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12 - To Heal a Nation: Performance and Memorialisation in the Zone of Non-Being
- from PART FOUR - SUPPRESSED HISTORIES AND SPECULATIVE FUTURES
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- 01 February 2019, pp 267-285
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4 - The Impossibility of Curating Live Art
- from PART ONE - LIVE ART IN A TIME OF CRISIS
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- 01 February 2019, pp 82-104
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References
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- In India and East Africa / E-Indiya Nase East Africa
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Notes on the Original and the Translation
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Contributors
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6 - ‘A Different Kind of Inhabitance’: Invocation and the Politics of Mourning in Performance Work by Tracey Rose and Donna Kukama
- from PART TWO - LOSS, LANGUAGE AND EMBODIMENT
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9 - don't get it twisted: queer performativity and the emptying out of gesture
- from PART THREE - RETHINKING THE ARCHIVE, REINTERPRETING GESTURE
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Chapter 4
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Chapter 6
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PART THREE - RETHINKING THE ARCHIVE, REINTERPRETING GESTURE
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8 - Space is the Place and Place is Time: Refiguring the Black Female Body as a Political Site in Performance
- from PART TWO - LOSS, LANGUAGE AND EMBODIMENT
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2 - Upsurge
- from PART ONE - LIVE ART IN A TIME OF CRISIS
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Contents
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11 - Effigy in the Archive: Ritualising Performance and the Dead in Contemporary South African Live Art Practice
- from PART THREE - RETHINKING THE ARCHIVE, REINTERPRETING GESTURE
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Networks of Solidarity: D.D.T. Jabavu’s Voyage to India
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Acts of Transgression
- Contemporary Live Art in South Africa
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10 - Performing the Queer Archive: Strategies of Self-Styling on Instagram
- from PART THREE - RETHINKING THE ARCHIVE, REINTERPRETING GESTURE
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Contents
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7 - State of Emergency: Inkulumo-Mpendulwano (Dialogue) of Emergent Art When Ukukhuluma (Talking) is Not Enough
- from PART TWO - LOSS, LANGUAGE AND EMBODIMENT
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15 - Performance in Biopolitical Collectivism: A Study of Gugulective and iQhiya
- from PART FOUR - SUPPRESSED HISTORIES AND SPECULATIVE FUTURES
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