Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-wzw2p Total loading time: 0 Render date: 2024-04-30T20:02:32.133Z Has data issue: false hasContentIssue false

4 - Culture Matters: Cuts and Resistance

Published online by Cambridge University Press:  10 March 2021

Get access

Summary

Introduction

As ‘culture’ is a slippery term it seems useful to define what is meant by the ‘cultural sector’ on which this chapter focuses. In Cultural Studies, ‘culture’ as a rule ‘indicates a particular way of life, whether of a people, a period or group […].’ (Williams, 1976, p. 80). Yet Raymond Williams, initiator of this use, also defined another meaning of the noun: ‘the works and practices of intellectual and especially artistic activity. This seems often now the most widespread use; culture is music, literature, painting and sculpture, theatre and film’ (Williams, 1976, p. 80).

This chapter examines the cuts which the Conservative Liberal-Democrat Coalition (2010– 15) and the following two Conservative governments have administered to culture in this narrower but ‘most widespread use’. It will assess their consequences for British society and appraise the effectiveness of the resistance put up by various agents and actors. The field of education will be included as far as the teaching of music and the various arts are concerned.

Compared to the havoc austerity politics has wreaked on the income and life chances of the weakest members of society – for example the disabled, single mothers and large families – cutbacks in the cultural sector may seem a luxury concern. Yet the author hopes to show how the cuts to culture have also been disastrous for society as they further disadvantage the poor, with crippling effects on future generations, and endanger Britain's rich cultural mix.

Financial sources for cultural activities in the UK

The financial means for culture in the UK come from a variety of sources: ticket sales, commercial activities of cultural institutions, private sponsors and – the biggest share – from state expenditure, boosted by Lottery money since the mid-1990s and – until now – complemented by grants from various EU funds. State support, including Lottery money, is channelled through several bodies. In England, the Department for Culture, Media and Sport (DCMS) funds 43 non-departmental public bodies directly, among them the Arts Council England (ACE), the British Library and 15 national museums including the British Museum, the Tate, The Science Museum Group and the National Gallery.

Type
Chapter
Information
Contested Britain
Brexit, Austerity and Agency
, pp. 59 - 72
Publisher: Bristol University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×