Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-76fb5796d-22dnz Total loading time: 0 Render date: 2024-04-30T04:53:24.939Z Has data issue: false hasContentIssue false

Reading List

Published online by Cambridge University Press:  16 August 2019

William Shakespeare
Edited by
Ann Thompson
Ann Thompson
Affiliation:
King's College London
Get access
Type
Chapter
Information
The Taming of the Shrew , pp. 207 - 209
Publisher: Cambridge University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Aspinall, Dana E. (ed.). ‘The Taming of the Shrew’: Critical Essays, 2002Google Scholar
Baskerville, C. R. The Elizabethan Jig and Related Song Drama, 1929Google Scholar
Berry, Ralph. Shakespeare’s Comedies, 1972Google Scholar
Boose, Lynda E. ‘Scolding brides and bridling scolds: taming the woman’s unruly member’, SQ 42 (1991), 179–213Google Scholar
Boose, Lynda E. ‘The Taming of the Shrew: good husbandry and enclosure’, in McDonald, Russ (ed.), Shakespeare Reread: The Texts in Modern Contexts, 1994, 193–225Google Scholar
Bradbrook, M. C. ‘Dramatic role as social image: a study of The Taming of the Shrew’, SJ 94 (1958), 132–50Google Scholar
Brunvand, Jan Harold. ‘The folktale origin of the The Taming of the Shrew’, SQ 17 (1966), 345–59Google Scholar
Brunvand, Jan Harold. ‘The Taming of the Shrew: A Comparative Study of Oral and Literary Versions’, unpublished Ph.D. thesis, Indiana University, 1961Google Scholar
Brunvand, Jan Harold. ‘The Taming of the Shrew’: A Comparative Study of Oral and Literary Traditions, 1991Google Scholar
Callaghan, Dympna (ed.). The Taming of the Shrew (Norton Critical Edition), 2009Google Scholar
Cooper, Marilyn M. ‘Implicature, convention and The Taming of the Shrew’, Poetics 10 (1981), 1–14CrossRefGoogle Scholar
Daileader, Celia, and Taylor, Gary (eds.). John Fletcher: The Tamer Tamed, or The Woman’s Prize, 2006Google Scholar
Dupuis, Margaret, and Tiffany, Grace (eds.). Approaches to Teaching Shakespeare’s ‘The Taming of the Shrew’, 2013Google Scholar
Dusinberre, Juliet. Shakespeare and the Nature of Women, 1975Google Scholar
Dusinberre, Juliet. Shakespeare and the Nature of Women, 1975; 3rd edition, 2003Google Scholar
Duthie, G. I. ‘The Taming of a Shrew and The Taming of the Shrew’, RES 19 (1943), 337–56Google Scholar
Gay, Penny. ‘The Taming of the Shrew: avoiding the feminist challenge’, in As She Likes It: Shakespeare’s Unruly Women, 1994, 86–119Google Scholar
Greenfield, Thelma N. The Induction in Elizabethan Drama, 1969Google Scholar
Haring-Smith, Tori. From Farce to Metadrama: A Stage History of ‘The Taming of the Shrew’, 1594-1983, 1985Google Scholar
Harvey, Nancy Lenz. ‘The Taming of the Shrew’: An Annotated Bibliography, 1994Google Scholar
Heilman, Robert B. ‘The Taming untamed, or the return of the shrew’, MLQ 27 (1966), 147–61Google Scholar
Hibbard, G. R. The Making of Shakespeare’s Dramatic Poetry, 1981Google Scholar
Hodgdon, Barbara (ed.). The Taming of the Shrew (Arden Edition), 2010Google Scholar
Hodgdon, Barbara. ‘Katherina bound, or play(K)ating the strictures of everyday life’, in The Shakespeare Trade: Performances and Appropriations, 1998, 1–38Google Scholar
Holderness, Graham. ‘The Taming of the Shrew’ (Shakespeare in Performance), 1989Google Scholar
Hosley, Richard. ‘The formal influence of Plautus and Terence’, in Brown, J. R. and Harris, B. (eds.), Elizabethan Theatre, 1966, 131–45Google Scholar
