Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-ndmmz Total loading time: 0 Render date: 2024-05-18T21:19:49.702Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  02 November 2023

John Michael Corrigan
Affiliation:
National Chengchi University, Taiwan
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abel, Darrel. “Frozen Movement in Light in August.” Boston University Studies in English, vol. 3, 1957, pp. 3244.Google Scholar
Aiken, Charles S. The Cotton Plantation South since the Civil War. Johns Hopkins University Press, 1998.Google Scholar
Aiken, Charles S. William Faulkner and the Southern Landscape. University of Georgia Press, 2009.Google Scholar
Atkinson, Ted. Faulkner and the Great Depression: Aesthetics, Ideology, and Cultural Politics. University of Georgia Press, 2005.Google Scholar
Bailey, Devan. “Allegory, Culture Industry, and William Faulkner’s Sanctuary.” Studies in American Fiction, vol. 47, no. 1, 2020, pp. 7196.Google Scholar
Baldwin, Marc D.Faulkner’s Cartographic Method: Producing the Land through Cognitive Mapping.” Faulkner Journal, vol. 7, nos. 1–2, 1991–2, pp. 193214.Google Scholar
Bassan, Maurice. “Benjy at the Monument.” English Language Notes, vol. 2, no. 1, 1964, pp. 4650.Google Scholar
Beckert, Sven. “Cotton and the US South: A Short History.” In Plantation Kingdom: The American South and Its Global Commodities, edited by Follett, Richard et al. Johns Hopkins University Press, 2016, pp. 3960.Google Scholar
Benson, Jackson J.Quentin Compson: Self-Portrait of a Young Artist’s Emotions.” Twentieth Century Literature, vol. 17, no. 3, 1971, pp. 143–59.Google Scholar
Berger, James. The Disarticulate: Language, Disability, and the Narratives of Modernity. New York University Press, 2014.Google Scholar
Bleikasten, André. “Fathers in Faulkner.” In The Fictional Father: Lacanian Readings of the Text, edited by Davis, Robert Con. University of Massachusetts Press, 1981, pp. 115–46.Google Scholar
Bleikasten, André. “For/Against an Ideological Reading of Faulkner’s Novels.” In Faulkner and Idealism: Perspectives from Paris, edited by Gresset, Michel and Samway, Patrick, S. J. University of Mississippi Press, 1983, pp. 2750.Google Scholar
Bleikasten, André. The Ink of Melancholy: Faulkner’s Novels from The Sound and the Fury to Light in August. Indiana University Press, [1990] 2017a.Google Scholar
Bleikasten, André. William Faulkner: A Life through Novels. Indiana University Press, 2017b.Google Scholar
Bradford, Sarah H. Scenes in the Life of Harriet Tubman. W. J. Moses, 1869. https://docsouth.unc.edu/neh/bradford/bradford.html.Google Scholar
Brooks, Cleanth. “The Community and the Pariah.” In Twentieth Century Interpretation of Light in August, edited by Minter, David L.. Prentice-Hall, 1969, pp. 5570.Google Scholar
Brooks, Cleanth. William Faulkner: Toward Yoknapatawpha and Beyond. Louisiana State University Press, 1978.Google Scholar
Broughton, Panthea Reid. William Faulkner: The Abstract and the Actual. Louisiana State University Press, 1974.Google Scholar
Brown, Arthur A.Benjy, the Reader, and Death: At the Fence in The Sound and the Fury.Mississippi Quarterly, vol. 48, no. 3, 1995, pp. 407–20.Google Scholar
Brown, Calvin. A Glossary of Faulkner’s South. Yale University Press, 1976.Google Scholar
Camastra, Nicole J.‘Waters of the Fountain Salmacis’: Metamorphosis and the Ovidian Subtext in William Faulkner’s Sanctuary.” Mississippi Quarterly, vol. 64, no. 3/4, 2011, pp. 323–40.Google Scholar
Cardwell, Guy. “The Plantation House: An Analogical Image.” Southern Literary Journal, vol. 2, 1969, 321.Google Scholar
Caron, James E.Emerson’s Sublime Pastoralism, Parody, and Second Sight in Faulkner’s As I Lay Dying.” Faulkner Journal, vol. 29, no. 1, 2015, pp. 7199.Google Scholar
