Skip to main content Accessibility help
×
Home
  • Print publication year: 2018
  • Online publication date: February 2018

Bibliography

Aching, Gerard. The Politics of Spanish American modernismo. Cambridge: Cambridge University Press, 1997.
Adorno, Rolena. The Polemics of Possession in Spanish American Narrative. New Haven, CT and London: Yale University Press, 2008.
Agüeros, Jack. “Julia de Burgos: Una Introducción/Julia de Burgos: An Introduction.” Song of the Simple Truth: The Complete Poems of Julia de Burgos. Ed. and trans. Agüeros, Jack. Willimantic, CT: Curbstone Press, 1997: iixl.
Alarcón, Norma. “Cognitive Desires. An Allegory of/for Chicana Critics.” Chicana (W)rites: On Word and Film. Eds. Herrera-Sobek, Maria and Viramontes, Helena Maria. Berkeley, CA: Third Woman Press, 1992.
Alarcón, Norma. “Making Familia from Scratch: Split Subjectivities in the Work of Helena María Viramontes and Cherríe Moraga.” Chicana Creativity and Criticism: Charting New Frontiers in American Literature. Eds. Hererra-Sobek, María and Viramontes, Helena María. Houston, TX: Arte Público Press, 1988: 1459.
Alarcón, Norma. “The Theoretical Subject(s) in This Bridge Called My Back and Anglo American Feminism.” Making Face, Making Soul: Haciendo Caras. Ed. Anzaldúa, Gloria. San Francisco: Aunt Lute, 1990: 356–69.
Alarcón, Norma. “Traddutora, Traditora: A Paridigmatic Figure of Chicana Feminism.” Cultural Critique 5 (1989): 5787.
Alarcón, Norma. “What Kind of Lover Have You Made Me, Mother?: Towards a Theory of Chicana’s Feminism and Cultural Identity Through Poetry.” Women of Color: Perspectives on Feminism and Identity. Ed. McCluskey, Audrey T.. Bloomington: Indiana University, Women’s Studies Program Occasional Papers Series, 1.1 (1985): 85110.
Aldama, Arturo J. Disrupting Savagism: Intersecting Chicana/o, Mexican Immigrant, and Native American Struggles for Self-Representation. Durham: Duke University Press, 2001.
Aldama, Arturo J., Sandoval, Chela, and García, Peter, eds. Performing the US Latina and Latino Borderlands. Bloomington: Indiana University Press, 2012.
Aldama, Frederick Luis. Postethnic Narrative Criticism: Magicorealsm in Oscar ‘Zeta’ Acosta, Ana Castillo, Julie Dash, Hanif Kureishi, and Salman Rushdie. Austin: University of Texas Press, 2009.
Aldama, Frederick Luis. Your Brain on Latino Comics: From Gus Arriola to Los Bros Hernandez. Austin: University of Texas Press, 2009.
Aldama, Frederick Luis, ed. The Routledge Concise History of Latino/a Literature, New York: Routledge, 2013.
Alemán, Jesse. “Days of the (Un)Dead: Vampires, Zombies, and Other Forms of Chicano/a Horror in Film.” Latinos and Narrative Media: Participation and Portrayal. Ed. Aldama, Frederick Luis. New York: Palgrave-Macmillan, 2013: 4970.
Alemán, Jesse. “Introduction.” The Woman in Battle: The Civil War Narrative of Loreta Janeta Velaquez, Cuban Woman and Confederate Soldier. Madison: University of Wisconsin Press, 2003.
Alemán, Jesse and Streeby, Shelley, eds. Empire and the Literature of Sensation: An Anthology of Nineteenth-Century Popular Fiction. New Brunswick, NJ: Rutgers UP, 2007.
Alfau de Solalinde, Jesusa. “El barroco en la vida de Sor Juana.” Humanidades México: Facultad de Filosofía y Letras, UNAM I. 1, 1943. (reproduced by Claustro de SorJuana, Cuaderno n° 8, 1981).
Alfonso, Vitalina. Ellas hablan de la Isla. Havana: Ediciones Unión, 2002.
Algarín, Miguel. “Afterword.” “Introduction: Nuyorican Language.” Nuyorican Poetry: An Anthology of Puerto Rican Words and Feelings. Ed. Miguel, Algarín, and Piñero, Miguel. New York: Morrow, 1975: 920.
Algarín, Miguel. “Nuyorican Literature.” MELUS 8.2 (1981): 8992. JSTOR. Web. 30 May 2015.
Algarín, Miguel, and Holman, Bob, eds. Aloud: Voices from the Nuyorican Poets Cafe. New York: Holt, 1994.
Algarín, Miguel, and Piñero, Miguel, eds. Nuyorican Poetry: An Anthology of Puerto Rican Words and Feelings. New York: Morrow, 1975.
Allatson, Paul. “From ‘Latinidad’ to ‘Latinid@des’: Imagining the Twenty-First Century.” The Cambridge Companion to Latina/o American Literature. Ed. González, John Morán. New York: Cambridge University Press, 2016: 128–45.
Allatson, Paul. Key Terms in Latino/a Cultural and Literary Studies. New York: Wiley-Blackwell, 2007.
Allatson, Paul. “A Shadowy Sequence: Chicana Textual/Sexual Reinventions of Sor Juana.” Chasqui 33.1 (May 2004): 327.
Alvarado, Li Yun. “Ambivalence and the Empire City: Julia de Burgos’s New York.” Arizona Quarterly 71.1 (2015): 5381.
Alvarez, Stephanie, and Luis, William, eds. The AmeRícan Poet: Collected Essays on the Works of Tato Laviera. New York: Centro de Estudios Puertorriqueños Press, 2014.
Alvarez, Stephanie, and Luis, William, ¡¿Qué qué?! Transculturation and Tato Laviera’s Spanglish Poetics. CENTRO: Journal of the Center for Puerto Rican Studies 18.2 (2006): 2557.
Alvarez-Borland, Isabel and Bosch, Lynette M. F., eds. Cuban-American Literature and Art: Negotiating Identities. Albany: State University of New York Press, 2008.
Antebi, Susan. Carnal Inscriptions: Spanish American Narratives of Difference and Disability. New York: Palgrave Macmillan, 2009.
Anzaldúa, Gloria. Borderlands / La Frontera: The New Mestiza. San Francisco: Aunt Lute Books, 1987.
Anzaldúa, Gloria. “now let us shift…the path of conocimiento…inner work, public acts.” This Bridge We Call Home: Radical Visions for Transformation. Eds. Anzaldúa, Gloria and Keating, Ana Louise. New York: Routledge, 2002: 540–78.
Anzaldúa, Gloria. “To(o) Queer the Writer: Loca, escritora y chicana.” In In/versions: Writing by Dykes and Lesbians. Ed. Warland, Betsy. Vancouver: Press Gang, 1991: 249–59.
Aparicio, Frances R.From Ethnicity to Multiculturalism: An Historical Overview of Puerto Rican Literature in the United States.” Handbook of Hispanic Cultures in the United States: Literature and Art. Ed. Lomeli, Francisco. Houston: Arte Público, 1993: 1939.
Aparicio, Frances R.La vida es un Spanglish disparatero: Bilingualism in Nuyorican Poetry.” European Perspectives on Hispanic Literature of the United States. Ed. Fabre, Genevieve. Houston: Arte Público, 1988: 147–60.
Aparicio, Frances R. Listening to Salsa: Gender, Latin Music and Puerto Rican Cultures. Hanover: Wesleyan University Press, 1998.
Aparicio, Frances R.Salsa, Maracas, and Baile: Latin Popular Music in the Poetry of Victor Hernández Cruz.” MELUS 16.1 (1989–1990): 4358.
Aparicio, Frances R. and Bost, Suzanne, eds. The Routledge Companion to Latino/a Literature. New York: Routledge, 2015: 476–84.
Aparicio, Frances R., and Chavez-Silverman, Susana, eds. Tropicalizations: Transcultural Representations of Latinidad. Hanover: Dartmouth University Press, 1997.
Aranda, José. “Contradictory Impulses: María Amparo Ruiz de Burton, Resistance Theory, and the Politics of Chicano/a Studies.” American Literature 70 (September 1998): 551–79.
Aranda, José. “Recovering the US Hispanic Literary Heritage.” The Routledge Companion to Latino/a Literature. Eds. Aparicio, Frances R. and Bost, Suzanne. New York: Routledge, 2015: 476–84.
Aranda, José. When We Arrive: A New Literary History of Mexican America. Tucson: University of Arizona Press, 2003.
Ardao, Arturo. Génesis de la idea y el nombre de América Latina. Caracas: Centro de Estudios Latinoamericanos Rómulo Gallegos, 1993.
Arenal, Electa. “This Life Within Me Won’t Keep Still.” Reinventing the Americas: Comparative Studies of Literature of the United States and Spanish America. Eds. Chevigny, Bell Gale and Laguardia, Gari. Cambridge: Cambridge University Press, 2009: 158202.
Arenal, Electa and Martin, Vincent. Sor Juana Inés de la Cruz. Neptuno alegórico. Madrid: Cátedra 2009.
Arias, Arturo. Taking Their Word: Literature and the Signs of Central America. University of Minnesota Press, 2007.
Arias, Arturo. “Central American-Americans: Invisibility, Power, and Representation in the US Latino World.” Latino Studies 1.1 (2003): 168–87.
Arias, Arturo, and Milian, Claudia. “US Central Americans: Representations, Agency, and Communities.” Latino Studies 11.2 (Summer 2013): 131–49.
Arrizón, Alicia. Latina Performance: Traversing the Stage. Bloomington: Indiana University Press, 1999.
Arrizón, Alicia. Queering Mestizaje: Transculturation and Performance. Ann Arbor: University of Michigan Press, 2006.
Arrizón, Alicia and Manzor, Lillian, eds. Latinas on Stage: Practice and Theory. Berkeley: Third Woman Press, 2000.