Hosley, Richard. ‘Shakespeare’s use of a gallery over the stage’, S. Sur. 10 (1957), 77–89Google Scholar
Hosley, Richard. ‘Sources and analogues of The Taming of the Shrew’, HLQ 27 (1963–4), 289–308. Reprinted in the Signet Shrew, ed. Heilman, R. B., 1966, 186–208Google Scholar
Hosley, Richard. ‘Was there a dramatic epilogue to The Taming of the Shrew?’, SEL 1 (1961), 17–34Google Scholar
Kahn, Coppélia. Man’s Estate: Masculine Identity in Shakespeare, 1981Google Scholar
Kamaralli, Anna. Shakespeare and the Shrew: Performing the Defiant Female Voice, 2012CrossRefGoogle Scholar
Leggatt, Alexander. Shakespeare’s Comedy of Love, 1974Google Scholar
Lenz, Carolyn Ruth et al. (eds.), The Woman’s Part: Feminist Criticism of Shakespeare, 1980Google Scholar
Marcus, Leah S. ‘The editor as tamer: A Shrew and The Shrew’, in Unediting the Renaissance: Shakespeare, Marlowe, Milton, 1996, 101–31Google Scholar
McMillin, Scott. ‘Casting for Pembroke’s Men: the Henry 6 quartos and The Taming of a Shrew’, SQ 23 (1972), 141–59Google Scholar
Miller, Stephen Roy (ed.). The Taming of A Shrew (Cambridge Early Quartos), 1998Google Scholar
Mincoff, M. ‘The dating of The Taming of the Shrew’ ES 54 (1973), 554–65Google Scholar
Nevo, Ruth. Comic Transformations in Shakespeare, 1980Google Scholar
Newman, Karen. ‘Renaissance family politics and The Taming of the Shrew’, in Fashioning Femininity and English Renaissance Drama, 1991, 33–50Google Scholar
Novy, Marianne L. ‘Patriarchy and play in The Taming of the Shrew’, ELR 9 (1979), 264–80Google Scholar
Pinciss, G. M. ‘Shakespeare, Her Majesty’s Players, and Pembroke’s Men’, S.Sur. 27 (1974), 129–36CrossRefGoogle Scholar
Praz, Mario. ‘Shakespeare’s Italy’, S.Sur. 7 (1954), 95–106Google Scholar
Righter, Anne. Shakespeare and the Idea of the Play, 1962Google Scholar
Rutter, Carol. ‘Kate: interpreting the silence’, in Clamorous Voices: Shakespeare’s Women Today, 1988, 1–25Google Scholar
Salingar, Leo. Shakespeare and the Traditions of Comedy, 1974Google Scholar
Schafer, Elizabeth. ‘The Taming of the Shrew’, in MsDirecting Shakespeare: Women Direct Shakespeare, 1998, 57–72Google Scholar
Schafer, Elizabeth (ed.). The Taming of the Shrew (Shakespeare in Production), 2002Google Scholar
Seronsy, Cecil C. ‘“Supposes” as the unifying theme in The Taming of the Shrew’, SQ 14 (1963), 15–30Google Scholar
Smith, Bruce R. Shakespeare and Masculinity, 2000CrossRefGoogle Scholar
Stone, Lawrence. The Family, Sex and Marriage in England 1500–1800, 1977Google Scholar
Thompson, Ann. ‘Feminist theory and the editing of Shakespeare: The Taming of the Shrew revisited’, in Greetham, D. C (ed.), The Margins of the Text, 1997, 83–103Google ScholarGoogle Scholar
Tyler, Anne. Vinegar Girl, 2016Google Scholar
Wentersdorf, Karl P. ‘The origin and personnel of the Pembroke company’, Theatre Research International 5 (1980), 45–68Google Scholar
Wentersdorf, Karl P. ‘The original ending of The Taming of the Shrew: a reconsideration’, SEL 18 (1978), 201–15Google Scholar
Werner, Sarah. ‘The Taming of the Shrew: a case study in performance criticism’, in Shakespeare and Feminist Performance: Ideology on Stage, 2001, 69–95Google Scholar
Wootton, David, and Holderness, Graham (eds.). Gender and Power in Shrew-Taming Narratives, 1500-1700, 2010Google Scholar
Wynne-Davies, Marion (ed.). ‘Much Ado About Nothing’ and ‘The Taming of the Shrew’ (New Casebooks), 2001Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×