Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-45l2p Total loading time: 0 Render date: 2024-04-26T05:03:34.313Z Has data issue: false hasContentIssue false

B

Published online by Cambridge University Press:  24 November 2017

Julian Rushton
Affiliation:
University of Leeds
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Lacombe, Hervé, ‘Baden-Baden vu de Paris, ou Berlioz et ses compatriotes à Bade’, in Brzoska, Ein Franzose in Deutschland, 184–96Google Scholar
Schmusch, Rainer, ‘Das französische Repertoire in Baden-Baden zur Zeit von Berlioz’, in Brzoska, Ein Franzose in Deutschland, 196220Google Scholar
Schmusch, Rainer and Draheim, Joachim (eds.), Hector Berlioz in Baden-Baden (Baden-Baden: Stadt Baden-Baden, 2003)Google Scholar
Maretzek, Max, Sharps and Flats (New York: American Musician Publishing Co., 1890), cited RoseBR, 160–2Google Scholar
Rétat, Claude, ‘Musique et mystères: l’Orphée de Ballanche’, in Ramaut, Alban and Saby, Pierre (eds.), D’un Orphée, l’autre: 1762–1859 … Métamorphoses d’un mythe (Presses universitaires de Saint-Étienne, 2014), 141–58Google Scholar
Barzun, , Berlioz and the Romantic Century, Vol. ii, 70, 94Google Scholar
Bloom, Peter, ‘Berlioz et ses biographes’, in Ramaut, Regards sur un dauphinois fantastique, 5372Google Scholar
Murray, Michael (ed.), A Jacques Barzun Reader (New York: HarperCollins, 2002)Google Scholar
Murray, Michael, Jacques Barzun: Portrait of a Mind (Savanna: Frederic C. Bell, 2011)Google Scholar
Weiner, Dora B. and Keylor, William R. (eds.), From Parnassus: Essays in Honour of Jacques Barzun (New York: Harper & Row, 1977)Google Scholar
Harper-Scott, J. P. E., ‘Berlioz, Love, and Béatrice et Bénédict’, 19th-CM 39/1 (2015), 334Google Scholar
Rushton, Julian, ‘Berlioz’s swan-song: towards a criticism of Béatrice et Bénédict’, Proceedings of the Royal Musical Association 109 (1982), 105–18Google Scholar
Mellers, Wilfrid, with Harman, Alec and Milner, Anthony, Man and His Music. The Story of Musical Experience in the West, Vol. 3 (London: Barrie and Rockliff, 1962)Google Scholar
Bloom, Peter (ed.), Hector Berlioz, Benvenuto Cellini. Dossier de Presse parisienneGoogle Scholar
Charlton, David, ‘Benvenuto Cellini’, in the chapter ‘Grand Opéra’ in Abraham, Gerald (ed.), Romanticism, 1830–1890: New Oxford History of Music, IX (Oxford University Press, 1990)Google Scholar
Cormack, Fiona (ed.), ‘English reviews of Benvenuto Cellini’, in Voyager, 265301Google Scholar
Dideriksen, Gabriela, ‘Benvenuto Cellini and the Politics of Opera Production in Mid-Victorian London’, in Voyager, 4465Google Scholar
Hibberd, Sarah, ‘Berlioz’s Waterloo? Benvenuto Cellini in London’, in Voyager, 6679Google Scholar
L’Écuyer, Sylvia, ‘Joseph d’Ortigue’s “Autopsy” of Benvenuto Cellini’, in BloomPPF, 5975Google Scholar
Wild, Nicole and Charlton, David, Théâtre de l’Opéra-Comique, Paris. Répertoire 1762–1972 (Sprimont: Mardaga, 2005)Google Scholar
Fauquet, Joël-Marie, Les Sociétés de musique de chambre à Paris de la Restauration à 1870 (Paris: Aux Amateurs de Livres, 1986), 215Google Scholar
Macdonald, Hugh, ‘Berlioz’s Messe solennelle’, 19th-CM 16 (1993), 267–85Google Scholar
Gétreau, Florence, Aux origines du Musée de la Musique: les collections instrumentales du Conservatoire de Paris. 1793–1993 (Paris: Klincksieck/Réunion des Musées Nationaux, 1996)Google Scholar
Hausfater, Dominique, ‘Hector Berlioz fonctionnaire’, in Bongrain, Anne (ed.), Berlioz 2003. Contributions du Conservatoire national supérieur de musique et de danse de Paris aux célébrations du bicentenaire de la naissance d’Hector Berlioz (Paris: CNSMDP, 2003), 47–5Google Scholar
Bloom, Peter, ‘Biographies de Berlioz’ (DB); ‘Berlioz et ses biographes’, in Ramaut, Regards sur un dauphinois fantastique, 5372Google Scholar
Grunfeld, Frederic V., ‘“Not two flutes, you scoundrels! Two piccolos! Two piccolos! Oh, what brutes!”’, in Horizon XII/4 (1970), 102–11Google Scholar
Lacombe, Hervé, Georges Bizet (Paris: Fayard, 2000)Google Scholar
Wright, Lesley, ‘Berlioz’s Impact in France’, in BloomC, 251–68Google Scholar
Halsall, Albert, Victor Hugo and the Romantic Drama (University of Toronto Press, 1988)Google Scholar
Kuzma, Marika, ‘Bortnyans’ky’, in TNG Vol. 4: 43–5Google Scholar
Bloom, Peter, ‘Berlioz et ses biographes’, in Ramaut, Regards sur un dauphinois fantastique, 5372Google Scholar
Bourgault-Ducoudray, Louis-Albert, ‘Berlioz (souvenirs intimes)’, in Le Conseiller des dames et des demoiselles (1 Feb. 1886)Google Scholar
Mussat, Marie-Claire, ‘Bourgault-Ducoudray’, in Fauquet, Joël-Marie (ed.), Dictionnaire de la musique en France au XIXe siècle (Paris: Fayard, 2003)Google Scholar
Avins, Styra (ed.), Johannes Brahms: Life and Letters (trans. Avins, S. and Eisinger, J.) (Oxford University Press, 1997)Google Scholar
Clive, Peter, Brahms and His World: A Biographical Dictionary (Lanham, MD: Scarecrow, 2006)Google Scholar
Harten, Uwe, Anton Bruckner. Ein Handbuch (Salzburg and Vienna: Residenz Verlag, 1996)Google Scholar
Eckhardt, Mária, ‘Berlioz’ Ungarnbesuch 1846’, Studia Musicologica Academiae Scientiarum Hungaricae, XLVI/1–2 (2005), 157–74Google Scholar
Birkin, Kenneth, Hans von Bülow: A Life for Music (New York: Cambridge University Press, 2011)Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • B
  • Edited by Julian Rushton, University of Leeds
  • Book: The Cambridge Berlioz Encyclopedia
  • Online publication: 24 November 2017
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • B
  • Edited by Julian Rushton, University of Leeds
  • Book: The Cambridge Berlioz Encyclopedia
  • Online publication: 24 November 2017
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • B
  • Edited by Julian Rushton, University of Leeds
  • Book: The Cambridge Berlioz Encyclopedia
  • Online publication: 24 November 2017
Available formats
×