Clark, Thomas. Dionysius. The Greening of the South: The Recovery of Land and Forest. University Press of Kentucky, 1984.Google Scholar
Clukey, Amy. “Plantation Modernity: Gone with the Wind and Irish-Southern Culture.” American Literature, vol. 85, no. 3, 2013, pp. 505–30.CrossRefGoogle Scholar
Clukey, Amy, and Wells, Jeremy. “Introduction: Plantation Modernity.” Global South, vol. 10, no. 2, 2016, pp. 110.Google Scholar
Cobb, James C. Industrialization and Southern Society. University Press of Kentucky, [1984] 2004.Google Scholar
Cohen, Philip, and Fowler, Doreen. “Faulkner’s Introduction to The Sound and the Fury.” American Literature, vol. 62, no. 2, 1990, pp. 262–83.Google Scholar
Colvin, Christina M.‘His Guts Are All out of Him’: Faulkner’s Eruptive Animals.” Journal of Modern Literature, vol. 38, no. 1, 2014, pp. 94106.CrossRefGoogle Scholar
Cox, Karen L. Dixie’s Daughters: The United Daughters of the Confederacy and the Preservation of Confederate Culture. University Press of Florida, 2003.Google Scholar
Davis, Thadious M. Games of Property: Law, Race, Gender, and Faulkner’s Go Down, Moses. Duke University Press, 2003.Google Scholar
DeLanda, Manuel. A New Philosophy of Society: Assemblage Theory and Social Complexity. Continuum, 2006.Google Scholar
DeLanda, Manuel. Assemblage Theory. Edinburg University Press, 2016.Google Scholar
Deville, Michel. “Alienating Language and Darl’s Narrative Consciousness in Faulkner’s As I Lay Dying.” Southern Literary Journal, vol. 27, no. 1, 1994, pp. 6172.Google Scholar
Domby, Adam H. The False Cause: Fraud, Fabrication, and White Supremacy in Confederate Memory. University of Virginia Press, 2020.Google Scholar
Donaldson, Susan. “Making a Spectacle: Faulkner and Southern Gothic.” Mississippi Quarterly, vol. 50, no. 4, 1997, pp. 567–84.Google Scholar
Donaldson, Susan. “Faulkner’s Versions of Pastoral, Gothic, and the Sublime.” In A Companion to William Faulkner, edited by Moreland, Richard C.. Blackwell, 2007, pp. 359–72.Google Scholar
Douglas, Ellen. “Faulkner in Time.” In A Cosmos of My Own”: Faulkner and Yoknapatawpha, 1980, edited by Fowler, Doreen and Abadie, Ann J.. University Press of Mississippi, 1981, pp. 284302.Google Scholar
Douglass, Paul. Bergson, Eliot, and American Literature. University Press of Kentucky, 1986.Google Scholar
Doyle, Don Harrison. Faulkner’s County: The Historical Roots of Yoknapatawpha. University of North Carolina Press, 2001.Google Scholar
Dussere, Erik. Balancing the Books: Faulkner, Morrison, and the Economies of Slavery. Routledge, 2003.Google Scholar
Duvall, John N.Postmodern Yoknapatawpha: William Faulkner as Usable Past.” In Faulkner and Postmodernism: Faulkner and Yoknapatawpha, 1999, edited by Duvall, John N. and Abadie, Ann J.. University Press of Mississippi, 2002, pp. 3956.Google Scholar
Eliot, T. S. Collected Poems: 1909–1962. Faber and Faber, 2002.Google Scholar
Emre, Merve. Paraliterary: The Making of Bad Readers in Postwar America. University of Chicago Press, 2017.Google Scholar
Faulkner, William. “An Introduction to The Sound and the Fury,” William Faulkner Papers, 1925–50, Accession #9817, Special Collections, University of Virginia Library, Charlottesville, Va., Box 1.Google Scholar
Faulkner, William. Selected Letters of William Faulkner, edited by Blotner, Joseph. Random House, 1977.Google Scholar
Faulkner, William. Sanctuary: The Original Text. Random House, 1981.Google Scholar
Faulkner, William. William Faulkner Manuscripts 5, Volume 1: Flags in the Dust, Holograph Manuscript, edited by Blotner, Joseph. Garland, 1987.Google Scholar
