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Drawing on the lived experiences of high school-aged young Black immigrants, this book paints imaginaries of racialized translanguaging and transsemiotizing, leveraged transnationally by teenagers across the Caribbean and the United States. The Black Caribbean youth reflect a full range of literacy practices – six distinct holistic literacies – identified as a basis for flourishing. These literacies of migration encapsulate numerous examples of how the youth are racialized transgeographically, based on their translanguaging and transsemiotizing with Englishes, both institutionally and individually. In turn, the book advances a heuristic of semiolingual innocence containing eight elements, informed by the Black immigrant literacies of Caribbean youth. Through the eight elements presented – flourishing, purpose, comfort, expansion, paradox, originality, interdependence, and imagination – stakeholders and systems will be positioned to better understand and address the urgent needs of these youth. Ultimately, the heuristic supports a reinscribing of semiolingual innocence for Black Caribbean immigrant and transnational youth, as well as for all youth.
In this introductory chapter, an invitation is provided to begin a journey into the intricacies of Black Caribbean immigrant literacies through the use of Black Panther and Black Panther: Wakanda Forever, as exceptional Black imaginaries already inscribed in the world. Through the adept depiction of racialization and transracialization steeped in the Black experience in the US as juxtaposed against the notion of Black immigrants as a ‘model minority,’ the necessity for examining race in relation to the languaging and semiotizing of Black Caribbean immigrants is outlined. Presenting a brief overview of the emerging global project focused on racialized language, this chapter lays the groundwork for the painting of a compelling portrait of the holistic literacies of Black Caribbean immigrant youth. By signaling the attention to an ultimate positioning of flourishing as a necessary imperative for and alternative to rethinking literacies based on ‘success,’ the chapter concludes with a focus on solidarity between Black Caribbean and other populations as a key impetus for this work.
In this chapter, I synthesize the findings from the study presented in the book. Reflecting on these findings, I then identify and discuss recommendations for instantiating the translanguaging imaginaries of all youth through a reinscribing of semiolingual innocence, sans white gaze, as a potentially vibrant literate characteristic of Black Caribbean immigrant students specifically, and also, of all humans. The scholarly recommendations proposed outline future directions for research that invite intersectionally and transdisciplinary driven investigations into how youth’s holistic literacies across geographies, languages, races, and cultures function as disparate pieces of one interdependent puzzle in the problem-solving necessary to flourish and to design imaginary presents and futures, using the meaning-making undergirding their translanguaging practices. I outline also practical recommendations useful for researchers, teachers, administrators, and policymakers who wish to support Black Caribbean immigrant youth’s holistic literacies. The recommendations proposed also allow all youth whose language and raciosemiotic architecture can allow them, through these holistic literacies, to design translanguaging futures as new beings engaging transraciolinguistically, in solidarity. I conclude with a painting of liberatory Caribbean imaginaries as a version of what this notion of literacy and language teaching and learning might look like and of what it means to embark on a collective return to inonsans jan nwè.
Chapter 3 focuses on some of the signifiers that have long been argued to provide proof for how Punic culture survived and persisted through molk-style rites, especially the “sign of Tanit,” the crescent, and terms like sufete. Instead of continuities, these signs were appropriated and visibly transformed by the new elite of the first century BCE. It was not meanings, significances, or interpretations that bound togther these worshippers from Mauretania to Tripolitania, but rather the signs themselves. Rather than veneers that can be dismissed as epiphenomena, signifiers had the power to create imagined communities, and they did so within a Third Space distinct from the markers of prestige embraced by Numidian kings and Roman authorities.
Chapter 1 introduces the problems to which this book responds and proposes alternative pathways for understanding the archaeology of the Roman Empire. It shows how particular colonial ways-of-knowing continue to shape the stories told of North Africa’s people and their traditions of worship under the Roman Empire, setting these within the binary of “Romanization” or “resistance.” While approaches to the archaeology of other parts of the Roman Empire have begun to embrace New Materialism as a way of moving beyond “Romanization,” this chapter argues that semiotic approaches offer a more productive means of engaging with and explaining the material dimensions of imperial hegemony.
