In 1885, the popular adventure novelist, G. A. Henty, urged his young readership to take pleasure in tales of war: ‘It is sometimes said that there is no good to be obtained from tales of fighting and bloodshed […]. Believe it not. War has its lessons as well as Peace’. This acknowledges the existence of a counterargument, that stories of war may not be ‘good’, while affirming the basis of his own writing and preparing boys for the willingness to sacrifice that would lead them into the First World War. This comment is made in the preface to Henty's St George for England, a novel that draws, as Morris does, on Froissart's stories of the Hundred Years' War. Henty goes on to praise the courage, chivalry and martial spirit of the fourteenth century and to lament their loss in the present. While the ideologies Henty espouses may be very different from Morris's, the underlying emphasis on the important qualities engendered by fighting and indeed, specifically, by tales of ancient fighting runs across such imperialist narratives as Henty's and the anticapitalism of Morris's work. Morris himself delights in tales of war and offers them in turn to his readers as a means both of pleasure and of personal and social transformation, as this book has argued.