Arroyo-Martínez, Jossianna. “Living the Political: Julia de Burgos and Lolita Lebrón.” Centro Journal 26.2 (2014): 128–55.
Arroyo-Martínez, Jossianna. “Technologies: Transculturations of Race, Gender & Ethnicity in Arturo A. Schomburg’s Masonic Writings.” Centro Journal 17.1: 425.
Arroyo-Martínez, Jossianna. Writing Secrecy in Caribbean Freemasonry. New York: Palgrave Macmillan, 2013.
Arteaga, Alfred. Chicano Poetics: Herotexts and Hybridities. New York: Cambridge University Press, 1997.
Ávila, Eliana. “Decolonizing Straight Temporality through Genre Trouble in Edwidge Danticat’s The Farming of Bones.” Ilha do Desterro 67, June–Dec 2014a.
Ávila, Eliana. “Do High-Tech à Azteca: Descolonização cronoqueer na ciber-arte chicana.” Revista Estudos Feministas 23.1, Jan–Apr 2014b.
Ballón, José. Lecturas Norteamericanas de José Martí: Emerson y el socialismo contemporaneo (1880–1887). México: Centro Coordinador y Difusor de Estudios Latinoamericanos, Universidad Nacional Autónoma de México, 1995.
Bastian, Michelle. “The Contradictory Simultaneity of Being with Others: Exploring Concepts of Time and Community in the Work of Gloria Anzaldúa.” Feminist Review 97, Religion & Spirituality (2011): 151–67.
Bauer, Ralph. The Cultural Geography of Colonial American Literatures: Empire, Travel, Modernity. New York: Cambridge University Press, 2003.
Bebout, Lee. Whiteness on the Border: Mapping the US Racial Imagination in Brown and White. New York: New York University Press, 2016.
Belnap, Jeffrey, and Fernández, Raul, eds. José Martí’s “Our America”: From National to Hemispheric Cultural Studies. Durham: Duke University Press, 1998.
Benítez-Rojo, Antonio. The Repeating Island: The Caribbean and the Postmodern Perspective. Durham: Duke University Press, 1996.
Bergmann, Emilie L.Ficciones de Sor Juana: poética y biografía.” Y diversa de mí misma entre vuestras plumas ando. Homenaje internacional a Sor Juana Inés de la Cruz. Ed. Herrera, Sara Poot., Mexico: El Colegio de México, 1993: 171–83.
Bergmann, Emile L., and Schlau, Stacey. Approaches to Teaching the Works of Sor Juana Inés de la Cruz. New York: The Modern Language Association of America, 2007.
Beverley, John. Essays on the Literary Baroque in Spain and Spanish America. London: Tamesis, 2008.
Beverley, John. Latinamericanism after 9/11. Durham: Duke University Press, 2011.
Binder, Wolfgang. Partial Autobiographies: Interviews with Twenty Chicano Poets. Erlangen, Germany: Palm and Enke, 1985.
Blanco, Maria del Pilar. Ghost-Watching American Modernity: Haunting, Landscape, and the Hemispheric Imagination. New York: Fordham University Press, 2012.
Bokser, Julia A.Sor Juana’s Rhetoric of Silence.” Rhetoric Review 25 (2006): 521.
Bokser, Julia A.Reading and Writing Sor Juna’s Arch: Rhetorics of Belonging, Criollo Identity and Feminist Histories.” Rhetoric Society Quarterly 42 (2012): 144–63.
Bolton, Herbert. The Spanish Borderlands: A Chronicle of Old Florida and the Southwest. New Haven: Yale University Press, 1921.
Bost, Suzanne. Encarnación: Illness and Body Politics in Chicana Feminist Literature. New York: Fordham University Press, 2009.
Bost, Suzanne. Mulattas and Mestizas: Representing Mixed Identities in the Americas, 1850–2000. Athens: University of Georgia Press, 2005.
Bost, Suzanne, and Aparicio, Francis R., eds. The Routledge Companion to Latino/a Literature. New York: Routledge, 2012.
Boyle, Catherine. “Sor Juana Inés de la Cruz. The Tenth Muse and the Difficult Freedom to Be.” The Cambridge History of Mexican Literature. New York: Cambridge University Press, Forthcoming.
Brady, Mary Pat. Extinct Lands, Temporal Geographies: Chicana Literature and the Urgency of Space. Durham: Duke University Press, 2002.
Brady, Mary Pat. “‘So Your Social Is Your Real?’ Vernacular Theorists and Economic Transformation.” Contemporary US Latino/a Literary Criticism. Eds. Sandín, Lyn Di Iorio and Perez, Richard. New York: Palgrave Macmillan, 2007.
Brickhouse, Anna. Transamerican Literary Relations and the Nineteenth-Century Public Sphere. New York: Cambridge University Press, 2004.
Brickhouse, Anna. The Unsettlement of America: Translation, Interpretation, and the Story of Don Luis de Velasco, 1560–1945. New York: Oxford University Press, 2014.
Brotherston, Gordon. The Book of the Fourth World: Reading the Native Americas through their Literature. New York: Cambridge University Press, 1995.
Broyles-González, Yolanda. El Teatro Campesino: Theater in the Chicano Movement. Austin: University of Texas Press, 1994.
Bruce-Novoa, Juan. Chicano Poetry: A Response to Chaos. Austin: University of Texas Press, 1982.
Bruce-Novoa, Juan. Retrospace: Collected Esssays on Chicano Literature. Houston: Arte Público Press, 1990.
Bruce-Novoa, Juan. “Shipwrecked in the Seas of Signification: Cabeza de Vaca’s Relación and Chicano Literature.” Reconstructing a Chicano/a Literary Heritage: Hispanic Colonial Literature of the Southwest. Ed. Herrera-Sobek, María. Tucson: University of Arizona Press, 1993: 323.
Burkhart, Louise M. Aztecs on Stage: Religious Theater in Colonial Mexico. Norman: University of Oklahoma Press, 2011.
Buscaglia-Salgado, José. Undoing Empire: Race and Nation in the Mulatto Caribbean. Minneapolis: University of Minnesota Press, 2003.
Bustamante, Fernanda. “Representar el «problema de lo haitiano» o el problema de representar lo haitiano: una lectura de textos literarios dominicanos del 2000”. 452 ºF Revista Electrónica de teoría de la literatura y literatura comparada 11 (2014): 125–41.
Cabán, Pedro. “The New Synthesis of Latin American and Latino Studies,” in Borderless Borders: US Latinos, Latin Americans, and the Paradox of Interdependence. Eds. Bonilla, Frank, Meléndez, Edwin, Morales, Rebecca, and de los Angeles Torres, María. Philadelphia: Temple University Press, 1998: 195215.
Calderón, Héctor. Narratives of Greater Mexico: Essays on Chicano Literary History, Genre, and Border. Austin: University of Texas Press, 2005.
Calderón, Héctor and Saldívar, José David, eds. Criticism in the Bordrlands: Studies in Chicano Literature, Culture and Ideology. Durham: Duke University Press, 1991.
Calderón, Roberto, and Zamora, Emilio. “Manuela Solís Sager and Emma Tenayuca: A Tribute.” Chicana Voices: Intersections of Class, Race, and Gender. Eds. Córdova, Teresa, Cantú, Norma, Cárdenas, Gilberto, García, Juan, and Sierra, Christine. Austin: University of Texas Center for Mexican American Studies, 1986.
Caminero-Santangelo, Marta. Documenting the Undocumented: Latino/a Narrative and Social Justice in the Era of Operation Gatekeeper. Gainesville: University Press of Florida, 2016.
Caminero-Santangelo, Marta. “Historias Transfronterizas: Contemporary Latina/o Literature of Migration.” The Cambridge Companion to Latina/o American Literature. Ed. González, John Morán. New York: Cambridge University Press, 2016: 231–46.
Caminero-Santangelo, Marta. On Latinidad: US Latino Literature and the Construction of Ethnicity. Gainesville: University Press of Florida, 2007.
Campa, Román de la. “Latin Americans and Latinos: Terms of Engagement.” Contemporary US Latino/a Literary Criticism. Eds. Sandín, Lyn Di Iorio and Perez, Richard. New York: Palgrave Macmillan, 2007.
Candelaria, Cordelia. Chicano Poetry: A Critical Introduction. Westport, CT: Greenwood Press, 1986.
Cantú, Norma Elia. “Latin@ Poetics: Voices.” The Cambridge Companion to Latina/o American Literature. Ed. González, John Morán. New York: Cambridge University Press, 2016.
Cantú, Norma Elia. “Memoir, Autobiography, Testimonio.” The Routledge Companion to Latino/a Literature. Eds. Aparicio, Frances R. and Bost, Suzanne. New York: Routledge, 2013: 310–22.
Cantú, Norma Elia. “The Writing of Canícula: Breaking Boundaries, Finding Forms.” Chicana Feminisms: A Critical Reader. Eds. Hurtado, Aída, Klahn, Norma, Nájera-Ramírez, Olga, and Zavella, Patricia. Durham: Duke University Press, 2003: 97108.
Castellanos, Rosario. “Asedio a Sor Juana.” Juicios Sumarios. Xalapa: Universidad Veracruzana, 1966: 1925.
Castellanos, Rosario. “Otra vez Sor Juana.” Juicios Sumarios. Xalapa: Universidad Veracruzana, 1966: 2630.
Castellanos, Rosario. “Lección de cocina.” Album de familia. México: Joaquín Moniz, 1972.
Castillo, Debra. Redreaming America: Toward a Bilingual American Culture. Albany: State University of New York Press, 2004.
Chabram-Dernersesian, Angie. “‘I Throw Punches for My Race, But I Don’t Want to Be a Man.’” Cultural Studies. Eds. Grossberg, Lawrence, Nelson, Cary, and Treichler, Paula. New York: Routledge, 1992: 8196.