Faulkner, William. Absalom, Absalom! Vintage International, 1990.Google Scholar
Faulkner, William. As I Lay Dying. Vintage International, 1990.Google Scholar
Faulkner, William. Go Down, Moses. Vintage International, 1990.Google Scholar
Faulkner, William. The Sound and the Fury. Vintage International, 1990.Google Scholar
Faulkner, William. The Hamlet. Vintage International, 1991.Google Scholar
Faulkner, William. Sanctuary. Vintage International, 1993.Google Scholar
Faulkner, William. Light in August. Modern Library, 2002.Google Scholar
Faulkner, William. Essays, Speeches and Public Letters, edited by Meriwether, James B.. Modern Library, 2004.Google Scholar
Faulkner, William. The Mansion. Vintage International, 2011.Google Scholar
Faulkner, William. Requiem for a Nun. Vintage International, 2011.Google Scholar
Faulkner, William. The Town. Vintage International, 2011.Google Scholar
Faulkner, William. Flags in the Dust. Vintage International, 2012.Google Scholar
Ferguson, Niall. The Square and the Tower: Networks and Power, from the Freemasons to Facebook. Penguin Books, 2018.Google Scholar
Folks, Jeffrey J.Crowd and Self: William Faulkner’s Sources of Agency in The Sound and the Fury.” Southern Literary Journal, vol. 34, no. 2, 2002, pp. 3044.Google Scholar
Foner, Eric. A Short History of Reconstruction, 1863–1877. Harper, 1990.Google Scholar
Forter, Greg. “Faulkner and Trauma: On Sanctuary’s Originality.” In The New Cambridge Companion to William Faulkner, edited by Matthews, John T.. Cambridge University Press, 2015.Google Scholar
Fowler, Doreen. Faulkner: The Return of the Repressed. University Press of Virginia, 2000.Google Scholar
Fujie, Kristin. “‘Through a Piece of Colored Glass’: Faulkner, Race, and Mediation.” MFS Modern Fiction Studies, vol. 65, no. 3, 2019, pp. 411–38.Google Scholar
Gillespie, Stanley. “Light in Faulkner’s in Light in August.” Interpretations, vol. 14, no. 2, 1983, pp. 3947.Google Scholar
Girard, René. Violence and the Sacred, translated by Gregory, Patrick. Johns Hopkins University Press, 1979.Google Scholar
Gleeson-White, Sarah. “William Faulkner’s Go Down, Moses: An American Frontier Narrative.” Journal of American Studies, vol. 43, no. 3, 2009, pp. 389405.CrossRefGoogle Scholar
Godden, Richard. William Faulkner: An Economy of Complex Words. Princeton University Press, 2007.Google Scholar
Gordon, Deborah M. Ant Encounters: Interaction Networks and Colony Behavior. Princeton University Press, 2010.Google Scholar
Greeson, Jennifer Rae. “Imagining the South.” In The Cambridge History of the American Novel. Cambridge University Press, 2011, pp. 236–51.Google Scholar
Greiner, Donald J.Universal Snopesism: The Significance of ‘Spotted Horses.’” English Journal, vol. 57, no. 8, 1968, pp. 1133–7.Google Scholar
Gwin, Minrose C. The Feminine and Faulkner: Reading (beyond) Sexual Difference. University of Tennessee Press, 1990.Google Scholar
Handy, William J.As I Lay Dying: Faulkner’s Inner Reporter.” Kenyon Review, vol. 21, 1959, pp. 437–51.Google Scholar
Hannon, Charles. “Topologies of Discourse in Faulkner.” In Faulkner in Context, edited by Matthews, John T.. Cambridge University Press, 2015, pp. 91–9.Google Scholar
Harris, Paul A.Fractal Faulkner: Scaling Time in Go Down, Moses.” Poetics Today, vol. 14, no. 4, 1993, pp. 625–51.CrossRefGoogle Scholar
Hartley, Roger C. Monumental Harm: Reckoning with Jim Crow Era Confederate Monuments. University of South Carolina Press, 2021.Google Scholar
Hayes, Elizabeth. “Tension between Darl and Jewel.” Southern Literary Journal, vol. 24, no. 2, 1992, pp. 4961.Google Scholar
Hedeen, Paul M.A Symbolic Center in a Conceptual Country: A Gassian Rubric for The Sound and the Fury.” Modern Fiction Studies, vol. 31, no. 4, 1985, pp. 623–43.Google Scholar
