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2 - Hearing Gershwin’s New York
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- The Cambridge Companion to Gershwin
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- 02 August 2019
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- 22 August 2019, pp 16-28
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2 - State and Individual in Political Thought
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- The Cambridge Companion to Nineteenth-Century Thought
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- 08 June 2019
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- 22 August 2019, pp 8-30
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14 - The Afterlife of Rhapsody in Blue
- from Part III - Influence and Reception
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- 02 August 2019
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- 22 August 2019, pp 246-260
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7 - Capitalism and Its Critics
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- 22 August 2019, pp 123-140
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Figures
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- The Cambridge Companion to Gershwin
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- 22 August 2019, pp xi-xi
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9 - Social Darwinism
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- 22 August 2019, pp 163-183
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12 - The Coverage of Gershwin in Music History Texts
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- 22 August 2019, pp 221-234
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6 - Broadway in Blue: Gershwin’s Musical Theater Scores and Songs
- from Part II - Profiles of the Music
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- 22 August 2019, pp 80-101
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Index
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- 22 August 2019, pp 255-262
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4 - Philosophy in the Wake of Hegel*
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- 22 August 2019, pp 51-71
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Part III - Influence and Reception
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- 22 August 2019, pp 219-297
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8 - Individuality, the Self and Concepts of Mind
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- 22 August 2019, pp 141-162
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4 - Gershwin in Hollywood
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- 22 August 2019, pp 43-56
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10 - Complexities in Gershwin’s Porgy and Bess: Historical and Performing Contexts
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- 22 August 2019, pp 182-196
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9 - Exploring New Worlds: An American in Paris, Cuban Overture, and Porgy and Bess
- from Part II - Profiles of the Music
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- 22 August 2019, pp 153-181
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1 - Introduction
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Music Examples
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- 22 August 2019, pp xiii-xiii
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11 - Writing for the Big Screen: Shall We Dance and A Damsel in Distress
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- 22 August 2019, pp 197-218
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Preface
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Acknowledgements
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- 22 August 2019, pp xi-xii
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