Chancy, Myriam. From Sugar to Revolution: Women’s Visions of Haiti, Cuba, and the Dominican Republic. Waterloo: Wilfrid Laurier University Press, 2012.
Chancy, Myriam. Framing Silence: Revolutionary Novels by Haitian Women. New Brunswick, NJ: Rutgers University Press, 1997.
Chavez, Leo R. Covering Immigration: Popular Images and the Politics of the Nation. Berkeley: University of California Press, 2001.
Chavez, Leo R. The Latino Threat: Constructing Immigrants, Citizens, and the Nation. Palo Alto, CA: Stanford University Press, 2008.
Christian, Karen. Show and Tell: Identity as Performance in US Latina/o Fiction. Albuquerque: University of New Mexico Press, 1997.
Clamurro, William H.Sor Juana Inés de la Cruz Reads her Portrait.” Revista de Estudios Hispánicos 20. 1(January 1986): 2743.
Cocco de Filippis, Daisy, and Gutiérrez, Franklyn, eds. Literatura dominicana en los Estados Unidos: Presencia temprana 1900–1950. Santo Domingo: Editora Búho, 2001.
Colahan, Clark A. The Visions of Sor María de Agreda: Writing Knowledge and Power. Tucson: University of Arizona Press, 1994.
Colón, David A., ed. Between Day and Night: New and Selected Poems, 1946–2010 by Miguel González-Gerth. Fort Worth: Texas Christian University Press, 2013.
Contreas, Sheila Marie. Blood Lines: Myth, Indigenism, and Chicana/o Literature. Austin: University of Texas Press, 2008.
Cornejo Polar, Antonio. “El discurso de la armonía imposible: (el Inca Garcilaso de la Vega: discurso y recepción social).” Revista de crítica literaruia latinoamericana 19.38 (1993): 7380.
Cornejo Polar, Antonio. Escribir en el aire. Ensayo sobre la heterogeneidad sociocultural en las literaturas andinas. Lima: Centro de Estudios Literarios “Antonio Cornejo Polar,” Latinoamericana Editores, 2003.
Coronado, Raúl. A World Not to Come: A History of Latino Writing and Print Culture. Cambridge: Harvard University Press, 2013.
Cortés, Jason. Macho Ethics: Masculinity and Self-Representation in Latino Caribbean Narrative. Lewisburg, PA: Bucknell University Press, 2015.
Cotera, María. Native Speakers: Ella Deloria, Zora Neal Hurston, Jovita González, and the Poetics of Culture. Austin: University of Texas Press, 2010.
Cruz-Malavé, Arnaldo. Queer Latino Testimonio, Keith Haring and Juanito Extravaganza: Hard Tails. New York: Palgrave Macmillan, 2007.
Cuevas, T. Jackie. “Imagining Queer Chican@s in the Post-Borderlands.” Revue LISA/LISA e-journal. International Perspectives on the Transforming USA in the 21st Century. 11.2 (2013).
Cutler, John Alba. Ends of Assimilation: The Formation of Chicano Literature. New York: Oxford University Press, 2015.
Dalleo, Raphael. Caribbean Literature and the Public Sphere: From the Plantation to the Postcolonial. Charlottesville: University of Virginia Press, 2011.
Dalleo, Raphael. American Imperialism’s Undead: The Occupation of Haiti and the Rise of Caribbean Anticolonialism. Charlottesville: University of Virginia Press, 2016.
Dalleo, Raphael and Sáez, Elena Machado. The Latino/a Canon and the Emergence of Post-Sixties Literature. New York: Palgrave Macmillan, 2007.
Dávila, Arlene and Laó-Montes, Agustin. Mambo Montage: The Latinization of New York City. New York: Columbia University Press, 2001.
DeCosta-Willis, Miriam. Daughters of the Diaspora: Afra-Hispanic Writers. Kingston, Jamaica: Ian Randle Publishers, 2003.
DeCosta-Willis, Miriam. “Sandra María Esteves’s Nuyorican Poetics: The Signifying Difference.” Afro-Hispanic Review 23.2 (2004): 312.
DeGuzmán, María. Buenas Noches, American Culture: Latina/o Aesthetics of Night. Bloomington: Indiana University Press, 2012.
DeGuzmán, María. Spain’s Long Shadow: The Black Legend, Off-Whiteness, and Anglo-American Empire. Minneapolis: University of Minnesota Press, 2005.
Delgadillo, Theresa. Spiritual Mestizaje: Religion, Gender, Race, and Nation in Contemporary Chicana Narrative. Durham: Duke University Press, 2011.
Díaz, Junot. “MFA vs POC.” The New Yorker (April 30, 2014).
Dowdy, Michael. Broken Souths: Latina/o Poetic Responses to Neoliberalism and Globalization. Tucson: University of Arizona Press, 2013.
Dúran, Isabel. “Latina/o Life Writing: Autobiography, Memoir, Testimonio.” The Cambridge Companion to Latino American Literature. Ed. González, John Morán. New York: Cambridge University Press, 2016: 161–77.
Dworkin y Méndez, Kenya. “The Tradition of Hispanic Theater and the WPA Federal Theater Project in Tampa-Ybor City, Florida.” Recovering the US Hispanic Literary Heritage, Volume 2. Eds. Gonzales-Berry, Erlinda and Tatum, Chuck. Houston: Arte Público Press, 1996.
Dworkin y Méndez, Kenya. “From Factory to Floodlights: Original Spanish-Language Cigar Workers’ Theatre in Ybor City and West Tampa, Florida.” Recovering the US Hispanic Literary Heritage, Volume 3. Eds. Herrera-Sobek, María and Korrol, Virginia Sánchez. Houston: Arte Público Press, 2000.
Esquibel, Catriona Rueda. With Her Machete in Her Hand: Reading Chicana Lesbians. Austin: University of Texas Press, 2006.
Falconer, Blas, and López, Lorraine M., The Other Latin@: Writing Against a Singular Identity. Tucson: University of Arizon Press, 2011.
Falconi, José Luis, and Mazzotti, José Antonio, eds. The Other Latinos: Central and South Americans in the United States. Cambridge: Harvard University Press, 2007.
Fiol-Matta, Licia. The Great Woman Singer: Gender and Voice in Puerto Rican Music. Durham, NC: Duke University Press, 2017.
Flores, Juan. The Diaspora Strikes Back: Caribeño Tales of Learning and Turning. New York: Routledge, 2009.
Flores, Juan. Divided Borders: Essays on Puerto Rican Identity. Houston: Arte Público, 1993.
Flores, Juan. From Bomba to Hip-Hop: Puerto Rican Culture and Latino Identity. New York: Columbia University Press, 2000.
Flores, Juan. “The Latino Imaginary: Meanings of Community and Identity.” The Latin American Cultural Studies Reader. Eds. del Sarto, Ana, Ríos, Alicia, and Trigo, Abril. Durham: Duke University Press, 2004: 606–19.
Flores, Juan. “Nueva York, Diaspora City: Latinos Between and Beyond.” Bilingual Games: Some Literary Investigations. Ed. Sommer, Doris. New York: Palgrave, 2003: 6976.
Flores, Juan. Salsa Rising: New York Latin Music of the Sixties Generation. New York: Oxford University Press, 2016.
Flores, Richard. Remembering the Alamo: Memory, Modernity, and the Master Symbol. Austin: University of Texas Press, 2002.
Franco, Jean. Plotting Women: Gender and Representation in Mexico. New York: Columbia University Press, 1989.
García, Emily. “On the Borders of Independence: Manuel Torres and Spanish American Independence in Filadelphia.” The Latino Nineteenth Century. Eds. Lazo, Rodrigo and Alemán, Jesse. New York: New York University Press, 2016: 7188.
García, Patricia M, and González, John Morán, eds. “Latina/o Literature: The Trans-Atlantic and the Trans-american in Dialogue.” Symbolism: An International Annual of Critical Aesthetics. Berlin: DeGruyter, 2017.
García-Caro, Pedro. After the Nation: Postnational Satire in the Works of Carlos Fuentes and Thomas Pynchon. Chicago: Northwestern University Press, 2014.
García-Peña, Lorgia. Borders of Dominicanidad: Race, Nation, and the Archives of Contradiction. Durham: Duke University Press, 2016.
García-Peña, Lorgia. “Un-bordering Hispaniola: David Pérez’s Performance Actions of Haitian-Dominican Solidarity. Afro-Hispanic Review. 32:2 (2013): 5770.
Gaspar de Alba, Alicia. [Un]Framing the “Bad Woman”: Sor Juana, Malinche, Coyolxauhqui, and Other Rebels with a Cause. Austin: University of Texas Press, 2014.
Gil Amate, Virginia. Sueños de unidad hispánica en el siglo XVIII. Un estudio de Tardes americanas de José Joaquín Granados y Gálvez. Alicante, Spain: Centro de Estudios Mario Benedetti, Universidad de Alicante, 2012.
Glantz, Margo. Sor Juana Inés de la Cruz: ¿Hagiografía o autobiografía? Mexico: Grijalbo-Universidad Nacional Autónoma de México, 1995.
Glantz, Margo. ed. Sor Juana Inés de la Cruz y sus contemporáneos. Mexico: Facultad de Filosofía y Letras Universidad Autónoma de México, 1998.
González, Christopher. “Latino Sci-Fi: Cognition and Narrative Design in Alex Rivera’s Sleep Dealer.” Latinos and Narrative Media: Participation and Portrayal. Ed. Aldama, Frederick Luis. New York: Palgrave-Macmillan, 2013: 211–23.
González, John Morán. “Between Ethnic Americans and Racial Subjects: Latina/o Literature, 1936–1959.” The Cambridge Companion to Latino American Literature. Ed. González, John Morán. New York: Cambridge University Press, 2016: 3654.
