capo, 1975.Google Scholar
Spencer, John R.Filarete’s Bronze Doors at St. Peter’s.” In Collaboration in Italian Renaissance Art, ed. Sheard, Wendy Stedman and Paoletti, John T., 3357. New Haven: Yale University Press, 1978.Google Scholar
Spilsted, Gary. “The Paleography and Musical Repertory of Codex Tridentinus 93.” Ph.D. diss., Harvard University, 1982.Google Scholar
Spufford, Peter. Monetary Problems and Policies in the Burgundian Netherlands, 1433–1496. Leiden: E. J. Brill, 1970.Google Scholar
Stäblein, Bruno. “Lamentatio, I–II.” MGG2, Sachteil, 5:893–97.Google Scholar
Staehelin, Martin. “Reste einer oberitalienischen Messenhandschrift des frühen 15. Jahrhunderts.” Studi musicali 27 (1998): 718.Google Scholar
Starcky, Laure C. Paris, Mobilier National: Dessins de Van der Meulen et son atelier. Inventaire des collections publiques françaises 33. Paris: Ministére de la Culture et de la Communication. Éditions de la Réunion sed musées nationaux et du centre national des Arts plastiques, 1988.Google Scholar
Starr, Pamela. “Benoit.” Grove Music Online.Google Scholar
Starr, Pamela. “Strange Obituaries: The Historical Use of the per obitum Supplication.” In Papal Music and Musicians, ed. Sherr, 177–86.Google Scholar
Starr, Pamela. “Music and Music Patronage at the Papal Court, 1447–1464” Ph.D. Diss., Yale University, 1987.Google Scholar
Starr, Pamela. “Rome as the Centre of the Universe: Papal Grace and Musical Patronage.” Early Music History 11 (1992): 223–62.Google Scholar
Starr, Pamela. “The ‘Ferrara Connection’: A Case Study of Musical Recruitment in the Renaissance.” Studi musicali 18 (1989): 317.Google Scholar
Stephan, Wolfgang. Die burgundisch-niederländische Motette zur Zeit Ockeghems. Heidelberger Studien zur Musikwissenschaft 6. Kassel: Bärenreiter, 1937.Google Scholar
Stevens, Denis. “The Manuscript Edinburgh, National Library of Scotland, Adv. Ms. 5.I.15.” Musica disciplina 9 (1955): 155–67.Google Scholar
Sticker, Georg. Abhandlungen aus der Seuchengeschichte und Seuchenlehre. 2 vols. in 3. Giesen: A. Töpelmann, 1908–12.Google Scholar
Stieber, Joachim. Pope Eugenius IV, the Council of Basel, and the Secular and Ecclesiastical Authorities of the Empire: The Conflict between Supreme Authority and Power in the Church. Leiden: Brill, 1978.Google Scholar
Strohm, Reinhard. “Einheit und Funktion früher Meßzyklen.” In Festschrift Rudolf Bockholdt zum 60. Geburtstag, ed. Dobowy, Norbert and Meyer-Eller, Sören, 141160. Munich: Ludwig, 1990.Google Scholar
Strohm, Reinhard. “Insular Music on a Continental Island.” Paper read at the February Meeting of the Royal Musical Association, London, 4 February 1989.Google Scholar
Strohm, Reinhard. “The Medieval Mass Proper, and the Arrival of Polyphonic Proper Settings in Central Europe.” In Heinrich Isaac and Polyphony for the Proper of the Mass in the Late Middle Ages and the Renaissance, ed. Burn, David and Gasch, Stefan, 3157. Turnhout: Brepols, 2011.Google Scholar
Strohm, Reinhard. “Meßzyklen über deutsche Lieder in den Trienter Codices.” In Liedstudien: Wolfgang Osthoff zum 60. Geburtstag, ed. Just, Martin and Wiesen, Reinhard, 77106. Tutzing: Schneider, 1989.Google Scholar
Strohm, Reinhard. “Music, Humanism, and the Idea of a ‘Rebirth of the Arts’.” In Music as Concept and Practice in the Late Middle Ages, ed. Strohm, Reinhard and Blackburn, Bonnie J., 346405. The New Oxford History of Music, 3, pt. 1. Oxford University Press, 2001.Google Scholar
Strohm, Reinhard. Music in Late Medieval Bruges. Oxford: Clarendon Press, 1985.Google Scholar
Strohm, Reinhard. “Quellenkritische Untersuchungen an der Missa ‘Caput’.” In Quellenstudien zur Musik der Renaissance 2: Datierung und Filiation von Musikhandschriften der Josquin-Zeit, ed. Finscher, Ludwig, 153–76. Wolfenbütteler Forschungen 26. Wiesbaden: Harrassowitz, 1984.Google Scholar
