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Although ageing is personally relevant to many if not most gerontologists, a reflexive perspective is largely absent from gerontological scholarship. This paper employs duoethnography, a variant of autoethnography, to explore how experiences related to growing older have informed the authors' teaching and scholarship in the field of ageing. Duoethnography involves putting two autoethnographies into conversation, promoting dynamic self-understandings and generating new insights through dialogue. The co-authors first reflected on their journeys to date in the field, including on how the personification of ageing has shifted our perspective. Then we shared our narratives and made some initial revisions based on each other's feedback. Next, we collaboratively identified and discussed three broad, connective themes: the differing yet central role of gender in our narratives, teaching and generativity, and the pedagogical and personal challenges associated with ageism. Our reflections and dialogue deepened our understanding of these issues central to studying and teaching about ageing. The kind of reflective practice that we model could be a vital resource for bridging the gap between theory and practice, researcher and researched.
In 2001, King’s College London and Shakespeare’s Globe Theatre created a collaborative Shakespeare Studies Master’s degree programme – the first Master’s in Shakespeare Studies to be taught jointly by a university and a theatre – that has run for twenty years and continues to thrive. This chapter is an edited conversation between four of the academics who have taught on the degree programme – two based at King’s, two at the Globe – in which they address the unique nature of the Globe as a combined theatrical/educational organisation, the origins of the collaboration between King’s and the Globe, and the value it has brought to both partners. The conversation turns to the pedagogical value of the degree, the difference it has made not only intellectually but also to the employability of its alumni, and the impact it has had on the cultural sector in London and beyond. The participants also address the difference this collaboration between an experimental theatre and a university has made to the research orientation of the academics involved and, finally, they discuss the question of the reproducibility of the degree and the conditions that need to be in place for an educational collaboration of this kind to be sustained.
The contemporary Catholic Church finds itself in deep crisis as it questions which elements are essential to the Catholic faith, and which can be changed. Bringing a longue durée perspective to this issue, Michael Seewald historicizes the problem and investigates how theologians of the past addressed it in light of the challenges that they faced in their time. He explores the intense intellectual efforts made by theologians to explain how new components were added to Christian doctrine over time, and that dogma has always been subject to change. Acknowledging the historic cleavage between 'conservatives' who refer to tradition, and reformers, who formulate their arguments to address contemporary needs, Seewald shows that Catholic thought is intellectually expansive, enabling the Church to be transformed in order to meet the challenges of the present day. His book demonstrates how theology has dealt with the realization that there is a simultaneity of continuity and discontinuity in doctrinal matters.
Writing about serialism by its earliest practitioners tended to underline its evolutionary qualities, something made easier by the baroque and classical connections of early examples from the 1920s like Schoenberg’s Suite for Piano op. 25 and Wind Quintet op. 26. Such an emphasis did not prevent more conservative critics from condemning twelve-tone music as ‘mathematical’. But by the early 1950s, there was more cogent criticism from younger composers, claiming that Schoenberg and Berg had failed to understand the innovative implications of twelve-tone methods. Boulez and Stockhausen in Europe and Babbitt in the United States were among those who explored a more systematic, stylistically radical serialism. But in the later Stravinsky, and in Boulez’s music after 1970, this avant-garde spirit gave way to techniques that were able to make productive compromises with more traditional ideas about musical materials and structures; at the same time, writing about serialism turned increasingly pedagogical, offering academic models for analysis and composition.
This chapter highlights the reality that silence is a belittled construct. For many years, more scholars have suspected and denied silence than have embraced and understood it. The discussion recommends including silence in pedagogy to advance it. The discussion responds to some burning questions including why silence-inclusive pedagogy is needed and why it remains an underdeveloped area in the field, how silence has historically emerged as a theme and when silence research commenced, what makes silence such a debatable construct in language education, what has hindered collective scholarly efforts to consider silence in pedagogy, and finally, how the book is structured to present what it promises. The chapter also explains the title of the book, Silence in English Language Pedagogy. This title captures both imagination and reality – imagination because silence has yet to be a well-established component in pedagogy, at least until now; reality because the appeal for utilising the presence of silence in classroom teaching has been ongoing in the field for the past five decades.
Dairy calf welfare is a growing interest within the veterinary field. However, a limited understanding of the conception of calf welfare by dairy cattle veterinarians can hinder efforts to promote welfare improvements on farms. The aim of this study was to explore how focus groups can promote learning about dairy calf welfare issues among cattle veterinarians. Focus groups (n = 5), that collectively had 33 participants representing five Canadian provinces and different geographical regions, were conducted as part of a continuing education workshop for Canadian cattle veterinarians. Two trained individuals undertook exploratory data analyses using applied thematic analysis and adult learning theory to develop a codebook of the data and identify the main themes. There were three main themes about learning that emerged from guided peer-discussion: (i) defining a shared concept of animal welfare from the veterinary perspective to diagnose the problem; (ii) understanding the problems of calf welfare by self-examination and group reflection; and (iii) negotiating the best approach to address the problems through sharing of ideas on improving calf welfare, including strategies for addressing welfare problems. In conclusion, focus groups can facilitate animal welfare learning within the veterinary profession.