González, John Morán. Border Renaissance: The Texas Centennial and the Emergence of Mexican American Literature. Austin: University of Texas Press, 2009.
González, John Morán. The Troubled Union: Expansionist Imperatives in Post-Reconstruction American Novels. Columbus: Ohio State University Press, 2010.
González, John Morán. ed. The Cambridge Companion to Latino American Literature. New York: Cambridge University Press, 2016.
González, Juan. Harvest of Empire. A History of Latinos in America. New York: Viking, 2000.
González, Marcial. Chicano Novels and the Politics of Form: Race, Class, and Reification. Ann Arbor: University of Michigan Press, 2008.
González, Tanya. “The (Gothic) Gift of Death in Cherrie Moraga’s The Hungry Woman.” Chicana/ Latina Studies 7.1 (2007): 4477.
González Acosta, Alejandro. El enigma de Jicoténcal. Dos estudios sobre el héroe de Tlxacala. Mexico: Instituto Tlaxcalteca de Cultura, 1997.
Gracia, Jorge J.E., Bosch, Lynette M.F., Alvarez-Borland, Isabel, eds. Identity, Memory, and Diaspora: Voices of Cuban-American Artists, Writers and Philosophers. Albany: State University of New York Press, 2008.
Grosfoguel, Ramón. “The Epistemic Decolonial Turn: Beyond Political-Economy Paradigms.” Cultural Studies 21.2/3 (March/May 2007).
Gruesz, Kirsten Silva. Ambassadors of Culture. The Transamerican Origins of Latino Writing. Princeton: Princeton University Press, 2002.
Gruesz, Kirsten Silva. “Alien Speech, Incorporated: On the Cultural History of Spanish in the US.” American Literary History 25.1 (Spring 2013): 1832.
Gruesz, Kirsten Silva. “Utopia Latina: The Ordinary Seamen in Extraordinary Times.” Modern Fiction Studies 49.1 (2003): 5483.
Gruesz, Kirsten Silva. “Unsettlers and Speculators,” PMLA 131.3 (May 2016): 743–51.
Gruesz, Kirsten Silva. “What Was Latino Literature?PMLA 127.2 (2012): 335–41.
Gruzinski, Serge. La colonisation de l’imaginaire: societés indigènes et occidentalisation dans le Mexique espagnol, XVIe-XVIIe siècle. Paris: Gallimard, 1988.
Guaman Poma de Ayala, Felipe. El primer nueva corónica y buen gobierno. Digital edition (revised 2004). Copenhagen, The Royal Library, GKS 2232 4°, 1615; on The Guaman Poma Website. www.kb.dk/permalink/2006/poma/info/en/frontpage.htm
Guidotti-Hernandez, Nicole. Unspeakable Violence: Remapping US and Mexican National Imaginaries. Durham: Duke University Press, 2011.
Gutiérrez, Laura G. Performing Mexicanidad: Vendidas y Cabareteras on the Transnational Stage. Austin: University of Texas Press, 2010.
Gutiérrez, Ramón. “The Politics of Theater in Colonial New Mexico: Drama and the Rhetoric of Conquest.” Reconstructing a Chicano/a Literary Heritage: Hispanic Colonial Literature of the Southwest. Ed. Herrera-Sobek, María. Tucson: University of Arizona Press, 1993: 4967.
Gutiérrez-Jones, Carl. Rethinking the Borderlands: Between Chicano Culture and Legal Discourse. Berkeley: University of California Press, 1995.
Habell-Pallán, Michelle. Loca Motion: The Travels of Chicana and Latina Popular Culture. New York: New York University Press, 2005.
Halperin, Laura. Intersections of Harm: Narratives of Latina Deviance and Defiance. New Brunswick, NJ: Rutgers University Press, 2015.
Hames-García, Michael. Fugitive Thought: Prison Movements, Race, and the Meaning of Justice. Minneapolis: University of Minnesota Press, 2004.
Hames-García, Michael, and Martínez, Ernesto Javier, eds. Gay Latino Studies: A Critical Reader. Durham: Duke University Press, 2011.
Hanna, Monica, Vargas, Jennifer Harford and Saldívar, José David, eds. Junot Díaz and the Decolonial Imagination. Durham: Duke University Press, 2016.
Hedrick, Tace. Chica Lit: Popular Latina Fiction and Americanization in the Twenty-First Century. Pittsburgh: University of Pittsburgh Press, 2015.
Henríquez Ureña, Pedro. El Español en Santo Domingo. 4th ed. Santo Domingo: Editora Taller, 1982.
Henríquez Ureña, Pedro. Literary Currents in Hispanic America. Cambridge: Harvard University Press, 1945.
Henríquez Ureña, Pedro. Las corrientes literarias en la América Hispánica. Mexico: Fondo de Cultura Económica, 1945.
Henríquez Ureña, Pedro. Seis ensayos en busca de nuestra expresión. Obra Crítica. Ed. Speratti Piñero, Emma S.. Mexico: Fondo de Cultura Económica, 1960.
Henríquez Ureña, Pedro. La Utopía de América. Ed. Rama, Angel and Giardot, Rafael. Caracas: Biblioteca Ayacucho, 1978.
Heredia, Juanita and Kevane, Bridget, eds. Latina Self-Portraits: Interviews with Contemporary Women Writers. Albuquerque: University of New Mexico Press, 2000.
Heredia, Juanita and Kevane, Bridget, “South American Latino/a Writers in the United States.” The Routledge Companion to Latino/a Literature. Eds. Bost, Suzanne and Aparicio, Frances. New York: Routledge, 2012: 436–44.
Heredia, Juanita and Kevane, Bridget, Transnational Latina Narratives in the Twenty-First Century: The Politics of Gender, Race and Migrations. New York: Palgrave Macmillan, 2009.
Hernández, Carmen Dolores. Puerto Rican Voices in English: Interviews with Writers. Westport, CT: Praeger, 1997.
Hernández, Ellie D. Postnationalism in Chicana/o Literature and Culture. Austin: University of Texas Press, 2009.
Hernandez, Inés. “Sara Estela Ramirez: Sembradora.” Legacy 6.1 (1989): 1326.
Herrera, Brian. Latin Numbers: Playing Latino in Twentieth Century US Popular Performance. Ann Arbor: University of Michigan Press, 2015.
Herrera-Sobek, María. Northward Bound: The Mexican Immigrant Experience in Ballad and Song. Bloomington: Indiana University Press, 1993.
Herrera-Sobek, María. ed. Reconstructing a Chicano/a Literary Heritage: Hispanic Colonial Literature of the Southwest. Tucson: University of Arizona Press, 1993.
Hind, Emily. “Sor Juana, an Official Habit: Twentieth-Century Mexican Culture.” Approaches to Teaching the Works of Sor Juana Inés de la Cruz. Eds. Bergmann, Emilie L. and Schlau, Stacey. New York: The Modern Language Association of America, 2007: 245–55.
Hoffman, Léon-Francois. “La République dominicaine dans la fiction haïtienne.” The Caribbean Writer as Warrior of the Imaginary: L’ecrivain Caribéen, guerrier de l’imaginaire. Eds. Gyssels, Kathleen and Ledent, Bénédicte. Amsterdam: Rodopi, 2008: 345–57.
Hoffnung-Garskoff, Jesse. “The World of Arturo Alfonso Schomburg.” The Afro-Latin@ Reader: History and Culture in the United States. Eds. Román, Miriam Jiménez and Flores, Juan. Durham: Duke University Press, 2010: 7091.
Hoyos, Héctor. Beyond Bolaño: The Global Latin American Novel. New York: Columbia University Press, 2015.
Huerta, Jorge. Chicano Drama: Performance, Society and Myth. New York: Cambridge University Press, 2000.
Huerta, Jorge. Chicano Theater: Themes and Forms. Tempe, AZ: Bilingual Press. 1981.
Irrizary, Guillermo. José Luis Gonzalez: El intelectual nómada.Rio Piedras, Puerto Rico: Editorial Callejón, 2006.
Irrizary, Ylce. Chicana/o and Latina/o Fiction: The New Memory of Latinidad. Champaign: University of Illinois Press, 2016.
Jáuregui, Carlos. Canibalia: canibalismo, calibanismo, antropofagia cultural y consumo en América Latina. Madrid: Iberoamericana Vervuert, 2008.
Jiménez, Francisco, ed. The Identification and Analysis of Chicano Literature. New York: Bilingual Press, 1979.
Jiménez Román, Miriam, and Flores, Juan, eds. The Afro-Latin@Reader: History and Culture in the United States. Durham: Duke University Press, 2010.
Jonassaint, Jean. “Des productions littéraires haïtiennes aux États-Unis (1948–1986).” Journal of Haitian Studies 5/6 (1999–2000): 419.
Kanellos, Nicolás. Hispanic Immigrant Literature: El Sueño del Retorno. Austin: University of Texas Press, 2012.
Kanellos, Nicolás. “El Clamor Público: Resisting the American Empire.” California History 84.2 (2006–2007): 1018, 69–70.
Kanellos, Nicolás. A History of Hispanic Theatre in the United States: Origins to 1940. Austin: University of Texas Press, 1990.
Kanellos, Nicolás and Martell, Helvetia. Hispanic Periodicals in the United States, Origins to 1960: A Brief History and Comprehensive Bibliography. Houston: Arte Público Press, 2000.
Kanellos, Nicolás, et al. Herencia: The Anthology of Hispanic Literature of the United States. New York: Oxford University Press, 2002.
Kevane, Bridget. “Confessions of an Editor: César Andreu Iglesias and the ‘Memorias de Bernardo Vega.’Latin American Literary Review 27.53 (1999): 6780.
Kirschner, Luz Angélica, ed. Expanding Latinidad: An Inter-American Perspective. Tempe, AZ: Bilingual Review Press, 2012.
Kutzinski, Vera M. Against the American Grain: Myth and History in William Carlos Williams, Jay Wright, and Nicolás Guillén. Baltimore: Johns Hopkins University Press, 1987.
