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Shakespeare's Reading Audiences
  • Shakespeare's Reading Audiences
  • Early Modern Books and Audience Interpretation
  • Cyndia Susan Clegg
  • Published online: 13 July 2017
  • Print publication: 26 June 2017
  • View description
    This study grows out of the intersection of two realms of scholarly investigation - the emerging public sphere in early modern England and the history of the book. Shakespeare's Reading Audiences examines the ways in which different communities - humanist, legal, religious and political - would have interpreted Shakespeare's plays and poems, whether printed or performed. Cyndia Susan Clegg begins by analysing elite reading clusters associated with the Court, the universities, and the Inns of Court and how their interpretation of Shakespeare's Sonnets and Henry V arose from their reading of Italian humanists. She concludes by examining how widely held public knowledge about English history both affected Richard II's reception and how such knowledge was appropriated by the State. She also considers The Merry Wives of Windsor, Henry V, and Othello from the point of view of audience members conversant in popular English legal writing and Macbeth from the perspective of popular English Calvinism.
  • The 1559 Books of Common Prayer and the Elizabethan Reformation
  • CYNDIA SUSAN CLEGG
  • Journal: The Journal of Ecclesiastical History / Volume 67 / Issue 1 / January 2016
  • Published online by Cambridge University Press: 18 December 2015, pp. 94-121
  • Print publication: January 2016
  • View abstract

    The 1559 Book of Common Prayer printed by Richard Grafton has been dismissed by bibliographers, who have suggested that Grafton printed it as ‘agent for Jugge and Cawood’ (the Queen’s Printers) and ‘improperly put his name in the imprint’. Relying on evidence from a 1559 Grafton prayer book in the collection of Corpus Christi College, Oxford, which contains the signatures of members of Elizabeth i’s Privy Council that can be dated prior to the opening of Elizabeth’s Reformation Parliament, this article argues not only that Grafton’s Book of Common Prayer was legitimate (indeed ‘authorised’), but also that it may have been printed in a limited edition, perhaps to be circulated in association with the Bill for Uniformity.

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