Strohm, Reinhard. The Rise of European Music, 1380–1500. Cambridge University Press, 1993.Google Scholar
Szovérffy, Josef. Die Annalen der latenische Hymnendichtung. 2 vols. Berlin: Erich Schmidt, 1965.Google Scholar
Tacconi, Marica S.I libri corali pre-tridentini della Cattedrale di Firenze: Aspetti liturgico-musicali.” Atti del VII Centenario del Duomo di Firenze, ed. Verdon, Timothy and Innocenti, Annalisa, 3: Cantate Domino, 736. Florence: Edifir, 2001.Google Scholar
Tacconi, Marica S.I libri liturgici pre-tridentini della Cattedrale di Firenze: Storia e censimento di una collezione.” In Atti del VII Centenario del Duomo di Firenze, ed. Verdon, Timothy and Innocenti, Annalisa, 1/2: La Catedrale e la città, 441–58. Florence: Edifir, 2001.Google Scholar
Tegen, Martin. “Baselkonciliet och kyrkomusiken omkr. 1440.” Svensk Tidskrift for Musikforkning 39 (1957): 126–31.Google Scholar
Thelliez, Cyrille. Découvertes de vestiges de l’ancienne cathédrale de Cambrai. Cambrai: Henri Mallez, 1957.Google Scholar
Thibault, Geneviève. “La Chanson française au xve siècle de Dufay à Josquin des Prés (1420 à 1480).” In Histoire de la musique, ed. Manuel, Roland. 2 vols., 1: 890944, 11961336. Paris: Gallimard, 1960.Google Scholar
Thibault, Geneviève. “Le xve siècle.” In Précis de musicologie, 152–90. Paris: Presses Universitaires de France, 1958.Google Scholar
Thiébaut, Jacques. “La Cathédrale disparue de Cambrai et sa place dans l’évolution de l’architecture du nord de la France.” 3 vols. Thèse du troisième cycle. Lille: Université de Lille III, 1975.Google Scholar
Thiébaut, Jacques. La Cathédrale disparue de Cambrai, ed. Timbert, Arnaud. Villeneuve d’Ascq: Presses Universitaires du Septentrion, 2015.Google Scholar
Thiébaut, Jacques. “La ‘Merveille de Flandres,’ La cathédrale Notre-Dame et Saint-Jean-Baptiste.” In Association Recherche de Fénelon (www.recherche-fenelon.com/page-11768-cambrai.html).Google Scholar
Thiébaut, Jacques. “L’Iconographie de la cathédrale disparue de Cambrai.” Revue du Nord 58 (1976), 405–33.Google Scholar
Thomas, Dylan. The Collected Poems of Dylan Thomas, 1934–1952. New York: New Directions, 1971.Google Scholar
Tobler, Adolf and Lommatzsch, Edward. Alfranzösisches Worterbuch. 11 vols. Berlin: Widmann, 19251964. R. Wiesbaden: Steiner, 1955–1976.Google Scholar
Tomasello, Andrew. Music and Ritual in Papal Avignon (1309–1403). Studies in Musicology 75. Ann Arbor: UMI, 1983.Google Scholar
Tondreau, Lucy. “Iconographie de Sainte Waudru.” Annales du Cercle archéologique de Mons 60 (19761977): 207–82.Google Scholar
Toussaint, Joseph. Les Relations diplomatiques de Philippe le Bon avec le Concile de Bâle (1431–1449). Louvain: Bibliothèque de l’Université, 1942.Google Scholar
Trachtenberg, Marvin. “Architecture and Music Reunited: A New Reading of Dufay’s Nuper rosarum flores and the Cathedral of Florence.” Renaissance Quarterly 54 (2001): 740–75.Google Scholar
Treitler, Leo. “Dufay the Progressive.” In Papers Read at the Dufay Quincentenary Conference, ed. Atlas, 115–27.Google Scholar
Treitler, Leo. “Tone System in the Secular Works of Guillaume Dufay.” Journal of the American Musicological Society 18 (1965): 131–69.Google Scholar
Trowell, Brian. “Faburden.” In Grove Music Online.Google Scholar
Trowell, Brian. “Fauxbourdon.” In Grove Music Online.Google Scholar
Trowell, Brian. “A Fourteenth-Century Ceremonial Motet and its Composer.” Acta musicologica 29 (1957): 6575.Google Scholar
Trowell, Brian. “Proportions in the Music of Dunstable.” Proceedings of the Royal Musical Association 105 (19781979): 100141.Google Scholar
