Skip to main content Accessibility help
×
Hostname: page-component-7479d7b7d-m9pkr Total loading time: 0 Render date: 2024-07-11T17:37:05.508Z Has data issue: false hasContentIssue false

Chapter 4 - Migration, Freedom of Expression, and the Importance of Diasporic Literary Archives

Published online by Cambridge University Press:  23 January 2021

Get access

Summary

Diasporic archives reflect the nature of the world we live in and may reflect the diasporic lives of many modern authors. Alison Donnell and other contributors to the Diasporic Literary Archives Network have used Caribbean examples in particular to illustrate both the convergences and the divergences of diasporic lives and diasporic archives. Global migration is a constant, and may be driven by economic, security, or personal needs. Whether by chance or design, people find themselves building a new life far from home. Writers are particularly prone to migrating from their home countries— some for better economic prospects, such as Derek Walcott for example, others for political or security reasons including war and repressive regimes. Writers who choose to criticize the government ruling their native lands, whether openly or through fictional means, often find themselves the subject of harassment, detainment, and even torture or death. A writer such as Salman Rushdie represents an extreme example of this. The fact that his archive ended up in the United States rather than his home country of India reflects his desire for his life and work to be housed safely and securely while still providing open access to researchers.

In some cases, an author's papers can be split between countries and institutions, reflecting either their personal journeys or other collecting considerations. Sometimes earlier papers are housed in the country of origin while the later papers are housed in the country of the author's current occupancy. This is true of the Derek Walcott papers and many others across the world. Thus the need for cooperation between international colleagues and institutions to provide the best access possible to the total archive of such authors while sharing resources and ideas to make the papers as accessible as possible. The virtual reconnection of split fonds through digitization is an example of this. The intent of all this effort is to create pathways to allow for an open field of enquiry for researchers.

The fatwa placed on Salman Rushdie by the Ayatollah Khomeini in 1989 ordered Muslims to kill Rushdie for statements perceived as blasphemous within The Satanic Verses.

Type
Chapter
Information
The Future of Literary Archives
Diasporic and Dispersed Collections at Risk
, pp. 49 - 56
Publisher: Amsterdam University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×