Not all the films that are made are the product of Hollywood. […] There are little fadistic art movies – studies in light and shade of a box of matches, or a prolonged camera attack on an afternoon of rain. There are films made obscurely without box-office appeal, by serious craftsmen who wish to experiment with the medium of pictures; wealthy amateurs who do symbolic stories out of the Bible; and amateur rookies who try their hand at direction with the Brooklyn Bridge as the cast. But the really important films, made outside the iron conines of Hollywood, are those produced by genuine film artists, seriously experimenting with the young technique of the camera, and the producers of the scattered films that attempt to portray American Labor Problems.