Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Introduction
- 149 Romeo and Juliet 2.1: “But soft, what light through yonder window breaks?”
- 150 A Midsummer Night’s Dream 3.2: “Lord, what fools these mortals be!”
- 151 Henry V 3.1: “Once more unto the breach”
- 152 Hamlet 3.1: “To be or not to be”
- 153 Macbeth 1.3: “king hereafter!”
- 154 Othello 1.3: “far more fair than black”
- 155 Antony and Cleopatra: Interview with Harriet Walter
- 156 King Lear 5.3: “Never, never, never, never, never”
- 157 Richard III 5.4: “My kingdom for a horse!”
- 158 The Tempest 4.1
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
155 - Antony and Cleopatra: Interview with Harriet Walter
from Part XVI - Making the Scene
Published online by Cambridge University Press: 17 August 2019
Edited by
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Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Introduction
- 149 Romeo and Juliet 2.1: “But soft, what light through yonder window breaks?”
- 150 A Midsummer Night’s Dream 3.2: “Lord, what fools these mortals be!”
- 151 Henry V 3.1: “Once more unto the breach”
- 152 Hamlet 3.1: “To be or not to be”
- 153 Macbeth 1.3: “king hereafter!”
- 154 Othello 1.3: “far more fair than black”
- 155 Antony and Cleopatra: Interview with Harriet Walter
- 156 King Lear 5.3: “Never, never, never, never, never”
- 157 Richard III 5.4: “My kingdom for a horse!”
- 158 The Tempest 4.1
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 1161 - 1165Publisher: Cambridge University PressPrint publication year: 2016
References
Source cited
Further reading
Edmondson, Paul. “Harriet Walter.” The Routledge Companion to Actors’Shakespeare. Ed. Brown, John Russell. Abingdon: Routledge, 2012. 254–67.Google Scholar
Escolme, Bridget. Antony and Cleopatra. Shakespeare Handbooks. Basingstoke: Palgrave Macmillan, 2006.CrossRefGoogle Scholar
Rutter, Carol. Clamorous Voices: Shakespeare’s Women Today. London: Women’s Press, 1988.Google Scholar
Walter, Harriet. “Imogen in Cymbeline.” Players of Shakespeare. Vol. 3. Ed. Jackson, Russell and Smallwood, Robert. Cambridge: Cambridge University Press, 1993.Google Scholar
Walter, Harriet. Other People’s Shoes: Thoughts on Acting. London: Nick Hern Books, 1999. Rpt. 2006.Google Scholar