Book contents
- Frontmatter
- Contents
- Foreword
- Preface
- Acknowledgements
- Part One Context
- Part Two 1793–9
- Part Three 1800–1803
- Part Four 1804–9
- chapter 15 1804–6 In the wake of Fidelio
- chapter 16 1806 Three String Quartets, op. 59 (Razumovsky)
- chapter 17 1807–8 Cello Sonata in A major, op. 69
- chapter 18 1808 Two Piano Trios, op. 70
- chapter 19 1809 String Quartet in E flat major, op. 74 (Harp)
- Part Five 1810–15
- Part Six 1816–27
- Appendix 1 Early Chamber Music for Strings and Piano
- Appendix 2 Variations
- Appendix 3 Chamber Music for Wind
- Appendix 4 Arrangements
- Bibliography
- Index of Beethoven's Music by Opus Number
- Beethoven Index
- General Index
chapter 19 - 1809 String Quartet in E flat major, op. 74 (Harp)
from Part Four - 1804–9
Published online by Cambridge University Press: 28 April 2017
- Frontmatter
- Contents
- Foreword
- Preface
- Acknowledgements
- Part One Context
- Part Two 1793–9
- Part Three 1800–1803
- Part Four 1804–9
- chapter 15 1804–6 In the wake of Fidelio
- chapter 16 1806 Three String Quartets, op. 59 (Razumovsky)
- chapter 17 1807–8 Cello Sonata in A major, op. 69
- chapter 18 1808 Two Piano Trios, op. 70
- chapter 19 1809 String Quartet in E flat major, op. 74 (Harp)
- Part Five 1810–15
- Part Six 1816–27
- Appendix 1 Early Chamber Music for Strings and Piano
- Appendix 2 Variations
- Appendix 3 Chamber Music for Wind
- Appendix 4 Arrangements
- Bibliography
- Index of Beethoven's Music by Opus Number
- Beethoven Index
- General Index
Summary
The year 1809 began well for Beethoven. The legal contract designed to provide him with an annual income for life, which had been initiated by Baron Gleichenstein and Countess Erdödy, was agreed on 26 February and signed by three of Beethoven's young patrons, Archduke Rudolph, Prince Kinsky and Prince Lobkowitz:
The daily proofs which Herr Ludwig van Beethoven is giving of his extraordinary talents as a musician and composer awaken the desire that he surpass the great expectations which are justified by his past achievements. But as it has been demonstrated that only one who is as free from care as possible can … create works of magnitude which are exalted and which ennoble art, the undersigned have decided to place Herr Ludwig van Beethoven in a position where the necessaries of life shall not cause him embarrassment or clog his powerful genius.
Enemy occupation and the death of Haydn
Six weeks later, on 9 April 1809, Austria declared war on France for the third time, only to be defeated yet again after a series of disastrous battles. The imperial family, including Archduke Rudolph, left Austria on 4 May for the safety of Hungary, inspiring Beethoven to compose the affectionate first movement of the Piano Sonata in E flat major, op. 81a, Das Lebewohl (Farewell), which he completed after the Archduke returned the following year. The French were quick to lay siege to Vienna; the bombardment of the city was at times so severe that ‘rich and poor, high and low, young and old … found themselves crowded indiscriminately in cellars and fireproof vaults.’ Beethoven ‘spent the greater part of the time in a cellar in the house of his brother, Carl, where he covered his head with pillows so as not to hear the cannons’, and also, no doubt, to protect his hearing.
In another part of the city a cannon-ball landed in the courtyard of Haydn's house, and throughout the day there was shooting from a fortress close by. Although ‘our good Papa composed himself a bit’, wrote Johann Essler, Haydn's faithful servant and copyist, ‘his nerves were hit too hard … his whole body sank.’
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- Information
- Beethoven's Chamber Music in Context , pp. 177 - 184Publisher: Boydell & BrewerPrint publication year: 2010