Skip to main content Accessibility help
×
Home
  • Print publication year: 2017
  • Online publication date: August 2017

Select Bibliography

Adorno, Theodor W.Commitment’. Translated by McDonagh, Francis. New Left Review I, 8788 (1974): 7589.
Adorno, Theodor W. Notes sur Beckett. Translated by David, Christophe. Caen: Nous, 2008.
Adorno, Theodor W.Trying to Understand Endgame’. Translated by Jones, Michael T.. New German Critique 26 (1982): 119–50.
Adorno, Theodor W. Boehlich, Walter, Esslin, Martin, Falkenberg, Hans-Geert and Fischer, Ernst. ‘“Optimistisch zu denken ist kriminell”: Eine Fernsehdiskussion über Samuel Beckett’. Frankfurter Adorno Blätter 3 (1994): 78122.
Badiou, Alain. On Beckett, edited by Power, Nina and Toscano, Alberto. Manchester: Clinamen, 2003.
Bair, Deirdre. Samuel Beckett: A Biography. London: Jonathan Cape, 1978.
Barry, Elizabeth. ‘Beckett, Bourdieu and the Resistance to Consumption’. Modernist Cultures 2, no. 1 (2010): 3141.
Barry, Elizabeth. ‘Translating Nationalism: Ireland, France and Military History in Beckett's Mercier et Camier’. Irish Studies Review 13, no. 4 (2005): 505–15.
Bixby, Patrick. ‘The Ethico-Politics of Homo-ness: Beckett's How It Is and Casement's Black Diaries’. Irish Studies Review 20, no. 3 (2012): 243–61.
Bixby, Patrick. Samuel Beckett and the Postcolonial Novel. Cambridge: Cambridge University Press, 2009.
Blackman, Jackie. ‘Beckett Judaizing Beckett: A “Jew from Greenland” in Paris’. Samuel Beckett Today/Aujourd'hui 18 (2007): 325–40.
Boxall, Peter. ‘Samuel Beckett: Towards a Political Reading’. Irish Studies Review 10, no. 2 (2002): 159–70.
Boxall, Peter. Since Beckett: Contemporary Writing in the Wake of Modernism. London: Continuum, 2009.
Boxall, Peter. ed. Beckett/Aesthetics/Politics. Special section of Samuel Beckett Today/Aujourd'hui 9 (2000): 207–94.
Bradby, David. Beckett: Waiting for Godot. Cambridge: Cambridge University Press, 2001.
Casanova, Pascale. Samuel Beckett: Anatomy of a Literary Revolution. Translated by Elliott, Gregory. London: Verso, 2006.
Casanova, Pascale. The World Republic of Letters. Translated by DeBevoise, M. B.. Cambridge, MA: Harvard University Press, 2004.
Craig, George, Fehsenfeld, Martha Dow, Gunn, Dan and Overbeck, Lois More, eds. The Letters of Samuel Beckett, vol. 2: 1941–1956. Cambridge: Cambridge University Press, 2011.
Craig, George, Fehsenfeld, Martha Dow, Gunn, Dan and Overbeck, Lois More, The Letters of Samuel Beckett, vol. 3: 1957–1965. Cambridge: Cambridge University Press, 2014.
Craig, George, Fehsenfeld, Martha Dow, Gunn, Dan and Overbeck, Lois More, The Letters of Samuel Beckett, vol. 4: 1966–1989. Cambridge: Cambridge University Press, 2016.
Cronin, Anthony. Samuel Beckett: The Last Modernist. 1996. London: Flamingo, 1997.
Dow Fehsenfeld, Martha, and Overbeck, Lois More, eds. The Letters of Samuel Beckett, vol. 1: 1929–1940. Cambridge: Cambridge University Press, 2009.
Duerfahrd, Lance. The Work of Poverty: Samuel Beckett's Vagabonds and the Theater of Crisis. Columbus: Ohio State University Press, 2013.
Eagleton, Terry. Heathcliff and the Great Hunger: Studies in Irish Culture. London: Verso, 1995.
Eagleton, Terry. ‘Political Beckett?’ New Left Review 40 (2006): 6774.
Elam, Keir. ‘Catastrophic Mistakes: Beckett, Havel, the End’. Samuel Beckett Today/Aujourd'hui 3 (1994): 128.