In the two decades since the end of Suharto regime in Indonesia, two apparently distinct public industries have emerged in tandem: gendered forms of religious style, glossed as modest fashion, and legal efforts to hold citizens accountable for theft, glossed as corruption. Many of the most high-profile anti-corruption cases in the past decade have brought these two fields into semiotic interaction, as female defendants increasingly deploy forms of facial cover associated with extreme religious piety to signal humility and shame when appearing in court, in the process complicating the relationship between religious semiotics and criminality. Analyzing how and why these two genres of political communication have intersected in the past decade, and to what effects, requires situating these shifts in the context of dense aesthetic archives in which the spectacularity inherent to fashion resonates with the unique impulses of a post-authoritarian political landscape in which uncovering secrets is especially alluring. I argue that the hermeneutic impulses motivating popular fascination with criminal style, often circulated via social media, open new analyses of the ethical relationship between beauty and justice. Building on the scholarship on transparency and on the human face, I argue that putting gendered religious style at the center of the analytical frame—from religious self-fashioning to court appearances, and as forms of political protest—reveals the ethical impulses behind seeing and being seen, and the faciality of scandal.
This article analyzes the assemblages of humans and other-than-humans that animated the sacred landscape of Cerro de la Virgen, a hilltop site occupied during the Formative period (1800 BC–AD 250) in the lower Río Verde Valley of coastal Oaxaca, Mexico. Commensalism in the region increased markedly in scope and complexity throughout the Formative period, culminating in the region's first polity at AD 100. Feasting practices became relatively standardized, but the placement of objects and bodies in public architecture—a set of collective practices associated with the vital forces that animated the cosmos—varied considerably from site to site during the late Terminal Formative period (150 BC–AD 250). Lower Verde scholars have argued that these idiosyncrasies reflect the myriad collective identities of the region's hinterland communities, a pattern rooted in local affiliations that may have conflicted with an expanding regional identity centered at the urban center of Río Viejo. I augment this discussion by highlighting the role that the materiality of the landscape, present before humans even occupied the region, played in the construction of collective identity. I develop an interpretive approach that pays special attention to Indigenous concepts of ontology, particularly those related to animacy and its transference, and uses the semiosis of American philosopher Charles Peirce to elucidate meaning from deposits of cached objects. The animate qualities assembled through fired clay and chiseled stone at Cerro de la Virgen afforded a ritual pattern that was unique in coastal Oaxaca at the end of the Formative period.
There are three slightly different ways that language and languages can be considered in relation to the idea of assemblage: assemblages as combinations of linguistic items (language assemblages), assemblages as semiotic gatherings (semiotic assemblages) and assemblages as material arrangements that involve language (sociomaterial assemblages). Looking at language in terms of assemblages emphasizes the processes of communication as people draw on varied resources to make meaning. The notion of semiotic assemblages opens up ways of thinking that focus not so much on language use in particular contexts – as if languages pre-exist their instantiation in particular places – but rather on the ways in which particular assemblages of objects, linguistic resources and places come together. This is to approach language not as a pregiven or circumscribed entity but rather as something that is constantly being put together from a range of semiotic and resources. Sociomaterial assemblages similarly focus on things and places in relation to linguistic resources and consider language to be embodied, embedded and distributed, where language is not so much an abstract system of signs as changing sets of material relations.
Emoji are a significant development in contemporary communication, deserving serious attention for their impact on both language use and society. Based on original mixed-methods research, this timely book focuses on emoji literacy across the healthcare landscape, with emphasis on how they are employed in healthcare worker and patient education. It situates emoji within a semioliteracy theoretical framework and presents the findings of a mixed methods study of emoji use as a literacy tool in a health professions course. Drawing on real-life case studies, it explores emoji literacy across a range of public health education contexts including doctor-to-industry, patient-to doctor, doctor-to-patient, and healthcare providers/CDC to global audience. It also advances a broader argument about the role of emoji in a paradigm shift of communication in education. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
This chapter offers a toolbox of Methods for Gesture Analysis (MGA). Developed in the context of research on emerging protolinguistic structures in cospeech gestures, the present version of MGA differs from earlier publications (Bressem, Ladewig, Müller 2013; Bressem 2013) in offering sets of tools for gesture analysis that adapt flexibly to different research questions. Essential starting points for MGA are an understanding of hand gestures as temporal forms embedded in a dynamically unfolding context and an understanding of context that itself varies with the adopted framework. The baseline for any chosen tool is a microanalysis that entails some account of the form of the gesture (as temporal form), i.e. ‘form analysis’,and some analysis of how a gesture, a sequence of gestures, a multimodal sequence is placed in a given temporally unfolding context-of-use, i.e. context-analysis. Macroanalyses of gesture dynamics are briefly introduced. MGA offers a toolbox with a flexible set of tools that encourages critical reflection on the insight that can be gained from analyzing gestures in multimodal communication and interaction.