Trumble, Ernest.“Autobiographical Implications of Dufay’s Song-Motet Juvenis qui puellam.” Revue belge de musicologie 42 (1988): 3182.Google Scholar
Turner, Charles. “Proportion and Form in the Continental Isorhythmic Motet c. 1385–1450.” Music Analysis 10 (1991): 89124.Google Scholar
Vale, M. G. A., Charles VII. Berkeley: University of California Press, 1974.Google Scholar
Van den Borren, Charles. “L’Enigme des Credo de Village.” In Hans Albrecht in Memoriam: Gedenkschrift mit Beiträgen von Freunden und Schülern, ed. Bennecke, Wilfired and Haase, Hans, 4854. Kassel: Bärenreiter, 1962.Google Scholar
Van den Neiuwenhuizen, Jozef. Guillaume Dufay: Son importance dans l’évolution de la Musique au XVe siècle. Académie Royale de Belgique, Classe des beaux-arts. Mémoires, Collection in 8°, 2, fasc. 2. Brussels: Hayez, 1925; also Brussels: Lamertin, 1926.Google Scholar
Van den Nieuwenhuizen, Jozef. “De koralen, de zangers en de zangmeesters van de Antwerpse O.-L.-Vrouwekerk tijdens de 15e eeuw.” In Gouden jubileum gedenkboek van de viering van 50 jaar heropgericht Knapenkoor van de Onze-Lieve-Vrouwkatedraal te Antwerpen, ed. Schrooten, Paul, 29–2. Antwerp: Choraelhuys, 1978.Google Scholar
Van Dijk, S. J. P. The Sources of the Modern Roman Liturgy. 2 vols. Leiden: Brill, 1963.Google Scholar
Vander Linden, Albert. “Les Aveugles de la cour de Bourgogne.” Revue belge de musicologie 4 (1950): 7476.Google Scholar
Vander Linden, Albert. “Natus et ipse Fay.” Revue belge de musicologie 3 (1949): 215.Google Scholar
Vander Linden, Herman. Itinéraires de Philippe le Bon, duc de Bourgogne (1419–1467) et de Charles, comte de Charolais (1433–1467). Brussels: Palais des Académies, 1940.Google Scholar
Vander Linden, Herman. “Le Voyage de Pedro Tafur en Brabant, en Flandre et en Artois (1438).” Revue du Nord 14 (1914): 216231Google Scholar
Vaughan, Richard. Philip the Good, the Apogee of Burgundy. New York: Barnes & Noble, 1970.Google Scholar
Wagner, Peter. Einführung in die gregorianischen Melodien: Ein Handbuch der Choralwissesnchaft. 3 vols. I. Ursprung und Entwicklung der Liturgischen Gesangformen. Freiburg: Universitätsverlag, 1895. 3rd edn. Leipzig: Breitkopf & Härtel, 1911. Reprint Hildesheim: Georg Olms, 1970. II. Neumenkunde, Paläographie des liturgischen Gesanges. Leipzig: Breitkopf & Härtel, 1905. 2nd edn. 1912. Reprinted Hildesheim: Georg Olms, 1970. III. Gregorianische Formenlehre. Eine choralische Stilkunde. Leipzig: Breitkopf & Härtel, 1921. Reprint Hildesheim: Georg Olms, 1970.Google Scholar
Walker, Thomas. “A Severed Head: Notes on a Lost English Caput Mass.” Paper read at the Thirty-Fifth Annual Meeting of the American Musicological Society, Saint Louis, Missouri, 27–29 December 1969. Abstracts, 14–15. N.p.: American Musicological Society, 1969.Google Scholar
Ward, Tom. “The Polyphonic Office Hymn and the Liturgy of Fifteenth-Century Italy.” Musica disciplina 26 (1972): 161–88.Google Scholar
Ward, Tom. The Polyphonic Office Hymn, 1400–1520: A Descriptive Catalogue. Renaissance Manuscript Studies 3. Stuttgart: American Institute of Musicology, 1980.Google Scholar
Ward, Tom. “The Structure of the Manuscript Trent 92–1.” Musica disciplina 29 (1975): 127–47.Google Scholar
Warren, Charles. “Brunelleschi’s Dome and Dufay’s Motet.” Musical Quarterly 59 (1973): 92105.Google Scholar
Warren, Charles. “Punctus Organi and Cantus Coronatus in the Music of Dufay.” In Papers Read at the Dufay Quincentenary Conference, ed. Atlas, 128–43.Google Scholar
Wathey, Andrew. “The Motets of Philippe de Vitry and the Fourteenth-Century Renaissance.” Early Music History 12 (1993): 119–50.Google Scholar
Wathey, Andrew. “The Motet Texts of Philippe de Vitry in German Humanist Manuscripts of the Fifteenth Century.” In Music in the German Renaissance: Sources, Styles, and Contexts, ed. Kmetz, John, 195201. Cambridge University Press, 1994.Google Scholar