La Fountain-Stokes, Lawrence. Queer Ricans: Cultures and Sexualities in the Diaspora. Minneapolis: University of Minnesota Press, 2009.
La Fountain-Stokes, Lawrence. “Queering Latina/o Literature.” The Cambridge Companion to Latina/o American Literature. Ed. González, John Morán. New York: Cambridge University Press, 2016: 178–94.
Lamadrid, Enrique R. Hermanitos comanchitos: Indo-Hispano Rituals of Captivity and Redemption. Albuquerque: University of New Mexico Press, 2003.
Lamas, Carmen. “The Black Lector and Martín Morúa Delgado’s Sofía (1891) and La familia Unzúazu (1901).” Latino Studies 13 (Spring 2015): 113–30.
Lane, Jill. Blackface Cuba, 1840–1895. Philadelphia: University of Pennsylvania Press, 2005.
Lane, Jill. “On Colonial Forgetting: The Conquest of New Mexico and Its Historia.” The Ends of Performance. Eds. Phelan, Peggy and Lane, Jill. New York: New York University Press, 1998: 5269.
Laó-Montes, Agustin. “Islands at the Crossroads: Puerto Ricanness Traveling between the Translocal Nation and the Global City.” Puerto Rican Jam: Rethinking Nationalism and Colonialism. Eds. Negrón-Muntaner, Frances and Grosfoguel, Ramón. Minneapolis: University of Minnesota, 1997: 169–88.
Lazo, Rodrigo. “The Trans-American Literature of Conquest and Exile, 1823–1885.” The Cambridge Companion to Latina/o American Literature. Ed. González, John Morán. New York: Cambridge University Press, 2016: 316.
Lazo, Rodrigo. Writing to Cuba: Filibustering and Cuban Exiles in the United States. Chapel Hill: University of North Carolina Press, 2005.
Lazo, Rodrigo and Alemán, Jesse, eds. The Latino Nineteenth Century. New York: New York University Press, 2016.
Leal, Luis. “Jicoténcal, primera novela histórica en castellano.” Revista Iberoamericana 25.49 (1960): 931.
Leal, Luis. “Mexican American Literature: A Historical Perspective.” Modern Chicano Writers: A Collection of Essays. Eds. Sommers, Joseph and Frausto, Tomás Ybarra. Englewood Cliffs, NJ: Prentice Hall, 1979: 1830.
Ledesma, Alberto. “Undocumented Crossings: Narratives of Mexican Immigration to the United States.” Culture Across Borders: Mexican Immigration and Popular Culture. Eds. Maciel, David R. and Herrera-Sobek, María. Tucson: University of Arizona Press, 1998: 6798.
L’Hoeste, Héctor Fernández and Poblete, Juan, Redrawing the Nation: National Identity in Latin/o American Comics. New York: Palgrave Macmillan, 2009.
Lima, Lázaro. The Latino Body: Crisis Identities in American Literary and Cultural Memory. New York: New York University Press, 2007.
Limón, José E. American Encounters: Greater Mexico, the United States, and the Erotics of Culture. Boston: Beacon, 1999.
Limón, José E. Américo Paredes: Culture and Critique. Austin: University of Texas Press, 2013.
Limón, José E. Dancing with the Devil: Society and Cultural Poetics in Mexican American South Texas. Madison: University of Wisconsin Press, 1994.
Limón, José E. Mexican Ballads, Chicano Poems: History and Influence in Mexican American Social Poetry. Berkeley: University of California Press, 1992.
Lindo-Fuentes, Héctor, Ching, Erik, and Lara-Martínez, Rafael A.. Remembering a Massacre in El Salvador: The Insurrection of 1932, Roque Dalton, and the Politics of Historical Memory. Albuquerque: University of New Mexico Press, 2007.
Lister, Elissa L. Le Conflit haïtiano-dominicain dans la littérature caribéenne. Pétion-Ville, Haiti: C3 Editions, 2013.
Lomas, Clara. “Introduction: Revolutionary Women and the Alternative Press in the Borderlands.” The Rebel. By de Magnón, Leonor Villegas. Ed. Lomas, Clara. Houston: Arte Público Press, 1994: xi-lvi.
Lomas, Laura. Translating Empire: José Martí, Migrant Latino Subjects and American Modernities. Durham: Duke University Press, 2008.
Lomas, LauraMigration and Decolonial Politics in Two Afro-Latino Poets: ‘Pachín’ Marín and ‘Tato’ Laviera.” Review: Literature and Arts of the Americas 47.2 (2014): 155–63.
Lomas, LauraThe Trans-American Literature of Empire and Revolution, 1880–1938.” The Cambridge Companion to Latina/o American Literature. Ed. González, John Morán. New York: Cambridge University Press, 2016: 1735.
Lomelí, Francisco A. and Urioste, Donaldo W., eds. Historical Dictionary of US Latino Literature. Guilford: Rowman and Littlefield, 2016.
López, Antonio. Unbecoming Blackness: The Diaspora Cultures of Afro-Cuban America. New York: New York University Press, 2012.
López, Iraida H. Impossible Returns: Narratives of the Cuban Diaspora. Gainesville: University Press of Florida, 2015.
López, Marissa K. Chicano Nations: The Hemispheric Origins of Mexican American Literature. New York: New York University Press, 2011.
López, Tiffany Ana. “The 1980s: Latina/o Literature during the ‘Decade of the Hispanic.” The Cambridge Companion to Latina/o American Literature. Ed. González, John Morán. New York: Cambridge University Press, 2016: 91110.
López-Peláez Casellas, Milagros. What about the Girls?: Estrategias narrativas de resistencia en la primera literatura chicana. Oxford: Peter Lang, 2012.
Lora, H.. “La construcción de Haití en el imaginario dominicano del siglo XIX.” República Dominicana y Haití: Derecho a vivir. Santo Domingo: Fundación Juan Bosch, 2014: 171204.
Lozano, Tomás. Cantemos al alba: Origins of Songs, Sounds, and Liturgical Drama of Hispanic New Mexico. Ed. Montoya, Rima. Albuquerque: University of New Mexico Press, 2007.
Luciani, Frederick. “Recreaciones de Sor Juana en la narrativa y teatro hispano/norteamericano, 1952–1988.” Y diversa de mí misma entre vuestras plumas ando. Homenaje internacional a Sor Juana Inés de la Cruz. Ed. Herrera, Sara Poot. Mexico: El Colegio de México, 1993: 395408.
Ludmer, Josefina. “Las tretas del débil.” Eds. González, Patricia and Ortega, Eliana. La sartén por el mango. Encuentro de escritoras latinoamericanas. Río Piedras, Puerto Rico: Ediciones Huracán, 1984: 4755.
Ludmer, Josefina. “Una máquina para leer el siglo XIX.” Revista de la Universidad Autónoma de México 530 (1995): 6566.
Lugo-Ortiz, Agnes. “La antología y el archivo: Reflexiones en torno a Herencia, En Otra Voz y los límites del saber.” Recovering the US Hispanic Literary Heritage Project. V. Houston: Arte Público Press, 2006: 139–68.
Lugo-Ortiz, Agnes. Identidades imaginadas: Biografía y nacionalidad en el horizonte de la guerra (Cuba 1860- 1898). Río Piedras, Puerto Rico: Editorial de la Universidad de Puerto Rico, Serie Caribe, 1999.
Luis, William. Dance Between Two Cultures: Latino Caribbean Literature Written in the United States. Nashville: Vanderbuilt University Press, 1997.
Luis, William. Literary Bondage: Slavery in Cuban Narrative. Austin: University of Texas Press, 2012.
Luis-Brown, David. Waves of Decolonization: Discourses of Race and Hemispheric Citizenship in Cuba, Mexico, and the United States. Durham: Duke University Press, 2008.
Machado Sáez, Elena. Market Aesthetics: The Purchase of the Past in Caribbean Diasporic Fiction. Charlottesville: University of Virginia Press, 2015.
Maeseneer, Rita De. Encuentro con la narrativa dominicana contemporánea. Madrid/Frankfurt: Iberoamericana/Vervuert, 2006.
Maldonado-Torres, Nelson. “On the Coloniality of Being: Contributions to the Development of a Concept.” Cultural Studies 21.2 (2007): 240–70.
Maldonado-Torres, Nelson. “The Time of History, the Times of Gods, and the Damnés de la terre.” Worlds & Knowledges Otherwise (Spring 2006): 1–12.
Mangini, Shirley. Las modernas de Madrid: Las grandes intelectuales de la vanguardia. Barcelona: Ediciones Península, 2001.
Mann, Kristin Dutcher. The Power of Song: Music and Dance in the Mission Communities of Northern New Spain, 1590–1810. Palo Alto, CA: Stanford University Press, 2010.
Maríñez, Sophie. “Mito y feminismo en Marassá y la Nada de Alanna Lockward.” Revista Canadiense de Estudios Hispánicos 42.2 (2016).
Maríñez, Sophie. “Poética de la Relación en Dominicanish de Josefina Báez.” La Torre, Revista de la Universidad de Puerto Rico 10.35 (January–March 2005): 149–60.
Márquez, Roberto. A World Among these Islands: Essays on Literature, Race, and National Identity in Antillean America. Amherst: University of Massachusetts Press, 2010.
Martínez, Ernesto Javier. On Making Sense: Queer Race Narratives of Intelligibility. Palo Alto, CA: Stanford University Press, 2012.
Martinez, Manuel Luis. Countering the Counterculture: Rereading Postwar American Dissent from Jack Kerouac to Tomás Rivera. Madison: University of Wisconsin Press, 2003.
Martínez-San Miguel, Yolanda. Coloniality of Diasporas: Rethinking Intra-Colonial Migrations in a Pan Caribbeann Context. New York: Palgrave, 2014.
