This essay set out to explore the paradox of the Middle Eastern woman. The dichotomy of concealment vs. display is a stereotype in western culture and a function of sexual division in modern Arabian society. From the Saudi point of view, seclusion is necessary in the public domain whereas in the private domain display is appropriate. Private space is usually female space. It logically follows that belly dancing, a display mechanism, is done in female space by females for other females when the audience includes nonkin.
In the college community, “proper” belly dancing (as defined by the Saudi subgroup of the community Dhahran) can take place only under certain cultural conditions. When constraints break down, both the style and the message change. There are two alternative explanations for the aberrant performance. It may be considered (1) a simple example of deviance, i.e., a violation of the rules, or (2) an example of culture change in mental notions and hence “airport art.” No attempt has been made to assign priority to either explanation or to say that one is more correct. Deviance compounded and perpetuated is culture change. Also, it is necessary to remember that in a multicultural community the same behavior may be categorized differently by different subgroups. Little is to be gained, except, perhaps, a false simplification of the data, by assigning priority to either of the analytical or folk interpretations.