Anti-Racist Shakespeare argues that Shakespeare is a productive site to cultivate an anti-racist pedagogy. Our study outlines the necessary theoretical foundations for educators to develop a critical understanding of the longue durée of racial formation so that they can implement anti-racist pedagogical strategies and interventions in their classrooms. This Element advances teaching Shakespeare through race and anti-racism in order to expose students to the unequal structures of power and domination that are systemically reproduced within society, culture, academic disciplines, and classrooms. We contend that this approach to teaching Shakespeare and race empowers students not only to see these paradigms but also to take action by challenging and overturning them. This title is also available as Open Access on Cambridge Core.
For international lawyers seeking to promote compliance with international humanitarian law (IHL), some level of affective awareness is essential – but just where one might cultivate an understanding of emotions, and at which juncture of one's career, remains a mystery. This article proposes that what the IHL lawyers and advocates of the future need is an affect-based education. More than a simple mastery of a technical set of emotional intelligence skills, what we are interested in here is the refinement of a disposition or sensibility – a way of engaging with the world, with IHL, and with humanitarianism. In this article, we consider the potential for the Jean-Pictet Competition to provide this education. Drawing on our observations of the competition and a survey with 231 former participants, the discussion examines the legal and affective dimensions of the competition, identifies the precise moments of the competition in which emotional processes take place, and probes the role of emotions in role-plays and simulations. Presenting the Jean-Pictet Competition as a form of interaction ritual, we propose that high “emotional energy” promotes a humanitarian sensibility; indeed, participant interactions have the potential to re-constitute the very concept of humanitarianism. We ultimately argue that a more conscious engagement with emotions at competitions like Pictet has the potential to strengthen IHL training, to further IHL compliance and the development of IHL rules, and to enhance legal education more generally.
This chapter by the volume editors provides an overview of the volume and its relationship with the global and U. S. Feminist Judgments Projects. It explains how cases were selected and the parameters were provided to authors and commentators. The introductory chapter also identifies common themes and feminist methods in the rewritten opinions and locates this work in the context of larger concerns about gender equality and justice.
In this book, Benjamin Wold builds on recent developments in the study of early Jewish wisdom literature and brings it to bear on the New Testament. This scholarship has been transformed by the discovery at Qumran of more than 900 manuscripts, including Hebrew wisdom compositions, many of which were published in critical editions beginning in the mid-1990s. Wold systematically explores the salient themes in the Jewish wisdom worldview found in these scrolls. He also presents detailed commentaries on translations and articulates the key debates regarding Qumran wisdom literature, highlighting the significance of wisdom within the context of Jewish textual culture. Wold's treatment of themes within the early Jewish and Christian textual cultures demonstrates that wisdom transcended literary form and genre. He shows how and why the publication of these ancient texts has engendered profound shifts in the study of early Jewish wisdom, and their relevance to current controversies regarding the interpretation of specific New Testament texts.
Tolstoy occupies an important but often overlooked place in the development of educational thought, situated between the German pedagogical revolution of the eighteenth century and the proliferation of alternative education movements in the twentieth. Although initially inspired by the philosophy of Jean-Jacques Rousseau, Tolstoy’s educational experiments heralded a novel turn by rejecting educational theory as a foundation for the curriculum altogether. For applying any philosophy of education from above would unjustly impose and interfere with the lives of the Russian people. Instead, Tolstoy set out to facilitate the creation of the peasants’ own approach to schooling through dialogue with his pupils. This radical method has a close relationship with the development of Tolstoy’s literature and philosophy. His educational thought was well ahead of his time, and many of the ethical concerns he raised about mass education are still of pressing import.
This chapter examines two commencement ceremony performances that explored the political implications of Haitian independence, one by two white Dartmouth students in 1804, and the other two decades later by Bowdoin College’s first black graduate. In these acts, Americans dramatized Haiti’s founding fathers and its emerging democracy while incorporating Haiti into performances of pedagogy and credentialing central to the American national imaginary.
This chapter explores Hughes’s investments in and invocation of foreign language teaching. It reads his 1925 Crisis poem, “To a Negro Jazz Band in a Parisian Cabaret,” as a spectacularly unsuccessful foreign language lesson that rejoices in the failure of language countability and acquisition. By casting doubt on the viability of language mastery, the poem opens a space for nonnormative, emergent, and playful communication that responds to and cultivates environments that defy neat national and linguistic arrangements. In so doing, it anticipates a model of language instruction that present-day theorists of English Composition have termed a translingual approach, a social justice model that privileges the language habits and contexts of people who have typically been ignored, if not denigrated, in composition classrooms. This chapter uses this model to think through how “Negro Jazz Band” defunds projects of elitist, multilingual proficiency and replaces them with emancipatory, translingual play.
This is an introduction to the Special Issue on ‘Contextual Legal Pedagogy’. It introduces the themes of the Special Issue and offers summaries of the papers in the collection. The introduction considers whether, and how, contextual legal pedagogy can still be radical, and how addressing pedagogical issues also necessarily involves addressing vital theoretical issues.