Martínez-San Miguel, Yolanda. From Lack to Excess: Minor Readings of Latin American Colonial Discourse. Lewisburg, PA: Bucknell University Press, 2008.
Martínez-San Miguel, Yolanda. “Otra vez Sor Juana: leer la heterogeneidad colonial en un contexto transatlántico.” Revista de Crítica Literaria Latinoamericana XXXI.62 (2005): 5371.
Marzán, Julio. The Spanish American Roots of William Carlos Williams. Austin: University of Texas Press, 1994.
Mazzotti, José Antonio. “Criollismo, Creole and Créolité.” Critical Terms in Caribean and Latin American Thought: Historical and Institutional Trajectories. Eds. Martínez-San Miguel, Yolanda, Sifuentes-Jáuregui, Ben, and Belausteguigoitia, Marisa. New York: Palgrave, 2016: 87100.
Mazzotti, José Antonio. “Epic, Creoles and Nation in Spanish America.” A Companion to the Literatures of Colonial America. Eds. Castillo, Susan and Schweitzer, Ivy. Oxford: Blackwell Publishing Ltd., 2005: 480–99.
McCracken, Ellen. New Latina Narrative: The Feminine Space of Postmodern Ethnicity. Tucson: University of Arizona Press, 1999.
McKenna, Teresa. Migrant Song: Politics and Process in Contemporary Chicano Literature. Austin: University of Texas Press, 1997.
McKnight, Joy, and Garofalo, Leo J., eds. Afro-Latino Voices: Narratives from the Early Modern Ibero-Atlantic World, 1550–1812. Indianapolis: Hackett Publishing Company, 2009.
McMahon, Marci. R. Domestic Negotiations: Gender, Nation, and Self-Fashioning in US Mexicana and Chicana Literature and Art. New Brunswick, NJ: Rutgers University Press, 2013.
Meléndez, A. Gabriel. So Not All Is Lost: The Poetics of Print in Nuevomexicano Communities, 1834–1958. Albequerque: University of New Mexico Press, 1997.
Meléndez, A. Gabriel. Spanish-language Newspapers in New Mexico, 1834–1958. Tucson: University of Arizona Press, 2005.
Mendez Rodenas, Adriana. Cuba en su imagen. Historia e identidad en la literatura cubana. Madrid: Editorial Verbum, 2002.
Mendoza, Louis Gerard. Historia: The Literary Making of Chicana and Chicano History. College Station: Texas A&M Press, 2001.
Merrim, Stephanie. Early Modern Women’s Writing and Sor Juana Inés de la Cruz. Nashville: Vanderbilt University Press, 1999.
Mignolo, Walter D. The Darker Side of the Renaissance: Literacy, Territoriality, & Colonization. Ann Arbor: University of Michigan Press, 1995.
Mignolo, Walter D. The Idea of Latin America. Oxford: Blackwell, 2005.
Mignolo, Walter D. Local Histories/Global Designs: Coloniality, Subaltern Knowledges, and Border Thinking. Princeton: Princeton University Press, 2000.
Milian, Claudia. Latining America: Black-Brown Passages and the Coloring of Latino/a Studies. Athens: University of Georgia Press, 2013.
Milian, Claudia. “Latinos and the Like: Reading Mixture and Deracination.” The Cambridge Companion to Latina/o American Literature. Ed. González, John Morán. New York: Cambridge University Press, 2016: 195212.
Minich, Julie Avril. Acessible Citizenships: Disability, Nation, and the Cultural Politics of Greater Mexico. Philadelphia: Temple University Press, 2015.
Mistral, Gabriela. “Silueta de Sor Juana Inés de la Cruz.” Lecturas para mujeres. [1923.] 1924. 2nd ed. Intro. by Sara Sefchovich. Mexico (1987): 176–79.
Mohr, Eugene. The Nuyorican Experience: Literature of the Puerto Rican Minority. Westport, CT: Greenwood Press, 1982.
Molloy, Sylvia. At Face Value: Autobiographical Writing in Spanish America. New York: Cambridge University Press, 1991.
Montero, Oscar. José Martí: An Introduction. New York: Palgrave Macmillan, 2004.
Montes, Amelia María de la Luz and Goldman, Anne Elizabeth, eds. María Amparo Ruiz de Burton: Critical and Pedagogical Perspectives. Lincoln: University of Nebraska Press, 2004.
Moore, Robin. Nationalizing Blackness: Afrocubanismo and Artistic Revolution in Havana, 1920–1940. Pittsburgh: University of Pittsburgh Press, 1997.
Moraga, Cherríe and Anzaldúa, Gloria E., eds. This Bridge Called My Back: Writings by Radical Women of Color. Watertown, MA: Persephone Press, 1981.
Morales, , Ed. Living in Spanglish: The Search for Latino Identity in America. New York: St. Martin’s Press, 2003.
Moreno, Marisel C. Family Matters: Puerto Rican Women Authors in the Island and the Mainland. Charlottesville: University of Virginia Press, 2012.
Morrison, Amanda Maria. “Chicanas and ‘Chica Lit’: Contested Latinidad in the Novels of Alisa Valdes-Rodriguez.” Journal of Popular Culture 43.2 (2010): 309–29.
Moya, Paula. Learning from Experience: Minority Identities, Multicultural Struggles. Berekely: University of California Press, 2002.
Moya, Paula. The Social Imperative: Race, Close Reading, and Contemporary Literary Criticism. Palo Alto, CA: Stanford University Press, 2015.
Mullen, Edward J., ed. Langston Hughes in the Hispanic World and Haiti. Hamden, CT: Archon Books, 1977.
Muñoz, José Esteban. Cruising Utopia: The Then and There of Queer Futurity. New York: New York University Press, 2009.
Muñoz, José Esteban. Disidentifications: Queers of Color and the Performance of Politics. Minneapolis: University of Minnesota Press, 1999.
Negrón-Muntaner, Frances. Boricua Pop: Puerto Ricans and the Latinization of American Culture. New York: New York University Press, 2004.
Negrón-Muntaner, Frances. None of the Above: Puerto Ricans in the Global Era. Palgrave Macmillan, 2007.
Nericcio, William Anthony. Tex[t]-Mex: Seductive Hallucinations of the ‘Mexican’ in America. Austin: University of Texas Press, 2007.
Noel, Urayoán. “For a Caribbean American Graininess: William Carlos Williams, Translator.” Small Axe: A Caribbean Journal of Criticism, 17.3 (2013): 138–50.
Noel, Urayoán. In Visible Movement: Nuyorican Poetry from the Sixties to Slam. Iowa City: University of Iowa Press, 2014.
Olavarría y Ferrari, Enrique de. Reseña histórica del teatro en México: 1538–1911. Vol. 1. 6 vols. México, DF: Editorial Porrúa, 1961.
Olguín, B. V. La Pinta: Chicana/o Prisoner Literature, Culture, and Politics. Austin: University of Texas Press, 2010.
Ontiveros, Randy J. In the Spirit of a New People: The Cultural Politics of the Chicano Movement. New York: New York University Press, 2014.
Orchard, William, and Padilla, Yolanda, eds. Bridges, Borders, and Breaks: History, Narrative, and Nation in Twenty-First Century Chicana/o Literary Criticism. Pittsburgh: University of Pittsburgh Press, 2016.
Ortíz, Fernando. Contrapunteo cubano del tabaco y el azúcar. Caracas: Biblioteca Ayacucho, 1978 (1947).
Ortíz, Ricardo. “The Cold War in the Americas and Latina/o Literature.” The Cambridge Companion to Latina/o American Literature. Ed. González, John Morán. New York: Cambridge University Press, 2016: 7290.
Ortíz, Ricardo. Cultural Erotics in Cuban America. Minneapolis: University of Minnesota Press, 2007.
Ortíz, Ricardo. “Edwidge Danticat’s ‘Latinidad’: The Farming of Bones and the Cultivation (of Fields) of Knowledge.” Aftermaths: Exile, Migration, and Diaspora Reconsidered. Eds. Bullock, Marcus and Paik, Peter Y. New Brunswick, NJ: Rutgers University Press, 2009: 150–72.
Padilla, Genaro. The Daring Flight of My Pen: Cultural Politics and Gaspar Perez de Villagra’s Historia de la Nueva Mexico. Albuquerque: University of New Mexico Press, 2011.
Padilla, Genaro. My History, Not Yours: The Formation of Mexican American Autobiography. Madison: University of Wisconsin Press, 1993.
Padilla, Yajaira M. Changing Women, Changing Nation: Female Agency, Nationhood, and Identity in Trans-Salvadoran Narratives. Albany: State University of New York Press, 2012.
Padilla, Yolanda, and Orchard, William, eds. The Plays of Josefina Niggli: Recovered Landmarks of Literature. Madison: University of Wisconsin Press, 2007.
Paredes, Américo. Folklore and Culture on the Texas-Mexican Border. Austin: University of Texas Press, 1995.
Paredes, Américo. A Texas-Mexican Cancionero: Folksongs of the Lower Border. Austin: University of Texas Press, 1995.
Paredes, Américo. With His Pistol in His Hand: A Border Ballad and Its Hero. Austin: University of Texas Press, 1958.
Paredez, Deborah. Selenidad: Selena, Latinos, and the Performance of Memory. Durham: Duke University Press, 2009.
Park, Stephen M. The Pan American Imagination: Contested Visions of the Hemisphere in Twentieth-Century Literature. Charlottesville: University of Virginia Press, 2014.
Paz, Octavio. El laberinto de la soledad. Mexico: Fondo de Cultura Económica, 1950.
Paz, Octavio. Sor Juana Inés de la Cruz o Las trampas de la fé. Barcelona: Seix Barral, 1982.
Perelmuter, Rosa. Los límites de la femineidad en Sor Juana Inés de la Cruz. Madrid: Universidad de Navarra-Iberoamericana-Vervuert, 2004.