Wathey, Andrew, and Bent, Margaret. “Vitry, Philippe de.” Grove Music Online.Google Scholar
Weckerlin, Jean Baptiste, L’Ancienne Chanson populaire en France (16 e et 17 e siècles). Paris: Garnier, 1887.Google Scholar
Wegman, Rob C. Born for the Muses: The Life and Masses of Jacob Obrecht. Oxford: Clarendon Press, 1994.Google Scholar
Wegman, Rob C.Different Strokes for Different Folks? On Tempo and Diminution in Fifteenth-Century Music.” Journal of the American Musicological Society 53 (2000): 461505.Google Scholar
Wegman, Rob C.From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450–1500.” Journal of the American Musicological Society 49 (1996): 409–79.Google Scholar
Wegman, Rob C.Het ‘Jacob Hobrecht’ portret: Enkele biografische observaties.” Musica antiqua 8 (1991): 152–4.Google Scholar
Wegman, Rob C.Isaac’s Signature.” Journal of Musicology 28 (2011): 933.Google Scholar
Wegman, Rob C.Miserere supplicanti Dufay: The Creation and Transmission of Guillaume Dufay’s Missa Ave regina celorum.” Journal of Musicology 13 (1995): 1854.Google Scholar
Wegman, Rob C.New Data Concerning the Origins and Chronology of Brussels, Koninklijke Bibliotheek, Manuscript 5557.” Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 36 (1986): 525.Google Scholar
Wegman, Rob C.Ockeghem, Brumel, Josquin: New Documents in Troyes.” Early Music 36 (2008): 203–18.Google Scholar
Wegman, Rob C.Pater meus agricola est: The Early Years of Alexander Agricola.” Paper read at the seventy-first annual meeting of the American Musicological Society, Washington, 2730 October 2005.Google Scholar
Wegman, Rob C.Petrus de Domarto’s Missa Spiritus almus and the Early History of the Four-Voice Mass in the Fifteenth Century.” Early Music History 10 (1991): 235304.Google Scholar
Wegman, Rob C. “Pierre Bordon.” Grove Music Online.Google Scholar
Wegman, Rob C.What is ‘Acceleratio mensurae’?Music & Letters 73 (1992): 515–24.Google Scholar
Wegman, Rob C. et al. “Alexander Agricola.” Grove Music Online.Google Scholar
Weinman, Karl. Johannes Tinctoris (1445–1511) und sein unbekannter Traktat “De inventione et usu musicae.” Historisch-kritische Untersuchung. Regensburg: Pustet, 1917. Rev. edn., ed. Wilhelm Fischer. Tutzing: Hans Schenider, 1961.Google Scholar
Wertheimer, Laura. “The Ecclesiastical Construction of Illegitimacy in the Middle Ages.” Ph.D. diss., University of California at Santa Barbara, 2000.Google Scholar
Wilkins, Nigel. “Virelai.” Grove Music Online.Google Scholar
Wittschier, Heinz Willi. Gianozzo Manetti: Das Corpus der Orationes. Cologne: Böhlau, 1968.Google Scholar
Wolf, Johannes. “Ein Beitrag zur Diskantlehre des 14. Jahrhunderts.” Sammelbände der Internationalen Musikgesellschaft 15 (19131914): 504–34.Google Scholar
Wright, Craig. “Dufay at Cambrai: Discoveries and Revisions.” Journal of the American Musicological Society 28 (1975): 175229.Google Scholar
Wright, Craig. “Dufay’s Motet Balsamus et munda cera and the Papal Ceremony of the Agnus Dei.” In Music and Medieval Manuscripts, Paleography and Performance: Essays Dedicated to Andrew Hughes, ed. Haines, John and Rosenfeld, Randall, 325–48. Aldershot: Ashgate, 2004.Google Scholar
Wright, Craig. “Dufay’s Nuper rosarum flores, King Solomon’s Temple, and the Veneration of the Virgin.” Journal of the American Musicological Society 47 (1994): 395441.Google Scholar
Wright, Craig. “A Fragmentary Manuscript of Early Fifteenth-Century Music in Dijon.” Journal of the American Musicological Society 27 (1974): 306–15.Google Scholar
Wright, Craig. “Estienne Grossin.” In Grove Music Online.Google Scholar
Wright, Craig. “Franchois Lebertoul.” In Grove Music Online.Google Scholar
