Sir Charles Fellows writes on p. 503 of Travels and Researches:— ‘On the plain at the foot of the elevation upon which the city Xanthos was placed, we disinterred the remains of a mausoleum. In this room, which had vaults beneath, stood four sarcophagi, raised upon pedestals. … I have collected the fragments of each sarcophagus.’ The four sarcophagi are in the British Museum and are described in Vol. II of the Catalogue of Sculpture, nos. 957–960. As far as I am aware, there is no other reference to any of them in archaeological literature. Their obscurity in the Museum (no. 957 in the Mausoleum Room Annexe, the other three in the Sepulchral Basement), and also their association in the Catalogue with older, Greek sculptures have combined to withdraw attention from them. It can be readily understood that amid masterpieces of the archaic and classical periods these sadly fragmentary remains of late art failed to attract the eye. To-day, when sarcophagi are recognised as material of fundamental importance for the artistic and cultural history of the provinces of the Roman Empire, it seems appropriate to reconsider these fragments; for their provenience is certain and identical, and they present some new features to our study.