Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-22dnz Total loading time: 0 Render date: 2024-04-27T21:41:18.023Z Has data issue: false hasContentIssue false

Works Cited

Published online by Cambridge University Press:  01 December 2022

Andrew Epstein
Affiliation:
Florida State University
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Allen, Donald M., ed. The New American Poetry. New York: Grove, 1960.Google Scholar
Allen, Donald, and Butterick, George F., eds. The Postmoderns: The New American Poetry Revised. New York: Grove, 1982.Google Scholar
Allen, Donald, and Tallman, Warren, eds. The Poetics of the New American Poetry. New York: Grove, 1973.Google Scholar
Alter, Alexandra. “‘I Was Unprepared’: Louise Glück on Poetry, Aging and a Surprise Nobel Prize.New York Times (8 Oct. 2020).Google Scholar
Altieri, Charles. Enlarging the Temple: New Directions in American Poetry During the 1960s. Lewisburg: Bucknell UP, 1979.Google Scholar
Altieri, Charles. Self and Sensibility in Contemporary American Poetry. Cambridge: Cambridge UP, 1984.Google Scholar
Altieri, Charles. “Without Consequences Is No Politics: A Reply to Jerome McGann.” Politics and Poetic Value. Ed. Hallberg, Robert von. Chicago: U of Chicago P, 1986, 301–8.Google Scholar
Andrews, Bruce. Paradise and Method: Poetics and Praxis. Evanston: Northwestern UP, 1996.Google Scholar
Andrews, Bruce, and Bernstein, Charles, eds. The L=A=N=G=U=A=G=E Book. Carbondale: Southern Illinois UP, 1984.Google Scholar
Andrews, Kimberly Quiogue.Poetry in the Program Era,” in Yu, , ed. Cambridge Companion, 206–219.CrossRefGoogle Scholar
Armantrout, Rae. Collected Prose. San Diego: Singing Horse Press, 2007.Google Scholar
Armantrout, Rae. Made to Seem. Los Angeles: Sun & Moon Press, 1995.Google Scholar
Armantrout, Rae. Veil: New and Selected Poems. Middletown: Wesleyan UP, 2001.Google Scholar
Arteaga, Alfred. Chicano Poetics: Heterotexts and Hybridities. Cambridge: Cambridge UP, 1997.Google Scholar
Ashbery, John. “The Art of Poetry XXXIII: John Ashbery.” Interview with Peter Stitt. Paris Review 90.25 (Winter 1983): 3059.Google Scholar
Ashbery, John. As We Know. New York: Penguin Books, 1979.Google Scholar
Ashbery, John. Collected Poems, 1956–1987. New York: Library of America, 2008.Google Scholar
Ashbery, John. “Craft Interview with John Ashbery.” Interview with Janet Bloom and Robert Losada. The Craft of Poetry: Interviews From the New York Quarterly. Ed. Packard, William. Garden City: Doubleday, 1974, 111–32.Google Scholar
Ashbery, John. “The Craft of John Ashbery.” Interview with Louis Osti. Confrontation 9.3 (Fall 1974): 8496.Google Scholar
Ashbery, John. “The Experience of Experience: A Conversation with John Ashbery.” Interview with A. Poulin, Jr., Michigan Quarterly 20.3 (1981): 242–55.Google Scholar
Ashbery, John. “John Ashbery.” Interview with John Murphy. Poetry Review 75.2 (Aug. 1985): 2025.Google Scholar
Ashbery, John. Selected Poems. New York: Penguin, 1985.Google Scholar
Ashton, Jennifer, ed. The Cambridge Companion to American Poetry Since 1945. Cambridge: Cambridge UP, 2013.Google Scholar
Ashton, Jennifer, ed. From Modernism to Postmodernism: American Poetry and Theory in the Twentieth Century. Cambridge: Cambridge UP 2005.Google Scholar
Axelrod, Stephen Gould. “Bishop, History, and Politics,” in Cleghorn, and Ellis, , 3548.Google Scholar
Axelrod, Stephen Gould. Robert Lowell: Life and Art. Princeton: Princeton UP, 1978.Google Scholar
Axelrod, Stephen Gould. Sylvia Plath: The Wound and the Cure of Words. Baltimore; London: Johns Hopkins UP, 1994.Google Scholar
Axelrod, Stephen Gould. “The Three Voices of Robert Lowell,” in Richardson, , 327–39.Google Scholar
Axelrod, Stephen Gould, Roman, Camille, and Travisano, Thomas, eds. The New Anthology of American Poetry, Vol. 3. New Brunswick: Rutgers UP, 2012.Google Scholar
Back, Rachel Tzvia. Led By Language: The Poetry and Poetics of Susan Howe. Tuscaloosa: U of Alabama P, 2002.Google Scholar
Baker, Houston A. Modernism and the Harlem Renaissance. Chicago: U of Chicago P, 1989.Google Scholar
Baraka, Amiri. The Autobiography of LeRoi Jones. Chicago: Lawrence Hill Books, 1984.Google Scholar
Baraka, Amiri. “Confessions of a Former Anti-Semite.” Village Voice 25.50 (12 Dec. 1980): 21–3.Google Scholar
Baraka, Amiri. Conversations with Amiri Baraka. Ed. Reilly, Charlie. Jackson: UP of Mississippi, 1994.Google Scholar
Baraka, Amiri. The Leroi Jones / Amiri Baraka Reader. Ed. Harris, William J.. New York: Basic Books, 2009.Google Scholar
Baraka, Amiri. Transbluesency: The Selected Poems of Amiri Baraka/LeRoi Jones (1961–1995). Ed. Vangelisti, Paul. New York: Marsilio, 1995.Google Scholar
Bayley, Sally, and Brain, Tracy, eds. Representing Sylvia Plath. Cambridge: Cambridge UP, 2012.Google Scholar
Baym, Nina, et al., eds. The Norton Anthology of American Literature. Shorter Fourth Edition. New York: W. W. Norton, 1995.Google Scholar
Beach, Christopher. Poetic Culture: Contemporary American Poetry between Community and Institution. Evanston: Northwestern UP, 1999.Google Scholar
Bedient, Calvin. “Solo Mysterioso Blues: An Interview with Harryette Mullen.” Callaloo 19.3 (1996): 651–69.Google Scholar
Belgrad, Daniel. The Culture of Spontaneity: Improvisation and the Arts in Postwar America. Chicago: U of Chicago P, 1998.Google Scholar
Belletto, Stephen, ed. The Cambridge Companion to the Beats. Cambridge: Cambridge UP, 2017.CrossRefGoogle Scholar
Bendixen, Alfred, and Burt, Stephanie, eds. The Cambridge History of American Poetry. Cambridge: Cambridge UP, 2015.Google Scholar
Benston, Kimberly W. Baraka: The Renegade and the Mask. New Haven: Yale UP, 1976.Google Scholar
Benston, Kimberly W. Performing Blackness: Enactments of African American Modernism. London: Routledge, 1999.Google Scholar