Heller, Terry. “Mirrored Worlds and the Gothic in Faulkner’s Sanctuary.” Mississippi Quarterly, vol. 42, no. 3, 1989, pp. 247–59.Google Scholar
Hinrichsen, Lisa. “Open Spaces, Open Secrets: Sanctuary’s Mysterious ‘Something.’” In Faulkner and Mystery, edited by Trafzer, Annette and Abadie, Ann. University Press of Mississippi, 2014, pp. 162–77.Google Scholar
Hodge, Amber. “The Casket in the Corpse: The Wooden (Wo)man and Corporeal Impermanence in As I Lay Dying.” Southern Quarterly, vol. 53, no. 1, 2015, pp. 1324.Google Scholar
Hofstadter, Douglas R. Gödel, Escher, Bach: An Eternal Golden Braid. Penguin Books, [1979] 1994.Google Scholar
Howe, Irving. William Faulkner: A Critical Study. Vintage Books, 1952.Google Scholar
Hubbs, Jolene. “William Faulkner’s Rural Modernism.” Mississippi Quarterly vol. 61, no. 3, 2008, pp. 461–75.Google Scholar
Huffard, R. Scott Jr.. Engines of Redemption: Railroads and the Reconstruction of Capitalism in the New South. The University of North Carolina Press, 2019.Google Scholar
Hummel, Jeffrey. Emancipating Slaves, Enslaving Free Men. Open Court, 2002.Google Scholar
Hussey, James. “‘A Sort of Madman with Poetic Gifts’: Darl Bundren and Henri Bergson.” Explorations: A Journal of Language and Literature, vol. 3, 2015, pp. 5669.Google Scholar
Huyssen, Andreas. After the Great Divide: Modernism, Mass Culture, and Postmodernism. University of Indiana Press, 1986.Google Scholar
Irwin, John T.Horace Benbow and the Myth of Narcissa.” American Literature, vol. 64, no. 3, 1992, pp. 543–66.Google Scholar
Joiner, Jennie. “Locations, Ownership, and Information Flow.” In Digitizing Faulkner: Yoknapatawpha in the Twenty-First Century, edited by Towner, Theresa. University of Virginia Press, 2022, pp. 3450.Google Scholar
Kartiganer, Donald. “The Meaning of Form in Light in August.” In Modern Critical Interpretations: William Faulkner’s Light in August, edited by Bloom, Harold. Chelsea House Publishers, 1988.Google Scholar
Kartiganer, Donald. “‘So I, Who Had Never had a War…’: William Faulkner, War, and the Modern Imagination.” Modern Fiction Studies, vol. 44, no. 3, 1998, pp. 619–45.Google Scholar
Kelso, J. A. Scott. Dynamic Patterns: The Self-Organization of Brain and Behavior. MIT Press, 1995.Google Scholar
Kerr, Elizabeth M. William Faulkner’s Gothic Domain. Kennikat Press, 1979.Google Scholar
Kerr, Elizabeth M. William Faulkner’s Yoknapatawpha: “A Kind of Keystone in the Universe. Fordham University Press, 1983.Google Scholar
Kinney, Arthur F.The Family-Centered Nature of Faulkner’s World.” College Literature, vol. 16, no. 1, 1989, pp. 83102.Google Scholar
Kinney, Arthur F. Faulkner’s Narrative Style as Vision. University of Massachusetts Press, 1978.Google Scholar
Klimovskaia, Anna, et al.Poincaré Maps for Analyzing Complex Hierarchies in Single-Cell Data.” Nature Communications, vol. 11, no. 2966, 2020, https://doi.org/10.1038/s41467–020-16822-4.Google Scholar
Lanier, Jaron. You Are Not a Gadget: A Manifesto. Alfred A. Knopf, 2010.Google Scholar
Latour, Bruno. An Inquiry into Modes of Existence: An Anthropology of the Moderns, translated by Porter, Catherine. Harvard University Press, 2013.Google Scholar
Lester, Cheryl. “As They Lay Dying: Rural Depopulation and Social Dislocation as a Structure of Feeling.” Faulkner Journal, vol. 21, no. 1–2, 2005/2006, pp. 2850.Google Scholar
Levine, Caroline. Forms: Whole, Rhythm, Hierarchy, Network. Princeton University Press, 2015.Google Scholar
Lewis, R. W. B.The Hero in the New World: William Faulkner’s ‘The Bear.’Kenyon Review, vol. 13, no. 4, 1951, pp. 641–60.Google Scholar
