Book contents
- Frontmatter
- Contents
- Acknowledgements
- List of Illustrations
- Note and Glossary
- Traditions in World Cinema
- Introduction: Why 1997 and Hana-Bi?
- 1 Jidai-geki and Chambara: The Samurai Onscreen
- 2 Yakuza Cinema
- 3 Japanese Horror Cinema
- 4 The Changing Japanese Family on Film
- 5 Postmodernism and Magic Realism in Contemporary Japanese Cinema
- 6 Japanese Documentary Cinema: Reality and its Discontents
- 7 Modern Japanese Female Directors
- Bibliography
- Select Filmography
- Index
- Frontmatter
- Contents
- Acknowledgements
- List of Illustrations
- Note and Glossary
- Traditions in World Cinema
- Introduction: Why 1997 and Hana-Bi?
- 1 Jidai-geki and Chambara: The Samurai Onscreen
- 2 Yakuza Cinema
- 3 Japanese Horror Cinema
- 4 The Changing Japanese Family on Film
- 5 Postmodernism and Magic Realism in Contemporary Japanese Cinema
- 6 Japanese Documentary Cinema: Reality and its Discontents
- 7 Modern Japanese Female Directors
- Bibliography
- Select Filmography
- Index
Summary
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- Type
- Chapter
- Information
- Contemporary Japanese Cinema Since Hana-Bi , pp. 214 - 219Publisher: Edinburgh University PressPrint publication year: 2015