Book contents
- Frontmatter
- CONTENTS
- Acknowledgements
- List of Figures and Tables
- Dedication
- Introduction
- 1 The Early Stages: From the Netherlands to Great Britain
- 2 The Commoditization of Theories of Art
- 3 The Painter as Homo Economicus
- 4 Critics and Auctions
- 5 The Evolution of Picture-Dealing
- 6 The Victorian Era
- 7 ‘Working the Oracle’: The Tools of the Trade
- 8 The Formation of a Nexus: A Story of Christie's
- 9 Commoditization and the Artist as Producer: Product Differentiation and the Domestication of Pictures
- 10 The End of the ‘Golden Age’
- 11 Postscript: A Perpetual Innovative Whirl
- Notes
- Works Cited
- Index
Works Cited
- Frontmatter
- CONTENTS
- Acknowledgements
- List of Figures and Tables
- Dedication
- Introduction
- 1 The Early Stages: From the Netherlands to Great Britain
- 2 The Commoditization of Theories of Art
- 3 The Painter as Homo Economicus
- 4 Critics and Auctions
- 5 The Evolution of Picture-Dealing
- 6 The Victorian Era
- 7 ‘Working the Oracle’: The Tools of the Trade
- 8 The Formation of a Nexus: A Story of Christie's
- 9 Commoditization and the Artist as Producer: Product Differentiation and the Domestication of Pictures
- 10 The End of the ‘Golden Age’
- 11 Postscript: A Perpetual Innovative Whirl
- Notes
- Works Cited
- Index
Summary
- Type
- Chapter
- Information
- The Development of the Art Market in EnglandMoney as Muse, 1730–1900, pp. 243 - 258Publisher: Pickering & ChattoFirst published in: 2014