Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-2lccl Total loading time: 0 Render date: 2024-04-26T07:35:32.741Z Has data issue: false hasContentIssue false

1 - Space into Place

from Part I - Mapping Shakespeare’s World

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Sources cited

Bergeron, David M.Wherefore Verona in The Two Gentlemen of Verona?Comparative Drama 41.4 (winter 2007–08): 423–38.CrossRefGoogle Scholar
Bly, Mary. “Playing the Tourist in Early Modern London: Selling the Liberties Onstage.” Publications of the Modern Language Association of America 122.1 (January 2007): 6171.CrossRefGoogle Scholar
Casey, Edward. “How to Get from Space to Place in a Fairly Short Stretch of Time: Phenomenological Prolegomena.” Senses of Place. Ed. Feld, Steven and Basso, Keith H.. Santa Fe: School of American Research, 1996. 1352.Google Scholar
Connerton, Paul. How Societies Remember. Cambridge: Cambridge University Press, 1989.CrossRefGoogle Scholar
Cresswell, Tim. Place: A Short Introduction. Malden: Blackwell, 2004.Google Scholar
Howard, Jean E. Theatre of a City: The Places of London Comedy, 1598–1642. Philadelphia: U of Pennsylvania P, 2007.CrossRefGoogle Scholar
Lopez, Jeremy. Theatrical Convention and Audience Response in Early Modern Drama. Cambridge: Cambridge University Press, 2003.Google Scholar
McAuley, Gay. “Place in the Performance Experience.” Modern Drama 46.4 (2003): 598613.CrossRefGoogle Scholar
Mullaney, Steven. The Place of the Stage: License, Play, and Power in Renaissance England. Chicago: U of Chicago P, 1988.Google Scholar
Pearson, Mike. In Comes I: Performance, Memory and Landscape. Exeter: U of Exeter P, 2006.Google Scholar
“Rebuilding the Globe.” Shakespeare’s Globe. http://www.shakespearesglobe.com/about-us/history-of-the-globe/rebuilding-the-globe. Accessed 6 June 2013.Google Scholar
Roach, Joseph. Cities of the Dead: Circum-Atlantic Performance. New York: Columbia UP, 1996.Google Scholar
Sanders, Julie. The Cultural Geography of Early Modern Drama, 1620–1650. Cambridge: Cambridge University Press, 2011.Google Scholar
Taylor, Gary. “Shakespeare’s Mediterranean Measure for Measure.” Shakespeare and the Mediterranean: The Selected Proceedings of the International Shakespeare Congress, Valencia, 2001. Ed. Clayton, Thomas, Brock, Susan, and Forés, Vicente. Newark: U of Delaware P, 2004. 243–69.Google Scholar

Further reading

Dillon, Janette. The Language of Space in Court Performance, 1400–1625. Cambridge: Cambridge University Press, 2010.Google Scholar
Ingold, Tim. The Perception of the Environment: Essays on Livelihood, Dwelling and Skill. London: Routledge, 2000.Google Scholar
Pearson, Mike. Site-Specific Performance. Basingstoke: Palgrave Macmillan, 2010.CrossRefGoogle Scholar
Pearson, Mike, and Shanks, Mike. Theatre/Archaeology. London: Routledge, 2001.Google Scholar
Tompkins, Joanne, and Birch, Anna, eds. Performing Site-Specific Theatre: Politics, Place, Practice. Basingstoke: Palgrave Macmillan, 2012.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×