Geneviève Calbris’ semiotic study of French gestures began in the 1970s and shows how gestural signs interface between the concrete and the abstract. Created by analogical links originating in physical experience of the world via processes of mimesis and metonymy, they are activated by contexts of use and constitute diverse semantic constructions: Gesture is able to evoke several notions alternatively (polysemy) or simultaneously (polysign). As expressions of perceptual schemas extracted from physical experience, they prefigure concepts. A Saussurean perspective brings to light relations between physical features of gestures (signifiers) and the notions (signifieds) they are apt to evoke; it reveals signifiers that are common to different gestures (paradigmatic axis of substitution) and how signifiers interweave in gestural sequencing (syntagmatic axis of combination). Gesture expresses, animates, explains, synthesizes information, and anticipates speech. We highlight its utterance functions, its simultaneous multireferentiality, the gestural anticipation of verbal information, and the interplay of tension-relaxation between conversation partners that this can create.
Astrobiocentrism is a vision that places us in a scenario of confirmation of life in the universe, either as a second genesis or as an expansion of humanity in space. It manages to raise consistent arguments in relation to questions such as what would happen to knowledge if life were confirmed in the universe, how would this change the way we understand our place in the cosmos? Astrobiocentrism raises a series of reflections in the context of confirmed discovery, and it develops concepts that work directly with what would happen after irrefutable evidence has been obtained that we are not alone in space. Unlike biocentrism or ecocentrism, the astrobiocentric view is not limited to the Earth-centric perspective, and for it incorporates a multi-, inter- and transdisciplinary understanding. Therefore, the aim of this paper is to make a reflection on the astrobiocentric issues related to the challenges and problems of the discovery of life in the universe and the expansion of mankind into space. Here we explore some aspects of the transition from biogeocentrism to astrobiocentrism, astrobiosemiotics, homo mensura, moral community, planetary sustainability and astrotheology.
Between the sixth and eighth centuries CE, the image emerged as a rhetorical category in religious literature produced in the Mediterranean basin. The development was not a uniquely Christian phenomenon. Rather, it emerged in the context of broader debates about symbolic forms that took place across a wide range of ethnic, linguistic, and religious groups who inhabited the late Roman and early Byzantine world. In this book, Alexei Sivertsev demonstrates how Jewish texts serve as an important, and until recently overlooked, witness to the formation of image discourse and associated practices of image veneration in late antiquity and the early Middle Ages. Addressing the role of the image as a rhetorical device in Jewish liturgical poetry, Sivertsev also considers the theme of the engraved image of Jacob in its early Byzantine context and the aesthetics of spaces that bridge the gap between the material and the immaterial in early Byzantine imagination.
The chapter explores the anxious cultural construction of women as intergenerational mediators that emerges from several epistles in Pliny’s collection (3.3 and 4.19; 4.2 and 4.7; 2.7 and 3.10). At once expected to be bearers of their father’s imprint and vehicle for the transmission of their husband’s identity, Roman women were the object of a discourse in which notions of biological filiation significantly intersected with issues of artistic reproduction and literary allusion. Building a typology of intra-, inter-, extra-, and alter-textual relations which connect Pliny’s topic and diction to relevant passages in Martial (6.37 and 38) and Tacitus (Dial. 28-29), my argument illuminates some crucial, common semiotic practices in his age.
The article reconsiders the notion of strategic culture using fundamental categories of general and social semiotics, which make it possible to systematise and instrumentalise this concept while preserving its broad scope. The proposed framework suggests a relationalist reconceptualisation of strategic culture based on Charles Peirce's semiotic theory, thereby helping to transcend the existing controversy about how culture-as-ideas, culture-as-artefacts, and culture-as-behaviour are related to each other in strategic culture. The suggested approach helps to clarify the problematic aspects of the notion of strategic culture by redefining strategic culture as a logonomic system (a system of rules of meaning-making) that constrains interactions in strategic affairs. Such reconceptualisation helps to study how strategic cultures are reproduced not only through verbal discourse but also through other artefacts and actions. Semiotic categories also make it possible to account for important distinctions between various elements of strategic culture and formulate principles that can guide the studies of this phenomenon. The article provides some examples from the Russian strategic culture to demonstrate how the proposed framework can be applied.
