Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-fv566 Total loading time: 0 Render date: 2024-07-18T21:26:38.792Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

Appendix: Vivaldi scores in Pound's hand

Get access

Summary

This table includes those Antonio Vivaldi scores that I have been able to identify in the Ezra Pound Papers (YCAL MSS 43), Ezra Pound Additions (YCAL MSS 53), and Olga Rudge Papers (YCAL MSS 54) in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library. The Beinecke catalogue numbers identify the manuscript collection, box number, and folder number of the item in question.

The table uses Ezra Pound's own catalogue of his and Rudge's Vivaldi works as its basis (see p. 185). The first three items in the table do not appear in Pound's catalogue, but the remaining items are organized following his numbering system, which is also often used in his labeling of scores. While most items in his catalogue represent discreet and complete concerti, items #2 and #10 are parts of the same concerto (RV 198). The second column lists each concerto's name as given in Peter Ryom's standard catalogue of Vivaldi's works, Répertoire des oeuvres d'Antonio Vivaldi: les compositions instrumentales (Copenhagen: Engstrom & Sodring, 1986). The third column gives Ryom's catalogue number, the standard method of identifying Vivaldi's works. The fourth column identifies the location of the original manuscript that Pound and Rudge were transcribing, whether the Sachsische Landesbibliothek (Dresden) or the Biblioteca Nazionale (Turin), including the library cataloguing numbers. A description of the scores and/or other items in the Beinecke collection follows in the fifth column, and the sixth and final column identifies correspondence in the Olga Rudge Papers pertaining to the piece.

Type
Chapter
Information
Fascist Directive
Ezra Pound and Italian Cultural Nationalism
, pp. 269 - 276
Publisher: Liverpool University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×