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2 - Nasty Women: Female Anger as Moral Judgment in Grete Minde and Effi Briest
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- Fontane in the Twenty-First Century
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- 31 August 2019
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- 24 May 2019, pp 31-47
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Part One - Maintaining Early Modern Models
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- Dedicating Music, 1785–1850
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- 03 September 2019
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- 20 May 2019, pp 39-40
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Dedication
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- Dedicating Music, 1785–1850
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- 03 September 2019
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- 20 May 2019, pp v-vi
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List of Illustrations
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- Dedicating Music, 1785–1850
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- 03 September 2019
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- 20 May 2019, pp ix-x
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1 - Gifting a Commodity
- from Part One - Maintaining Early Modern Models
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- Dedicating Music, 1785–1850
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Epilogue: Dedications and Romanticism
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- Dedicating Music, 1785–1850
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- 20 May 2019, pp 174-180
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4 - Influence, Arrangement, and Authorship
- from Part Two - Commodifying the Composer
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- Dedicating Music, 1785–1850
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Index
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- Dedicating Music, 1785–1850
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Frontmatter
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- Dedicating Music, 1785–1850
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2 - Selling a Gift
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- Dedicating Music, 1785–1850
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Introduction: Encountering Dedications
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- Dedicating Music, 1785–1850
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3 - Sociability and Celebrity
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- Dedicating Music, 1785–1850
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Part Two - Commodifying the Composer
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- Dedicating Music, 1785–1850
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Bibliography
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- Dedicating Music, 1785–1850
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- 20 May 2019, pp 219-234
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Notes
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- Dedicating Music, 1785–1850
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Acknowledgments
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- Dedicating Music, 1785–1850
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- 20 May 2019, pp xi-xii
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Contents
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- Dedicating Music, 1785–1850
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Appendix: Dedicatory Epistles
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- Dedicating Music, 1785–1850
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![](http://static.cambridge.org/content/id/urn:cambridge.org:id:book:9781787444478/resource/name/9781787444478i.jpg)
Dedicating Music, 1785–1850
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- 20 May 2019
34 - Crying Woolf
- from PART VI - SAFE AND SECURE? 1965–2018
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- Shades of the Prison House
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- 10 September 2019
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- 17 May 2019, pp 483-495
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