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Published online by Cambridge University Press:  14 January 2010

Sam B. Girgus
Affiliation:
Vanderbilt University, Tennessee
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Publisher: Cambridge University Press
Print publication year: 2002

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References

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Allen, Woody. Hannah and Her Sisters. New York: Vintage, 1987
Allen, Woody. Three Films of Woody Allen. New York: Vintage, 1987
Bailey, Peter J. The Reluctant Film Art of Woody Allen. Lexington: University Press of Kentucky, 2001
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Baudry, Jean-Louis. “The Apparatus: Metapsychological Approaches to the Impression of Reality in the Cinema.” In Film Theory and Criticism: Introductory Readings, 5th ed. Eds. Leo Braudy and Marshall Cohen. New York: Oxford University Press, 1999, pp. 760–77
Baxter, John. Woody Allen: A Biography. London: Carroll & Graf, 1999
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Blair, Walter and Hamlin Hill. “Mark Twain and the Mind's Ear.” In The American Self: Myth, Ideology, and Popular Culture. Ed. Sam B. Girgus. Albuquerque: University of New Mexico Press, 1981, pp. 231–9
Brode, Douglas. Woody Allen: His Films and Career, 2nd ed. Secaucus, N. J.: Citadel, 1987
Brooks, Peter. Reading for the Plot: Design and Intention in Narrative. New York: Vintage, 1985
De Lauretis, Teresa. Alice Doesn't: Feminism, Semiotics, Cinema. Bloomington: Indiana University Press, 1984CrossRef
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Dowd, Maureen. “Grow Up, Harry.” In New York Times, Sunday, January 11, 1998, Week in Review, p. 13
Farrow, Mia. What Falls Away: A Memoir. New York: Talese/Doubleday, 1997
Feldstein, Richard. “Displaced Feminine Representation in Woody Allen's Cinema.” In Discontented Discourses: Feminism/Textual Intervention/Psychoanalysis. Eds. Marlene S. Barr and Richard Feldstein. Urbana: University of Illinois Press, 1989, pp. 68–83
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Freud, Sigmund. Three Essays on the Theory of Sexuality. Trans. James Strachey. Intro. Steven Marcus. New York: Harper Colophon, 1975
Girgus, Sam B. Desire and the Political Unconscious in American Literature. New York: Macmillan and St. Martin's Press, 1990
Girgus, Sam B. Hollywood Renaissance: The Cinema of Democracy in the Era of Ford, Capra, and Kazan: New York: Cambridge University Press, 1998
Girgus, Sam B. The New Covenant: Jewish Writers and the American Idea. Chapel Hill: University of North Carolina Press, 1984
Gopnik, Adam. “The Outsider.” In The New Yorker, October 25, 1993, pp. 86–93
Heath, Stephen. Questions of Cinema. Bloomington: Indiana University Press, 1981
King, Kimball, ed. Woody Allen: A Caseball. New York: Routledge, 2001
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Lax, Eric. “Woody Allen – Not Only a Comic.” In New York Times, Sunday, February 24, 1985, Section 2, pp. 1, 24
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McCann, Graham. Woody Allen: New Yorker. Cambridge: Polity, 1990
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Mitchell, Juliet and Jacqueline Rose, eds. Feminine Sexuality: Jacques Lacan and the ecole freudienne. New York: Norton, 1982CrossRef
Naremore, James. Acting in the Cinema. Berkeley: University of California Press, 1988
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North, Maureen. “Mia's Story.” In Vanity Fair, November 1992, pp. 216–20, 294–300
Perez, Gilberto. The Material Ghost: Films and Their Medium. Baltimore: Johns Hopkins University Press, 1998
Pogel, Nancy. Woody Allen. Boston: Twayne, 1987
Rich, Frank. “An Interview with Woody.” In Time, April 30, 1979, pp. 68–9
Roth, Philip. Reading Myself and Others. New York: Farrar, Straus & Giroux, 1975
Silverman, Kaja. The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema. Bloomington: Indiana University Press, 1988
Silverman, Kaja. The Subject of Semiotics. New York: Oxford University Press, 1983
Smith, Henry Nash. Mark Twain: The Development of a Writer. New York: Atheneum, 1967
Todorov, Tzvetan. Facing the Extreme: Moral Life in the Concentration Camp. New York: Holt/Owl, 1996
Truffaut, Francois. Hitchcock. Rev. ed. with Helen G. Scott. New York: Touchstone, 1985
Žžek, Slavoj. “Cyberspace, or the Unbearable Closure of Being.” In Endless Night: Cinema and Psychoanalysis, Parallel Histories. Ed. Janet Bergstrom. Berkeley: University of California Press, 1999, pp. 96–125
Žžek, Slavoj. The Fright of Real Tears: Krzysztof Kieslowski between Theory and Post-Theory. London: BFI, 2001
Žžek, Slavoj. The Plague of Fantasies. London: Verso, 1997
Žžek, Slavoj. The Sublime Object of Ideology. London: Verso, 1989
Žžek, Slavoj. Tarrying with the Negative: Kant, Hegel, and the Critique of Ideology. Durham, N. C.: Duke University Press, 1993CrossRef

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  • Selected bibliography
  • Sam B. Girgus, Vanderbilt University, Tennessee
  • Book: The Films of Woody Allen
  • Online publication: 14 January 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511615252.010
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  • Selected bibliography
  • Sam B. Girgus, Vanderbilt University, Tennessee
  • Book: The Films of Woody Allen
  • Online publication: 14 January 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511615252.010
Available formats
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  • Selected bibliography
  • Sam B. Girgus, Vanderbilt University, Tennessee
  • Book: The Films of Woody Allen
  • Online publication: 14 January 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511615252.010
Available formats
×