Perez, Domino Renee. There Was a Woman: La Llorona from Folklore to Popular Culture. Austin: University of Texas Press, 2008.
Perez, Emma. The Decolonial Imaginary: Writing Chicanas into History. Bloomington: Indiana University Press, 1999.
Pérez, Hiram. A Taste for Brown Bodies: Gay Modernity and Cosmopolitan Desire. New York: New York University Press, 2015.
Perez, Richard. “Racial Spills and Disfigured Faces in Piri Thomas’ Down These Mean Streets and Junot Díaz’s “Ysrael.” Contemporary US Latino/a Literary Criticism. Eds. Sandín, Lyn Di Iorio and Perez, Richard. New York: Palgrave Macmillan, 2007.
Pérez, Vincent. Remembering the Hacienda: History and Memory in the Mexican American Southwest. College Station: Texas A&M Press, 2006.
Pérez Firmat, Gustavo. Life on the Hyphen: The Cuban-American Way. Austin: University of Texas, 1994.
Pérez-Rosario, Vanessa. “Affirming an Afro-Latin@ Identity: An Interview with Poet María Teresa (Mariposa) Fernández.” Latino Studies Journal, 12:3 (Fall 2014).
Pérez-Rosario, Vanessa. Becoming Julia de Burgos: The Making of a Puerto Rican Icon. Champaign: University of Illinois Press, 2014.
Pérez-Rosario, Vanessa. ed. Hispanic Caribbean Migration: Narratives of Displacement. London: Palgrave MacMillan, 2010.
Pérez-Torres, Rafael. Mestizaje: Critical Uses of Race in Chicano Culture. Minneapolis: University of Minnesota Press, 2006.
Pérez-Torres, Rafael. Movements in Chicano Poetry: Against Myths, Against Margins. New York: Cambridge University Press. 1995.
Pittman, Thea. “Mestizaje and Cyborgism on Either Side of the Line.” The Cambridge Companion to Latina/o American Literature. Ed. González, John Morán. New York: Cambridge University Press, 2016: 213–30.
Poblete, Juan. Critical Latin American and Latino Studies. Minneapolis: University of Minnesota Press, 2003.
Poot Herrera, Sara. “Traces of Sor Juana in Contemporary Mexicana and Chicana/Latina Writers.” Approaches to Teaching the Works of Sor Juana Inés de la Cruz. Eds. Bergmann, Emilie L. and Schlau, Stacey. New York: Modern Language Association of America, 2007: 256–64.
Poyo, Gerald. “With All, and for the Good of All: The Emergence of Popular Nationalism in the Cuban Communities of the United States, 1848–1898. Durham: Duke University Press, 1989.
Poyo, Gerald. Exile and Revolution: José D. Poyo, Key West, and Cuban Independence. Gainesville: University Press of Florida, 2014.
Pratt, Mary Louise. Imperial Eyes: Travel Writing and Transculturation. New York: Routledge, 1992.
Quijano, Aníbal. “Colonialidad y Modernidad/Racionalidad.” Perú Indígena 13.29 (1991): 1120.
Quijano, Aníbal. “Coloniality of Power, Eurocentrism, and Latin America.” Nepantla: Views from South 1.3 (2000): 533–80.
Quintana, Alvina. Home Girls: Chicana Literary Voices. Philadelphia: Temple University Press, 1996.
Rabasa, José. Without History: Subaltern Studies, The Zapata Insurgency, and the Specter of History. Pittsburgh: University of Pittsburgh Press, 2010.
Rabasa, José. Writing Violence on the Northern Frontier: The Historiography of Sixteenth Century New Mexico and Florida and the Legacy of Conquest. Durham: Duke University Press, 2000.
Rama, Angel. La ciudad letrada. Prólogo Hugo Achugar. Montevideo, Uruguay: Arca, 1998.
Rama, Angel. Las Máscaras democráticas del modernismo. Montevideo, Uruguay: Fundación Angel Rama, 1985.
Rama, Angel. “La dialéctica de la modernidad en José Martí,” Estudios Martianos: Memoria del Seminario José Martí. Río Piedras: Editorial Universitaria, Universidad de Puerto Rico, 1974.
Ramírez, Catherine. “Afrofuturism/ Chicanofuturism: Fictive Kin.” Aztlán: A Journal of Chicano Studies 33 (2008): 185–94.
Ramírez, Catherine. The Woman in the Zoot Suit: Gender, Nationalism, and the Cultural Politics of Memory. Durham: Duke University Press, 2009.
Ramos, Julio. Desencuentros de la modernidad: literatura y política en América Latina. México: Fondo de Cultura Económica, 1989.
Ramos, Julio. Divergent Modernities: Culture and Politics in Nineteenth-Century Latin America. Durham: Duke University Press, 2001.
Ramos, Peter. “Cultural Identity, Translation, and William Carlos Williams.” MELUS: Multi-Ethnic Literature of the US 38.2 (Summer 2013): 89110.
Ramos-García, Luis A., ed. The State of Latino Theater in the United States. New York: Routledge, 2002.
Rebolledo, Tey Diana. Women Singing in the Snow: A Cultural Analysis of Chicana Literature. Tuscon: University of Arizona Press, 1995.
Rebolledo, Tey Diana. The Chronicles of Panchita Villa and Other Guerrilleras: Essays on Chicana/Latina Literature and Criticism. Austin: University of Texas Press, 2006.
Renda, Mary. Taking Haiti: Military Occupation and the Culture of US Imperialism, 1915–1940. Chapel Hill: University of North Carolina Press, 2001.
Riofrio, John D. Continental Shifts: Migration, Representation, and the Struggle for Justice in Latin(o) America. Austin: University of Texas Press, 2015.
Rivas, Cecilia. Salvadoran Imaginaries: Mediated Identities and Cultures of Consumption. New Brunswick, NJ: Rutgers University Press, 2014.
Rivera, John-Michael. The Emergence of Mexican America: Recovering Stories of Mexican Peoplehood in US Culture. New York: New York University Press, 2006.
Rivera, Luis Reyes. “Inside the River of Poetry.” In Motion. May 19, 2002.
Rivera, Raquel. New York Ricans from the Hip Hop Zone. New York: Palgrave Macmillan, 2003.
Rivera-Servera, Ramón H. Performing Queer Latinidad: Dance, Sexuality, Politics. Ann Arbor: University of Michigan Press, 2012.
Rodríguez, Ana Patricia. “The Body in Question: The Latina Detective in the Lupe Solano Mystery Series.” From Bananas to Buttocks: The Latina Body in Popular Film and Culture. Ed. Mendible, Myra. Austin: University of Texas Press, 2007: 243–61.
Rodríguez, Ana Patricia. Dividing the Isthmus: Central American Transnational Histories, Literatures & Cultures. Austin: University of Texas Press, 2009.
Rodríguez, Ana Patricia. “Heridas abiertas de América Central: La salvadoreñidad de Romilia Chacón en las novelas negras de Marcos McPeek Villatoro.” Revista Iberoamericana, 76.231 (2010): 425–42.
Rodríguez, Jaime Javier. The Literatures of the US-Mexican War: Narrative, Time, and Identity. Austin: University of Texas Press, 2010.
Rodríguez, Juana Maria. Queer Latinidad: Identity Practices, Discursive Spaces. New York: New York University Press, 2003.
Rodríguez, Juana Maria. Sexual Futures, Queer Gestures, and Other Latina Longings. New York: New York University Press, 2014.
Rodríguez, Néstor. La isla y su envés: representaciones de lo nacional en el ensayo dominicano contemporáneo. San Juan: Instituto de Cultura Puertorriqueña, 2003.
Rodriguez, Ralph. Brown Gumshoes: Detective Fiction and the Search for Chicana/o Identity. Austin: University of Texas Press, 2005.
Rodriguez, Richard T.The Aesthetics of Politics: Cultural Nationalist Movements and Latina/o Literature.” The Cambridge Companion to Latina/o American Literature. Ed. González, John Morán. New York: Cambridge University Press, 2016: 5771.
Rodriguez, Richard T. Next of Kin: The Family in Chicano/a Cultural Politics. Durham, NC: Duke University Press, 2009.
Rodríguez Castro, Malena. “De Memorias y manuscritos: César Andreu Iglesias y Bernardo Vega,” Op. Cit. 21 (2012–2013): 99151.
Rodríguez Pagán, Juan Antonio. Julia en blanco y negro. San Juan: Sociedad Histórico de Puerto Rico, 2000.
Rogelia, Lily Ibarra, “Gómez de Avellaneda´s Sab: A Modernizing Project.” 94.3 (2011): 385–95.
Rohrleitner, Marion, and Ryan, Sarah E., eds. Dialogues across Diasporas: Women Writers, Scholars, and Activists of Africana and Latina Descent in Conversation. Lanham, MD: Lexington Books, 2013.
Rojas, Rafael. “Diaspora y literatura: Indicios de una ciudadanía postnacional,” Encuentro 12/13 (1999) : 136–47.
Rojas, Rafael. La invención de José Martí. Madrid: Editorial Colibrí, 2000.
Román, David. Acts of Intervention: Performance, Gay Culture, and AIDS. Bloomington: Indiana University Press, 1998.
Román, Elda María. Race and Upward Mobility: Seeking Gatekeeping and Other Class Strategies in Postwar America. Palo Alto, CA: Stanford University Press, 2017.
Rosaldo, Renato. Culture and Truth: The Remaking of Social Analysis. Boston: Beacon Press, 1989.
Rosenberg, Fernando J. The Avant-Garde and Geopolitics in Latin America. Pittsburgh: University of Pittsburgh Press, 2006.
Rosenstein, Roy. “Nicaraguan Poet as Wandering Jew: Salomón de la Selva and ‘Mi primer judío.’” Latin American Literary Review 18.35 (1990): 5970.
