Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Introduction
- 99 Healing and Healers
- 100 How the Body Worked
- 101 The Shock of the New
- 102 Explaining Racial and Sexual Differences
- 103 Lessons from the Body: Moralizing Disability
- 104 Lessons from the Body: Dissection and Anatomy
- 105 Medical Practices
- 106 Mental Illness
- 107 Violence and Possession
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Introduction
from Part XI - Medicine
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Introduction
- 99 Healing and Healers
- 100 How the Body Worked
- 101 The Shock of the New
- 102 Explaining Racial and Sexual Differences
- 103 Lessons from the Body: Moralizing Disability
- 104 Lessons from the Body: Dissection and Anatomy
- 105 Medical Practices
- 106 Mental Illness
- 107 Violence and Possession
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 761 - 770Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
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Further reading
Fissell, Mary E. Vernacular Bodies: The Politics of Reproduction in Early Modern England. Oxford: Oxford UP, 2004.CrossRefGoogle Scholar
Harris, Jonathan Gil. Foreign Bodies and the Politic. Cambridge: Cambridge University Press, 1998.Google Scholar
Kassell, Lauren. Medicine and Magic in Elizabethan London: Simon Forman, Astrologer, Alchemist, and Physician. Oxford: Oxford UP, 2005.Google Scholar
MacDonald, Michael. Mystical Bedlam: Madness, Anxiety, and Healing in Seventeenth-Century England. Cambridge: Cambridge University Press, 1981.Google Scholar
Paster, Gail Kern. The Body Embarrassed: Drama and the Disciplines of Shame in Early Modern England. Ithaca: Cornell UP, 1993.CrossRefGoogle Scholar
Pollock, Linda. With Faith in Physic: The Life of a Tudor Gentlewoman. London: Collins and Brown, 1993.Google Scholar
Porter, Roy, ed. Patients and Practitioners. Cambridge: Cambridge University Press, 1985.Google Scholar
Sawday, Jonathan. The Body Emblazoned: Dissection and the Human Body in Renaissance Culture. London: Routledge, 1995.Google Scholar
Slack, Paul. The Impact of the Plague in Tudor and Stuart England. London: Routledge, 1985.Google Scholar
Webster, Charles. Paracelsus: Medicine, Magic and Mission at the End of Time. New Haven: Yale UP, 2008.Google Scholar