The need to engage students in thinking about the politics of law, especially in a time of escalating climate and other crises, is increasingly urgent. In this paper, we discuss a series of place-based teaching strategies designed to foster critical legal thinking, but also hope and a sense of agency. Inspired by a range of scholars – Bruno Latour, Doreen Massey, Henry Giroux and J.K. Gibson-Graham – we use context in an effort to cultivate what Giroux calls ‘educated hope’. Our starting point is what the law does (and also what law does not do and what it could do), not what the law is. Instead of taking a field of law and then using examples to illustrate how it works in context, we discuss three courses that start with the context of a particular place. Our courses cover a range of laws that work together to shape that place, spanning multiple fields, and emphasise their peopled and place-based specificity. After discussing teaching and assessment strategies that we have found productive, we reflect on implications beyond our courses, and the potential for broader place-based legal pedagogies.
In this paper, we begin reflecting on how ‘futures literacy’ – recently championed by UNESCO as a vital skill that allows people to better understand the role of the future in what they see and do – might be developed in environmental law pedagogy. Law and legal analysis tend to be absent from futures scholarship and we discuss various ways of engaging with environmental law as an important but underexplored site and means of future-making. We consider our shared teaching of an undergraduate module in which students examine historical legislation for what it says about past ideas of the environment's future and the action within the law necessary to safeguard it; and contemporary texts, including science fiction and poetry, imagining a future for the environment on and through which law operates. Futures literacy, we argue, is at its richest when ‘historical futures’ and ‘future futures’ are read together, or alongside one another.
Legal theory must not merely describe our world; it must also assist us acting in it. In this paper, I argue that teaching legal theory should show law students how to do things with legal theory. My pedagogical approach is contextual and historical. Students learn how to use theory by seeing how past jurists acted in their particular worlds by changing dominant concepts of law. Most introductory legal theory courses are organised by what I will call the usual story of jurisprudence. In this story, great thinkers in rival schools of legal thought attempt to answer perennial questions about the nature of (the concept of) law. In this story, the thick context of our world recedes beyond the horizon of theory. I argue that critical genealogy can let us critique this usual story and its unspoken assumptions of morality, politics and history. Amia Srinivasan's account of ‘worldmaking’ is especially compelling in its emphasis on critical genealogies’ capacity to transform our representational practices (and thus open up new possibilities for action). Critical genealogy also has certain pedagogical ‘uses and advantages’ for teaching legal theory in law schools. Here, context is method. The teacher must defend their political choices of context – choices that are naturalised and so beyond critique in the usual story of jurisprudence. By making these choices explicit, students are invited to both challenge the teacher's choices of context and critique their own common law education. This pedagogical approach also encourages students to experiment in ‘worldmaking’ themselves, and so cultivate a creative capacity to use legal theory to change the world through transforming their representations of it.
This essay takes up the question of what it is to teach international law ‘in context’, drawing on experiences of teaching undergraduate survey courses in the US and UK, and designing a new LLM module on Histories of International Law. The essay begins with an exploration of teaching as a particular context of its own – one with constraints which might also function as foils for creativity. It then sketches some aspects of what teaching international law ‘in context(s)’ might involve, including the ways in which contexts of different kinds put in question one's theory of law, and vice versa. It turns, finally, to an examination of the promise and limits of interdisciplinarity – particularly recourse to history as a discipline – in illuminating contexts.
Across scholarship and legal practice, family law is widely recognised as a subject that is inextricable from the social and cultural forces that shape our understanding of how families work and how they are positioned within society. This paper argues that it is now time to build upon this by integrating an explicit awareness of political context into how we teach family law. This is because teachers of family law are now faced with an urgent challenge: the encroachment of neoliberal governance into all corners of family justice. Neoliberal ideas are far from new, but they are increasingly shaping dominant ideas about what family law is for, who should be entitled to use it and, even in some circumstances, questioning the very legitimacy of family law or legal processes as means for supporting families experiencing breakdown. In response to this challenge, this paper advocates the importance of guiding students to look beyond family law doctrine in order to consider how political initiatives, trends and debates have the power to shape the procedures and processes through which family disputes are resolved. It will argue that drawing this contextual awareness into family law studies is crucially important to ensure that the future development of family law as both a scholarly discipline and an area of practice is centred on the needs and lived experiences of families who need it.
Scores of women feel excluded from Shakespeare Studies because the sound of this field (whether it is academics giving papers at conferences or actors sharing performance insights) is predominantly male. In contrast, women are well represented in Shakespeare podcasts. Noting this trend, this Element envisions and urges a feminist podagogy which entails utilizing podcasts for feminism in Shakespeare pedagogy. Through detailed case studies of teaching women characters in Hamlet, A Winter's Tale, The Merchant of Venice, and As You Like It, and through road-tested assignments and activities, this Element explains how educators can harness the functionalities of podcasts, such as amplification, archiving, and community building to shape a Shakespeare pedagogy that is empowering for women. More broadly, it advocates paying greater attention to the intersection of Digital Humanities and anti-racist feminism in Shakespeare Studies.