Liddell, Henry George, and Scott, Robert. A Greek-English Lexicon. Clarendon, 1972.Google Scholar
Lutwack, Leonard. The Role of Place in Literature. Syracuse University Press, 1984.Google Scholar
Lurie, Peter. Vision’s Immanence: Faulkner, Film, and the Popular Imagination. Johns Hopkins University Press, 2004.Google Scholar
Matthews, John T. The Play of Faulkner’s Language. Cornell University Press, 1982.Google Scholar
Matthews, John T.The Elliptical Nature of Sanctuary.” Novel: A Forum on Fiction, vol. 17, no. 3, 1984, pp. 246–65.CrossRefGoogle Scholar
Matthews, John T.As I Lay Dying in the Machine Age.” Boundary 2, vol. 19, no. 1, 1992, pp. 6994.Google Scholar
Matthews, John T. Seeing through the South. Wiley-Blackwell, 2012.Google Scholar
Meriwether, James B. “Introduction for The Sound and the Fury.” Mississippi Quarterly, vol. 26, 1973, 410–15.Google Scholar
Miller, J. Hillis. Topographies. Stanford University Press, 1995.Google Scholar
Miller, Nathaniel. “‘Felt, Not Seen Not Heard’: Quentin Compson, Modernist Suicide and Southern History.” Studies in the Novel, vol. 37, no. 1, 2005, pp. 3749.Google Scholar
Moak, Franklin E.On the Roots of the Sartoris Family.” In Critical Essays on William Faulkner: The Sartoris Family, edited by Kinney, Arthur F.. G. K. Hall and Company, 1985, pp. 264–6.Google Scholar
Moretti, Franco. “Network Theory, Plot Analysis.” New Left Review, vol. 68, 2011, pp. 80102.Google Scholar
Morrison, Gail M.The Composition of The Sound and the Fury.” In Bloom’s Modern Critical Interpretations: William Faulkner’s The Sound and the Fury, edited by Bloom, Harold. Infobase Publishing, 2008, pp. 330.Google Scholar
Mortimer, Gail L. Faulkner’s Rhetoric of Loss: A Study in Perception and Meaning. Texas University Press, 1983.Google Scholar
Mumford, Lewis. Technics and Civilization. 1934. University of Chicago Press, 2010.Google Scholar
Newman, Mark. Networks: An Introduction. Oxford University Press, 2010.Google Scholar
Orvell, Miles. “Order and Rebellion: Faulkner’s Small Town and the Place of Memory.” In Faulkner and Material Culture: Faulkner and Yoknapatawpha, edited by Urgo, Joseph R. and Abadie, Ann J.. University Press of Mississippi, [2004] 2007, pp. 104–20.Google Scholar
Padgett, John F.Faulkner’s Assembly of Memories into History: Narrative Networks in Multiple Times.” American Journal of Sociology, vol. 124, no. 2, 2018, pp. 406–78.Google Scholar
Page, Scott E. Diversity and Complexity. Princeton University Press, 2011.Google Scholar
Penner, Erin. Character and Mourning: Woolf, Faulkner, and the Novel Elegy of the First World War. University of Virginia Press, 2019.Google Scholar
Pettey, Homer B.Perception and the Destruction of Being in As I Lay Dying.” The Faulkner Journal, vol. 19, no. 1, 2003, 2746.Google Scholar
Pikoulis, John. The Art of William Faulkner. Macmillan Press, 1982.Google Scholar
Polk, Noel. Children of the Dark House: Text and Context in Faulkner. University Press of Mississippi, 1996.Google Scholar
Polk, Noel. “‘Polysyllabic and Verbless Patriotic Nonsense’: Faulkner at Midcentury – His and Ours.” In Faulkner and Ideology, edited by Kartiganer, Donald and Abadie, Ann. University Press of Mississippi, 1995.Google Scholar
Porter, Carolyn. “The Problem of Time in Light in August.” Rice University Studies, vol. 61, no. 1, 1975, pp. 107–25.Google Scholar
Porter, Carolyn. “Symbolic Fathers and Dead Mothers: A Feminist Approach to Faulkner.” In Faulkner and Psychology: Faulkner and Yoknapatawpha, edited by Kartiganer, Donald and Abadie, Ann. University Press of Mississippi, [1991] 1994, pp. 78122.Google Scholar
Porter, Carolyn. William Faulkner: Lives and Legacies. Oxford University Press, 2007.Google Scholar