Berke, Nancy. “The World Split Open: Feminism, Poetry, and Social Critique,” in Kinnahan, , A History, 155–69.Google Scholar
Bernstein, Charles. All the Whiskey in Heaven: Selected Poems. New York: Farrar, Straus and Giroux, 2010.Google Scholar
Bernstein, Charles. Content’s Dream: Essays 1975–1984. Los Angeles: Sun & Moon Press, 1986.Google Scholar
Bernstein, Charles. My Way: Speeches and Poems. Chicago: U of Chicago P, 1999.Google Scholar
Bernstein, Charles. A Poetics. Cambridge: Harvard UP, 1992.Google Scholar
Bernstein, Charles. “University of Penn Poet Charles Bernstein Wins Major Literary Prize.WHYY 23 Jan 2019.Google Scholar
Bernstein, Charles, ed. The Politics of Poetic Form: Poetry and Public Policy. New York: Roof, 1990.Google Scholar
Berrigan, Ted. Selected Poems. New York: Penguin Poets, 1994.Google Scholar
Berrigan, Ted. The Sonnets. 1963. New York: Penguin Poets, 2000.Google Scholar
Berryman, John. Conversations with John Berryman. Hoffman, Ed. Eric R.. Jackson: U of Mississippi P, 2021.Google Scholar
Berryman, John. The Dream Songs. New York: Noonday Press, 1969.Google Scholar
Berryman, John. Selected Poems. Ed. Young, Kevin. New York: Library of America, 2004.Google Scholar
Bertens, Hans. The Idea of the Postmodern: A History. London: Routledge, 1995.Google Scholar
Bertholf, Robert J., and Gelpi, Albert, eds. Robert Duncan and Denise Levertov: The Poetry of Politics, the Politics of Poetry. Stanford: Stanford UP, 2006.Google Scholar
Bidart, Frank. Half-Light: Collected Poems, 1965–2016. New York: Farrar, Straus, 2018.Google Scholar
Bishop, Elizabeth. The Complete Poems: 1927–1979. New York: Noonday Press, 1979.Google Scholar
Bishop, Elizabeth. Poems, Prose, and Letters. New York: Library of America, 2008.Google Scholar
Bloom, Harold. “The Charity of the Hard Moments,” in John Ashbery: Modern Critical Views. Ed. Bloom, Harold. New York: Chelsea House, 1985, 4980.Google Scholar
Blunk, Jonathan. James Wright: A Life in Poetry. New York: Farrar, Straus & Giroux, 2018.Google Scholar
Bly, Robert. “On English and American Poetry.” The Fifties 2 (1959): 4547.Google Scholar
Bly, Robert. “Snowfall in the November Afternoon.” Poetry 150.5 (1962): 250.Google Scholar
Boog, Jason. “The Unofficial John Berryman Rock & Roll Concordance.” AdWeek (2008).Google Scholar
Bray, Joe, Gibbons, Allison, and McHale, Brian, eds. The Routledge Companion to Experimental Literature. London: Routledge, 2012.Google Scholar
Breslin, James. From Modern to Contemporary: American Poetry, 1945–1965. Chicago: U of Chicago P, 1984.Google Scholar
Brooks, Gwendolyn. Blacks. Chicago: Third World Press, 1991.Google Scholar
Brooks, Mary Jo. “A Defense Department Dictionary Helped This Poet Write in the Language of War.” PBS. 19 Sept 2016.Google Scholar
Brunner, Edward. Cold War Poetry. Urbana: U of Illinois P, 2004.Google Scholar
Burt, Stephanie. “American Poetry at the End of the Millennium.” in Bendixen, and Burt, , 1144–66.CrossRefGoogle Scholar
Burt, Stephanie. Close Calls with Nonsense: Reading New Poetry. St. Paul: Graywolf Press, 2009.Google Scholar
Burt, Stephanie. “Punk Half Panther.” Review of Juan Felipe Herrera. New York Times (10 Aug. 2010).Google Scholar
Burt, Stephanie. Review of Smokes by Susan Wheeler. Boston Review (1998).Google Scholar
Burt, Stephanie. “What Life Says to Us.” London Review of Books (21 Feb. 2008).Google Scholar
Campbell, James. This Is the Beat Generation: New York – San Francisco – Paris. Berkeley: U of California P, 2007.Google Scholar
Cervantes, Lorna Dee. Emplumada. Pittsburgh: U of Pittsburgh P, 1981.Google Scholar
Chang, Juliana, “Asian American Women Poets,” in Kinnahan, , A History, 90–105.Google Scholar
Charters, Ann, ed. The Portable Beat Reader. New York: Penguin Books, 1992.Google Scholar
Chiasson, Dan. “Out of this World: James Merrill’s Supernatural Muse.New Yorker (Apr. 2015).Google Scholar
Clark, Heather. Red Comet: The Short Life and Blazing Art of Sylvia Plath. New York: Knopf, 2020.Google Scholar
Clark, Tom. Poetry Beat: Reviewing the Eighties. Ann Arbor: U of Michigan P, 1990.Google Scholar
Clark, Tom. Robert Creeley and the Genius of the American Common Place: Together with the Poet’s Own Autobiography. New York: New Directions, 2008.Google Scholar
Clarke, Cheryl. “After Mecca”: Women Poets and the Black Arts Movement. New Brunswick: Rutgers UP, 2004.Google Scholar
Cleghorn, Angus, and Ellis, Jonathan, eds. The Cambridge Companion to Elizabeth Bishop. New York: Cambridge UP, 2014.CrossRefGoogle Scholar
Colburn, Steven, ed. Anne Sexton: Telling the Tale. Ann Arbor: U of Michigan P, 1988.Google Scholar
Creeley, Robert. “Interview.Interview with Ekbert Faas, in Faas, 165–98.Google Scholar
Creeley, Robert. The Collected Poems of Robert Creeley, 1945–1975. Berkeley: U of California P, 1982.Google Scholar
Cruz, Victor Hernández. Red Beans. St Paul: Coffee House Press, 1991.Google Scholar
Davidson, Michael. Guys Like Us: Citing Masculinity in Cold War Poetics. Chicago: U of Chicago P, 2004.Google Scholar
Davidson, Michael. “Philosophy and Theory in US Modern Poetry,” in Fredman, Concise Companion, 231–51.Google Scholar
Davidson, Michael. The San Francisco Renaissance: Poetics and Community at Mid-Century. Cambridge: Cambridge UP, 1989.Google Scholar
Davis, Kathe. “‘Honey Dusk Do Sprawl’: Does Black Minstrel Dialect Obscure The Dream Songs?Language and Style 18.1 (1985): 3045.Google Scholar
Dewey, Anne Day. Beyond Maximus: The Construction of Public Voice in Black Mountain Poetry. Stanford: Stanford UP, 2007.Google Scholar
Diggory, Terence, and Paul Miller, Stephen, eds. The Scene of My Selves: New Work on New York School Poets. Orono: National Poetry Foundation, 2001.Google Scholar
Doty, Mark. Atlantis: Poems. New York: Harper Perennial, 1995.Google Scholar
Dove, Rita. “Defending an Anthology.” New York Review of Books (22 Dec. 2011).Google Scholar
