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Chapter 37 - Creto-Mycenaean Glyptic in LM II/LH IIB–IIIA1

from Part VI - Aegean Art in the Final Palatial Period of Knossos

Published online by Cambridge University Press:  19 May 2022

Jean-Claude Poursat
Affiliation:
University of Clermont-Ferrand
Carl Knappett
Affiliation:
University of Toronto
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Summary

Signet rings and seals become, in tholoi and chamber tombs, one of the principal indicators of the status of the deceased. It is sometimes difficult to determine exactly which products belong to this period. Pure Late Minoan (LM) II/Late Helladic (LH) IIB–IIIA1 contexts are rare, and the seals found in them could of course be antiques. Inversely, seals from this period could have been used later, until the end of the Mycenaean palaces, like those used to imprint a number of sealings (Figure 37.6) found in the Pylos palace (Pini 1997, 82–91). Furthermore, it is nearly impossible to distinguish between Minoan seals and Mycenaean ones: the Knossian workshops and those of the main Mycenaean centres use the same techniques and motifs, and the circulation of objects between Crete and mainland Greece prevents us from using provenance as a decisive criterion.

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Publisher: Cambridge University Press
Print publication year: 2022

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References

Further Reading

Becker, 2018: Becker, N., Die goldenen Siegelringe der Ägäischen Bronzezeit, Heidelberg.Google Scholar
Crowley, 2013: Crowley, J., The Iconography of Aegean Seals, Leuven and Liège.Google Scholar
Krzyszkowska, 2005: Krzyszkowska, O., Aegean Seals: An Introduction, London.Google Scholar
Younger, 1988: Younger, J., The Iconography of Late Minoan and Mycenaean Sealstones and Finger Rings, Bristol.Google Scholar

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