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2 - Gardens of the Gods : Classical Revival, Intermedi, Early Opera and the Idea of Nature
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- Landscape and the Arts in Early Modern Italy
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- 20 April 2022, pp 45-80
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3 - From the Workshop of the Film Form to Martial Law : On the Intersecting and Bifurcating Paths of Paweł Kwiek’s and Józef Robakowski’s Cinematographic Work in the 1970s and the 1980s
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- Experimental Cinemas in State-Socialist Eastern Europe
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- 20 April 2022, pp 77-100
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Introduction
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- 20 April 2022, pp 11-32
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Index
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- 20 April 2022, pp 287-292
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10 - Intersections of Art and Film on the Wrocław Art Scene, 1970–80
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- 20 April 2022, pp 245-264
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6 - Home Movies and Cinematic Memories: Fixing the Gaze on Vukica Đilas and Tatjana Ivančić
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- 20 April 2022, pp 151-174
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Introduction
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11 - Conceptual Artist, Cognitive Film: Miklós Erdély at the Balázs Béla Studio
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Experimental Cinemas in State-Socialist Eastern Europe
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5 - The Polish Educational Film Studio and the Cinema of Wojciech Wiszniewski
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4 - Amateur Cinema in Bulgaria
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- 20 April 2022, pp 103-124
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Index
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- 20 April 2022, pp 329-334
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8 - Performing in the Parrhasian Grove : Green Theatres and the Academies
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2 - Circles, Lines, and Documentary Designs : Tomislav Gotovac’s Belgrade Trilogy
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Contents
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7 - Alone in the Cinemascope
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Bibliography
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Frontmatter
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3 - The (Singing) Figure in the Landscape
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Landscape and the Arts in Early Modern Italy
- Theatre, Gardens and Visual Culture
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- 20 April 2022