Dove, Rita. Grace Notes. New York: W. W. Norton, 1991.Google Scholar
Dowdy, Michael. Broken Souths: Latina/o Poetic Responses to Neoliberalism and Globalization. Tucson: U of Arizona P, 2013.Google Scholar
Dowdy, Michael. “Shakeout Poetics: Documentary Poetry from Men of Fact to Data Bodies.” College Literature 47.1 (2020): 155–84.Google Scholar
Dowdy, Michael. “U.S. Latino/a Poetry,” in The Cambridge Companion to Latin American Poetry. Ed. Hart, Stephen M.. Cambridge: Cambridge UP, 2018, 245–60.Google Scholar
Duberman, Martin. Black Mountain: An Experiment in Community. (1972). New York: W. W. Norton, 1993.Google Scholar
Duncan, Robert. The Collected Later Poems and Plays. Berkeley: U of California P, 2014.Google Scholar
Duncan, Robert. Selected Poems. New York: New Directions, 1997.Google Scholar
Duncan, Robert, and Levertov, Denise. The Letters of Robert Duncan and Denise Levertov. Ed. Bertholf, Robert J. and Gelpi, Albert Stanford: Stanford UP, 2003.Google Scholar
DuPlessis, Rachel Blau. “The Gendered Marvelous: Barbara Guest, Surrealism and Feminist Reception,” in Diggory, and Miller, , 189214.Google Scholar
DuPlessis, Rachel Blau. “Manhood and its Poetic Projects: The Construction of Masculinity in the Counter-Cultural Poetry of the U.S. 1950s.” Jacket 31 (2006).Google Scholar
DuPlessis, Rachel Blau. “Manifests.” Diacritics 26.3–4 (1996): 3153.CrossRefGoogle Scholar
Edgecombe, Rodney Stenning. A Reader’s Guide to the Poetry of Richard Wilbur. Tuscaloosa: U of Alabama P, 1995.Google Scholar
Edelberg, Cynthia Dubin. Robert Creeley’s Poetry: A Critical Introduction. Albuquerque: U of New Mexico P, 1978.Google Scholar
Edwards, Brent Hayes. Epistrophies: Jazz and the Literary Imagination. Cambridge: Harvard UP, 2017.Google Scholar
Ellingham, Lewis, and Killian, Kevin. Poet Be Like God: Jack Spicer and the San Francisco Renaissance. Hanover: Wesleyan UP, 1998.Google Scholar
Ellis, Jonathan. Art and Memory in the Work of Elizabeth Bishop. Burlington: Ashgate, 2006.Google Scholar
Epstein, Andrew. Attention Equals Life: The Pursuit of the Everyday in Contemporary Poetry and Culture. New York: Oxford UP, 2016.Google Scholar
Epstein, Andrew. Beautiful Enemies: Friendship and Postwar American Poetry. New York: Oxford UP, 2006.Google Scholar
Epstein, Andrew. “Funks of Ambivalence: On Flarf.” Review of Flarf: An Anthology of Flarf. Los Angeles Review of Books (July 2018).Google Scholar
Epstein, Andrew. “Found Poetry, ‘Uncreative Writing,’ and the Art of Appropriation,” in Bray, , Gibbons, , and McHale, , 310–22.Google Scholar
Epstein, Andrew. “The Oulipo, Language Poetry, and Proceduralism,” in The Cambridge History of Postmodern Literature. Eds. Brian McHale and Len Platt. New York: Cambridge UP, 2016, 324–38.Google Scholar
Epstein, Andrew. “‘Street Musicians’: Frank O’Hara and John Ashbery,” in Richardson, , 391408.Google Scholar
Epstein, Andrew. “Verse vs. Verse.” Lingua Franca (Sept. 2000): 4554.Google Scholar
Espada, Martín. “Alabanza: In Praise of Local 100.” Poetry Foundation.Google Scholar
Evans, Steve. “The Resistible Rise of Fence Enterprises.” Third Factory, 2001.Google Scholar
Faas, Ekbert. Towards a New American Poetics Essays and Interviews. Santa Barbara: Black Sparrow Press, 1979.Google Scholar
Fast, Robin Riley. The Heart as a Drum: Continuance and Resistance in American Indian Poetry. Ann Arbor: U of Michigan P, 1999.Google Scholar
Feinsod, Harris. The Poetry of the Americas: From Good Neighbors to Countercultures. New York: Oxford UP, 2017.Google Scholar
Ferguson, Suzanne, ed. Jarrell, Bishop, Lowell, & Co.: Middle-Generation Poets in Context. Knoxville: U of Tennessee P, 2003.Google Scholar
Filreis, Alan. Counter-Revolution of the Word: The Conservative Attack on Modern Poetry, 1945–1960. Chapel Hill: U of North Carolina P, 2012.Google Scholar
Finkelstein, Norman. “Nathaniel Mackey and the Unity of All Rites.” Contemporary Literature 49.1 (2008): 2455.Google Scholar
Fischer, B. K. “Chokehold.” Review of Claudia Rankine’s Citizen. Boston Review (9 Dec. 2014).Google Scholar
Ford, Karen. “The Fight and the Fiddle in Twentieth-Century African American Poetry,” in Nelson, , Oxford Handbook, 369404.Google Scholar
Foster, Edward. Understanding the Black Mountain Poets. Columbia: U of South Carolina P, 1995.Google Scholar
Foussianes, Chloe. “Amanda Gorman’s Poem Stole the Show at the Inauguration. Read It Again Here.” Town & Country (21 Jan. 2021).Google Scholar
Fredman, Stephen, ed. A Concise Companion to Twentieth-Century American Poetry. Malden: Blackwell, 2003.Google Scholar
Fredman, Stephen. The Grounding of American Poetry: Charles Olson and the Emersonian Tradition. Cambridge: Cambridge UP, 1993.Google Scholar
Fredman, Stephen. “San Francisco and the Beats,” in Bendixen, and Burt, , 823–43.Google Scholar
Fredman, Stephen, and McCaffery, Steve, eds. Form, Power, and Person in Robert Creeley’s Life and Work. Iowa City: U of Iowa P, 2010.Google Scholar
Frost, Elisabeth A. The Feminist Avant-Garde in American Poetry. Iowa: U of Iowa P, 2005.Google Scholar
Gabbin, Joanne V.Furious Flower: African American Poetry, An Overview,” in Oxford Companion to African American Literature. Eds. Andrews, William L., Harris, Trudier, and Foster, Frances Smith. New York: Oxford University Press, 1997, 589591.Google Scholar
Gardner, Drew, Nada Gordon, K. Mohammad, Silem, Sullivan, Gary, and Mesmer, Sharon, eds. Flarf: An Anthology of Flarf. Washington: Edge Books, 2017.Google Scholar
Gates, Henry Louis, and McKay, Nellie, eds. The Norton Anthology of African American Literature. New York: W. W. Norton, 1997.Google Scholar
Gay, Ross. “A Small Needful Fact.” Academy of American Poets.Google Scholar
Gilbert, Sandra M., and Gubar, Susan, eds. The Norton Anthology of Literature by Women. Vol. 2, 3rd ed. New York: W. W. Norton, 2007.Google Scholar
