Skip to main content Accessibility help
×
Hostname: page-component-5c6d5d7d68-qks25 Total loading time: 0 Render date: 2024-08-19T11:10:32.049Z Has data issue: false hasContentIssue false

Koulsy Lamko Bintou Wéré: African Opera

Published online by Cambridge University Press:  24 November 2020

Get access

Summary

Bintou Wéré: African Opera by Koulsy Lamko has a journey that parallels in more ways than one, the journey of the people whose lives it chronicles. In both cases, the journeys are a response to a call from Europe. Prince Claus (founder of the eponymous fund) had what his son describes as a ‘wild idea’ – to fund and support the production of an Opera of the Sahel. Wild, because it appeared to be imposing a European structural form onto an already flourishing African creative world, and yet the idea itself raised numerous questions, not least of all would it even be possible? The response from the diverse group of people who made the opera happen was a resounding yes. In the same way that the large numbers of people who cross the Sahel every day in order to fashion an answer to their economic challenges make the journey their own, the opera was a collaborative effort that resulted in two intertwined stories; Bintou Wéré's story and the story of how the opera came into being. The ambitions of this project are reflected in the book which contains much more than the libretto. The three-part book is beautifully illustrated and interspersed with striking photographs of the productions that took place both on the African continent and in Europe. Part One covers the idea itself, Part Two introduces the reader to music in the Sahel, and Part Three the technical aspects of the libretto and production. The book usefully closes with biographies and a glossary. It also has opening and closing chapters written by key figures involved in the production – funders, dreamers and creatives.

Despite being both attractive to look at and engaging to read, there are structural aspects of the book that would have made it easier to navigate. Given the constant referrals about the length of time it took for the production to come into being, a standalone timeline would have helped to clarify the production process. Coupled with the artistic decision to eschew page numbers, the journey through the book (perhaps unintentionally) mimicked an outsider's journey across an unfamiliar desert landscape. It was not possible to fully appreciate the overall shape of the journey until reading the libretto which only comes right towards the end of the book.

Type
Chapter
Information
African Theatre 19
Opera & Music Theatre
, pp. 243 - 244
Publisher: Boydell & Brewer
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×