Pryse, Marjorie. “Textual Duration Against Chronological Time: Graphing Memory in Faulkner’s Benjy Section.” Faulkner Journal, vol. 25, no. 1, 2009, pp. 1546.Google Scholar
Rapaport, Herman. “Fantasies of Settlement: Heidegger, Tocqueville, Fichte, Faulkner.” Modern Fiction Studies, vol. 63, no. 1, 2017, pp. 928.Google Scholar
Reidy, Joseph P.Economic Consequences of the Civil War and Reconstruction.” In A Companion to the American South, edited by Boles, John B.. Blackwell Publishers, 2002.Google Scholar
Robinson, Owen. Creating Yoknapatawpha: Readers and Writers in Faulkner’s Fiction. Routledge, 2006.Google Scholar
Rollyson, Carl. The Life of William Faulkner, Vol. 2. University of Virginia Press, 2020.Google Scholar
Romine, Scott. “Designing Spaces: Sutpen, Snopes, and the Promise of the Plantation.” In Faulkner’s Geographies, edited by Watson, Jay and Abadie, Ann J.. University Press of Mississippi, 2015, pp. 1734.CrossRefGoogle Scholar
Ross, Stephen M.‘Voice’ in Narrative Texts: The Example of As I Lay Dying.” PMLA, vol. 94, no. 2, 1979, pp. 300–10.Google Scholar
Schliefer, Ronald. “Faulkner’s Storied Novels: Go Down, Moses and the Translation of Time.” Modern Fiction Studies, vol. 28, 1982, pp. 109–27.Google Scholar
Schmidt, Peter. “‘Truth So Mazed’: Faulkner and US Plantation Fiction.” William Faulkner in Context, edited by Matthews, John T.. Cambridge University Press, 2015, pp. 169–84.Google Scholar
Sedgewich, Robert and Wayne, Kevin. Algorithms, 4th Edition. Pearson Education, 2011.Google Scholar
Shoko, Itoh. “Poe, Faulkner, and Gothic America.” Faulkner Journal of Japan, vol. 3, 2001, pp. 1732.Google Scholar
Simon, John K. “What Are You Laughing At, Darl?: Madness and Humor in As I Lay Dying.” College English, vol. 25, 1963, pp. 104–10.Google Scholar
Singal, Daniel J. William Faulkner: The Making of a Modernist. University of North Carolina Press, 1997.Google Scholar
Sitte, Renate. “About the Predictability and Complexity of Complex Systems.” In From System Complexity to Emergent Properties, edited by Aziz-Alaoui, Moulay and Bertelle, Cyrille. Springer, 2009, pp. 2348.Google Scholar
Smith, Mark. Mastered by the Clock: Time, Slavery, and Freedom in the American South. University of North Carolina Press, 1997.Google Scholar
Southern Poverty Law Center. “Whose Heritage? Public Symbols of the Confederacy.” February 1, 2019: https://www.splcenter.org/sites/default/files/com_whose_heritage.pdf.Google Scholar
Sowder, William. “William Faulkner’s Benjy Compson and the Field of Consciousness.” Journal of Phenomenological Psychology, vol. 19, no. 1, 1988, 5974.Google Scholar
Spillers, Hortense J.Topographical Topics: Faulknerian Space.” Mississippi Quarterly, vol. 57, no. 4, 2004, pp. 535–68.Google Scholar
Stonum, Gary Lee. Faulkner’s Career: An Internal Literary History. Cornell University Press, 1979.Google Scholar
Sundquist, Eric. Faulkner: The House Divided. Johns Hopkins University Press, 1985.Google Scholar
Taylor, Mark C. The Moment of Complexity: Emerging Network Culture. University of Chicago Press, 2001.Google Scholar
Teuscher, Christof. “Revisiting the Edge of Chaos: Again?BioSystems, vol. 218, 2022, https://doi.org/10.1016/j.biosystems.2022.104693.Google Scholar
Thyssen, Christina. “‘Aj Kin Pas Wid Anything’: Blackness as Figural Excess in Faulkner’s Go Down, Moses.” Faulkner Journal, vol. 29, no. 2, 2015, pp. 89108.Google Scholar
Towner, Theresa. Faulkner on the Color Line: The Later Novels. University Press of Mississippi, 2000.Google Scholar
Urgo, Joseph R.Where Was That Bird: Thinking America Through Faulkner.” Faulkner in America, edited by Urgo, Joseph R. and Abadie, Ann J.. University Press of Mississippi, 2001.Google Scholar