Gill, Jo, ed. The Cambridge Introduction to Sylvia Plath. Cambridge: Cambridge UP, 2008.Google Scholar
Gill, Jo. The Cambridge Companion to Sylvia Plath. Cambridge: Cambridge UP, 2007.Google Scholar
Ginsberg, Allen. Collected Poems: 1947–1980. New York: Harper & Row, 1984.Google Scholar
Ginsberg, Allen. Howl and Other Poems. San Francisco: City Lights Books, 1957.Google Scholar
Glück, Louise. Poems 1962–2012. New York: Farrar, Straus and Giroux, 2012.Google Scholar
Goldensohn, Lorrie. Elizabeth Bishop: The Biography of a Poetry. New York: Columbia UP, 1993.Google Scholar
Golding, Alan. “American Poet-Teachers and the Academy” in Fredman, , A Concise Companion, 5574.Google Scholar
Golding, Alan. “The Black Mountain School,” in Richardson, , Cambridge Companion, 340–54.Google Scholar
Golding, Alan. From Outlaw to Classic: Canons in American Poetry. Madison: U of Wisconsin P, 1995.Google Scholar
Golding, Alan. “The New American Poetry Revisited, Again.” Contemporary Literature 39.2 (1998): 180211.Google Scholar
Goldsmith, Kenneth. “Conceptual Poetics.” Poetry Foundation (2008).Google Scholar
Goldstein, Laurence, and Robert, Chrisman, eds. Robert Hayden: Essays on the Poetry. Ann Arbor: U of Michigan P, 2001.Google Scholar
Gonzalez, Rigoberto. “Latino Poetry and Poetics,” in Bendixen, and Burt, , 959–76.Google Scholar
Gooch, Brad. City Poet: The Life and Times of Frank O’Hara. New York: Knopf, 1993.Google Scholar
Grace, Nancy M., and Johnson, Ronna, eds. Breaking the Rule of Cool: Interviewing and Reading Women Beat Writers. Jackson: UP of Mississippi, 2004.Google Scholar
Grace, Nancy M., and Skerl, Jennie, eds. The Transnational Beat Generation. New York: Palgrave Macmillan US, 2012.Google Scholar
Graham, Jorie. “Underneath (13).” Poetry Foundation.Google Scholar
Gray, Jeffrey, and Keniston, Ann, eds. The News from Poems: Essays on the 21st-Century American Poetry of Engagement. Ann Arbor: U of Michigan P, 2016.Google Scholar
Gray, Richard J. American Poetry of the Twentieth Century. London: Longman, 1998.Google Scholar
Guest, Barbara. Selected Poems. Los Angeles: Sun & Moon Press, 1995.Google Scholar
Gwiazda, Piotr. “The Aesthetics of Politics/The Politics of Aesthetics: Amiri Baraka's ‘Somebody Blew up America.’” Contemporary Literature. 45.3 (2004): 460–85.Google Scholar
Gwiazda, Piotr. James Merrill and W.H. Auden: Homosexuality and Poetic Influence. Basingstoke: Palgrave Macmillan, 2007.Google Scholar
Hall, Donald, Pack, Robert, and Simpson, Louis, eds. New Poets of England and America. 1957. New York: New American Library, 1974.Google Scholar
Halpern, Nick. “The Uses of Authenticity: Four Sixties Poets,” in Bendixen, and Burt, , 869–93.Google Scholar
Halpern, Nick. Everyday and Prophetic: The Poetry of Lowell, Ammons, Merrill, and Rich. Madison: U of Wisconsin P, 2003.Google Scholar
Hammer, Langdon. James Merrill: Life and Art. New York: Knopf, 2015.Google Scholar
Haralson, Eric L., ed. Encyclopedia of American Poetry. The Twentieth Century. Chicago: Fitzroy Dearborn, 2001.Google Scholar
Haralson, Eric L., ed. Reading the Middle Generation Anew: Culture, Community, and Form in Twentieth-Century American Poetry. Iowa City: U of Iowa P, 2006.Google Scholar
Harjo, Joy. How We Became Human: New and Selected Poems 1975–2002. New York: W. W. Norton, 2002.Google Scholar
Harper, Michael S.Don't They Speak Jazz.” MELUS. 10.1 (1983): 36.Google Scholar
Harris, William J. The Poetry and Poetics of Amiri Baraka: The Jazz Aesthetic. Columbia: U of Missouri P, 1985.Google Scholar
Hass, Robert. Praise. New York: Ecco Press, 1979.Google Scholar
Hass, Robert. Twentieth Century Pleasures: Prose on Poetry. New York: W.W. Norton, 2000.Google Scholar
Hayden, Robert. Collected Poems. New York: Liveright, 2013.Google Scholar
Hayes, Terrance. American Sonnets for My Past and Future Assassin, New York: Penguin Books, 2018.Google Scholar
Hayes, Terrance. Hip Logic. New York: Penguin Books, 2002.Google Scholar
Hayes, Terrance. Lighthead. New York: Penguin Books, 2010.Google Scholar
Hayes, Terrance. “Terrance Hayes: Poet’s Advice To Read and Write.” Boston Globe (12 Dec. 2015).Google Scholar
Hejinian, Lyn. “En Face.” Boston Review (10 Mar. 2015).Google Scholar
Hejinian, Lyn. The Language of Inquiry. Berkeley: U of California P, 2000.Google Scholar
Hejinian, Lyn. My Life. Los Angeles: Sun & Moon Press, 1987.Google Scholar
Herd, David, ed. Contemporary Olson. Manchester: Manchester UP, 2015.Google Scholar
Herd, David. John Ashbery and American Poetry. New York: Palgrave, 2000.Google Scholar
Herrera, Juan Felipe. Border-Crosser with a Lamborghini Dream: Poems. Tucson: U of Arizona P, 1999.Google Scholar
Herrera, Juan Felipe. Half of the World in Light New and Selected Poems. Tucson: U of Arizona P, 2008.Google Scholar
Heuving, Jeanne, and Hogue, Cynthia. “American Women Poets, 1950–2000,” in Kinnahan, , A History, 5671.Google Scholar
Hicok, Bethany. Elizabeth Bishop’s Brazil. Charlottesville: U of Virginia P, 2016.Google Scholar
Hoagland, Tony. “Blame It on Rio: The Strange Legacy of the New York School Poetics.” The Writer’s Chronicle (2011): 7684.Google Scholar
Hoagland, Tony. “Fear of Narrative and the Skittery Poem of Our Moment.” Poetry (Mar. 2006).Google Scholar
Holladay, Hilary. The Power of Adrienne Rich: A Biography. New York: Doubleday, 2020.Google Scholar
Hollenberg, Donna. A Poet’s Revolution: The Life of Denise Levertov. Berkeley: U of California P, 2013.Google Scholar
Hoover, Paul, ed. Postmodern American Poetry: A Norton Anthology. Second Edition. New York; London: W. W. Norton, 2013.Google Scholar
Hoover, Paul, ed. Postmodern American Poetry: A Norton Anthology. New York: W. W. Norton, 1994.Google Scholar
Howe, Florence, ed. No More Masks!: An Anthology of Twentieth-Century American Women Poets. New York: Harper Perennial, 1994.Google Scholar
