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4 - The Netherlands and Northern Germany

Published online by Cambridge University Press:  05 January 2019

By
Ton Koopman
Edited by
Mark Kroll
Mark Kroll
Affiliation:
Boston University
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The Cambridge Companion to the Harpsichord , pp. 71 - 92
Publisher: Cambridge University Press
Print publication year: 2019

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References

Further Reading

Beckmann, K. Die Norddeutsche Schule. Orgelmusik im protestantischen Norddeutschl zwischen 1517 und 1755. 2 volumes. Vol. 1, Die Zeit der Gründerväter 1517–1629. Vol. 2, Blütezeit und Verfall 1620–1755. Mainz: Schott, 2005, 2009.Google Scholar
Curtis, A. Sweelinck’s Keyboard Music: A Study of English Elements in Seventeenth-Century Dutch Composition. Leiden: Leiden University Press, 1969.Google Scholar
Dirksen, P. The Keyboard Music of Jan Pieterszoon Sweelinck. Its Style, Significance and Influence. Utrecht: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, Utrecht, 1997.Google Scholar
Heinrich Scheidemann’s Keyboard Music. Transmission, Style and Chronology. Aldershot: Ashgate, 2007.Google Scholar
Grijp, L. P., et al., editors. Een muziekgeschiedenis der Nederlanden. Amsterdam: Amsterdam University Press-Salox, 2001.Google Scholar
Rasch, R., Geschiedenis van de muziek in de Republiek der Zeven Verenigde Nederlanden 1572–1795. Mijn werk op internet Deel Een. www.let.uu.nl/~Rudolf.Rasch/personal/Republiek/Republiek.htm.Google Scholar
Snyder, K. J., Dieterich Buxtehude. Organist in Lübeck. New York: Schirmer, 1987.Google Scholar

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