Engelberts, Matthijs. ‘Théâtre et oppression dans Catastrophe de Samuel Beckett: Réflexivité moderniste et référence politique’. Revue d'histoire du théâtre 50 (1998): 169–90.
Feldman, Matthew. Beckett's Books: A Cultural History of Samuel Beckett's ‘Interwar Notes’. London: Continuum, 2006.
Fischer, Ernst. Art against Ideology. Translated by Bostock, Anna. London: Allen Lane, Penguin Press, 1969.
Fox, Michael David. ‘“There's Our Catastrophe”: Empathy, Sacrifice, and the Stageing of Suffering in Beckett's Theatre’. New Theatre Quarterly 17, no. 4 (2001): 357–72.
Friedman, Alan Warren, ed. Beckett in Black and Red: The Translations for Nancy Cunard's Negro (1934). Lexington: University Press of Kentucky, 2000.
Füger, Wilhelm. ‘The First Berlin Godot: Beckett's Debut on the German Stage’. Samuel Beckett Today/Aujourd'hui 11 (2001): 5763.
Gaffney, Phyllis. ‘Dante, Manzoni, De Valera, Beckett …? Circumlocutions of a Storekeeper: Beckett and Saint-Lô’. Irish University Review 29, no. 2 (1999): 256–80.
Gaffney, Phyllis. ‘Neither Here nor There: Ireland, Saint-Lô, and Beckett's First Novel in French’. Journal of Beckett Studies 9, no. 1 (1999): 126.
Gibson, Andrew. ‘Beckett, de Gaulle and the Fourth Republic 1944–49: L'Innommable and En attendant Godot’. Limit(e) Beckett 1 (2010). http://www.limitebeckett.paris-sorbonne.fr/.
Gibson, Andrew. ‘Beckett, Vichy, Maurras, and the Body: Premier amour and Nouvelles’. Irish University Review 45, no. 2 (2015): 281301.
Gibson, Andrew. ‘Franco-Irish Beckett: Mercier et Camier in 1945–6’. In Samuel Beckett: Debts and Legacies, edited by Fifield, Peter and Addyman, David, 1938. London: Bloomsbury, 2013.
Gibson, Andrew. Samuel Beckett. London: Reaktion, 2009.
Golden, Sean. ‘Familiars in a Ruinstrewn Land: Endgame as Political Allegory’. Contemporary Literature 22, no. 4 (1981): 425–55.
Gontarski, S. E., ed. The Edinburgh Companion to Samuel Beckett and the Arts. Edinburgh: Edinburgh University Press, 2014.
Gordon, Lois. The World of Samuel Beckett, 1906–1946. New Haven: Yale University Press, 1996.
Hansen, Jim. ‘Samuel Beckett's Catastrophe and the Theater of Pure Means’. Contemporary Literature 49, no. 4 (2008): 660–82.
Hansen, Jim. Terror and Irish Modernism: The Gothic Tradition from Burke to Beckett. Albany: SUNY Press, 2009.
Harmon, Maurice, ed. No Author Better Served: The Correspondence of Samuel Beckett and Alan Schneider. Cambridge, MA: Harvard University Press, 1998.
Harrington, John. The Irish Beckett. Syracuse, NY: Syracuse University Press, 1991.
Hill, Leslie. ‘“Up the Republic!”: Beckett, Writing, Politics’. MLN 112, no. 5 (1997): 909–28.
Houston Jones, David. Samuel Beckett and Testimony. Basingstoke: Palgrave Macmillan, 2011.
Huber, Werner. ‘Godot, Gorba, and Glasnost: Beckett in East Germany’. Samuel Beckett Today/Aujourd'hui 2 (1993): 4958.
Katz, Daniel. ‘What Remains of Beckett: Evasion and History’. In Beckett and Phenomenology, edited by Maude, Ulrika and Feldman, Matthew, 144–57. London: Continuum, 2009.
Kennedy, Seán, ed. Beckett and Ireland. Cambridge: Cambridge University Press, 2010.
Kennedy, Seán, ed. Historicising Beckett. Special section of Samuel Beckett Today/Aujourd'hui (2015): 21131.
Kennedy, Seán, and Weiss, Katherine, eds. Samuel Beckett: History, Memory, Archive. New York: Palgrave Macmillan, 2009.
Kiberd, Declan. Inventing Ireland: The Literature of the Modern Nation. London: Vintage, 1996.
Knowlson, James. Damned to Fame: The Life of Samuel Beckett. London: Bloomsbury, 1996.
