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Appendix A: The Evolution of the ‘Origines’
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7 - Playing (in) the Streets: Games and Adaptation in The Merchant of Venice
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Part III
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Acknowledgments
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Acknowledgements
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Dedication
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8 - The Moods of Gamification in The Tempest
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5 - Playing with Paradoxes in Troilus and Cressida
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11 - Shakespeare, Game, and Play in Digital Pedagogical Shakespeare Games
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Introduction
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Illustrations
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Dedication
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- Neurofilmology of the Moving Image
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IV - Impact: Experiencing the unrepresentable
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VI - Drift: Ungraspable environments
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III - Fall: Descent to equilibrium
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Contents
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Neurofilmology of the Moving Image
- Gravity and Vertigo in Contemporary Cinema
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Filmography
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V - Overturning: Upside-down dissimulations
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Acknowledgements
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