Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-77c89778f8-gq7q9 Total loading time: 0 Render date: 2024-07-18T20:05:29.527Z Has data issue: false hasContentIssue false

24 - Fashion and Time in China’s Twentieth Century

from Part IV - Fashion, Modernism, and Modernity

Published online by Cambridge University Press:  04 August 2023

By
Antonia Finnane
Edited by
Christopher Breward ,
Beverly Lemire  and
Giorgio Riello
Christopher Breward
Affiliation:
National Museums Scotland
Beverly Lemire
Affiliation:
University of Alberta
Giorgio Riello
Affiliation:
European University Institute, Florence
Get access

Summary

In the year 2020, a pandemic traceable to a virus-rich species of horseshoe bat brought fashion weeks around the world to a halt. China was ground zero. With Hubei province in lockdown from late January and international borders soon closed to flights from anywhere in the country, few Chinese designers were able to attend the autumn/winter fashion weeks of February 2020. In Milan, hub of a Chinese regional cluster specializing in fashion, the Italian Fashion Chamber launched a ‘China we are with you’ campaign and compensated for the absence of Chinese designers with a virtual display of their works. In Paris a week later, the only show from China was a gallery display by Uma Wang. Facemasks were the accessory of the day. Soon fashion workshops all over the world would be churning them out.

Type
Chapter
Information
The Cambridge Global History of Fashion
From the Nineteenth Century to the Present
 , pp. 838 - 889
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Select Bibliography

Anjo, Hissako and Finnane, Antonia, ‘Tailoring in China and Japan: Cultural Transfer and Cutting Techniques in the Early Twentieth Century’, in Lemire, Beverly and Riello, Giorgio (eds.), Dressing Global Bodies: The Political Power of Dress in World History (Abingdon: Routledge, 2020), 263–88.Google Scholar
Xiangyang, Bian and Lanlan, Yan, ‘Shanghai Qipao, 1925–1949’, in Breward, Christopher and MacDonald, Juliette (eds.), Styling Shanghai (London: Bloomsbury, 2020), 67–86.CrossRefGoogle Scholar
Chang, Eileen [Zhang Ailing], ‘A Chronicle of Changing Clothes’, trans. Jones, Andrew E., positions: east asia cultures critique, 11/2 (Fall 2003), 427–41.CrossRefGoogle Scholar
Chen, Tina Mai, ‘Dressing for the Party: Clothing, Citizenship, and Gender-Formation in Mao’s China’, Fashion Theory, 1/3 (2001), 333–60.Google Scholar
Clark, Hazel, ‘Chinese Fashion Designers: Becoming International’, in Ling, Wessie and Reinach, Simona Segre (eds.), Fashion in Multiple Chinas: Chinese Styles in the Transglobal Landscape (London: I. B. Tauris, 2018), 199–220.Google Scholar
Finnane, Antonia, Changing Clothes in China: Fashion, History, Nation (New York: Columbia University Press, 2008).Google Scholar
Harrison, Henrietta, The Making of the Republican Citizen: Political Ceremonies and Symbols in China 1911–1929 (Oxford: Clarendon Press, 2000).CrossRefGoogle Scholar
Ingleton, Sally, Mao’s New Suit (Singing Nomad Productions, 1999).Google Scholar
Kwong, Luke S. K., ‘The Rise of the Linear Perspective on History and Time in Late Qing China c. 1860–1911’, Past & Present, 173 (November 2001), 157–90.CrossRefGoogle Scholar
Lee, S. Heijin, Moon, Christina H., and Nguyen Tu, Thuy Linh (eds.), Fashion and Beauty in the Time of Asia (New York: New York University Press, 2019).Google Scholar
Qian, Kun, Imperial-Time-Order: Literature, Intellectual History, and China’s Road to Empire (Leiden: Brill, 2015).Google Scholar
Tsui, Christine, China Fashion: Conversations with Designers (Oxford: Berg Publishers, 2009).CrossRefGoogle Scholar
Wu, Juanjuan, Chinese Fashion from Mao to Now (Oxford: Berg, 2009).CrossRefGoogle Scholar
Yang, Chia-ling, ‘Image Makers of Fashionable Shanghai, 1910–1930’, in Breward, Christopher and MacDonald, Juliette (eds.), Styling Shanghai (London: Bloomsbury, 2020), 147–80.Google Scholar
Zhao, Jianhua, The Chinese Fashion Industry: An Ethnographic Approach (London: Bloomsbury, 2013).CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×