Howe, Susan. The Europe of Trusts. New York: New Directions, 2002.Google Scholar
Howe, Susan. The Nonconformist’s Memorial. New York: New Directions, 1993.Google Scholar
Hunter, Walt. Forms of a World: Contemporary Poetry and the Making of Globalization. New York: Fordham UP, 2019.Google Scholar
Jackson, Angela. A Surprised Queenhood in the New Black Sun: The Life & Legacy of Gwendolyn Brooks. Boston: Beacon, 2017.Google Scholar
Jamison, Kay Redfield. Robert Lowell: Setting the River on Fire: A Study of Genius, Mania, and Character. New York: Random House, 2018.Google Scholar
Jancovich, Mark. The Cultural Politics of the New Criticism. Cambridge; New York: Cambridge UP, 2006.Google Scholar
Jarnot, Lisa. Robert Duncan: The Ambassador from Venus. Berkeley: U of California P, 2012.Google Scholar
Jarrell, Randall. Kipling, Auden and Company, Essays and Reviews, 1935–1964. New York: Farrar, Straus and Giroux, 1981.Google Scholar
Jeon, Joseph Jonghyun. “Asian American Poetry,” in Bendixen, and Burt, , 978–1002.Google Scholar
Jess, Tyehimba. Olio. Seattle; New York: Wave Books, 2016.Google Scholar
Johnson, Ronna C. “The Beats and Gender,” in Belletto, , 162–79.Google Scholar
Johnson, Ronna C., and Grace, Nancy, eds. Girls Who Wore Black: Women Writing the Beat Generation. New Brunswick: Rutgers UP, 2002.Google Scholar
Kahn, Peter, Shankar, Ravi, and Smith, Patricia, eds. The Golden Shovel: New Poems Honoring Gwendolyn Brooks, eds. Fayetteville: U of Arkansas P, 2017.Google Scholar
Kalstone, David. Five Temperaments: Elizabeth Bishop, Robert Lowell, James Merrill, Adrienne Rich, John Ashbery. New York: Oxford UP, 1977.Google Scholar
Kane, Daniel. All Poets Welcome: The Lower East Side Poetry Scene in the 1960s. Berkeley: U of California P, 2003.Google Scholar
Kane, Daniel. We Saw the Light: Conversations between the New American Cinema and Poetry. Iowa City: U of Iowa P, 2009.Google Scholar
Kane, Daniel. What Is Poetry: Conversations with the American Avant-Garde. New York: Teachers & Writers, 2003.Google Scholar
Katz, Daniel. The Poetry of Jack Spicer. Edinburgh: Edinburgh UP, 2013.Google Scholar
Katz, Daniel. “Jack Spicer,” in Richardson, , 355–65.Google Scholar
Katz, Vincent, ed. Black Mountain College: Experiment in Art. Cambridge: MIT Press, 2003.Google Scholar
Keller, Lynn. “Becoming ‘a Compleat Travel Agency’: Barbara Guest’s Negotiations with the Fifties Feminine Mystique,” in Diggory, and Miller, , 215–28.Google Scholar
Keller, Lynn. Re-Making It New: Contemporary American Poetry and the Modernist Tradition. Cambridge: Cambridge UP, 1987.Google Scholar
Keller, Lynn. Thinking Poetry: Readings in Contemporary Women’s Exploratory Poetics. Iowa City: U of Iowa P, 2010.Google Scholar
Keller, Lynn, and Miller, Cristanne. “Feminism and the Female Poet,” in Fredman, , A Concise Companion, 113–34.Google Scholar
Kelly, Robert. “Notes on the Poetry of Deep Image.” Trobar 2 (1961): 1416.Google Scholar
Keniston, Ann, and Gray, Jeffrey, eds. The New American Poetry of Engagement: A 21st Century Anthology. Jefferson: McFarland & Co., 2012.Google Scholar
Kerouac, Jack. The Dharma Bums. 1958. London: Penguin, 2018.Google Scholar
Killen, Andreas. 1973 Nervous Breakdown: Watergate, Warhol, and the Birth of Post-Sixties America. New York: Bloomsbury, 2006.Google Scholar
Kinnahan, Linda A., ed. A History of Twentieth-Century American Women’s Poetry. Cambridge: Cambridge UP, 2016.Google Scholar
Kinnahan, Linda A. Lyric Interventions: Feminism, Experimental Poetry, and Contemporary Discourse. Iowa City: U of Iowa P, 2004.Google Scholar
Kinnell, Galway. “Vapor Trail Reflected in the Frog Pond.” Poetry Foundation.Google Scholar
Kleon, Austin. Newspaper Blackout. New York: Perennial, 2010.Google Scholar
Knight, Brenda, Waldman, Anne, and Charters, Ann, eds. Women of the Beat Generation: The Writers, Artists and Muses at the Heart of a Revolution. Berkeley: Conari Press, 2000.Google Scholar
Koch, Kenneth. The Art of Poetry: Poems, Parodies, Interviews, Essays, and Other Work. Ann Arbor: U of Michigan P, 1996.Google Scholar
Koch, Kenneth. Collected Poems. New York: Knopf, 2015.Google Scholar
Koch, Kenneth. On the Great Atlantic Rainway: Selected Poems, 1950–1988. New York: Knopf, 1994.Google Scholar
Komunyakaa, Yusef. Neon Vernacular: New and Selected Poems. Hanover: UP of New England, 1993.Google Scholar
Kostelanetz, Richard. “John Ashbery.” The Old Poetries and the New. Ann Arbor: U of Michigan P, 1981.Google Scholar
Kunitz, Stanley. Passing Through: The Later Poems, New and Selected. New York: W. W. Norton, 1995.Google Scholar
Laird, Nick. “A New Way of Writing about Race.” Review of Claudia Rankine, Citizen. New York Review of Books (23 Apr. 2015).Google Scholar
Lazer, Hank. “American Poetry and Its Institutions,” in Ashton, , 138–72.Google Scholar
Lazer, Hank. Opposing Poetries. Evanston: Northwestern UP, 1996.Google Scholar
Lee, Benjamin. Poetics of Emergence: Affect and History in Postwar Experimental Poetry. Iowa City: U of Iowa P, 2020.Google Scholar
Lehman, David, ed. Beyond Amazement: New Essays on John Ashbery. Ithaca: Cornell UP, 2002.Google Scholar
Lehman, David. The Last Avant-Garde: The Making of the New York School of Poets. New York: Doubleday, 1998.Google Scholar
Leitch, Vincent B. American Literary Criticism since the 1930s. London; New York: Routledge, 2010.Google Scholar
Léon, Concepción de. “Joy Harjo Is Named U.S. Poet Laureate.” New York Times (19 June, 2019).Google Scholar
Leong, Michael. Contested Records: The Turn to Documents in Contemporary North American Poetry. Iowa City: U of Iowa P, 2020.Google Scholar
Levertov, Denise. Collected Poems. New York: New Directions, 2013.Google Scholar
Levis, Larry. Winter Stars. Pittsburgh: U of Pittsburgh P, 1985.Google Scholar