8. From early formulations of this theory, Moscovici viewed ‘meaning’ and ‘knowledge’ as semiotic processes and expressed them as a triadic model in two formulations. The two formulations of the triadic model are complementary. First, in the figurative equation ‘representation = figure/signification’, Moscovici foregrounded the infinite meaning- and knowledge-making processes of social representations through objectification and anchoring. The figurative equation can be represented as a triad involving representation, figure, and signification. Both Peirce’s and Moscovici’s triadic models form wholes in which their elements are linked in and through indivisible relations. Signs and symbols are expressed through various means, among which name-giving is particularly notable. Changing the name implies a symbolic effort to change the identity of the bearer of that name and signifies the Self’s attempt to belong to a group or to specific Others. Divergencies between ‘meanings’ and ‘knowledge’ in professional practices have the potential to inspire intervention practices in fields such as health, education, and therapies.
The second formulation of the triadic model is expressed in the Ego–Alter–Object, which refers to the theory of social representations and communication as a theory of social knowledge.
This chapter provides a critical review of the blossoming of Linguistic Landscape (LL) as a research field in the early 21st century. Arguing that the LL itself is at least as old as written language, the chapter examines the multiple sources of contemporary LL research in such fields as onomastics, the visual arts, language policy and planning, and examinations of the social and linguistic outcomes of multilingualism, globalisation, and population movement. The chapter argues that the field of LL research did not stem from any one source, but instead developed from bringing together researchers from different interests and parts of the world. The chapter reviews terminology in the field from English and French, and argues for the use of LL as one which is broad enough to include a wide range of modes of expressing meaning, but retains a focus on language that gives it a distinct conceptual identity.
The problem of plastic waste in research laboratories is a significant one, with an estimated 5.5 million tonnes generated annually worldwide. Reusable labware has the potential to reduce this waste significantly, but the design of such products must take into account quality assurance to guarantee the accuracy of experiments. Insights were gathered through the generation of an overview of the available techniques for verifying labware after use and decontamination. As during different design cycles verification of prototypes is needed, these techniques were evaluated and translated to be applicable in the specific context of a design lab. Therefore, this study presents a protocol which can be used as a verification tool while designing safe, reusable labware for chemical laboratories. This protocol consists of four different steps: (i) visual inspection, (ii) mass & size comparison, (iii) leak test, and (iv) chemical stability test.
This study considers the 'three sub-abilities' that constitute the abstraction ability and focuses on drawing as an education for acquiring them. Focusing on the similarity between the process of drawing and the semiotic triangle, elucidating their relationship with the sub-abilities that constitute the abstraction ability, it devises a drawing education programme that focuses on 'observing' rather than 'drawing'. The drawing education programme formulated is implemented on 177 students, and the result is determined using tests that enable objective evaluation to prove the effectiveness of the program in helping students acquire the 'three sub-abilities' that constitute the abstraction ability.
The educational programme proposed in this research, which focuses on the universality of the effects of learning drawing, as well as the quantitative criteria for evaluating it, will contribute to familiarize practical education in the field of art to the general public.
This study examines twenty years of data about Vladimir Putin's ritualized encounters with icons as a form of symbolic political discourse on the “sacred” that ultimately devolved into Russia's violent escalation of the Russo-Ukraine War in February 2022. Theories of semiotics, the sacred, and studies on iconography reveal patterns of carefully curated engagement with the sacred images that draw on historical relationships among religiosity, power, and violence in Russia. The analysis shows how semiotic signalling through iconographical forms allow Putin to sacralize and strengthen his leadership within the sphere of domestic politics. It demonstrates how Putin's interaction with icons during annual visits to regional Christmas services re-sacralized Russian territory and reinforced national security priorities to a domestic audience. Turning to the international stage, this essay shows how Putin's “icon diplomacy” establishes “sacred” space beyond Russia's national borders. The metaphor of the iconographical image is realized in Ukraine, as both sides struggle to control the narrative of the sacred. The study demonstrates the relationship between violence and the sacred as it pertains to Putin's political lexicon and the importance of understanding this relationship in order to fathom his language of icons.