Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-9q27g Total loading time: 0 Render date: 2024-07-20T09:20:15.405Z Has data issue: false hasContentIssue false

3 - The Pornographic Logic of Global Capitalism: Dead Europe

Published online by Cambridge University Press:  18 January 2018

Andrew McCann
Affiliation:
Dartmouth College, New Hampshire
Get access

Summary

That pornography exemplifies the processes of commodification is a truism. What distinguishes it from other manifestations of commodity culture is that it also stands at the outer edge of what our society is prepared to accept in the name of the commodity. For this reason it is internal to the liberal-capitalist order but also appears as a limit case that tests the boundaries of its tolerance. It is the “obscene underside” of the economic relations most of us take for granted. In The Metastases of Enjoyment, Slavoj Žižek uses this phrase, “obscene underside,” in a wide-ranging discussion of the paradoxes of communal identity. He argues that, via the conduit of what he calls “solidarity-in-guilt,” the foundation of community consists in practices that transgress the (moral) law that also regulates community. Žižek finds this process in the carnivalesque inversions of traditional patriarchal societies. As the “public Law” casts off its “patriarchal dress” and assumes a “neutral-egalitarian” character, however, inversion becomes bound up with the rehearsal of an apparently disavowed authoritarianism. “What now erupts in the carnivalesque suspension of the ‘egalitarian’ public Law,” he writes, “is precisely the authoritarian-patriarchal logic that continues to determine our attitudes, although its direct public expression is no longer permitted. ‘Carnival’ thus becomes the outlet for the repressed social jouissance: Jew-baiting riots, gang-rapes …” The use of a word like “erupts” in this context seems to localize these expressions of “repressed social jouissance”; it gives them the character of occasions or events (riots, rapes) that punctuate the everyday, but do not really belong to it. In a consumer society increasingly mediated by constant access to the Internet, this sense of eruption belies the ways in which repressed jouissance secretes through very banal, and seemingly perpetual, acts of consumption. The fact that violent pornography is only a screen or a mouse click away for most consumers in the West effectively normalizes it, rendering it entirely unexceptional, without attenuating the sense in which it violates communal notions of propriety. It is as if the contradictions of the social order have been regularized and genuinely democratized.

Type
Chapter
Information
Christos Tsiolkas and the Fiction of Critique
Politics, Obscenity, Celebrity
, pp. 63 - 84
Publisher: Anthem Press
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×