This article develops Brecht’s anti-metaphysical and materialist ethics through a close reading of “The Great Method,” a short text from his Me-ti that, in just three sentences, articulates a code of conduct for the revolutionary struggle. This article tries to show that even though “The Great Method” is based on the dialectics of Hegel, Marx, and Lenin, it also reflects Brecht’s interest in classical Chinese thought, in particular the Taoist notion of a subject’s full immersion in the situation requiring an ethical decision (Zhuangzi) and the assumption of an “efficacy that stems from disposition” (François Jullien), which, for example, underpins Brecht’s insistence on linguistic precision and use of modelbooks. This article also emphasizes the central role of production for Brecht’s ethics: “The Great Method” aims to unleash the human potential for productivity in all its forms, beyond capitalism, but is less interested in the production of things than in the production of change in things.