Lewis, Pericles. The Cambridge Introduction to Modernism. Cambridge: Cambridge UP, 2011.Google Scholar
Lewis, Robin Coste. Voyage of the Sable Venus. New York: Knopf, 2015.Google Scholar
Longenbach, James. Modern Poetry After Modernism. New York: Oxford UP, 1997.Google Scholar
Lorde, Audre. Collected Poems. New York: W. W. Norton, 1997.Google Scholar
Lorde, Audre. Sister Outsider. New York: Penguin, 2020.Google Scholar
Lowell, Robert. “The Art of Poetry.” Interviewed by Frederick Seidel. Paris Review 3 (1961): 25.Google Scholar
Lowell, Robert. Collected Prose. New York: Farrar, Straus, 1990.Google Scholar
Lowell, Robert. Life Studies and For the Union Dead. New York: Farrar, 1964.Google Scholar
Lowell, Robert. “Robert Lowell Accepts the National Book Award for His Book Life Studies.” National Book Award Foundation, 1960.Google Scholar
Lowell, Robert. Selected Poems. New York: Farrar, Strauss, 1977.Google Scholar
Lundquist, Sara. “The Fifth Point of a Star: Barbara Guest and the New York ‘School’ of Poets.” Women’s Studies 30.1 (2001): 1141.Google Scholar
Maber, Peter. “‘So-Called Black’: Reassessing John Berryman’s Blackface Minstrelsy.” Arizona Quarterly 64.4 (2008): 129–49.Google Scholar
Mackey, Nathaniel. Discrepant Engagement: Dissonance, Cross-Culturality, and Experimental Writing. Cambridge: Cambridge UP, 1993.Google Scholar
Mariani, Paul L. Dream Song: The Life of John Berryman. 2nd ed. Amherst: U of Massachusetts P, 1996.Google Scholar
Mariani, Paul L. Lost Puritan: A Life of Robert Lowell. New York: W.W. Norton, 1996.Google Scholar
Martin, Robert K. Homosexual Tradition in American Poetry. Iowa City: U of Iowa P, 1998.Google Scholar
McCabe, Susan. “Elizabeth Bishop,” in Richardson, , 300–15.Google Scholar
McGann, Jerome. “Contemporary Poetry, Alternative Routes.” Critical Inquiry 13 (1987): 624–47.Google Scholar
McGurl, Mark. The Program Era: Postwar Fiction and the Rise of Creative Writing. Cambridge: Harvard UP, 2011.Google Scholar
McHale, Brian. The Cambridge Introduction to Postmodernism. New York: Cambridge UP, 2015.Google Scholar
McClatchy, J. D., ed. The Vintage Book of Contemporary American Poetry. New York: Vintage, 1990.Google Scholar
Melhem, D. H. Gwendolyn Brooks: Poetry & the Heroic Voice. Lexington: UP of Kentucky, 1987.Google Scholar
Merrill, James. A Different Person. New York: Knopf, 1993.Google Scholar
Merrill, James. Selected Poems 1946–1985. New York: Knopf, 1992.Google Scholar
Messerli, Douglas, ed. From the Other Side of the Century: A New American Poetry 1960–1990. Los Angeles: Sun & Moon, 1994.Google Scholar
Metres, Philip. Sand Opera. Farmington: Alice James Books, 2015.Google Scholar
Meyers, Jeffrey, ed. Robert Lowell: Interviews and Memoirs. Ann Arbor: U of Michigan P, 1988.Google Scholar
Middlebrook, Diane. Anne Sexton: A Biography. New York: Vintage, 1992.Google Scholar
Miles, Barry. Ginsberg: A Biography. New York: Harper Perennial, 1990.Google Scholar
Mirikitani, Janice. We, the Dangerous: New and Selected Poems. Berkeley: Celestial Arts, 1995.Google Scholar
Mix, Deborah. A Vocabulary of Thinking: Gertrude Stein and Contemporary North American Women’s Innovative Writing. Iowa City: U of Iowa P, 2007.Google Scholar
Mootry, Maria K., and Smith, Gary, eds. A Life Distilled: Gwendolyn Brooks, Her Poetry and Fiction. Urbana; Chicago: U of Illinois P, 1989.Google Scholar
Mullen, Harryette. Recyclopedia. St. Paul: Graywolf Press, 2006.Google Scholar
Mullen, Harryette. “Poetry and Identity.” West Coast Line 30.1 (1996): 8589.Google Scholar
Mullen, Harryette. Sleeping with the Dictionary. Berkeley: U of California P, 2002.Google Scholar
Muyumba, Walter. “Black and Blues Configurations: Contemporary African American Poetics,” in Bendixen, and Burt, , 1048–78.Google Scholar
Nelson, Cary, ed. The Oxford Handbook of Modern and Contemporary American Poetry. Oxford: Oxford UP, 2014.Google Scholar
Nelson, Deborah. Pursuing Privacy in Cold War America. New York: Columbia UP, 2002.Google Scholar
Nelson, Deborah. “Confessional Poetry,” in Ashton, , 3146.Google Scholar
Nelson, Maggie. Women, the New York School, and Other True Abstractions. Iowa City: U of Iowa P, 2011.Google Scholar
Nicholls, Peter. “Unsettling the Wilderness: Susan Howe and American History.” Contemporary Literature 37.4 (1996): 586601.Google Scholar
Nielsen, Aldon Lynn. Black Chant: Languages of African American Postmodernism. New York: Cambridge UP, 1997.Google Scholar
Nielsen, Aldon Lynn. Writing between the Lines: Race and Intertextuality. Athens: U of Georgia P, 1994.Google Scholar
Nielsen, Aldon Lynn. Integral Music: Languages of African American Innovation. Tuscaloosa: U of Alabama P, 2004.Google Scholar
Notley, Alice. Grave of Light: New and Selected Poems, 1970–2005. Middletown: Wesleyan UP, 2008.Google Scholar
O’Hara, Frank. The Collected Poems of Frank O’Hara. Ed. Allen, Donald. Berkeley: U of California P, 1971.Google Scholar
O’Hara, Frank. Standing Still and Walking in New York. Ed. Allen, Donald. Bolinas: Grey Fox, 1975.Google Scholar
Olds, Sharon. The Dead and the Living: Poems. New York: Knopf, 1983.Google Scholar
Olds, Sharon. “Satan Says.” Poetry Foundation.Google Scholar
Olson, Charles. Selected Writings of Charles Olson. Ed. Creeley, Robert. New York: New Directions, 1966.Google Scholar
Ostriker, Alicia Suskin. Stealing the Language: The Emergence of Women’s Poetry in America. London: The Women’s Press, 1987.Google Scholar
Park, Josephine. “Asian American Poetry,” in Nelson, , Oxford Handbook, 405–24.Google Scholar
Paul, Sherman. Olson’s Push: Origin, Black Mountain and Recent American Poetry. Baton Rouge: Louisiana State UP, 1978.Google Scholar
Peabody, Richard, ed. A Different Beat: Writings by Women of the Beat Generation. London; New York: Serpent’s Tail, 1997.Google Scholar
