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Notes

Published online by Cambridge University Press:  05 April 2013

Christopher Innes
Affiliation:
York University, Toronto
Maria Shevtsova
Affiliation:
Goldsmiths, University of London
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Print publication year: 2013

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References

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The suggestion comes from Peter Thompson: entry on Masque, The Cambridge Guide to World Theatre, Cambridge University Press, 1988, 625
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The Hour Glass (1911) and On Baille’s Strand (1914)
Wagner, Richard, Das Bühnenfestspielhaus zu Bayreuth (Leipzig, 1873)Google Scholar
The total number of theatrical productions Appia directed was only five: two one-act pieces (given a single private performance in Paris, 1903), Orfeo, with Dalcroze at Hellerau (1912–13), Tristan (1923) and a patriotic pageant at Geneva (1925)
Wälterlin, Oskar, his designs were used as settings for just two further productions, Tidings Brought to Mary staged by the author Claudel himself (Hellerau 1913)Google Scholar
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In another seminal essay, ‘First Attempts at a Stylized Theatre’ (1907), Meyerhold speaks of the assumed ‘theatre-triangle’ of current practice in which the director is the apex of the triangle of the theatre event, flanked by the author and the actor in the two remaining corners. He replaces this model with a straight horizontal line featuring the author, director, actor and spectator, who together define the theatre. See this essay in Braun, Meyerhold on Theatre, 50
‘The Actor of the Future and Biomechanics’ (1922) in Braun, , Meyerhold, 199
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  • Notes
  • Christopher Innes, York University, Toronto, Maria Shevtsova, Goldsmiths, University of London
  • Book: The Cambridge Introduction to Theatre Directing
  • Online publication: 05 April 2013
  • Chapter DOI: https://doi.org/10.1017/CBO9781139016391.009
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  • Notes
  • Christopher Innes, York University, Toronto, Maria Shevtsova, Goldsmiths, University of London
  • Book: The Cambridge Introduction to Theatre Directing
  • Online publication: 05 April 2013
  • Chapter DOI: https://doi.org/10.1017/CBO9781139016391.009
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Notes
  • Christopher Innes, York University, Toronto, Maria Shevtsova, Goldsmiths, University of London
  • Book: The Cambridge Introduction to Theatre Directing
  • Online publication: 05 April 2013
  • Chapter DOI: https://doi.org/10.1017/CBO9781139016391.009
Available formats
×