In the back country of Virginia, and on the borders of North Carolina, it becomes clear that our common English notions of the negro and of slavery are nearer the truth than common notions often are. The London Christy Minstrels are not more given to bursts of laughter of the form “Yah! yah!” than are the plantation hands. The negroes upon the Virginian farms are not maligned by those who represent them as delighting in the contrasts of crimson and yellow, or emerald and sky-blue. I have seen them on a Sunday afternoon, dressed in scarlet waistcoats and gold-laced cravats, returning hurriedly from “meetin’,” to dance break-downs, and grin from ear to ear for hours at a time. “What better should we expect from men to whom until just now it was forbidden, under tremendous penalties, to teach their letters?

Nothing can force the planters to treat negro freedom save from the comic side. To them the thing is too new for thought, too strange for argument; the ridiculous lies on the surface, and to this they turn as a relief. When I asked a planter how the blacks prospered under freedom, his answer was, “Ours don't much like it. You see, it necessitates monogamy. If I talk about the ‘responsibilities of freedom,’ Sambo says, ‘Dunno ‘bout that; please, mass’ George, me want two wife.’”