Knowlson, James. and Haynes, John. Images of Beckett. Cambridge: Cambridge University Press, 2003.
Haynes, John. and Knowlson, Elizabeth, eds. Beckett Remembering/Remembering Beckett. New York: Arcade Publishing, 2006.
Kubiak, Anthony. Stages of Terror: Terrorism, Ideology, and Coercion as Theatre History. Bloomington: Indiana University Press, 1991.
Lamont, Rosette C.Crossing the Iron Curtain: Political Parables’. In Beckett Translating/Translating Beckett, edited by Friedman, Alan Warren, Rossman, Charles and Sherzer, Dina, 7784. University Park: Pennsylvania State University Press, 1987.
Lamont, Rosette C.Samuel Beckett's Wandering Jew’. In Reflections of the Holocaust in Literature, edited by Braham, Randolph L., 3553. Boulder, CO: Social Science Monographs, 1990.
Libera, Antoni. ‘Beckett's Catastrophe’. Modern Drama 28, no. 3 (1985): 341–7.
Lloyd, David. Anomalous States: Irish Writing and the Postcolonial Moment. Dublin: Lilliput Press, 1993.
Lloyd, David. Irish Culture and Colonial Modernity 1800–2000: The Transformation of Oral Space. Cambridge: Cambridge University Press, 2011.
McCormack, W. J.Samuel Beckett and the Negro Anthology’. Hermathena (1992): 7392.
McMullan, Anna. ‘Irish/Postcolonial Beckett’. In Palgrave Advances in Samuel Beckett Studies, edited by Oppenheim, Lois, 89109. Basingstoke: Palgrave Macmillan, 2004.
McNaughton, James. ‘Samuel Beckett's “Echo's Bones”: Politics and Entailment in the Irish Free State’. Modern Fiction Studies 60, no. 2 (2014): 320–44.
Miller, Tyrus. ‘Beckett's Political Technology: Expression, Confession, and Torture in the Later Drama’. Samuel Beckett Today/Aujourd'hui 9 (2000): 255–78.
Miller, Tyrus. ‘Dismantling Authenticity: Beckett, Adorno, and the “Post-War”’. Textual Practice 8, no. 1 (1994): 4357.
Mooney, Sinéad. A Tongue Not Mine: Beckett and Translation. Oxford: Oxford University Press, 2011.
Moorjani, Angela. ‘Beckett's Molloy in the French Context’. Samuel Beckett Today/Aujourd'hui 25 (2013): 93108.
Morin, Emilie. ‘Beckett, Samuel Johnson and the “Vacuity of Life”’. Beckett/Philosophy, edited by Feldman, Matthew and Mamdani, Karim, spec. issue, Sofia Philosophical Review 5, no. 1 (2011): 228–50.
Morin, Emilie. Samuel Beckett and the Problem of Irishness. Basingstoke: Palgrave Macmillan, 2009.
Morin, Emilie. ‘Samuel Beckett, the Wordless Song and the Pitfalls of Memorialisation’. Irish Studies Review 19, no. 2 (2011): 185205.
Morresi, Renata. Nancy Cunard: America, modernismo, negritudine. Urbino: Edizione QuattroVenti, 2007.
Murphy, David. ‘“I Was Terribly Frightened at Times”: Irish Men and Women in the French Resistance and F Section of SOE, 1940–5’. In Franco-Irish Military Connections, 1590–1945, edited by Genet-Rouffiac, Nathalie and Murphy, David, 269–94. Dublin: Four Courts, 2009.
Murphy, David. ‘Paddy fait de la résistance. Les Irlandais dans la Résistance française et la section F du SOE, 1940–1945’. Revue historique des armées 253 (2008), http://rha.revues.org/.
Nixon, Mark. ‘Chronology of Beckett's Journey to Germany 1936–1937 (Based on the German Diaries)’. Journal of Beckett Studies 19, no. 2 (2010): 245–72.
Nixon, Mark. Samuel Beckett's German Diaries, 1936–1937. London: Continuum, 2011.
Nixon, Mark. ed. Publishing Samuel Beckett. London: British Library, 2011.
Nixon, Mark. and Feldman, Matthew, eds. The International Reception of Samuel Beckett. London: Continuum, 2009.