Perelman, Bob. The Future of Memory. Berkeley: Roof Books, 1998.Google Scholar
Perelman, Bob. The Marginalization of Poetry: Language Writing and Literary History. Princeton: Princeton UP, 1996.Google Scholar
Perkins, David. A History of Modern Poetry: Modernism and After. Cambridge: Belknap/Harvard UP, 1987.Google Scholar
Perloff, Majorie. Frank O’Hara: Poet among Painters. Austin: U of Texas P, 1977.Google Scholar
Perloff, Majorie. “Language Poetry and the Lyric Subject: Ron Silliman’s Albany, Susan Howe’s Buffalo.”Google Scholar
Perloff, Majorie. “Normalizing John Ashbery.” Jacket 2.2 (1998).Google Scholar
Perloff, Majorie. The Poetics of Indeterminacy: Rimbaud to Cage. Princeton: Princeton UP, 1981.Google Scholar
Perloff, Majorie. Radical Artifice: Writing Poetry in the Age of Media. Chicago: U of Chicago P, 1991.Google Scholar
Perloff, Majorie. “Whose New American Poetry? Anthologizing in the 1990s.” Electronic Poetry Center.Google Scholar
Phillips, Robert S. The Confessional Poets. Carbondale: Southern Illinois UP, 1973.Google Scholar
Plath, Sylvia. Ariel. New York: Harper and Row, 1965.Google Scholar
Plath, Sylvia. Letters Home: Correspondence, 1950–1963. London: Faber and Faber, 2010.Google Scholar
Poulin, A. Jr., ed. Contemporary American Poetry. 4th ed. Boston: Houghton Mifflin, 1985.Google Scholar
Poulin, A. Jr., and Waters, Michael, eds. Contemporary American Poetry. 8th ed. Boston: Houghton Mifflin, 2006.Google Scholar
Pugh, Christina. “The Contemporary ‘Mainstream’ Lyric,” in Ashton, , 173–86.Google Scholar
Pynchon, Thomas. The Crying of Lot 49. 1966. New York: HarperCollins, 1999.Google Scholar
Quartermain, Peter. Disjunctive Poetics: From Gertrude Stein and Louis Zukofsky to Susan Howe. Cambridge: Cambridge UP, 1992.Google Scholar
Rader, Dean, and Gould, Janice, eds. Speak to Me Words: Essays on Contemporary American Indian Poetry. Tucscon: U of Arizona P, 2003.Google Scholar
Ramazani, Jahan, Ellmann, Richard, and O’Clair, Robert, eds. The Norton Anthology of Modern and Contemporary Poetry (Vols. 1 and 2). New York: W. W. Norton, 2003.Google Scholar
Ramey, Lauri. A History of African American Poetry. New York: Cambridge UP, 2019.Google Scholar
Rankine, Claudia. Citizen: An American Lyric. Minneapolis: Graywolf Press, 2014.Google Scholar
Rankine, Claudia. Don’t Let Me Be Lonely: An American Lyric. Minneapolis: Graywolf Press, 2010.Google Scholar
Rankine, Claudia. “In ‘Citizen,’ Poet Strips Bare the Realities of Everyday Racism.” Interview with Claudia Rankine. National Public Radio (3 Jan. 2015).Google Scholar
Rankine, Claudia, and Spahr, Juliana, eds. American Women Poets in the 21st Century: Where Lyric Meets Language. Middletown: Wesleyan UP, 2002.Google Scholar
Raskin, Jonah. “Allen Ginsberg,” in Richardson, , 366–78.Google Scholar
Raskin, Jonah. American Scream: Allen Ginsberg’s “Howl” and the Making of the Beat Generation. Berkeley: U of California P, 2004.Google Scholar
Rasula, Jed. The American Poetry Wax Museum: Reality Effects, 1940–1990. Urbana: National Council of Teachers of English, 1996.Google Scholar
Reed, Brian M. Nobody's Business: Twenty-First Century Avant-Garde Poetics. Ithaca: Cornell UP, 2013.Google Scholar
Revell, Donald. “Editor’s Preface.” Denver Quarterly 24.4 (1990).Google Scholar
Rich, Adrienne. Adrienne Rich’s Poetry. Gelpi, Eds. Barbara Charlesworth and Gelpi, Albert. New York: W. W. Norton, 1975.Google Scholar
Rich, Adrienne. Collected Poems 1950–2012. New York: W. W. Norton, 2016.Google Scholar
Rich, Adrienne. The Fact of a Doorframe: Poems Selected and New, 1950–1984. New York: W.W. Norton, 1994.Google Scholar
Richardson, Mark, ed. The Cambridge Companion to American Poets. New York: Cambridge UP, 2015.Google Scholar
Ríos, Alberto. “Nani.” Academy of American Poets.Google Scholar
Robert Duncan.” Poetry Foundation. www.poetryfoundation.org/poets/robert-duncanGoogle Scholar
Roffman, Karin. The Songs We Know Best: John Ashbery’s Early Life. New York: Farrar, Straus and Giroux, 2018.Google Scholar
Rosenbaum, Susan. “The ‘do-it-yourself’ Avant-Garde: American Women Poets and Experiment,” in Kinnahan, A History, 323–38.Google Scholar
Rosenbaum, Susan. Professing Sincerity: Modern Lyric Poetry, Commercial Culture, and the Crisis in Reading. Charlottesville: U of Virginia P, 2007.Google Scholar
Rothenberg, Jerome. “Ethnopoetics & Politics/The Politics of Ethnopoetics,” in Bernstein, , The Politics of Poetic Form.Google Scholar
Rowell, Charles H., ed. Angles of Ascent: A Norton Anthology of Contemporary African American Poetry. New York: W.W. Norton, 2013.Google Scholar
Rudman, Mark. “James Schuyler’s Changing Skies.” Denver Quarterly 24.4 (1990).Google Scholar
Schneir, Miriam, ed. Feminism in Our Time: The Essential Writings, World War II to the Present. New York: Vintage Books, 1994.Google Scholar
Schumacher, Michael. Dharma Lion. New York: St. Martin’s Press, 1994.Google Scholar
Schulman, Bruce J. The Seventies: The Great Shift in American Culture, Society, and Politics. New York: Free Press, 2001.Google Scholar
Schuyler, James. Collected Poems. New York: Noonday, 1993.Google Scholar
Schuyler, James. “An Interview with James Schuyler.” Interview with Robert Thompson. Denver Quarterly 26 (1992): 105–22.Google Scholar
Sehgal, Parul. “Sonnets That Reckon with Donald Trump’s America.” Review of Terrance Hayes’s American Sonnets for My Past and Future Assassin. New York Times (19 June 2018).Google Scholar
Sewell, Lisa. “Feminist Poetries,” in Ashton, , 109–26.Google Scholar
Shaw, Lytle. Frank O’Hara: The Poetics of Coterie. Iowa City: U of Iowa P. 2006.Google Scholar
Shockley, Evie. Renegade Poetics: Black Aesthetics and Formal Innovation in African American Poetry. U of Iowa P, 2011.Google Scholar
Shoptaw, John. On the Outside Looking Out: John Ashbery’s Poetry. Cambridge: Harvard UP, 1994.Google Scholar