Wright, Craig. “Gillet Velut.” In Grove Music Online.Google Scholar
Wright, Craig. “Leoninus: Poet and Musician.” Journal of the American Musicological Society 39 (1986): 135.Google Scholar
Wright, Craig. The Maze and the Warrior: Symbols in Architecture, Theology and Music. Cambridge: Harvard University Press, 2001.Google Scholar
Wright, Craig. Music and Ceremony at Notre Dame of Paris, 500–1500. Cambridge: Cambridge University Press, 1989.Google Scholar
Wright, Craig. Music at the Court of Burgundy, 1364–1419: A Documentary History. Musicological Studies 28. Henryville, Ont.: Institute of Mediaeval Music, 1979.Google Scholar
Wright, Craig. “Musiciens à la Cathédrale de Cambrai, 1475–1550.” Revue de musicologie 62 (1976): 104228.Google Scholar
Wright, Craig. “Nicolas Grenon.” In Grove Music Online.Google Scholar
Wright, Craig. “Performance Practices at the Cathedral of Cambrai, 1475–1550.” Musical Quarterly 64 (1978): 295328.Google Scholar
Wright, Craig. “A Sequence for the Dedication of the Cathedral of Florence: Dufay’s(?) Nuper almos rose flores.” In Cantate Domino: Musica nei secoli per il Duomo di Firenze, ed. Gargiulo, Piero et al. Atti del VII Centenario de Duomo di Firenze 3, ed. Verdon, Timothy and Innocenti, Annalisa, 5567. Florence: Edifir, 2001.Google Scholar
Wright, Craig, and Gallagher, Sean. “Martin Le Franc.” Grove Music Online.Google Scholar
Wright, Peter. “The Aosta–Trent Relationship Reconsidered.” In I Codici musicali trentini a cento anni dalla loro riscoperta, ed. Pirrotta and Curti, 138–57.Google Scholar
Wright, Peter. “The Compilation of Trent 871 and 922.” Early Music History 2 (1982): 237–72.Google Scholar
Wright, Peter. “Englishness in a Kyrie (Mis)attributed to Du Fay.” In Essays on the History of English Music in Honour of John Caldwell: Sources, Style, Performance, Historiography, ed. Hornby, Emma and Maw, David, 185214. Woodbridge: Boydell Press, 2010.Google Scholar
Wright, Peter. “Johannes Wiser’s Paper and the Copying of his Manuscripts.” In I codici musicali trentini: nuove scoperte e nuovi orientamenti della ricerca, ed. Wright, Peter and Andreotti, Carlo, 3153. Trento: Servizio Beni Librari e Archivistici, 1996.Google Scholar
Wright, Peter. “On the Origins of Trent 871 and 922.” Early Music History 6 (1986): 245–70.Google Scholar
Wright, Peter. The Related Parts of Trent, Museo Provinciale d’Arte MSS 87 (1374) and 92 (1379), a Paleographic and Text-Critical Study. Outstanding Dissertations in Music from British Universities. New York: Garland, 1989.Google Scholar
Wright, Peter. “Watermarks and Musicology: The Genesis of Johannes Wiser’s Collection.” Early Music History 22 (2003): 217332.Google Scholar
Zak, Sabine. “Der Quellenwert von Giannozzo Manettis Oratio über die Domweihe von Florenz 1436 für die Musikgeschichte.” Die Musikforschung 40 (1987): 232.Google Scholar
Zakythinos, Dionysius. Le Despotat grec de Morée. 2nd edn. rev. Maltézou, Chryssa. London: Variorum, 1975.Google Scholar
Zawart, Anscar. “History of Classical Education in the Church.” In The Classics, their History and Present Status in Education: A Symposium of Essays, ed. Kirsch, Felix M., 1166. Milwaukee: Bruce Publishing, 1928. Reprint Freeport: Books for Libraries, 1968.Google Scholar
Zayaruznaya, Anna. “‘She has a wheel that turns …’: Crossed and Contradictory Voices in Machaut’s Motets.” Early Music History 28 (2009): 185240.Google Scholar
Zazulia, Emily. “‘Corps contre corps,’ voix contre voix: Conflicting Codes of Discourse in the Combinative Chanson.” Early Music 38 (2010): 347–59.Google Scholar
Zenn, Marie-Thérèse, ed. Villard’s Legacy: Studies in Medieval Technology, Science, and Art in Memory of Jean Gimpel. Aldershot: Ashgate, 2004.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×