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5 - Interactivity and Live Computer Music

Published online by Cambridge University Press:  27 October 2017

Nick Collins
Affiliation:
University of Durham
Julio d'Escrivan
Affiliation:
University of Huddersfield
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Publisher: Cambridge University Press
Print publication year: 2017

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References

Selected discography

Bahn, C. 2000. The Rig: Solo Improvisations for Sensor Bass and Live Electronics. Electronic Music Foundation, EMF CD 030Google Scholar
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Brown, C. 1996. Duets. Artifact Recordings, AR115Google Scholar
Casserley, L. 1999. Labyrinths. Sargasso SG28030Google Scholar
Chadabe, J. 1981. Rhythms. Lovely Music VR 1301Google Scholar
Fenn, O’Berg 2004. The Return of Fenn O’Berg. Mego 54Google Scholar
FMOL Trio. 2002. The Köln Concert. Hazard Records 028Google Scholar
Fuzzybunny 2000. Fuzzybunny. SonoreGoogle Scholar
Le Caine, H. 1999. Compositions & Demonstrations 1946–1974. Electronic Music Foundation 15Google Scholar
Lewis, G. 1993. Voyager. Avant 014Google Scholar
M. I. M. E. O. (Music in Movement Electronic Orchestra) 1998. Electric Chair + Table. GrobGoogle Scholar
Mumma, G. 2002. Live Electronic Music. Tzadik TZ 7074Google Scholar
Pair, A’Dice 2001. Near Vhana. Ninth World Music 15Google Scholar
Parker, E. 1997. Evan Parker’s Electro-Acoustic Ensemble: Toward the Margins. ECM 453514Google Scholar
Ryan, J. 1994. Enfolded Strings Inial Mix. InialGoogle Scholar
Scott, R. 2000. Manhattan Research, Inc.: New Plastic Sounds and Electronic Abstractions. Basta 90782Google Scholar
Spiegel, L. 1991. Unseen Worlds. ScarletGoogle Scholar
Spiegel, L. 2001. Obsolete Systems. Electronic Music Foundation EM119Google Scholar
The Hub 1989. Computer Network Music. Artifact 1002Google Scholar
, V. A. 2000. Clicks & Cuts. Mille Plateaux 8079Google Scholar

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