Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-wg55d Total loading time: 0 Render date: 2024-06-02T13:22:19.423Z Has data issue: false hasContentIssue false

6 - The Road, in Court: How UK Drill Music Became a Criminal Offence

Published online by Cambridge University Press:  24 January 2024

Jade Levell
Affiliation:
University of Bristol
Tara Young
Affiliation:
University of Kent, Canterbury
Rod Earle
Affiliation:
The Open University, Milton Keynes
Get access

Summary

Introduction

Urban space has long haunted the penal and criminological imagination; as a site of crime and disorder, where ‘respectable fears’ (Pearson, 1983) about overcrowding, mixing and safety co-exist with political ideologies and government policies that treat urban social life as a spatial, moral and socio-political problem to be monitored, regulated and controlled. In fact, the relationship between crime and the urban realm goes to the heart of criminology, as an academic discipline that is marked by an ‘urban bias’ (Donnermeyer, 2016: 1) due to its emphasis on studying crime as a quintessentially urban social phenomenon. Perceptions of ‘society’, ‘community’, ‘deviance’ and ‘conflict’, therefore, cease to exist in the abstract. They become designed into, associated with and represented by urban geography – as metaphors for physical locations and social spaces where hierarchies of power, social relations and social structures take shape.

Nowhere is this more evident than the areas of the city that are imagined, researched, sensationalised, suspected and policed as pockets of ‘criminality’ where ‘incivility’, violence and danger are thought to fester uncontrollably. Targeted, surveilled, securitised, walled, barb-wired and patrolled as ‘no-go areas’, ‘urban wastelands’ or ‘crime-infested ghettoes’, such ‘dangerous’ places denote more than physical space. They feature as ‘symbolic locations’ where what is symbolised is the physical and cultural presence of those who are perceived and policed as socially and politically out of place, through processes of state-sanctioned, racial(ised) criminalisation (see, for example, Fatsis, 2021a, 2021b). The colonial ‘plantation archipelago’ (Wynter, nd: 372), the Jewish quarter in medieval and Nazi Europe and the contemporary urban ghetto (Duneier, 2016), stand as symbols of such ‘territorial stigmatisation’ (Hancock and Mooney, 2013) as vividly as they illustrate the ‘multi-racist’ (Keith, 1993) ideologies, politics and law enforcement that establish and police the inner city as a ‘zone of racial enclosure’ (Hartman, 2021: 94).

Type
Chapter
Information
Exploring Urban Youth Culture Outside of the Gang Paradigm
Critical Questions of Youth, Gender and Race On-Road
, pp. 100 - 114
Publisher: Bristol University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×