Rubiera Castillo, Daisy and Martiatu, Inés María, eds. Afrocubanas: historia, pensamiento y prácticas culturales. Havana: Editorial de Ciencias Sociales, 2011.
Rudman, Mark. “William Carlos Williams in America.” American Poetry Review 37.2 (2008): 5362.
Russell, Craig H. From Serra to Sancho: Music and Pageantry in the California Missions. New York: Oxford University Press, 2009.
Saldaña-Portillo, María Josefina. Indian Given: Racial Geographies across Mexico and the United States. Durham: Duke University Press, 2016.
Saldaña-Portillo, María Josefina. The Revolutionary Imagination in the Americas and the Age of Development. Durham, NC: Duke University Press, 2003.
Saldaña-Portillo, María Josefina. “Who’s the Indian in Aztlán? Re-Writing Mestizaje, Indianism, and Chicanismo from the Lacadón.” The Latin American Subaltern Studies Reader. Ed. Rodríguez, Ileana. Durham, NC: Duke University Press, 2001: 402–23.
Saldívar, José David. Border Matters: Remapping American Cultural Studies. University of California Press, 1997.
Saldívar, José David. Trans-Americanity: Subaltern Modernities, Global Coloniality, and the Cultures of Greater Mexico. Durham, NC: Duke University Press, 2012.
Saldívar, José David. The Dialectics of Our America: Genealogy, Cultural Critique and Literary History. Durham, NC: Duke University Press, 1991.
Saldívar, Ramón. The Borderlands of Culture: Américo Paredes and the Transnational Imaginary. Durham, NC: Duke University Press, 2006.
Saldívar, Ramón. Chicano Narrative: The Dialectics of Difference. Madison: University of Wisconsin Press, 1990.
Saldívar, Ramón. “Historical Fantasy, Speculative Realism, and Postrace Aesthetics in Contemporary American Fiction.” American Literary History 23.3 (2011): 574–99.
Saldívar-Hull, Sonia. Feminism on the Border: Chicana Gender Politics and Literature. Berkeley: University of California Press, 2000.
Salgado, César A. From Modernism to Neo-Barogue: Joyce and Lezama Lima. Lewisburg, PA: Bucknell University Press, 2001.
Sánchez, Marta Ester. Contemporary Chicana Poetry: A Critical Approach to an Emerging Literature. Berkeley: University of California Press, 1985.
Sánchez, Rosaura. Telling Identities: The Californio Testimonio. Minneapolis: University of Minnesota Press, 1995.
Sánchez González, Lisa. Boricua Literature: A Literary History of the Puerto Rican Diaspora. New York: New York University Press, 2001.
Sandín, Lyn Di Iorio. Killing Spanish: Literary Essays on Ambivalent US Latino/a Identity. New York: Palgrave Macmillan, 2004.
Sandín, Lyn Di Iorio and Perez, Richard, eds. Contemporary US Latino/a Literary Criticism. New York: Palgrave Macmillan, 2007.
Sandoval Sanchez, Alberto. José, Can you See?: Latinos on and off Broadway. Madison: University of Wisconsin Press, 1999.
Schmidt Camacho, Alicia R. Migrant Imaginaries: Latino Cultural Politics in the US-Mexico Borderlands. New York: New York University Press, 2008.
Schulman, Ivan A. Genesis del modernismo: Martí, Nájera, Silva, Casal. Mexico City: Colegio de México, 1966.
Seed, Patricia. Ceremonies of Possession in Europe’s Conquest of the New World, 1492–1640. Cambridge; New York: Cambridge University Press, 1995.
Ševčenko, Liz. “Making Loisaida: Placing Puertorriqueñidad in Lower Manhattan.” Mambo Montage: The Latinization of New York City. Eds. Dávila, Arlene M. and Laó-Montes, Agustin. New York: Columbia University Press, 2001: 293318.
Sheren, Ila Nicole. Portable Borders: Performance Art and Politics on the US Frontera since 1984. Austin: University of Texas Press, 2015.
Socolovsky, Maya. Troubling Nationhood in US Latina Literature: Explorations of Place and Belonging. New Brunswick, NJ: Rutgers University Press, 2013.
Sommer, Doris. “AmeRícan Accents Syncopate the State.” The Ends of Performance. Eds. Phelan, Peggy and Lane, Jill. New York: New York University Press, 1998: 169–77.
Sommer, Doris. Bilingual Aesthetics: A New Sentimental Education. Durham, NC: Duke Univeristy Press, 2004.
Sommer, Doris. Bilingual Games: Some Literary Investigations. New York: Palgrave Macmillan, 2003.
Soto, Sandra K. Reading Chican@ Like a Queer: The De-Mastery of Desire. Austin: University of Texas Press, 2011.
Sponsler, Claire. Ritual Imports: Performing Medieval Drama in America. Ithaca: Cornell University Press, 2004.
Stanchich, Maritza. “Towards a Post-Nuyorican Literature.” Sargasso 2005–2006 (II): 113–24.
Stavans, Ilan, et al. The Norton Anthology of Latino Literature. New York: W. W. Norton, 2011.
Suárez, Lucía M., The Tears of Hispaniola: Haitian and Dominican Diaspora Memory. Gainsville: University Press of Florida, 2006.
Suárez, Lucía M., “Trans-American Latina/o Literature of the 1990s: Resisting Neoliberalism.” The Cambridge Companion to Latina/o American Literature. Ed. González, John Morán. New York: Cambridge University Press, 2016: 111–27.
Taylor, Diana and Villegas, Juan, eds. Negotiating Performance: Gender, Sexuality and Theatricality in Latin/o America. Durham, NC: Duke University Press, 1994.
Tedlock, Dennis. 2000 Years of Mayan Literature. Berkeley: University of California Press, 2010.
Tinajero, Araceli. El Lector: A History of the Cigar Factory Reader. Trans. Grasberg, Judith E.. Austin: University of Texas Press, 2010.
Torres, Lourdes. “The Construction of the Self in US Latina Autobiographies.” Third World Women and the Politics of Feminism. Eds. Mohanty, Chandra Talpade, Russo, Ann, and Torres, Lourdes. Bloomington: Indiana University Press, 1991: 276–87.
Torres, Lourdes. “Queering Puerto Rican Women’s Narratives.” Meridians: Feminism, Race, Transnationalism 9.1 (2009): 83112.
Torres-Padilla, José L. and Rivera, Carmen Haydee, eds. Writing off the Hyphen: New Critical Perspectives on the Literature of the Puerto Rican Diaspora. Seattle: University of Washington Press, 2008.
Torres-Saillant, Silvio. “Before the Diaspora: Early Dominican Literature in the United States.” Recovering the US Hispanic Literary Heritage, Volume 3. Eds. Herrera-Sobek, María and Korrol, Virginia Sánchez. Houston: Arte Público Press, 2000.
Torres-Saillant, Silvio. “Dominican-American Literature.” The Routledge Companion to Latino/a Literature. Eds. Bost, Suzanne and Aparicio, Francis R.. New York: Routledge, 2012: 423–35.
Torres-Saillant, Silvio. An Intellectual History of the Caribbean. New York: Palgrave Macmillan, 2006.
Torres-Saillant, Silvio. El retorno de las yolas: Ensayos sobre diáspora, democracia y dominicanidad. Santo Domingo: Librería La Trinitaria, 1999.
Tudela, Elisa Sampson Vera. Colonial Angels: Narratives of Gender and Spirituality in Mexico, 1580–1750. Austin: University of Texas Press, 2010.
Valdés, Vanessa. Oshun’s Daughters: The Search for Womanhood in the Americas. Albany: State University of New York Press, 2014.
Valle-Ferrer, Norma. Luisa Capetillo, Pioneer Puerto Rican Feminist. New York: Peter Lang, 2006.
Vargas, Jennifer Harford. Forms of Dictatorship: Power, Narrative, and Authoritarianism in the Latina/o Novel. New York: Oxford University Press, 2017.
Vásquez, David J. Triangulations: Narrative Strategies for Navigating Latino Identity. Minneapolis: University of Minnesota Press, 2011.
Velasco, Juan. “Automitografías: The Border Paradigm and Chicana/o Autobiography.” Biography 27.2 (2004): 313–38.
Vélez-Ibáñez, Carlos. Border Visions: Mexican Cultures of the Southwest. Tucson: University of Arizona Press, 1996.
Viego, Antonio. Dead Subjects: Toward a Politics of Loss in Latino Studies. Durham, NC: Duke University Press, 2007.
Viego, Antonio. “The Place of the Gay Male Chicano in Queer Chicana/o Cultural Work.” Gay Latino Studies. Eds. Hames-García, Michael and Martínez, Ernesto Javier. Durham, NC: Duke University Press, 2011: 86104.
Villa, Raúl Homero. Barrio-Logos: Space and Place in Urban Chicano Literature and Culture. Austin: University of Texas Press, 2000.
Viqueira Albán, Juan Pedro. Propriety and Permissiveness in Bourbon Mexico. Trans. Lipsett-Rivera, Sonya and Ayala, Sergio Rivera. Wilmington, DE: Scholarly Resources, 1999.
Waisman, Sergio. “Argentine Writers in the US: Writing South, Living North.” A Companion to US Latino Literature. Eds. Caulfield, Carlota and Davis, Darién. Woodbridge, UK: Tamesis, 2007: 158–76.
Wald, Sarah D. The Nature of California: Race, Citizenship, and Farming since the Dust Bowl. Seattle: University of Washington Press, 2016.
Yarbro-Bejarano, Yvonne. The Wounded Heart: Writing on Cherríe Moraga. Austin: University of Texas Press, 2001.
Ybarra, Priscilla Solis. Writing the Goodlife: Mexican American Literature and the Environment. Tuscson: University of Arizona Press, 2016.
Yúdice, George. The Expediency of Culture: Uses of Culture in the Global Era. Durham, NC: Duke University Press, 2003.