O'Reilly, Edouard Magessa, ed. Comment c'est/How It Is and/et L'Image: A Critical-Genetic Edition. By Beckett, Samuel. New York: Routledge, 2001.
Oppenheim, Lois. ‘Playing with Beckett's Plays: On Sontag in Sarajevo and Other Directorial Infidelities’. Journal of Beckett Studies 4, no. 2 (1995): 3546.
Pearson, Nels C.“Outside of Here It's Death”: Co-Dependency and the Ghosts of Decolonization in Beckett's Endgame’. ELH 68, no. 1 (2001): 215–39.
Perloff, Marjorie. ‘“In Love with Hiding”: Samuel Beckett's War’. Iowa Review 35, no. 1 (2005): 76103.
Piette, Adam. ‘Torture, Text, Human Rights: Beckett's Comment c'est/How It Is and the Algerian War’. In Around 1945: Literature, Citizenship, Rights, ed. Hepburn, Allan, 151–74. Montreal: McGill-Queen's University Press, 2016.
Pilling, John. Beckett's Dream Notebook. Reading: Beckett International Foundation, 1999.
Pilling, John. A Samuel Beckett Chronology. Basingstoke: Palgrave Macmillan, 2006.
Quigley, Mark. Empire's Wake: Postcolonial Irish Writing and the Politics of Modern Literary Form. New York: Fordham University Press, 2013.
Rabillard, Sheila. ‘The Body in Beckett: Dénégation and the Critique of a Depoliticised Theatre’. Criticism 34, no. 1 (1992): 99118.
Roach, Joseph. ‘“All the Dead Voices”: The Landscape of Famine in Waiting for Godot’. In Land/Scape/Theater, edited by Fuchs, Elinor and Chaudhuri, Una, 8493. Ann Arbor: University of Michigan Press, 2002.
Ronen, Ilan. ‘Waiting for Godot as Political Theater’. In Directing Beckett, edited by Oppenheim, Lois, 239–49. Ann Arbor: University of Michigan Press, 1994.
Roof, Judith A.Staging the Ideology behind the Power: Pinter's One for the Road and Beckett's Catastrophe. Pinter Review 2, no 1 (1988): 818.
Sandarg, Robert. ‘A Political Perspective on Catastrophe. In Make Sense Who May: Essays on Samuel Beckett's Later Works, edited by Davis, Robin J. and Butler, Lance St John, 137–44. Gerrards Cross: Colin Smythe, 1988.
Schonmann, Shifra. ‘Between Text and Counter-Text: Theatre in Search of Political Meaning’. Contemporary Theatre Review 3, no. 2 (1995): 171–80.
Sheehan, Paul. ‘Waiting for Nothing: Commitment, Resistance, and Godot's Underground Ancestry’. In In Dialogue with Godot: Waiting and Other Thoughts, edited by Ghosh, Ranjan, 99112. Lanham, MD: Lexington, 2013.
Simonin, Anne. Les Editions de Minuit, 1942–1955: Le devoir d'insoumission. Paris: IMEC, 2008.
Smith, Russell, ed. Beckett and Ethics. London: Continuum, 2008.
Stacey, Sarah Alyn. ‘Patria non immemor: Ireland and the Liberation of France’. In Southern Ireland and the Liberation of France: New Perspectives, edited by Morgan, Gerald and Hughes, Gavin, 122. Bern: Peter Lang, 2011.
Stonebridge, Lyndsey. Placeless People: Rights, Writing and Refugees. Oxford: Oxford University Press, 2018.
Sussman, Henry, and Devenney, Christopher, eds. Engagement and Indifference: Beckett and the Political. Albany: SUNY Press, 2001.
Tophoven, Erika. Becketts Berlin. Berlin: Nicolaische Verlagsbuchhandlung, 2005.
Uhlmann, Anthony. Beckett and Poststructuralism. Cambridge: Cambridge University Press, 1999.
Weisberg, David. Chronicles of Disorder: Samuel Beckett and the Cultural Politics of the Modern Novel. Albany: SUNY Press, 2000.
Ulin, Julieann. ‘“Buried! Who would have buried her?”: Famine “Ghost Graves” in Samuel Beckett's Endgame’. In Hungry Words: Images of Famine in the Irish Canon, edited by Cusack, George and Gross, Sarah, 197222. Dublin: Irish Academic Press, 2006.
Wills, Clair. That Neutral Island: A Cultural History of Ireland during the Second World War. London: Faber, 2007.