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1933

Published online by Cambridge University Press:  18 January 2023

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Summary

This is the most thrilling finale of the decade’s musical films

Britannia of Billingsgate

Yes, Mr Brown

The Little Damozel

The Good Companions

Soldiers of the King

King of the Ritz

Radio Parade

The Only Girl

Facing the Music

Waltz Time

Maid Happy

Falling for You

Britannia of Billingsgate

Prince of Arcadia

Bitter Sweet

Early to Bed

This Week of Grace

The Song You Gave Me

The Girl from Maxim’s

This is the Life

Going Gay

That’s a Good Girl

You Made Me Love You

A Southern Maid

I Adore You

For Love of You

Aunt Sallyk

January

Globe-trotting cinemagoers may have gazed up at the new Jack Buchanan entertainment Yes, Mr Brown and recalled that they had already seen it in Germany, France and Italy masquerading under various titles. It probably didn’t matter to British audiences, who must have pretty well known what they were in for if one of their favourite artistes was above the title. Made at Elstree for British and Dominions, Herbert Wilcox’s production (a stretch at 94 minutes) was directed by Buchanan, working on Douglas Furber’s screenplay adapted from Paul Franck and Ludwig Hirschfeld’s stage musical Geschäft mit Amerika. Paul Abrahám, composer of Renate Müller’s ‘Today I Feel So Happy’, wrote the score with Furber as British lyricist, including ‘Leave A Little To Me’, ‘If You Would Learn To Live’, and the title song.

In Vienna, Nicholas Baumann (Buchanan) temporarily loses his wife Clary (Margot Grahame) when they argue over a dog. Having planned to impress his American boss Mr Brown (Hartley Power), Nicholas gets his secretary Ann (Elsie Randolph, making her debut in her professional partnership with Buchanan) to take her place. To everyone’s satisfaction, Mr Brown marries Ann, while Nicholas and Clary are reunited. The reviews were reasonable, with Variety finding that ‘There seems to be no limit to the entertaining talents of Jack Buchanan. He not only stars in this picture, but directed it in a manner which establishes him as an expert’, citing ‘A generous production, directed in good taste, marred occasionally by defective lighting, but not enough to interfere with the fact that it is another successful British picture.’ Picturegoer was less effusive, discovering ‘a far cry from Goodnight, Vienna, with its polished technique and sophistry, to this naïve and conventional marital upset play’.

Type
Chapter
Information
Cheer Up!
British Musical Films, 1929-1945
, pp. 56 - 80
Publisher: Boydell & Brewer
Print publication year: 2020

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  • 1933
  • Adrian Wright
  • Book: Cheer Up!
  • Online publication: 18 January 2023
  • Chapter DOI: https://doi.org/10.1017/9781787449039.006
Available formats
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Save book to Dropbox

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  • 1933
  • Adrian Wright
  • Book: Cheer Up!
  • Online publication: 18 January 2023
  • Chapter DOI: https://doi.org/10.1017/9781787449039.006
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • 1933
  • Adrian Wright
  • Book: Cheer Up!
  • Online publication: 18 January 2023
  • Chapter DOI: https://doi.org/10.1017/9781787449039.006
Available formats
×