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Part IV - Post-Tridentine Piety: The Devout Cardinal
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Conclusion: Cardinal Portraits beyond Italy
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- 28 August 2021, pp 341-342
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Acknowledgements
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Part II - Divided Loyalties: Venice and Rome
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Plate Section
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Part III - Collecting and Display: Portraits and Worldly Goods
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5 - The Role of Cardinals’ Portraits in Venice: The Case of the Grimani Family and Some Thoughts on the Correr MS Morosini Grimani 270
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Abbreviations
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6 - Role Playing: Cardinals in Historical Action in Leandro Bassano’s Honorius III Approving the Rule of St. Dominic in 1216 and the War of the Interdict
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11 - Two Cardinal Portraits by Scipione Pulzone in the Harvard Art Museums and their Related Versions
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3 - Visual and Verbal Portraits of Cardinals in Fifteenth-Century Florence
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13 - Portraying the Ideal Spanish Tridentine Prelate
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4 - Dead Ringers: Cardinals and their Effigies, 1400–1520
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Frontmatter
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Index
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2 - The Early Modern Cardinal: An Historical Appraisal
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Contents
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1 - Portraying the Princes of the Church
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7 - Renaissance Cardinals and Pontifical Mules
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10 - Group Portraits of Cardinal Bembo and his Friends in the Wake of Trent
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