Silliman, Ron. The Age of Huts (Compleat). Berkeley: U of California P, 2007.Google Scholar
Silliman, Ron. The New Sentence. New York: Roof Books, 1987.Google Scholar
Silliman, Ron. Under Albany. Cambridge: Salt, 2004.Google Scholar
Silverberg, Mark. The New York School Poets and the Neo-Avant-Garde: Between Radical Art and Radical Chic. Farnham: Ashgate, 2010.Google Scholar
Smethurst, James Edward. The Black Arts Movement: Literary Nationalism in the 1960s and 1970s. Chapel Hill: U of North Carolina P, 2005.Google Scholar
Smethurst, James Edward. “Gwendolyn Brooks,” in Richardson, , 316–26.Google Scholar
Smith, Danez, Don’t Call Us Dead. Minneapolis: Graywolf Press, 2017.Google Scholar
Smith, Tracy K. Wade in the Water. Minneapolis: Graywolf Press, 2019.Google Scholar
Spencer, Eleanor, ed. American Poetry since 1945. London: Palgrave, 2017.Google Scholar
Spicer, Jack. My Vocabulary Did This to Me: The Collected Poetry of Jack Spicer. Eds. Gizzi, Peter and Killian, Kevin. Middletown: Wesleyan UP, 2008.Google Scholar
Spring, Madeline K.The Celebrated Cranes of Po Chü-i.” Journal of the American Oriental Society 111:1 (1991): 8–18.Google Scholar
Stein, Kevin. James Wright: The Poetry of a Grown Man. Athens: Ohio UP, 1989.Google Scholar
Stevens, Wallace. Collected Poetry and Prose. New York: Library of America, 1997.Google Scholar
Swensen, Cole, and St. John, David, eds. American Hybrid: A Norton Anthology of New Poetry. New York: W. W. Norton, 2009.Google Scholar
Tate, James. Selected Poems. Middletown: Wesleyan UP, 1991.Google Scholar
Travisano, Thomas. Elizabeth Bishop: Her Artistic Development. Charlottesville: U of Virginia P, 1988.Google Scholar
Travisano, Thomas. Midcentury Quartet: Bishop, Lowell, Jarrell, Berryman, and the Making of a Postmodern Aesthetic. Charlottesville: UP of Virginia, 1999.Google Scholar
Vendler, Helen. Part of Nature, Part of Us: Modern American Poets. Cambridge; London: Harvard UP, 1996.Google Scholar
Vendler, Helen. “Understanding Ashbery,” in Bloom, , Ashbery 179–94.Google Scholar
Vickery, Ann. Leaving Lines of Gender: A Feminist Genealogy of Language Writing. Hanover: U of New England P, 2000.Google Scholar
Vickery, Ann. “Rae Armantrout.” Dictionary of Literary Biography, Volume 193: American Poets since World War II, Sixth Series. Ed. Conte, Joseph. Detroit: Gale Research, 1998: 1020.Google Scholar
Vincent, John Emil, ed. After Spicer: Critical Essays. Middletown: Wesleyan UP, 2011.Google Scholar
Vincent, John Emil. Queer Lyrics: Difficulty and Closure in American Poetry. New York: Palgrave Macmillan, 2002.Google Scholar
Vincent, John Emil. “Reports of Looting and Insane Buggery Behind Altars: John Ashbery’s Queer Poetics.” Twentieth Century Literature 44.2 (1998): 155–75.Google Scholar
Vizenor, Gerald. Manifest Manners: Narratives on Postindian Survivance. Lincoln: U of Nebraska P, 1999.Google Scholar
von Hallberg, Robert. American Poetry and Culture, 1945–1980. Cambridge: Harvard UP, 1985.Google Scholar
Wagner-Martin, Linda. Sylvia Plath: A Biography. Basingstoke: Macmillan, 1999.Google Scholar
Wang, Dorothy. Thinking Its Presence: Form, Race, and Subjectivity in Contemporary Asian American Poetry. Stanford: Stanford UP, 2015.Google Scholar
White, Gillian. Lyric Shame: The “Lyric” Subject of Contemporary American Poetry. Cambridge: Harvard UP, 2014.Google Scholar
Wilkinson, Alec. “Something Borrowed.” New Yorker (5 Oct. 2015).Google Scholar
Williams, Pontheolla T. Robert Hayden: A Critical Analysis of His Poetry. Urbana: U of Illinois P, 1987.Google Scholar
Williams, William Carlos. Collected Poems: 1909–1939. Vol. 1. New York: New Directions, 1986.Google Scholar
Williamson, Alan. Introspection and Contemporary Poetry. Cambridge: Harvard UP, 1984.Google Scholar
Wolff, Rebecca. “The Story of Fence.” Jacket 12 (2000).Google Scholar
Wright, James. Collected Poems. Middletown: Wesleyan UP, 1971.Google Scholar
Yau, John. “Between the Forest and Its Trees,” Amerasia Journal 20.3 (1994): 41.Google Scholar
Yau, John. “An Interview with John Yau.” Interview with Edward Foster. Talisman 5 (1990): 3150.Google Scholar
Yau, John. Radiant Silhouette: New & Selected Work, 1974–1988. Santa Rosa: Black Sparrow Press, 1994.Google Scholar
Yenser, Stephen. Circle to Circle: The Poetry of Robert Lowell. Berkeley: U of California P, 1985.Google Scholar
Yenser, Stephen. The Consuming Myth: The Work of James Merrill. Cambridge: Harvard UP, 1987.Google Scholar
Young, Dean. Skid. Pittsburgh: U of Pittsburgh P, 2002.Google Scholar
Young, Dean. Strike Anywhere: Poems. Niwot: UP of Colorado, 1995.Google Scholar
Yu, Timothy. The Cambridge Companion to Twenty-First-Century American Poetry. Cambridge: Cambridge UP, 2021.Google Scholar
Yu, Timothy. Race and the Avant-Garde: Experimental and Asian American Poetry since 1965. Stanford: Stanford UP, 2009.Google Scholar
Zamsky, Robert L.A Poetics of Radical Musicality: Nathaniel Mackey’s ‘-Mu’.” Arizona Quarterly 62.1 (2006): 113–40.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Works Cited
  • Andrew Epstein, Florida State University
  • Book: The Cambridge Introduction to American Poetry since 1945
  • Online publication: 01 December 2022
  • Chapter DOI: https://doi.org/10.1017/9781108687317.018
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Works Cited
  • Andrew Epstein, Florida State University
  • Book: The Cambridge Introduction to American Poetry since 1945
  • Online publication: 01 December 2022
  • Chapter DOI: https://doi.org/10.1017/9781108687317.018
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Works Cited
  • Andrew Epstein, Florida State University
  • Book: The Cambridge Introduction to American Poetry since 1945
  • Online publication: 01 December 2022
  • Chapter DOI: https://doi.org/10.1017/9781108687317.018
Available formats
×