Urgo, Joseph R.The Yoknapatawpha Project: The Map of a Deeper Existence.” Mississippi Quarterly, vol. 57, no. 4, 2004, pp. 639–55.Google Scholar
Voth, Ruth Anne. William Faulkner and the Gothic Tradition. University of Maryland Press, 1958.Google Scholar
Wainwright, Michael. “The Enemy Within: Faulkner’s Snopes Trilogy.” In Faulkner and the Ecology of the South, edited by Urgo, Joseph R. and Abadie, Ann J.. University Press of Mississippi, 2005, pp. 6180.Google Scholar
Wainwright, Michael. Darwin and Faulkner’s Novels: Evolution and Southern Fiction. Palgrave Macmillan, 2008.Google Scholar
Watkins, Lorie. “Women in Motion: Escaping Yoknapatawpha.” Faulkner’s Geographies, edited by Watson, Jay and Abadie, Ann J.. University Press of Mississippi, 2011, pp. 163–74.Google Scholar
Watson, James G. William Faulkner: Self-Presentation and Performance. University of Texas Press, 2000.Google Scholar
Watson, Jay. Faulkner and Whiteness. University Press of Mississippi, 2011.Google Scholar
Watson, Jay. William Faulkner and the Faces of Modernity. Oxford University Press, 2019.Google Scholar
Weinstein, Philip M. Faulkner’s Subject: A Cosmos No One Owns. Cambridge University Press, 1992.Google Scholar
Wheeler, Otis B.Faulkner’s Wilderness.” American Literature, vol. 31, no. 2, 1959, pp. 127–36.Google Scholar
Wilhelm, Randall. “Framing Joe Christmas: Vision and Detection in Light in August.” Mississippi Quarterly, vol. 64, no. 3–4, 2011, pp. 393408.Google Scholar
Woloch, Alex. The One Vs. The Many: Minor Characters and the Space of the Protagonist in the Novel. Princeton University Press, 2003.Google Scholar
Woodman, Harold. “The Political Economy of the New South: Retrospects and Prospects.” In Origins of the New South, Fifty Years Later: The Continuing Influence of a Historical Classic, edited by Boles, John B. and Johnson, Bethany L.. Louisiana State University Press, 2003, pp. 238–60.Google Scholar
Wright, Gavin. Old South, New South: Revolutions in the Southern Economy since the Civil War. Basic Books, 1986.Google Scholar
Wynne, Carolyn. “Aspects of Space: John Marin and William Faulkner.” American Quarterly, vol. 16, no. 1, 1964, pp. 5971.Google Scholar
Zank, Michael and Braiterman, Zachary. “Martin Buber.” Stanford Encyclopedia of Philosophy, edited by Zalta, Edward N., 2020, https://plato.stanford.edu/archives/win2020/entries/buber.Google Scholar
Zeitlin, Michael. “Interiority and Depth of Field in As I Lay Dying.” The Faulkner Journal of Japan, vol. 3, 2001, http://www.faulknerjapan.com/journal/No3/EJNo3.htm.Google Scholar
Zeitlin, Michael. “The Uncanny and the Opaque in Yoknapatawpha and Beyond.” Mississippi Quarterly, vol. 57, no. 4, 2004, 619–37.Google Scholar
Zender, Karl. “Lucas Beauchamp’s Choices.” Faulkner in the Twenty-First Century, edited by Hamblin, Robert W. and Abadie, Ann. University Press of Mississippi, 2003, pp. 119–36.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • John Michael Corrigan, National Chengchi University, Taiwan
  • Book: Faulkner's Cartographies of Consciousness
  • Online publication: 02 November 2023
  • Chapter DOI: https://doi.org/10.1017/9781009377867.010
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • John Michael Corrigan, National Chengchi University, Taiwan
  • Book: Faulkner's Cartographies of Consciousness
  • Online publication: 02 November 2023
  • Chapter DOI: https://doi.org/10.1017/9781009377867.010
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • John Michael Corrigan, National Chengchi University, Taiwan
  • Book: Faulkner's Cartographies of Consciousness
  • Online publication: 02 November 2023
  • Chapter DOI: https://doi.org/10.1017/9781009377867.010
Available formats
×