Skip to main content Accessibility help
×
Hostname: page-component-7bb8b95d7b-wpx69 Total loading time: 0 Render date: 2024-09-07T10:14:51.540Z Has data issue: false hasContentIssue false

II.10 - Alexander Ross, Mystagogus poeticus (1648)

from PART II - Rhetoric and poetics

Published online by Cambridge University Press:  05 August 2016

William E. Engel
Affiliation:
University of the South, Sewanee, Tennessee
Rory Loughnane
Affiliation:
Indiana University–Purdue University, Indianapolis
Grant Williams
Affiliation:
Carleton University, Ottawa
Get access

Summary

About the author

Alexander Ross (1591–1654), patronised by Laud and chaplain to King James, wrote on biblical chronology and classical languages (including a Latin grammar in hexameter as an aid to memory). He defended Aristotle against Copernican views, quarrelling in print with among others Digby, Browne, Harvey and Hobbes.

About the text

Ross's Mel Heliconium: or Poetical Honey Gathered out of the Weeds of Parnassus (1642) was the basis for Mystagogus poeticus (1647), the first dictionary of mythology in English and the only such handbook arranged alphabetically. Ross prepared a second, enlarged edition almost immediately (1648), followed by four subsequent editions with double the number of entries and margin notes, making it more useful to university students than were the continental mythographies.

The arts of memory

Despite the apparent orderly presentation of etymologies and fables in each chapter, the interpretations proliferate, as if extemporaneously; Ross frequently interjects comments about princes, prelates and scholars. The classical figure under investigation serves as a background memory image upon which Ross fixes a range of salient points, made all the more memorable for his engaging exposition. This is a useful book not only for its mythological lore, but also as an extended lesson in how to read, organise and make sense of the world by using mnemonic techniques.

Textual notes

Alexander Ross, Mystagogus poeticus, or The Muses Interpreter (London, 1648), V4r–V6v.

Mystagogus poeticus

Musæ

The muses were the daughters of Jupiter and Mnemosyne; born in Pieria, they dwelt in Helicon, a hill of Bœotia and in Parnassus, a hill in Phocis, not far from Aonia; hence they were called Aonides. They were at first three, then seven, at last nine: Apollo was their guide, and the three Graces their attendants.[…]

The Interpreter

1. Osiris the Egyptian god (thought to be the same with Apollo) delighted much in music, but chiefly in the songs and playing of the nine virgins which for this cause he entertained: therefore they were called by the Greeks, muses.

Type
Chapter
Information
The Memory Arts in Renaissance England
A Critical Anthology
, pp. 138 - 140
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Mystagogus Poeticus, ed. Glenn, John R. (New York: Garland, 1987), introduction.
Engel DD, pp. 156ff.

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×